Connect with us

Lifestyle

Black Style, Made to Measure

Published

on

Black Style, Made to Measure

Once all the spilled champagne has been mopped up from this year’s Met Gala, the exhibition that it’s toasting, “Superfine: Tailoring Black Style,” will examine Black dandies, bespoke suiting and the Black men who so often set the standard of what it means to be stylish.

Black fashion lovers may feel the celebration is long overdue, but the show provides an opportunity to consider all that “tailoring” can mean — especially to Black people in the United States.

Advertisement

Ahead of the Costume Institute show, Black craftspeople across the country — a milliner in South Carolina, men’s tailors in Chicago, a jeweler in Los Angeles — reflected on the power and joy that can be found in tailoring.

Custom Clothiers

Christopher Brackenridge and Milton Latrell

Two sons of seamstresses help men look their best at Agriculture, a boutique in Chicago.

Advertisement

Photographs and video by Nolis Anderson for The New York Times

“We’d both seen how confident the clients of our moms became when they wore custom clothing. They had confidence. They walked a certain way. Their posture changed. And we was like, ‘If that makes a Black man feel good, why not be a part of that?’” — Milton Latrell

Advertisement

The boutique’s clients include famous Black actors, pastors and musicians, as well as local students getting outfitted for prom.

Mr. Brackenridge said he especially loved working on pieces that clients have had in their families for generations and finding new ways of updating them so they feel modern. A 60-year-old jacket that once belonged to a client’s grandfather was a particular highlight.

Advertisement

“I love when a client is able to come in and bring a piece that their grandfather may have worn and we are able to update that style to now.” — Christopher Brackenridge

“We like to put things like hidden watch pockets and coin pockets” for a little surprise, Mr. Latrell said.

Advertisement

“When you’re wearing something custom or just customized to you, you feel debonair — extraordinary, even — like you can accomplish anything,” said Milton Latrell, co-founder of Agriculture, a Chicago boutique specializing in custom suiting and styling for men.

For many Black people, having a tailor is not an extravagance, but a necessity. The right tailor can take an ill-fitting pair of pants and make them flatter every contour of the body. The right tailor can transform scraps of fabric into a treasured dress, skirt or jacket — all while leaving customers looking and feeling their best. And when customers feel their best, they exude a swagger and confidence that feels like a natural part of being Black.

Tailor

Advertisement

Cheryl A. Lofton

A third-generation tailor in Washington initially wanted nothing to do with the family business.

“My niche in the business was alterations. I wanted to make sure that women knew that they could come in and have the same treatment that the men got in a tailoring business.”

Advertisement

Scissors originally belonging to JC Lofton, Ms. Lofton’s grandfather who started the business in 1939. Black Tailors

J.C. Lofton, left, in Washington D.C. in the 1940s, who founded Lofton Custom Tailoring in 1939.

“My mom dressed up to go to the grocery store. She did not go out of this house without a nice, well-fitted dress, her makeup done, and her high-heeled shoes. Never, ever did my mom go out without being dressed up, as did all of the grown-ups in our family. They were always well dressed.”

Advertisement

Cheryl A. Lofton and her grandfather, Joe Cephus (J.C.) in the 1970’s.

Like Ms. Lofton, I have family in the business. For most of my own childhood my mother was a tailor, making wedding gowns, bridesmaid dresses and suits in a room in the back of our house in Harare, Zimbabwe. Her customers, a mix of friends, family and strangers, always seemed to leave her de facto studio feeling joyful. It was in that back room that I found an affinity for tulle and feathers, and learned just how special clothes made just for you could make you feel.

When my family arrived in the United States, my mother stopped sewing professionally, but she always made time to ensure that my clothes — most of which were thrifted or hand-me-downs donated by our new community — felt one of a kind. She would swap out a plain black button for a fun mismatched pink one, extend a hem on pants that were a tad too short, use extra fabric on a skirt that was too big to create pleats and ruching. Even when my clothes weren’t new, they felt special.

Advertisement

Costumer

Laron Nelson

The owner of Opulent Designs in New Orleans says his goal is to make outfits that are “more costume than fashion.”

Photographs and video by Camille Lenain for The New York Times

Advertisement

“I use a lot of sequined fabrics — a lot of velvet, satins, lamés, lace, brocade, rhinestone fabrics — because for Mardi Gras, everything is all about the glitter and the shine. The glitz.”

Locally, Mr. Nelson is best known for his custom wire working and feather collars, worn by participants in New Orleans’s famed second lines and pageants.

