Lifestyle
George Takei 'Lost Freedom' some 80 years ago – now he's written that story for kids
Illustrations copyright © 2024 by Michelle Lee
Illustrations copyright © 2024 by Michelle Lee
George Takei was just 4 years old when when President Franklin D. Roosevelt signed Executive Order 9066:
“I hereby authorize and direct the Secretary of War, and the Military Commanders… to prescribe military areas in such places and of such extent as he or the appropriate Military Commander may determine, from which any or all persons may be excluded…”
It was Feb. 19, 1942. Japan had attacked Pearl Harbor two months earlier; For looking like the enemy, Japanese and Japanese American people in the U.S. were now considered “enemy combatants” and the executive order authorized the government to forcibly remove approximately 125,000 people from their homes and relocate them to prison camps around the country.
Star Trek actor George Takei has written about this time in his life before — once in an autobiography, then in a graphic memoir, and now in his new children’s book, My Lost Freedom.
It’s about the years he and his mom, dad, brother and baby sister spent in a string of prison camps: swampy Camp Rohwer in Arkansas, desolate Tule Lake in northern California. But first, they were taken from their home, driven to the Santa Anita racetrack and forced to live in horse stalls while the camps were being built.
“The horse stalls were pungent,” Takei remembers, “overwhelming with the stench of horse manure. The air was full of flies, buzzing. My mother, I remember, kept mumbling ‘So humiliating. So humiliating.’”
He says, “Michelle’s drawing really captured the degradation our family was reduced to.”
Illustrations copyright © 2024 by Michelle Lee
Illustrations copyright © 2024 by Michelle Lee
Michelle is Michelle Lee, the illustrator — and researcher — for the book. Lee relied heavily on Takei’s text and his excellent memory, but it was the research that both agree really brought the art to life.
“I’m telling it from the perspective of a senior citizen,” Takei, 87, laughs. “I really had to wring my brains to try to remember some of the details.”
So Takei took Lee to the Japanese American National Museum in Los Angeles, where he is a member of the board. They had lunch in Little Tokyo, got to know each other, met with the educational director, and looked at the exhibits. Then Lee started digging into the archives.
“I looked for primary sources that showed what life was like because I feel like that humanizes it a lot more,” Lee explains. She found some color photographs taken by Bill Manbo, who had smuggled his camera into the internment camp at Heart Mountain in Wyoming. “While I was painting the book, I tried as much to depict George and his family just going about their lives under these really difficult circumstances.”
Takei says he was impressed with how Lee managed to capture his parents: his father, the reluctant leader and his mother, a fashion icon in her hats and furs. “This has been the first time that I’ve had to depict real people,” Lee adds.
To get a feel for 1940s fashion, Lee says she looked at old Sears catalogues. “What are people wearing? All the men are wearing suits. What kind of colors were clothes back then.”
Crown Books for Young Readers
Crown Books for Young Readers
But a lot of information has also been lost — Lee wasn’t able to see, for example, where Takei and his family lived in Arkansas because the barracks at Camp Rohwer have been torn down — there’s a museum there now. “I didn’t actually come across too many photos of the interior of the barracks,” says Lee. “The ones I did come across were very staged.”
She did, however, find the original floor plans for the barracks at Jerome Camp, also in Arkansas. “I actually printed the floorplan out and then built up a little model just to see what the space was actually like,” Lee says. “I think it just emphasized how small of a space this is that whole families were crammed into.”
One illustration in the book shows the work that Takei’s mother put in to make that barrack — no more than tar paper and boards stuck together — a home.
“She gathered rags and tore them up into strips and braided them into rugs so that we would be stepping on something warm,” Takei remembers. She found army surplus fabrics and sewed curtains for the windows. She took plant branches that had fallen off the nearby trees and made decorative sculptures. She asked a friendly neighbor to build a table and chairs.
“You drew the home that my mother made out of that raw space, Takei tells Lee. “That was wonderful.”
