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Disaster follows an astronaut back to Earth in the thriller 'Constellation'

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Disaster follows an astronaut back to Earth in the thriller 'Constellation'

Noomi Rapace plays an astronaut on the International Space Station in the Apple TV+ series Constellation.

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Noomi Rapace plays an astronaut on the International Space Station in the Apple TV+ series Constellation.

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Constellation, the new drama series streaming on Apple TV+, starts in outer space, with an astronaut struggling to survive, and return safely to Earth, after things go horribly wrong.

This has long been familiar film territory, from the orbital collision in Apollo 13 and the deadly stowaway in Alien, to the twisting perceptions of reality in Gravity. Constellation, created and written by former Doctor Who writer Peter Harness, borrows a bit from all of those. It’s a very tricky story to follow – but in the end, and by the end, it’s a very moving one.

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In Constellation, the International Space Station, with a handful of astronauts aboard, is in orbit when it collides with an unidentified object, crippling most of the onboard systems. That’s the Apollo 13 part. An emergency evacuation leaves a single astronaut waiting behind to repair and pilot the craft, while time, space and memory seem to shift – as does reality itself. That’s what Sandra Bullock’s astronaut went through in Gravity. And finally, there’s something mysterious and otherworldly on board – something potentially lethal. So there’s Alien, sort of.

But in Constellation, while the spacebound scenes are thrilling and creepy, there’s less frantic action in this series overall, and more underlying tension. It’s a slow build, and takes several episodes to establish what may or may not be really going on here. But the clues make more sense as you go along, and the more you watch this Constellation, the more profound and disturbing it becomes.

Noomi Rapace, from a previous outer-space thriller, Prometheus, stars here. She plays Jo Ericsson, an astronaut on the space station who, in an early scene, is communicating with her 10-year-old daughter, Alice, who’s back on Earth. The daughter, Alice, is played by twin actresses, Rosie and Davina Coleman, who rotate in the role. That’s somehow fitting, because, after a while, Jo begins to suspect that her daughter isn’t the same little girl she left behind.

Jo isn’t the only one with suspicions or identity issues. Jonathan Banks from Breaking Bad co-stars as a former astronaut named Henry Caldera, who’s now a scientist with a top-secret experiment aboard the endangered space station. At times, he acts like two different people, and there may be a reason. Psychologists in the space program believe that both Jo and Henry suffer from “high altitude psychosis,” which explains – to them – the astronauts’ post-mission bouts of confusion, memory loss and paranoia.

Complicated? Absolutely. Over the eight installments of Constellation, perspectives change. Stories change. Even people change. Scenes that look one way, and mean one thing, in episode one are turned inside out when they return in episode six or seven.

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It’s a story full of unreliable narrators, and a TV show where the images are more important and revealing than the dialogue. And because the visuals are crucial throughout, the directors of this series are crucial, too. Oliver Hirschbiegel and Joseph Cedar direct the later episodes, stunningly, but the mood and look are established in the all-important first ones by Michelle MacLaren, who directed some of the most brilliant episodes of Breaking Bad and Better Call Saul.

Watching Constellation takes commitment, patience and attention, but you’ll be rewarded for that effort with a haunting story that, at its center, is about the love between a mother and a daughter. It really touched me. At least it did in this universe.

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How World Cup fans reflect America back at us : It’s Been a Minute

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How World Cup fans reflect America back at us : It’s Been a Minute

Inside the World Cup Cultural Exchange

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What does America look like to visitors?

We’re finding out in real time as fans and athletes from all over the world visit the United States for World Cup matches across the country. From Ranch dressing, to the wonders of all-you-can-eat buffets, tourists are getting a taste of all the USA has to offer, but how do we square the warm welcome for the World Cup with the United States’ recent stances on immigration? Brittany is joined by immigration reporter Jasmine Garsd, and NPR reporter Juliana Kim to find out.

Want more global perspectives on culture? Check out these episodes:
How often do you think about the American Empire?
Make life harder (and better): Learn another language.

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Follow Brittany on Instagram: @bmluse

For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.

This episode was produced by Liam McBain and Corey Antonio Rose. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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François-Henri Bennahmias to Launch New Luxury Swiss Watch Brand N3W5

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François-Henri Bennahmias to Launch New Luxury Swiss Watch Brand N3W5
Talks fell through to buy De Bethune, but the former Audemars Piguet chief has secured a 30 million Swiss franc investment and involvement of enamelist Anita Porchet in a new luxury brand selling mechanical watches starting at 20,000 Swiss francs.
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Greetings from London, where Banksy’s flag man is a warning cry

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Greetings from London, where Banksy’s flag man is a warning cry

In central London’s Waterloo Place, a life-size statue that emerged overnight in late April has been creating a stir. When I visited a few weeks after it was erected, local authorities had already set up protective barriers around it.

The installation — signed by the famed street artist Banksy — depicts a man in a suit hoisting a flag as he strides over a precipice. As he marches on, the flag blows backward to cover his face, leaving him unaware he’s only a step away from a perilous fall.

Set among grand monuments celebrating Britain’s past, the “flag man” takes on a particular visual irony at a time when the country — and much of the world — is debating its path forward.

Like many viewers there, I found myself wondering whether this statue is Banksy’s warning about the consequences of uncritical nationalism, or simply a reflection on human shortsightedness. Or, perhaps, it is just prompting us to ponder a broader question: What happens when devotion to a symbol prevents us from seeing what lies ahead?

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Whatever the message, the work feels remarkably attuned to the current moment.

For more Far-Flung Postcards, click here.

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