Lifestyle
'House of the Dragon' Season 2 finale: Before dragons dance, they gotta stretch
Daemon (Matt Smith) sissies that walk.
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This is a recap of the most recent episode of HBO’s House of the Dragon. It contains spoilers. That’s what a recap is.
Credits! And a pretty sizable amount of thread is newly devoted to the Red Sowing – last week’s dragonrider recruitment drive. (Red Sewing joke goes here.)
On behalf of Team Green, Tyland Lannister meets with representatives of the Triarchy (sing along with me: the Free Cities of Myr, Lys and Tyrosh, which lie on, or just off, the continent of Essos across the Narrow Sea). They agree to give him an armada of 100 warships to break Rhaenyra’s blockade of the bay in exchange for control of the Stepstones – the same place they fought Daemon and Corlys for control over, back in season one. But they will only do so if Tyland can best their admiral, Sharako Lohar, in a mud fight. High stakes diplomacy meets Stripes.
On an overlook above the town of Sharp Point, Aemond regards its burning ruins, which he’s just had Vhagar flick her Bic at. Sharp Point lies at the tip of a peninsula sticking up into Blackwater Bay, not too far from the islands of Driftmark and Dragonstone. Which is important, because, as predicted, Aemond didn’t deal well with getting chased away by Rhaenyra’s new dragons last week and has immediately taken it out on the nearest thing he could, which in this case is the entire populace of the Westerosi equivalent of Provincetown. Aemond looks upon his handiwork with smug satisfaction, although in fairness that’s kind of just his face.
Larys, whose official title is Master of Whisperers but could easily be Guy Who Can Read The Writing on the Damn Wall or Dude Whose Like Entire Gig is Knowing Which Way the Wind’s Blowing, tells a bedridden King Aegon that they need to leave King’s Landing yesterday. There’s a fun bit of back and forth between them, as Larys tries to sell Aegon on running away to Essos and waiting it all out, only to one day return in glory. But Aegon, always a creature of carnal appetites, can’t see past the damage that’s been done to his body, which he describes in such detail it’ll put you off sausage breakfast sandwiches for a week.
Larys (Matthew Needham) tells Aegon (Tom Glynn-Carney) to put his best foot forward.
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Liam Daniel/HBO
Let’s check in on Rhaena for an update: Desperately seeking dragon. Still. Again. Some more.
On Dragonstone, Jacaerys happens upon Ulf and Hugh. Ulf behaves like the Shakesperian comic character he’s written to be, and gets a little overfamiliar with the Prince, lumping himself in with him overtheir shared ability to ride dragons and have brown hair. Hugh, who’s used to being looked down upon by royals, attempts to smooth things over.
We’re all born naked; the rest is dragon
Over on Driftmark, Rhaenyra asks Corlys for any intel on Addam, but he’s not forthcoming. “I’ve had little to do with him,” he says, speaking truthfully. We get a helpful new dragoncount, if you need to update your Dance of the Dragons Scorecard. Rhaenyra’s got six. Aemond has only Vhagar, and two others: The dragon Tessarion, belonging to the oft-mentioned-but-not-yet-seen Daeron Targaryen off in Oldtown, on the other side of the continent. But Tessarion is very young and untested. There’s also Dreamfyre – she’s fierce, and almost 100 years old. But she belongs to Queen Helaena, who doesn’t ride her often.


Rhaenyra makes some noises about hoping her dragon advantage will act as a deterrent, so she won’t have to go to war. Still, she says this. After everything that’s happened, if you can believe it. Because I’m not certain I can.
Over at Harrenhal, the Riverlords armies are mustering, and Daemon is doing a West(eros) Wing walk-and-talk with Ser Alfred Broome. You remember him – he was the pouty jamoke on Rhaenyra’s Small Council who was always second-guessing her, so she sent him off to check in on Daemon.
In the weirwood courtyard, Ser Alfred tells Daemon that he has the support he needs to overthrow Rhaenyra and declare himself king. Which, if you haven’t been following SIX! EPISODES! worth of frustratingly repetitive dream-visions, is something that Daemon wants. Or does he? Daemon’s reaction is unreadable. This whole exchange was witnessed, Polonius-behind-the-arras-like, by a lurking Ser Simon Strong.
