Lifestyle
Here are 8 novels NPR staff and critics loved in 2025
With more than 200 fiction titles in our annual Books We Love guide, it’s tough to narrow our 2025 favorites down into one single-digit list. But there are always a few standouts, and in the picks below you’ll find a little bit of everything that we enjoyed this year: romance, fantasy and sci-fi, oh my!
Curious about the rest of our fiction recommendations? Head to the full Books We Love site to browse hundreds of selections from 2025, and thousands from years past.
Atmosphere, by Taylor Jenkins Reid
Fans of Taylor Jenkins Reid will agree that Atmosphere is one of her best books yet. This thrilling fictional portrayal of NASA’s space shuttle program in the 1980s doesn’t miss. It opens with Joan in Mission Control managing a catastrophe on the shuttle. Then readers flash back almost five years to learn how each of the astronauts earned their place on the mission. The novel is immediately complex, compelling and high stakes. I recommend listening on audiobook so readers don’t destroy a paper copy with tears. Themes include sexism in the workplace, LGBTQ relationships and found family. — Jenna Molster, manager, Rights and Permissions
The Dream Hotel, by Laila Lalami
Archivist and mother Sara T. Hussein gets detained at an airport. Her crime? A dream deemed too high risk by an AI algorithm. Writing incisively, Laila Lalami brilliantly builds a world where a pre-crime system collides with surveillance capitalism. With the novel’s compelling cast of characters and endless parallels to today, I found The Dream Hotel instructive for navigating a society beset by mass surveillance – where the only escape can be found in shouldering risk together. — Emily Kwong, host, Short Wave and Inheriting
The Everlasting, by Alix E. Harrow
First things first, The Everlasting is not a book you’re going to get over easily. It’s razor sharp and designed to cut you deeply. You’ll be moved, you’ll probably cry, and by the end you’ll say thank you for delivering my suffering so beautifully. This story follows a scholar and a mythical (lady) knight who have lived the same story countless times – caught in a historical time loop. It’s a book about storytelling, and how nationalism cannot exist without the support of a well-told myth. It’s a thrashing examination of how we choose our heroes. And, most importantly, it’s a love story – about two people who learn over and over again that they’re doomed in every possible way but still choose each other anyway. What exquisite agony, wonderfully delivered. — Kalyani Saxena, associate producer, Here & Now
Great Big Beautiful Life, by Emily Henry
Journalist Alice Scott has stumbled upon what just might be her big break – a shot at writing the biography of a tragic heiress and onetime tabloid princess turned recluse no one has seen in years. But to win the book contract, Alice must compete with Pulitzer Prize-winning biographer Hayden Anderson. As Alice and Hayden continue to bump into each other on the fictional Little Crescent Island off the Georgia coast, they begin to see beneath the personas both portray to the outside world, and sparks fly. This is a story about romance, but also about family, secrets and betrayal. — Rachel Baye, editor, NPR Politics Podcast
King of Ashes, by S.A. Cosby
Family secrets are something and in this Southern crime drama, they burn! When Roman Carruthers’ elderly father is incapacitated by the local drug gang, this prodigal son returns to set things right and protect his hapless younger brother and his hardworking sister. She needs help keeping the family crematorium business going. Know what’s good for getting rid of a body you don’t want around? A crematorium! Roman gets pulled in deeper and deeper as he tries to take down the gang from the inside, just as his sister thinks she’s uncovered the mystery of what really happened to their long-missing mother. This story spins and spins violently to a dark and satisfying conclusion. — Melissa Gray, senior producer, Weekend Edition
Farrar, Straus, and Giroux
The South, by Tash Aw
At times, Tash Aw’s The South evokes the quiet intensity of Chekhov. It explores the contradictions within a Malaysian family: generational divides, subtle tensions around sexuality, and class differences – set against the backdrop of late-1990s Malaysia during the Asian financial crisis. At its heart is Jay Lim, a teenager navigating desire and identity amid the disarray of a failing family farm. This coming-of-age novel, longlisted for the Booker Prize, is the first in a planned quartet. It’s a strong opening, and a compelling reason to anticipate the Lim family’s journey in the volumes to come. — Vincent Ni, Asia editor, International Desk
Sunrise on the Reaping, by Suzanne Collins
Rebel plots, bootleg liquor, underdog alliances and Edgar Allan Poe-try all await you in the latest addition to the Hunger Games universe. Sunrise on the Reaping is the long-awaited account of Haymitch Abernathy’s path to victory during the 50th annual Hunger Games. With double the number of children sent into the arena and appearances from a cast of familiar characters, this book provides an entirely new perspective on the history of Panem. While Haymitch’s victory at the the end of this book is not a surprise, the stakes still feel higher than ever in the small wins and losses that Haymitch and his loved ones face both in, and outside, the arena. — Dhanika Pineda, assistant producer, NPR Music
Wild Dark Shore, by Charlotte McConaghy
A father and his three (teen and tween) kids live, not exactly harmoniously, on a sinking research island off Antarctica. It’s home to the world’s biggest seed vault and no other humans – until a mysterious woman washes ashore in a storm. Suspicions arise and trust is tested as the family helps the woman regain her strength. Wild Dark Shore is a thrilling page-turner, but all the action and suspense disguise something deeper: a beautiful meditation on love, loss and resilience in the face of climate change. — Rachel Treisman, reporter, General Assignment
This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.
Lifestyle
In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings
The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.
Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.
The Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.
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A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.
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For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.
Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”
Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.
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Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.
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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.
Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.
Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”
Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.
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Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.
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Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.
Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”
Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.
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Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.
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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.
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Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”
Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.
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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.
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