Lifestyle
Disney composer Richard M. Sherman has died at 95
Composer Richard Sherman performs at The Los Angeles Children’s Chorus’ Annual Gala in 2015.
Alberto E. Rodriguez/Getty Images
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Composer Richard Sherman performs at The Los Angeles Children’s Chorus’ Annual Gala in 2015.
Alberto E. Rodriguez/Getty Images
Richard M. Sherman, the Academy Award-winning composer who was part of a songwriting team with his late brother, Robert, has died due to age-related illness at 95. The Sherman brothers wrote the scores for two dozen films, many for Disney — among them, Mary Poppins (for which they won two Oscars), The Jungle Book and Chitty Chitty Bang Bang.
Born in New York on June 12, 1928, he and his family moved to Beverly Hills, Calif., when Sherman was 9. His father, Al, was a popular songwriter and challenged Richard and his older brother to write together, Sherman remembered in 2005. “He sensed that Bob and I collaborating and pooling our wits could come up with something.”
They had a top 10 hit in 1958, “Tall Paul,” with Annette Funicello, which brought them to the attention of Walt Disney.
Through the 1960s and into the 1980s, they were, in effect, Disney’s house songwriters — beginning with The Parent Trap, in 1961. They wrote many film scores and even theme park songs for the company, such as “It’s a Small World (After All).”
But it was the score for Mary Poppins, starring Julie Andrews and Dick Van Dyke, that cemented their reputation. Filled with standards such as “A Spoonful of Sugar,” “Chim Chim Cher-ee” and “Supercalifragilisticexpialidocious,” the film’s gentle ballad “Feed the Birds” was Walt Disney’s favorite song.
“He’d call, not every Friday, but he’d call up and say ‘Come over, we’ll talk,’ ” recalled Sherman. “And so, we’d go over and we’d pass the time about what we were doing, because we were always working on something. And then he’d look out the north window of his office and say, ‘Play it.’ And I’d play and sing ‘Feed the Birds, Tuppence a Bag.’ And he’d say, ‘Yup, have a good weekend boys!’ ”
Producer Cubby Broccoli, who owned the rights to Ian Fleming’s James Bond novels, hired them to adapt the author’s children’s book, Chitty Chitty Bang Bang. Sherman said he and his brother had fun writing the title song about the magical flying car. “We wanted the song to sound like the way the motor sounded,” Sherman explained, “because that’s the trick, the whole thing is that it backfires and goes ‘bang bang.’ ” The rhythmic song was nominated for an Oscar.
While they were very much on the same wavelength as songwriters, the brothers had a complicated, sometimes contentious relationship, which was documented in the 2009 film, The Boys: The Sherman Brothers’ Story. Their last original score was for Disney’s The Tigger Movie in 2000, and both Mary Poppins and Chitty Chitty Bang Bang were adapted for the stage. The Sherman brothers were honored with a star on the Hollywood Walk of Fame in 1976.
Robert Sherman died in 2012 at the age of 86.
Lifestyle
How World Cup fans reflect America back at us : It’s Been a Minute
Inside the World Cup Cultural Exchange
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What does America look like to visitors?
We’re finding out in real time as fans and athletes from all over the world visit the United States for World Cup matches across the country. From Ranch dressing, to the wonders of all-you-can-eat buffets, tourists are getting a taste of all the USA has to offer, but how do we square the warm welcome for the World Cup with the United States’ recent stances on immigration? Brittany is joined by immigration reporter Jasmine Garsd, and NPR reporter Juliana Kim to find out.
Want more global perspectives on culture? Check out these episodes:
How often do you think about the American Empire?
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This episode was produced by Liam McBain and Corey Antonio Rose. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
Lifestyle
François-Henri Bennahmias to Launch New Luxury Swiss Watch Brand N3W5
Lifestyle
Greetings from London, where Banksy’s flag man is a warning cry
In central London’s Waterloo Place, a life-size statue that emerged overnight in late April has been creating a stir. When I visited a few weeks after it was erected, local authorities had already set up protective barriers around it.
The installation — signed by the famed street artist Banksy — depicts a man in a suit hoisting a flag as he strides over a precipice. As he marches on, the flag blows backward to cover his face, leaving him unaware he’s only a step away from a perilous fall.
Set among grand monuments celebrating Britain’s past, the “flag man” takes on a particular visual irony at a time when the country — and much of the world — is debating its path forward.
Like many viewers there, I found myself wondering whether this statue is Banksy’s warning about the consequences of uncritical nationalism, or simply a reflection on human shortsightedness. Or, perhaps, it is just prompting us to ponder a broader question: What happens when devotion to a symbol prevents us from seeing what lies ahead?
Whatever the message, the work feels remarkably attuned to the current moment.
For more Far-Flung Postcards, click here.
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