“I started creating it so I wouldn’t have to spend the type of money it cost to buy from other people,” Mr. Nelson said.

Advertisement

Mr. Nelson’s mother and sister help with the business, whose studio is in the Gentilly neighborhood of New Orleans.

“A lot of men are deterred from wearing what they want to wear because they may feel like something is not masculine. But my thing is, if you’re masculine, it doesn’t matter who you are, what you are and what you wear.”

Advertisement

For Mr. Nelson, more is more.

At 18, I moved to Rome for school, and within days of arriving, found myself wandering through the Termini neighborhood in search of a barber and a tailor. I was tight on cash, but I wouldn’t be caught in clothes that were too tight or too loose. I found a student tailor who shared a studio space with other young designers.

Years later, as a graduate student in New York, I often hauled a bag of thrifted clothes to a Harlem dry cleaner for alterations. The store was next to my barbershop and a few blocks away from the market where I bought fabric for scarves and head wraps — which, of course, was walking distance from my cobbler. In my late 20s in Atlanta, I made sure to find a tailor, a barber and a jeweler to repair my most beloved pieces before I signed an apartment lease.

Advertisement

Jewelry Designer

Maggi Simpkins

A Los Angeles artist who doesn’t want to make earrings or bracelets “just for the sake of making pretty things.”

Advertisement

Photographs and video by Bethany Mollenkof for The New York Times

“We’re creating these pieces with the intention that they’ll be passed down throughout generations and continue to tell the stories of the people that once wore these pieces.”

Advertisement

“I used to have a locket growing up and I loved it and I thought it was magic because you would open up and there’d be a little photo inside of it,” Ms. Simpkins said, “but I never understood why the photos were hidden.”

“My earliest memory of jewelry is my mom going through her jewelry box and taking out pieces and telling me stories about ‘Your grandfather gave this to your grandmother on their 25th wedding anniversary,’ or ‘Your grandfather got this when he was 16 years old during communion.’ So I grew up hearing stories about family members that were no longer alive.”

Ms. Simpkins in her Los Angeles studio.

Advertisement

Although Ms. Simpkins makes all kinds of jewelry, she’s best known for her nontraditional engagement rings.

“From an early age, jewelry was just magic to me because it had the ability to hold these stories from past loved ones.”

Advertisement

You can find Black artisans almost anywhere: on main streets in the bustling part of town, or tucked away in studios in basements, attics, spare bedrooms or even garages. In these spaces, they are constantly experimenting and creating.

I first met Natalie Simmons, a hat maker born and raised in Charleston, S.C., at her store in the West Ashley district of the city in 2019. I explained to her that I was in town for a wedding that called for a hat, but I didn’t know what to get. Days later, she handed me a fascinator with a long black and white feather.

Milliner

Advertisement

Natalie Simmons

A hat maker in Charleston, S.C., who sources materials from Italy and parts of Africa.

Photographs and video by Donaven Doughty for The New York Times

Advertisement

Molds and a measuring tool that Ms. Simmons uses to make all types of hats: fedoras, cloches, boaters, bowlers, sun hats and more.

“My grandmother had hats in every color. If you walked into her closet, her closet was just lined with hat boxes. There were hat boxes up on the shelves. There were hat boxes on the floor. They were just her coveted thing. She had a hat that matched every outfit. She had gloves and handbags, but the hats were something to be cherished.”

Advertisement

“We don’t just take a hat off the rack and just plop it down on our heads,” Ms. Simmons said. “We add a curious little tilt or a feather, or add a pin, or a special detail that just makes it stand out.”

“A hat that perfectly fits your face and fits the structure of your body can bring something to life. It’s the one thing that can really make an outfit stand out and really tell a story.”

Advertisement

In her Charleston studio, Ms. Simmons makes custom hats in addition to restoring older ones.

Designers shared similar early memories of falling in love with their craft at home, where they were surrounded by moms, aunts and grandmothers. Their work allows them to continue to tell their family’s stories.

Western Wear Designer

Advertisement

Dymond Taylor

Dating a cowboy opened her eyes to an opportunity in Houston.

Photographs by Arturo Olmos for The New York Times

Advertisement

“It’s really easy to design for our people because they don’t want to look like anybody else.”

Ms. Taylor loves to design with leather, denim and — of course — fringe.

“When I started this brand, I wasn’t seeing what I wanted in stores. We always set the trends. We always create uniqueness. It’s just deeply rooted in us to do that.”