Illustrations copyright © 2024 by Michelle Lee
Illustrations copyright © 2024 by Michelle Lee
Michelle Lee painted the art for My Lost Freedom using watercolor, gouache and colored pencils. Most of the illustrations have a very warm palette, but ever-present are the barbed wire fences and the guard towers. “There’s a lot of fencing and bars,” Lee explains. “That was kind of the motif that I was using throughout the book… A lot of vertical and horizontal patterns to kind of emphasize just how overbearing it was.”
Takei says one of his favorite drawings in the book is a scene of him and his brother, Henry, playing by a culvert.
“Camp Rohwer was a strange and magical place,” Takei writes. “We’d never seen trees rising out of murky waters or such colorful butterflies. Our block was surrounded by a drainage ditch, home to tiny, wiggly black fishies. I scooped them up into a jar.
One morning they had funny bumps. Then they lost their tails and their legs popped out. They turned into frogs!”
“They’re just two children among many children who were imprisoned at these camps,” says Lee, “and to them, perhaps, aspects of being there were just fun.” The illustration depicts both childlike wonder and — still, always — a sense of foreboding. Butterflies fly around a barbed wire fence. A bright sun shines on large, dark swamp trees. Kids play in the shadow of a guard tower.
“There’s so much that you tell in that one picture,” says Takei. “That’s the art.”
“So many of your memories are of how perceptive you are to things that are going on around you,” adds Lee, “but also still approaching things from a child’s perspective.”
Illustrations copyright © 2024 by Michelle Lee
Illustrations copyright © 2024 by Michelle Lee
Even though the events in My Lost Freedom took place more than 80 years ago, illustrator Michelle Lee and author George Takei say the story is still very relevant today.
“These themes of displacement and uprooting of communities from one place to another — these are things that are constantly happening,” says Lee. Because of war and because of political decisions … those themes aren’t uncommon. They’re universal.”
Takei agrees. “People need to know the lessons and learn that lesson and apply it to hard times today. And we hope that a lot of people get the book and read it to their children or read it to other children and act on it.”
He’s done his job, he says, now the readers have their job.
Lifestyle
Feeling cooped up? Get out of town with this delightful literary road trip
Tom Layward, the narrator and main character of Ben Markovits’ new novel, The Rest of Our Lives, introduces himself in a curious way: On the very first page of the book, he talks, matter-of-factly, about the affair his wife, Amy, had 12 years ago, when their two kids were young.
Amy, who’s Jewish, got involved at a local synagogue in Westchester; Tom, who was raised Catholic and is clearly not a joiner, remained on the sidelines. At the synagogue, Amy met Zach Zirsky, who Tom describes as “the kind of guy who danced with all the old ladies and little pigtailed girls at a bar mitzvah, so he could also put his arm around the pretty mothers and nobody would complain.”
After the affair came out, Tom and Amy decided to stay together for the kids: a boy named Michael and his younger sister, Miriam. But, Tom tells us “I also made a deal with myself. When Miriam goes to college you can leave, too.” The deal, Tom says, “helped me get through the first few months … [when] we had to pretend that everything was fine.”
Twelve years have since passed and the marriage has settled back into a state of OK-ness. Miriam, now 18, is starting college in Pittsburgh and because Amy is having a tough time with Miriam’s departure, Tom alone drives her to campus.
And, once Tom drops Miriam off, he just keeps driving, westward; without explanation to us or to himself; as though he’s a passenger in a driverless car that has decided to carry him across “the mighty Allegheny” and keep on going.

The three-page scene where Tom passively melds into the trans-continental traffic flow constitutes a master class on how to write about a character who is opaque to himself. “[Y]ou don’t feel anything about anything,” Amy says early on to Tom — an accusation that’s pretty much echoed by Tom’s old college girlfriend, Jill, whom he spontaneously drops in on at her home in Las Vegas, after being out of touch for roughly 30 years.