Aemond (Ewan Mitchell) and Alicent (Olivia Cooke) don’t see eye to eye.
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Alicent has returned from last week’s aimless (pointless?) touch-grass walkabout to talk soothingly and motherly to Helaena. Just then, Aemond swoops in to demand Helaena mount up Dreamfyre and head to the front. Alicent attempts to shame him for turning Sharp Point into Smoky Stub in a fit of pique. She tells him they’re better than that, though I’d be surprised if she still manages to believe it.
Criston Cole (Fabien Frankel) mopes like his s’more fell into the fire.
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Theo Whiteman/HBO
On the road from King’s Landing to Harrenhal, Criston Cole is even mopier and moonier than baseline. He’s told Ser Gwayne that he’s slept with his sister the Queen, and Gwayne’s anger causes Criston to wax faux-poetic about honor and desire and dragons. “We march towards our annihilation,” he says. And millions of TV viewers whisper “From your mouth…” in unison.
On Dragonstone, Rhaenyra hosts a dinner party for her dragonriders, both old (Jacaerys and Baela) and new (Addam, Hugh and Ulf). Ulf has the table manners of the Steward of Gondor. She informs them that they will attack the Green strongholds of Oldtown (seat of House Hightower) and Lannisport (seat of House Lannister) in two days’ time.
But just as Ulf is ramming still another squab down his gullet, a raven from our precious, precious jewel Ser Simon Strong informs Rhaenyra that Daemon might be turning on her.
“I would like to propose a toast!” Rhaenyra (Emma D’arcy) launches into “Ladies Who Lunch” as her dragonriders look on.
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Daemon come and me wanna go home
At Harrenhal, Daemon follows Alys Rivers to the godswood, where he places his hand on a weirwood tree, which proceeds to weep sap all over him. He gets a series of visions very like what ol’ Bran McGuffin Stark used to get on Game of Thones. Greensight, it’s called, if you need to check the wiki.

The visions are familiar to GoT watchers: The three-eyed raven, the red comet, Daenerys and her three dragons, the White Walkers. But there’s a new bit: Rhaenyra, sitting on the Iron Throne. Queen Helaena, who as we know is given to prophetic visions herself, is here, too. She tells him that it’s all just a story, and he’s only a part of it. Which: Way to go meta, girl! And also, that’s a dangerous thing to tell someone who’s bringing as much delusional Main Character energy as Daemon is. “You know what you must do,” she tells him.
At the Red Keep, Aemond once again tries to convince Helaena to mount up. She refuses, and tells him that she saw him turn Aegon into a charcoal briquette over Rook’s Rest. He denies it, but she goes on – Aegon will be king again, on a wooden throne, while Aemond will be dead – lost in the God’s Eye (the mysterious lake on which Harrenhal sits). He takes this about as well as you’d imagine, which is not very well at all.
Aemond (Ewan Mitchell) and Helaena (Phia Saban) discuss hey wait never mind check out that cool sconce guys!
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Rhaenyra and Addam fly to Harrenhal. Rhaenyra lands, but Addam stays on Seasmoke and just sort of circles the block like he’s looking for parking. Ser Simon Strong greets her and leads her inside, where the armies are gathered. Daemon approaches her, and the show does a good bit of faffing around, trying to keep us in suspense over what he will do. Ultimately, he bends the knee, but not before telling her, in re: The Prophecy of The Prince Who Was Promised, Girl, I get it now.
Everyone kneels, even that grumpiest of Gus-es, Ser Alfred Broome.
In what I dearly hope is our final scene at the Driftmark docks set, Alyn finally confronts Corlys about abandoning him, his brother and their mother. It’s a well-written, well-delivered monologue that neatly articulates that Alyn wants nothing to do with any noble favors that Corlys might bestow out of a sense of guilt. Corlys looks chastened, or at least sad, which makes sense for a guy who’s lost a son, a daughter and a wife.
Either Corlys (Steve Toussaint) feels regretful over neglecting his children for decades or the tuna salad’s repeating on him.
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Rhaena: Still looking. Spots a dragon in the distance, yes, but: Still looking, looking still.
Rhaenyra is back on Dragonstone, watching Ulf and Hugh LARP-ing How to Train Your Dragon.
