Lifestyle
Even a heroic detective like 'Cross' can't save this Prime Video adaptation
Aldis Hodge as Alex Cross.
Keri Anderson/Prime Video
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Keri Anderson/Prime Video
Alex Cross has always been a formidable figure in crime fiction.
As the star of James Patterson’s successful novels, he’s a super sharp intellect with a Ph. D. in psychology who also happens to be a Black police detective. And, for the new Prime Video series Cross, he’s an unapologetically Black man, fully capable of using assumptions the world makes about him – and his race – to catch the bad guys.
That notion surfaces early in the series, with star Aldis Hodge playing Cross as a confident, calculating figure – placing his crotch uncomfortably close to the face of a racist, white murder suspect during an interrogation to play on assumptions about Black, um, manhood.

It’s a bold move that demonstrates Cross’ skill at using his intellect and psychological training to win the day – which is, unfortunately, undercut by the scene’s unsatisfying resolution, when the detective concludes that the suspect confessed by saying a subtle literary reference. (Good luck making that one fly in court).
This is an unfortunate pattern that hobbles Cross; great character work undone by terrible plotting or ham-handed writing.
A superhero detective
Hodge, who played Hawkman in the 2022 film Black Adam, still looks something like a superhero as Cross — amping up the physicality for a character who seems buffer than previous iterations played by Tyler Perry and Morgan Freeman.
Built like a weightlifter, this Alex Cross stays in shape by boxing, but solves crimes mostly with his mind, rarely forgetting that he’s a Black man working in a system which often underestimates or misrepresents him.
Isaiah Mustafa as John Sampson and Aldis Hodge as his partner, Alex Cross.
Keri Anderson/Prime Video
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Keri Anderson/Prime Video
The show also leans into Black culture, showing Cross navigating different worlds of his Washington, D.C., hometown – profiling at a swanky fundraiser one moment and quizzing suspects in a tough neighborhood the next – while digging into the suspicious death of a young Black activist with a checkered past.
There is so much that works here, from casting Hodge – who has seemed on the verge of major stardom for years – to giving him a great sidekick in Isaiah Mustafa, who plays his partner, John. Yes, the dude who used to be the Old Spice guy has great chemistry with Hodge, urging Cross to better handle the emotional fallout stemming from his wife’s unsolved murder.
The series also leans into the biggest conundrum facing Black police officers on TV these days: a lack of trust among the Black people they hope to help. When the sister of the murdered activist shouts names of real-life Black people killed by police at Cross and his partner while they question her – implying that her brother might have been murdered by officers, too – they don’t have much of a reply besides, “trust us.”
Great characters trapped by clunky writing
Unfortunately, this series undercuts its great characters by stranding them in a twisty plot about a serial killer that just doesn’t come together. And because Cross has so many authentic touches, it makes the outlandishness of its core mysteries even less palatable.
The show also doesn’t do a great job explaining why a psychologist as sharp as Cross spends so much energy working for an institution that doesn’t appreciate him and doesn’t seem great at serving the community he loves.
Cross tells his girlfriend about struggling with a “hero complex”-style compulsion to save people, which doesn’t really resolve the question. This is an issue I’ve seen in other law enforcement TV shows with prominent Black characters, like Law & Order and S.W.A.T. – the struggle to explain why Black people stay on the force at a time when police brutality against folks who look like them is so prominent.
I had hoped Prime Video’s series would offer a better incarnation of the character from James Patterson’s bestselling novels than we’ve seen before. (For my money, Freeman’s excellent work as Cross in the middling 1997 film Kiss the Girls remains the gold standard).
Instead, we got a promising vision undone by scripts that just didn’t know what to do with the compelling characters they created.
Lifestyle
‘How to Rule the World’ explores education and power at Stanford University
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
Ben Margot/AP
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
Lifestyle
OTB Takes Full Control of Viktor & Rolf
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
Kirsty Wigglesworth/AP
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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