Lifestyle
At the Legacy Museum, facing America’s racist past is a path, not a punishment
Bryan Stevenson stands beside jars that hold dirt collected from sites where Black people were lynched. He is the founder of the Equal Justice Initiative and the author of Just Mercy: A Story of Justice and Redemption.
Equal Justice Initiative
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Equal Justice Initiative
In his second term, President Trump has ordered the removal of monuments, plaques and exhibitions related to slavery, and the history of racial injustice in the U.S. Meanwhile, human rights lawyer Bryan Stevenson has been working to ensure evidence of America’s painful past is not erased.
Stevenson’s nonprofit, the Equal Justice Initiative, opened the Legacy Museum in Montgomery, Ala., in 2018, to chronicle slavery and racism in America. A new exhibit, which is both located in and called Montgomery Square, begins in 1955 with the boycott of Montgomery’s segregated buses and ends 10 years later with the marches from Selma to Montgomery for voting rights.
Stevenson describes Montgomery’s buses as “places of real peril” during Jim Crow. Black people were prohibited from sitting in the first 10 seats of the bus, which were reserved for white riders only. Additionally, Black people had to pay in the front of the bus, then go to the rear to board — hoping that the bus driver didn’t take off without them. In 1950, a Black World War II veteran named Hilliard Brooks was shot and killed by police after he argued with the driver as he attempted to board a bus.

“Black people couldn’t avoid [the buses] because they had to get to work; they had to go to the homes where they served as maids and cooks and domestic workers,” Stevenson says. “And it did make the bus this very unique space for how racial apartheid, how segregation and Jim Crow manifested in the lives of virtually every Black person in the community.”
Stevenson says he’s not trying to “punish America” by talking about slavery and lynching. Rather, he says, confronting oppression is a path toward liberation.
“There is an America that is more free — where there’s more equality, where there is more justice, where there less bigotry — and I think it’s waiting for us,” he says. “But I don’t think we can … create that America while we remain burdened by this history that too many refuse to talk about, too many refused to acknowledge.”
Stevenson is the founder of the Equal Justice Initiative, which represents children and adults illegally convicted or unfairly sentenced. His 2014 memoir, Just Mercy, was adapted into a film starring Oscar-winning actor Michael B. Jordan.
Interview highlights
On meeting civil rights activists Rosa Parks and Johnnie Carr

After a couple of hours, Mrs. Parks turned to me, and she said, “OK, Bryan, tell me what you’re trying to do.” And I told her about our work trying to represent people on death row. I said, “We’re trying to challenge wrongful convictions. We’re trying to challenge this legal system that treats you better if you’re rich and guilty than if you were poor and innocent. We’re trying to represent children. We’re trying to do something about bigotry and poverty and people who are mentally ill. We’re trying to change the way we operate these jails and prisons.”
I gave her my whole rap. And when I finished, she looked at me and she said, “Mm, mm, mm, that’s going to make you tired, tired, tired!” And that’s when Ms. Carr leaned forward and she put her finger in my face. She said, “That’s why you’ve got to be brave, brave, brave.” And Ms. Parks grabbed my hand and said, “Will you be brave?” And I said, “Yes, ma’am.”
A monument in Montgomery Square pays tribute to the Black women who led the Montgomery bus boycott.
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Equal Justice Initiative
On the march from Selma to Montgomery
We’ve been doing this project where we interview people. … Amelia Boynton Robinson was almost killed by horses and police officers. Lynda Blackmon Lowery said she got hit and she passed out. And for 40 years, she assumed that she passed out because she hit her head on the ground. And then when they uncovered documentary footage, she realized that she passed out and she was in that condition because after she fell, she was beaten by state troopers over and over again on the head. But she insisted on getting out of the hospital and being ready for the next march.

I think it’s the courage, it’s commitment, it is the tenacity, the acculturation to do things that most people would never choose to do. We recently lost Dr. Bernard Lafayette, an extraordinary leader who was tasked with organizing much of what happened in Selma. He told me, he said, “Bryan, we were prepared to die.” … And I don’t think people appreciate the extraordinary courage it took. … People were beaten and battered. And I just think to confront that kind of threat, with no protection, without an army, with no weapons, takes an extraordinary courage that I feel like we have to access again if we really want to create a more just world, and I think that’s the discovery that I’m really inspired by.