She frets to Mysaria about what she will be unleashing when the dragons go to war, which is the one note that her character has been hammering away at all season long. Could have sworn she was done with all this hand-wringing after her wildly improbable meet up with Alicent earlier in the season, or else what was all that for?
Alicent, her aim is true
Speaking of! Guess who’s come knock-knock-knocking on Dragonstone’s door! Why, it’s Alicent, of course! Because the show has built itself around the characters of Alicent and Rhaenyra, it has to keep finding excuses for them to get together, regardless of any minor distractions like, for example, reality. And logic. And storytelling.
“Why are you here?” asks Rhaenyra, not once but twice, because Alicent spends a lot of time whingeing about her life of duty, her desire to be free. The upshot of it all is this: She tells Rhaenyra that Aemond is taking Vhagar to Harrenhal to attack Daemon, which will leave King’s Landing undefended. Rhaenyra can seize King’s Landing in three days’ time: Alicent and Helaena will order the soldiers to stand down, and throw the gates of the city open to her so Rhaenyra can take the throne.
She attempts to wheedle a promise out of Rhaenyra to spare Aegon’s life, but Rhaenyra is having none of it. Atta girl.
All that’s missing is some hair-metal on the soundtrack
We get a “Dragonriders Suiting Up” montage straight out of a Schwarzenegger movie – tight shots of jerkins and greaves and pauldrons and whatnot.
We see the Hightower army on the march, as Tessarion(!) flies overhead. He’s being ridden by Daeron, one assumes, though they haven’t cast an actor for that role yet, so for now we get a teeny CGI rider. Team Green One standing by.
We see the Stark army marching across the Twins. (Remember the season premiere? When Cregan Stark pledged a handful of graybeards to Jacaerys? Well, they’re here now, and those beards are very, very gray indeed.) (They say an army travels on its stomach – this one travels on its orthopedic inserts.) Team Green Two standing by.
We see the Lannister army, in their fancy golden armor, nearing Harrenhal. Team Green Three standing by.
We see Tyland Lannister and Sharako Lohar’s fleet sailing toward Rhaenyra’s blockade. Team Green Four standing by.
We see Aegon and Larys sneaking out of King’s Landing in a raven wagon. (Look, I don’t know what you call it. It’s a wagon, and it’s filled with ravens.) Team Green Five, ducking out.
We also see Daemon stepping out of Harrenhal and surveying his troops. Team Black One, standing by.
Corlys and Alyn sail out to their fleet’s newly rechristened flagship, The Queen Who Never Was. Team Black Two, standing by.
Interspersed with all that, a quick shot of Otto Hightower, waking up in what looks to be a prison cell?
And, yes, finally, Rhaena. Finding her dragon. What a twist. Never saw it coming. I’m sure you were all on tenterhooks.
Parting Thoughts
- Well that was a strangely muted, talky episode for a season finale, wasn’t it? Sure, it resolved some of the season’s central conflicts – Daemon’s ambition, Alicent’s aimlessness – but after last week’s barn-burner (and serf-burner) of an episode, this season climax qualifies as anti-.
- I should just steel myself for many, many more scenes of Alicent and Rhaenyra getting together, shouldn’t I? Even when circumstances, not to mention all laws of God and Man, would logically prevent it? Like at the height of some battle, Rhaenyra looks down from raining fire on a brace of hapless soldiers only to see Alicent waving at her from behind a tree all “Psst! Rhae-Rhae! Can I steal you away for a minute?”
- Jefferson Hall, who plays both Tyland and Jason Lannister, has solid comic timing, and the show’s happy to lean into it. Which is why we got all that putatively funny business with Sharako – the mud-wrestling, the indecent proposal, all of it. He’s great at looking uncomfortable.
- My sweet babboo Ser Simon Strong made it through the whole season with his head! Good for him! And it was his tattle-tale nature that brought Daemon and Rhaenyra together for their rapprochement. Just when you couldn’t love the guy any more, he goes and ties up a plot thread that’s been dangling all season long.
- Thanks for reading along, everyone. And please thank my editor Clare Lombardo, who corrected my countless misspelling of these ridiculous names and spent her valuable time poring over Targaryen family trees to fact-check me.
- See you in, I’m guessing, 2026!
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Netflix
Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
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Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
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Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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