But, if Tom is distanced from his own feelings (and vague about the “issue” he had “with a couple of students” that forced him to take a leave from teaching in law school), he’s a sharp diagnostician of other people’s behavior. What fuels this road trip is Tom’s voice — by turns, wry, mournful and, oh-so-casually, astute.
There’s a strain of Richard Ford and John Updike in Tom’s tone, which I mean as a high compliment. Take, for instance, how Tom chats to us readers about a married couple who are old friends of his and Amy’s:
[Chrissie] was maybe one of those women who derives secret energy from the troubles of her friends. Her husband, Dick, was a perfectly good guy, about six-two, fat and healthy. He worked for an online tech platform. I really don’t know what he did.
So might most of us be summed up for posterity.

As Tom racks up miles, taking detours to visit other folks out of his past, like his semi-estranged brother, his meandering road trip accrues in suspense. There’s something else he’s subconsciously speeding away from here besides his marriage. Tom tells us at the outset that he’s suffering from symptoms his doctors ascribe to long COVID: dizziness and morning face swelling so severe that daughter Miriam jokingly calls him “Puff Daddy.” Shortly after he reaches the Pacific, Tom also lands in the hospital. “Getting out of the hospital,” Tom dryly comments, “is like escaping a casino, they don’t make it easy for you.”
The canon of road trip stories in American literature is vast, even more so if you count other modes of transportation besides cars — like, say, rafts. But, the most memorable road trips, like The Rest of Our Lives, notice the easy-to-miss signposts — marking life forks in the road and looming mortality — that make the journey itself everything.
Lifestyle
Behind this wealthy SoCal neighborhood, you can soak in a rustic hot spring oasis
The water bubbles up hot from the earth and sunlight filters down through the branches of mighty oaks.
But before you can soak in Santa Barbara County’s highly popular Montecito Hot Springs, you’ll need to hike a little over a mile uphill, threading your way among boulders, oaks and a meandering creek. And before the hike, there are two other crucial steps: getting to the trailhead and knowing what to expect.
The trail to Montecito Hot Springs.
These rustic spring pools are about 95 miles northwest of L.A. City Hall, just upslope from well-to-do Montecito, whose residents include Oprah Winfrey, Prince Harry and his wife, Meghan Markle, and Gwyneth Paltrow.
Though the trail and hot springs are part of Los Padres National Forest, the trailhead is in a residential neighborhood of gated mansions. Beyond the trailhead parking area (which has room for eight or nine cars), the neighborhood includes very little curbside parking. After visitation surged during the pandemic, some neighbors were accused by county officials of placing boulders to obstruct public parking. Parking options were reduced further when county officials added parking restrictions earlier this year.
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Bottom line: Unless you can arrive on a weekday between 8 and 10 a.m., you’re probably better off taking a rideshare service to get there. Whenever you arrive, you’re likely to have company. And you might want to wait until the landscape dries out a bit from the rains of recent weeks.
As Los Padres National Forest spokesman Andrew Madsen warned, “the foothills of Santa Barbara are especially fragile and hiking is especially precarious in the aftermath of heavy rains.”
All that said, the hike is rewarding and free. From the Hot Springs Canyon trailhead at East Mountain Drive and Riven Rock Road, it’s a 2.5-mile out-and-back trail to the hot springs, with about 800 feet of altitude gain on the way.
Arriving at 10 a.m. on a Tuesday, I got the last parking spot at the trailhead, stepped past the signs forbidding parking before 8 a.m. or after sunset, then stepped past another sign warning that “this is a challenging and rugged hike.” Also, there are no bathrooms or trash cans on the trail or at the springs.
“It’s important that people know what’s going on up there before they show up,” said Madsen. “It’s not all that glamorous.”