On documenting nearly 6,500 lynchings that took place in the U.S. — 2,000 more than had previously been documented
The detailed work of going into these communities and uncovering archive references and newspaper references was something that no one had undertaken. And so we spent five years combing through these records. … We now have identified 6,500 lynchings of Black people in this country between 1865 and 1950. I do think it says something again about how we have failed to investigate this really important period of American history. …
We’ve got instances where a man was lynched because he didn’t call a police officer, “sir.” Somebody didn’t step off the sidewalk when white people walked by. A Black man went to the front door of a white person’s house, not the back door. So many people were lynched, because they passed a note. They were Black men passing notes to white women. … One Black woman in Kentucky was lynched because they couldn’t find her brother. So they used her as a proxy for this Black man who had been accused of something. And when you understand that this practice, this terror violence, was about tormenting and traumatizing and reinforcing this racial hierarchy, you begin to think of this differently.
“The monuments are at eye level, and then the ground shifts and they raise up, and you are standing underneath these six-foot, corten steel monuments that identify all of these people, and it unnerves a lot of people,” Stevenson says of the Legacy Museum’s memorial to lynching.
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Equal Jutice Initiative
On what truth and reconciliation looks like
The first thing is that for truth and justice, truth and reconciliation, truth and restoration, truth and repair, I think the first we have to acknowledge is that those things are sequential. You can’t get the beautiful “R” words, like redemption and reconciliation and restoration and repair, unless you first tell the truth. As a lawyer, I can tell you that you’ve got to have the truth of what happened at the crime scene and the state understands this. They want to put all of the evidence in, because that’s what’s going to allow the jury to make an informed decision about culpability. And we’ve never really done that. And so I think this process of truth-telling has to shape what we do.
In South Africa, after the collapse of apartheid, they committed space for the victims of apartheid to give voice to their harm. They even created space for the perpetrators to give a voice to the regret. You go to Germany, the villain of the 20th century, and you can’t go 200 meters without seeing markers and monuments and memorials dedicated to the harm of the Holocaust. They’ve made truth-telling a necessity. No student in German can graduate without demonstrating a detailed knowledge and understanding of the Holocaust. They require it. And the result of that is that there are no Adolf Hitler statues in Berlin. There are no monuments or memorials to the Nazis. We’ve never done that in this country. In fact, we’ve done the opposite.
Monique Nazareth and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
Gen Z is the loneliest generation. Here’s what can help
We are more connected than ever before, with our high-speed internet, pinging smartphones and ever-updating apps and social media networks. (iPhone 17e, anyone?!)
And yet, we are also lonelier than ever, especially younger generations who are even more likely to be on their digital devices for longer periods of time. Gen Z, it turns out, is the loneliest generation of them all, according to the 2025 Cigna Group report “Loneliness in America.” It found that 67% of Gen Zers reported being lonely (65% of millennials, who also grew up with digital technologies, did as well, as compared with 60% of Gen Xers and 44% of baby boomers).
What’s more, about 1 in 5 teenagers ages 13 to 17 experiences high rates of loneliness, according to a World Health Organization’s 2025 report; and according to the Centers for Disease Control and Prevention, 40% of high school students reported “persistent feelings of sadness and hopelessness” in 2023.
Dr. Shairi Turner, chief health officer of the nonprofit Crisis Text Line — a free, 24-7 text-based mental health service — calls it “a public health crisis” that is especially affecting Gen Z for a reason.
“They’re 14-29 now, so they’re digital natives, very comfortable with being connected to people by phone,” she says. “But that connection isn’t a replacement for human connection. It gives the illusion of being close, but without real interpersonal interaction.”
That’s compounded by the COVID-19 pandemic and increased single parent households, she says.
“This is a generation that lived through the pandemic during some key developmental years — some of their formative years may have been in lockdown, using smartphones, [instead of] developing critical social skills,” Turner says. “And Gen Z is more likely to have been raised in single-parent households, and may have come home to an empty home where one parent was working or they were going back and forth between homes.”
So where to go from here? Note the warning signs, Turner says.
“Is your child spending more time with their phone than their friends?” she says. “Are your kids coming home upset about interactions at school or with their friends more times than not? And: Are they avoiding in-person extracurricular activities like sports or clubs? These are all things to look out for.”
Here are Turner’s top three tips for helping your Gen Z kids cope with loneliness.
Be present and engage in active listening
“Give them the space to share their feelings. Just be present and listen to your child — don’t put words in their mouth. Create that safe space so they know they can share with you that they’re feeling lonely. Ask open-ended questions. Instead of saying ‘did you have a good day?’ where they can say ‘yes’ or ‘no,’ ask a question that elicits more: ‘What did you do today that you enjoyed?’ Or: ‘Is there anything you found challenging today?’ Brainstorm with them options or ways that they could have handled a situation differently; or do some role playing with your child, so they feel prepared the next day.”
Plan outdoor social activities
“That can be with your child or with your child and their friends. Connect in a low-pressure way: ‘Let’s bring some kids over and go to the park.’ Plan something around a shared interest, like soccer or baseball, where they’re enjoying the sport together and they don’t have to sit and talk in a high-pressure way — they can just have fun. Our report on young people in crisis shows that outdoor third space areas — parks and recreation — help young people cope with their mental health. These same young people identified sports and opportunities for social connection as helpful to their mental health and well-being.”