Advertisement

Sometime around her rodeo-going days, Ms. Taylor realized that the disproportionately white images of cowboys and western life that she encountered weren’t reflective of what she knew to be cowboy culture and history. B Stone was born out of that frustration.

“People might not instantly associate Western wear with suiting and tailoring, but when you go back to the root of it, Western wear has always been presented as a suit — the pant, the hat, the boot and the guitar.”

Advertisement

Ms. Taylor describes her brand as melding “cowboy style and urban style, mixing streetwear with country.”

In shops and studios scattered across the country, the American designers and tailors I spoke with represented exactly what this year’s Met exhibition and gala hope to honor. Each one takes some element of an outfit and elevates it, empowering their Black clients and celebrating their collective history in the process.

Advertisement
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Lifestyle

Hunting For Lexapro Clocks, Viagra Neckties and Other Vintage Pharmaceutical Merch

Published

on

Hunting For Lexapro Clocks, Viagra Neckties and Other Vintage Pharmaceutical Merch

Zoe Latta, a co-founder of the fashion brand Eckhaus Latta, saw the clock on Instagram and started searching for pharma swag on eBay. “It was just a hole I got in,” she said. Latta soon rounded up some examples at “Rotting on the Vine,” her Substack newsletter, describing them as “silly byproducts of our sick sad world.”

Pharma swag feels somewhat like Marlboro Man merch — “like this very specific modality of our culture that’s changed,” Latta said, adding, “At first, I thought it was ironic and cheeky. But it’s also so dark.”

In particular, swag like the OxyContin mugs that read “The One to Start With. The One to Stay With” is regarded as highly collectible and highly contentious. Jeremy Wells, a newspaper owner and editor in Olive Hill, Ky., remembered, for example, seeing the mugs sold at a Dollar Tree in New Boston, Ohio, in the late 1990s or early 2000s. “At the same moment that the epidemic is blowing up,” he said.

“You can do a chicken-and-egg argument, and I doubt very seriously that those mugs made anybody get addicted,” he said. “But I do feel like things like those mugs did add to the mystique and the aura of seduction.” (After a protracted lawsuit, Purdue Pharma, the maker of OxyContin, has been dissolved and is on the hook to pay more than $5 billion in criminal penalties for fueling the opioid epidemic.)

“I was surprised to see how much this stuff was selling for in general — there is demand,” Latta said, pointing to a vintage Xanax photo frame listed for $230. Latta said she could imagine buying it for a friend who takes Xanax on planes (“if it was at a thrift store for under $10”) or maybe a pair of Moderna aviator sunglasses that she found, which seem to nod at Covid vaccines and the signature Biden eyewear, she said.

Advertisement

Pharmacore — medical-branded pieces worn as fashion — has found new expression at the confluence of identity, medicine and commerce, and at a time when skepticism toward pharmaceuticals is at a high (see: the MAHA movement).

Continue Reading

Lifestyle

He’s your ex, not your son. Unconditional love does not apply

Published

on

He’s your ex, not your son. Unconditional love does not apply

Goth Shakira wears a Blumarine jacket, vintage Jean Paul Gaultier top from Wild West Social House, Jane Wade bra and Ariel Taub earrings.

My ex-boyfriend, whom I just got out of a relationship with, had a pure heart and was a loyal lover. However, he lacked ambition and his family didn’t have the best values. I don’t see myself raising children with him because I don’t want my kids to be surrounded by his family. (I broke up with him on the night of his birthday because his sister got violent with me.) We dated for over a year and I’d always be the one to take care of the check when we’d go out on dates. He had no network, so we would always hang out with my friends and colleagues. Am I wrong for leaving him? Is his loyalty worth going through all that?

Girl. (“Girl” is a gender-neutral term of endearment, by the way.) I’m going to need you to take a deep breath, look at your gorgeous self in the mirror and relish in the fact that you have made the right decision.

First, let’s focus on the good. Loyalty and purity of heart are beautiful traits that many, many people on this earth have. When you find someone who does, and then combine that with your attraction and attachment to this person (along with the reality that many, many people also lack these traits), it makes sense that you’d be feeling like your ex is a rare find that you might not encounter again. However, you can care for someone, and also acknowledge the truth that the life they are setting themself up for is not the life you envision living — or, crucially, the life that you envision your children living. A long-term partnership is so much more than love. It requires a shared vision for fulfillment and happiness, based on compatible values. It necessitates a wholeness from both parties, wherein two individuals take ownership and accountability over their own success and well-being. It is loving to let someone go so they can live their life in peace and free of judgment, and even find someone else whose version of an ideal life more closely matches theirs. Most importantly, letting someone go who you know is not aligned with the life you want to live is a deeply self-loving act.