Even though it’s only 1.2 or 1.3 miles to the hot springs, plan on about an hour of uphill hiking. Once you’re above the residential lots, you’ll see pipes along the way, carrying water down the hill, along with occasional trailside poison oak. As you near the pools, you’ll pick up the scent of sulfur and notice the water turning a strange bluish hue. Then the trail jumps across the creek — which I initially missed.
But there was a silver lining. That detour gave me a chance to admire the stone ruins of a hotel that was built next to the springs in 1870s. After a fire, it became a private club. Then it burned in the Coyote fire of 1964, which blackened more than 65,000 acres, destroyed more than 90 homes and killed a firefighter. The hot springs and surrounding land have been part of Los Padres National Forest since 2013.
Hikers look west from the ruins near Montecito Hot Springs.
(Christopher Reynolds / Los Angeles Times)
On a clear day with the sun in the right place, you can stand among the overgrown ruins, look west and see the ocean, a few old oil platforms and the long, low silhouette of Santa Cruz Island. This is what the native Chumash would have seen (minus the oil platforms) through the many years they used the springs before European immigrants arrived.
Pleasant as that view was, I was ready to soak, as were the two couples who got momentarily lost with me. (We were all Montecito Hot Springs rookies.) Once we’d retraced our steps to the creek and crossed it, the trail took us quickly past a hand-lettered CLOTHING OPTIONAL sign to a series of spring-fed pools of varying temperatures.
A dozen people were already lazing in and around the uppermost pools (one woman topless, one man bottomless), but several pools remained empty. I took one that was about 2 feet deep and perhaps 90 degrees. In one pool near me sat Ryan Binter, 30, and Kyra Rubinstein, 26, both from Wichita, Kan.
Hikers Ryan Binter and Kyra Rubinstein, visiting from Wichita, Kan., soak at Montecito Hot Springs.
(Christopher Reynolds / Los Angeles Times)
“She found this,” said Binter, praising Rubinstein’s internet search savvy.
At the next pool were Emanuel Leon, 20, of Carpinteria, Calif., and Evelyn Torres, 19, of Santa Barbara. The last time they’d tried this hike, they’d strayed off-track and missed the hot springs, so this time, they were savoring the scene.
“Revenge!” said Leon, settling in.
The soaking was so mellow, quiet and unhurried that I was surprised to learn that the pools were not erected legally. As Madsen of the Los Padres National Forest explained later by phone, they were “created by the trail gnomes” — hikers arranging rocks themselves to adjust water flow and temperature, with no government entities involved.
Legal or not, they made a nice reward after the hike uphill. The downhill hike out was easier and quicker, of course, but still tricky because of the rocks and twisting trail.
On your way out of Montecito, especially if it’s your first time, take a good look at the adobe-style grandeur of the Our Lady of Mt. Carmel Catholic Church building, which looks like it was smuggled into California from Santa Fe. For food and drink, head to Coast Village Road (the community’s main drag) or the Montecito Village Shopping Center on East Valley Road. Those shops and restaurants may not match the wonder and comfort of a natural bath in the woods, but for civilization, they’re not bad.
Lifestyle
George Clooney gets French citizenship — and another dust-up with Trump
The French government confirmed this week that it has granted citizenship to George and Amal Clooney — pictured on a London red carpet in October — and their 7-year-old twins.
Henry Nicholls/AFP via Getty Images
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Henry Nicholls/AFP via Getty Images
One of Hollywood’s most recognizable stars is now officially a French citizen.
A French government bulletin published last weekend confirms that the country has granted citizenship to George Clooney, along with his wife, human rights lawyer Amal Clooney, and their 7-year-old twins.
The Clooneys — who hail from Lexington, Ky. and Beirut, Lebanon, respectively — bought an 18th-century estate in Provence, France in 2021. In an Esquire interview this October, the Oscar-winning actor and filmmaker described the French “farm” as their primary residence, a decision he said was made with their kids in mind.