Explore mental health resources
“Know what the school resources are, what’s available, before your child needs mental health support. Are there counselors, school psychologists? What’s the bevy of resources in school or in the community if my child is in need — therapists, local support groups? Our Crisis Text Line is great because it’s on the phone and most young people are comfortable with that and they can text our volunteers and it’s confidential. It’s about being prepared and aware.”
Ultimately, Turner says, young people are resilient — their brains are still growing — and intentional parenting goes a long way toward offsetting the effects of digital devices and social media.
“It’s never too late to encourage — and model — positive interpersonal skills,” Turner says. “Meaning: human to human connection.”
Lifestyle
‘The Madison’ adds to Taylor Sheridan’s ‘Yellowstone’ legacy — ‘Marshals’ not so much
Michelle Pfeiffer stars as Stacy Clyburn in The Madison.
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Emerson Miller/Paramount+
Since introducing his Yellowstone TV series, starring Kevin Costner, in 2018, Taylor Sheridan has made a very successful career of building dramas around veteran stars. Now Sheridan has a new official sequel series — Marshals, on CBS — and a seemingly unrelated series, The Madison, that I suspect will connect to the Yellowstone storyline before too long.
The Madison is a six-episode drama, starring Michelle Pfeiffer and Kurt Russell. It streamed half its episodes when it premiered March 14 on Paramount+ and has been renewed already for a second season. All six episodes were written by Sheridan and directed by Christina Alexandra Voros, who directed many episodes of both Yellowstone and its prequel, 1883.

The Madison is set up as a sort of dramatic Green Acres, and presents Pfeiffer and Russell as Stacy and Preston, wealthy New Yorkers who are close to approaching their 50th wedding anniversary. They have daughters, and granddaughters, and Preston also has a cabin and some land he shares with his brother Paul in Madison River Valley, Mont. He goes there when he can to relax; when he does, his wife Stacy stays behind in the city.
Before long, Stacy decides to take her daughters and granddaughters to see the Montana cabins for the first time. The whole family is there: One older divorced daughter with two girls — a teenager, and one in grade school — and the younger married daughter, who has just been mugged.

The Madison, like Yellowstone and all its prequel series, is all about legacy and responsibility and relationships — but focusing on the women instead of the men. Some scenes and concepts in The Madison are absurd in the extreme, like the idea that the streets of New York are more dangerous than any wild west. But there also are moments of true beauty and calm — and the valley setting itself, I suspect, eventually will link to previous series in the Yellowstone canon.
Fly-fishing figures prominently here, as it does in most other Yellowstone-connected series — but Sheridan and The Madison, with Russell fully enjoying the peace of the river, nails the emotion. The new CBS sequel, Marshals, which also has a male-bonding fly-fishing scene, does not.
Luke Grimes plays Kayce Dutton in Marshals.
Sonja Flemming/CBS Entertainment
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Sonja Flemming/CBS Entertainment
Marshals, which premiered March 1 on CBS, stars Luke Grimes as Kayce Dutton, one of the sons of Costner’s John Dutton from Yellowstone. Sheridan co-wrote the first episodes, but Marshals isn’t nearly as good a series as The Madison. It finds a way to get Kayce hired as a U.S. Marshal, but mostly to give the character a chance to run around with more advanced weaponry. And his relationship with his son Tate, played by Brecken Merrill from Yellowstone, is explored a lot less credibly, and dramatically, than the maternal dynamics on The Madison.
Marshals adds to the Yellowstone legacy, with its allusions to long-established storylines like a seventh-generation land surrender, and modern clashes that echo deadly standoffs of old. But it’s The Madison, like 1883 and 1923, that brings the best out of Sheridan. And bringing back veteran movie stars Pfeiffer and Russell? Even in a modern Western, that’s a real Bonanza.


Lifestyle
Don’t want to miss the bloom? This L.A. scientist created a poppy forecast
Imagine waking up early, eager to peep dazzling carpets of brilliant orange flowers at the Antelope Valley California Poppy Reserve. Instagram posts promised a spectacle.
You drive to the reserve north of Los Angeles, but the rolling hills aren’t alive with color.
Bummer. The bloom is over.
Thanks to AI, and a local scientist, such disappointment may soon be a thing of the past.
This year, Steve Klosterman, a biologist who works on natural climate solutions, launched a “wildflower forecast,” powered by a deep-learning model, satellite imagery and weather data.
In a sense, Klosterman, of Santa Monica, developed the tool to meet his own need.