The meaning I glean from your words is this: It’s not so much that you yearn for him romantically and fear you made a mistake simply because your life is empty without him. (In fact, it sounds like you were the one adding a lot of value to his otherwise limited existence through your resources.) It seems that you feel guilty for leaving him behind as you went on to pursue a better life for yourself. That kind of feeling is more caretaking, and dare I say maternal, than loving (at least the kind associated with romantic partnership). He’s your ex, not your son. Unconditional love is only healthy and appropriate in the context of a parent-child relationship, and that’s not the situation here. People who engage in romantic relationships with men — women, femmes, gay men, etc. — are socialized to be ever-forgiving, to have infinite patience and compassion. The lines get blurred when you do feel kindness and genuine compassion for someone you care about. It can be difficult to discern when you’re being too harsh, and when you’re just setting a healthy boundary. Society makes it difficult for us in that way. But we don’t have to succumb to that pressure.

Advertisement

You can’t fall in love with someone’s potential. If a person, especially a man, shows up to a relationship as someone you can’t envision spending an extended period of time with, then that’s not your person. Not only is it impossible to truly “fix” or “change” anyone, it’s simply not an efficient or productive use of your precious energetic and material resources. Of course, we all change over time, and hopefully in positive ways. But that change needs to be self-directed, coming from within each individual. “Change” exerted on another through force robs the receiving party of the dignity of authoring their own life path. Even the verbiage of your question indicates that you’ve already extended a lot of generosity and patience toward someone who didn’t feel like working toward social and financial independence, and setting boundaries with their family should have been a top priority. I can sense your exhaustion underneath the guilt. That’s the root of the matter. And what matters is you.

I can sense your exhaustion underneath the guilt.

Loss is just space. It can hurt and feel empty at first. But it also allows you the room you need to expand your world with abundance, not shrink it and drain it into scarcity. Affirm in your heart and in your mind that love itself is an infinite resource. If you channel the patience and generosity that you once put into your ex into a life where you are fulfilled to the utmost, the right person (or people) will find you.

And, girl. Some time from now, when you are loved by a man who takes his own dignity seriously, and supports you in the feminine energy of rest and calm that you deserve to experience and embody, you will be so grateful to this current version of you that had the courage to let go. I’m proud of you.

Photography Eugene Kim
Styling Britton Litow
Hair and Makeup Jaime Diaz
Visual Direction Jess Aquino de Jesus
Production Cecilia Alvarez Blackwell
Photo Assistant Joe Elgar
Styling Assistant Wendy Gonzalez Vivaño

Advertisement
Continue Reading

Lifestyle

She Had Seen Her in Photos. Then They Met in Real Life.

Published

on

She Had Seen Her in Photos. Then They Met in Real Life.

The kiss finally happened at a Halloween party Chatterjee hosted at her apartment, while the two were watching “American Psycho” on the couch at 3 a.m., when everyone else had gone out for food. “We’re sitting so close our legs are touching and I’m freaking out,” Braggins said.

“I looked at Abby, and I was like, ‘I’d rather kiss you than watch this,’” Chatterjee said. So they did. About a month later, they were official.

On April 10, Braggins suggested they take a trip to Home Goods in Brooklyn. When they ended up at Coney Island Beach instead, Chatterjee was none the wiser. It was an early morning, so the two, along with the dog they adopted together, Willow, enjoyed having the beach to themselves.

Braggins ran ahead with Willow and crouched behind some rocks. When Chatterjee got a glimpse of Willow, there was a bandanna tied around her neck. It said, “Will you marry me?” Braggins pulled out a shell with a ring in it. The answer was yes.

A few days before, Chatterjee had proposed to Braggins amid a gloomy, cloudy sky on top of the Empire State Building.

Advertisement

The two were married on April 21 at the New York City Marriage Bureau, in front of three guests, by Guohuan Zhang, a city clerk. Afterward, they celebrated at Bungalow, an Indian restaurant in the East Village, with a few more friends.

Though Chatterjee’s parents were not present at the wedding, one of the couple’s most meaningful moments came in 2023, when Braggins traveled to India to meet Chatterjee’s family for the first time. Chatterjee had never brought a partner home before, and she had warned Braggins that same-sex relationships were still not widely accepted there. But by the end of the trip, Chatterjee’s mother had embraced Braggins as family, telling her, “I have two daughters now.”

Continue Reading
Advertisement

Trending