“I was worried about raising our kids in LA, in the culture of Hollywood,” Clooney said. “I felt like they were never going to get a fair shake at life. France — they kind of don’t give a s*** about fame. I don’t want them to be walking around worried about paparazzi. I don’t want them being compared to somebody else’s famous kids.”
In another interview on his recent Jay Kelly press tour, Clooney mentioned that his wife and kids speak perfect French, joking that they use it to insult him to his face while he still struggles to learn the language.
This week, after a French official raised questions of fairness, France’s Foreign Ministry explained that the Clooneys were eligible under a law that permits citizenship for foreign nationals who contribute to the country’s international influence and cultural outreach, The Associated Press reports.
The French government specifically cited the actor’s clout as a global movie star and the lawyer’s work with academic institutions and international organizations in France.
“They maintain strong personal, professional and family ties with our country,” the ministry added, per the AP. “Like many French citizens, we are delighted to welcome Georges and Amal Clooney into the national community.”
They aren’t the only ones celebrating. President Trump, who has a history of trading barbs with Clooney, welcomed the news by taking another dig at the actor.

In a New Year’s Eve Truth Social post, Trump called the couple “two of the worst political prognosticators of all time” and slammed Clooney for throwing his support behind then-Vice President Kamala Harris during the 2024 election.
“Clooney got more publicity for politics than he did for his very few, and totally mediocre, movies,” wrote Trump, who himself has made cameos in several films over the years. “He wasn’t a movie star at all, he was just an average guy who complained, constantly, about common sense in politics. MAKE AMERICA GREAT AGAIN!”
Clooney responded the next day via a statement shared with outlets including Deadline and Variety.
“I totally agree with the current president,” Clooney said, before referencing the midterm elections later this year. “We have to make America great again. We’ll start in November.”
Clooney and Trump — once friendly — have long criticized each other
Clooney, a longtime activist and Democratic Party donor, has remained active in U.S. politics despite his overseas move.
In July 2024, he rocked the political establishment by publishing a New York Times op-ed urging then-President Joe Biden — for whom he had prominently fundraised just weeks prior — to drop his reelection bid to make way for another Democrat with better chances of taking the White House. A growing chorus of calls led to Biden’s withdrawal from the race by the end of that month.

In a December interview with NPR’s Fresh Air, Clooney said his decision to speak out on that and other issues generally comes down to “when I feel like no one else is gonna do it.”
“You’ll lose all of your clout if you fight every fight,” he added. “You have to pick the ones that you know well, that you’re well informed on, and that you have some say and you hope that that has at least some effect.”
Clooney has been a vocal critic of Trump throughout both of his terms, most recently on the topic of press freedoms during the actor’s Broadway portrayal of the late journalist Edward R. Murrow last spring.

And Trump has been similarly outspoken in his dislike of Clooney, including in an insult-laden Truth Social post — calling him a “fake movie actor” — after the publication of his New York Times op-ed.
In December, just days before this latest dust-up, Clooney shared in a Variety interview that he and Trump had been on good terms during the president’s reality television days. He said Trump used to call him often and once tried to help him get into a hospital to see a back surgeon.
“He’s a big goofball. Well, he was,” Clooney added. “That all changed.”
In the same Variety interview, Clooney — the son of longtime television anchor Nick Clooney — slammed CBS and ABC for abandoning their journalistic duty by paying to settle lawsuits with the Trump administration. He expressed concern about the current media landscape, particularly the direction of CBS News under its controversial new editor in chief, Bari Weiss.

Weiss responded by inviting Clooney to visit the CBS Broadcast Center to learn more about their work, in a written statement published in the New York Post on Tuesday. It began with “Bonjour, Mr. Clooney,” in a nod to the actor’s new milestone.
Clooney told NPR last month that he will continue to stand up for what he believes in, even if it means people who disagree with him decide not to see his movies.
“I don’t give up my right to freedom of speech because I have a Screen Actors Guild card,” he added. “The minute that I’m asked to just straight-up lie, then I’ve lost.”
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