Last spring, the Midwest transplant was hankering to see some wildflowers. He assumed there was some online resource that offered predictions or leveraged satellite images.
“Surely, there must be something,” he recalled thinking. “But there was nothing.”
There are tools. The state reserve operates a live cam trained on one swath of land. Theodore Payne, a California native plant nursery and education center, runs a wildflower hotline, where people can call in and hear weekly recorded reports on hot spots.
“These are all essential resources,” Klosterman said. “At the same time, they’re limited.”
Klosterman isn’t green when it comes to plants. His PhD, at Harvard, focused on the timing of new leaves on trees in the spring and color change in the fall.
For a class project, a team he was part of built a website that predicted those leaf changes in the Boston area. It was a hit.
California poppies bloom in Lancaster, near the state natural reserve, in mid-March.
(Kayla Bartkowski / Los Angeles Times)
To create the poppy bloom predictor, Klosterman turned to AI initially developed for medical imaging. He has harnessed it to instead analyze satellite images of the Antelope Valley.
The model scans 10-by-10-meter squares of land to determine whether poppies are present by their telltale orange color. (It also identifies tiny yellow flowers called goldfields.)
The model is trained on satellite images — which go back nine years — along with past weather data.
It then uses the current forecast, and recent flower status, to peer into the future.
If the mercury is going to hit 100 degrees and wind is picking up — and in previous years that led to withering flowers — that will guide the prediction.
Right now, the model can forecast five days out and is, as Klosterman puts it, “very much a work in progress.” It would be better, more powerful, if it had 100 years to learn from.
As more data are collected, it might someday be able to forecast a week or two out.
Right now, poppies are popping at the reserve in the western Mojave Desert.
It rained throughout the fall and into winter, and poppies need at least seven inches of rain to make a good showing, said Lori Wear, an interpreter at the reserve.
Snowfall in January seems to push them to another level, but that didn’t happen this season. So it’s a good bloom, but not extraordinary, she said.
Still, poppies — California’s state flower — blanket swaths of the protected land.
“It almost looks like Cheeto dust,” she said, “like somebody had Cheetos on their fingers and just smeared it on the landscape.”
Poppies here have typically peaked around mid-April, but variable weather in recent years has made it hard to predict, she said. Klosterman believes right now is likely the zenith.
Also blooming now: goldfields, purple grape soda lupine and owl’s clover. Wear described the latter, also purple, as looking like a “short owl with little eyes looking at you and a little beak.”
An SUV drives through blooms near the reserve. “It almost looks like … somebody had Cheetos on their fingers and just smeared it on the landscape,” said Lori Wear, an interpreter at the reserve.
(Kayla Bartkowski / Los Angeles Times)
On Sunday, Klosterman experienced the blooms for himself, using his technology as a guide.
It offers predictions in two forms. The first is the amount of the valley — shown in a satellite image — covered in poppies and goldfields, expressed as a percentage. The other is an overlay of orange and yellow splotches on the land.
The map showed a fairly high concentration of poppies near a stretch of Highway 138. He went there and, lo and behold, vibrant flowers awaited him. He sent proof: a smiling selfie in front of a sea of blossoms.
Klosterman’s tool may help answer arguably more complex questions than poppy or no poppy, such as a more precise understanding of the conditions the flowers need to thrive.
Experts know rain is key, but it’s more complicated than that.
Steve Klosterman takes a selfie in a field of California poppies.
(Steve Klosterman)
Heavy rain can supercharge invasive grasses, crowding out the blooms. Natives actually tend to do better after several years of drought, once invasives not adapted to the arid climate die out. That’s what led to an epic superbloom in 2017, Joan Dudney, an assistant professor of forest ecology at UC Santa Barbara, told The Times in 2024.
Klosterman wondered if the recent heatwave would desiccate them. But his model didn’t show that, and neither did his trip. So it’s possible other factors play a significant role in their persistence, such as length of day.
The model could also shed light on what could happen to the flowers as the climate warms. Will they migrate to the north? Will there be fewer blooms?
To game that out, Klosterman said you could invent and plug in a weather forecast with higher temperatures.
For now, Klosterman’s forecast is limited to the Antelope Valley. But if it expands to other areas, and other flower types, it could help people like Karina Silva.
Silva woke up at 5 a.m. last Wednesday to travel from her Las Vegas home to Death Valley National Park, hoping to beat the heat and the crowds to the superbloom.
But several hours later, she and her husband, David, were still trying to find it.
The hillside behind her was sprinkled with desert golds, but the display fell short of the riotous eruption of flowers posted on social media. The superbloom ended in early March, according to park officials.
“I was just thinking it was going to be this explosion of different colors,” Silva said by the side of the road overlooking Badwater Basin.
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