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Acclaimed 20th century philosopher Jürgen Habermas dies at 96
Internationally renowned German philosopher Juergen Habermas speaks to journalists in an auditorium of the Philosophical School of Athens in 2013.
Louisa Gouliamaki/AFP via Getty Images
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The German philosopher and influential thinker on modernity and democracy Jürgen Habermas died Saturday in Starnberg, Germany at the age of 96.
Habermas’ death was confirmed in a statement on the website of his Berlin-based publisher, Suhrkamp Verlag.
“His work, published by Suhrkamp since the 1960s and translated into more than 40 languages, continues to resonate worldwide,” said the head of the publishing house, Jonathan Landgrebe, in the statement. “We mourn the loss of a significant philosopher, ever-present advisor, and dear friend.”
For more than 60 years, Habermas helped shape the political discourse in Germany, particularly during the postwar and post-reunification eras.
He was perhaps best known for introducing the concept of the “public sphere” – a space for public discourse beyond state control, and therefore essential to a healthy democracy.
“Germany and Europe have lost one of the most significant thinkers of our time,” noted German Chancellor Friedrich Merz.
Habermas shot to prominence in the mid-20th century as a member of the Frankfurt School, which was critical of capitalism, fascism, communism, and orthodox Marxism.
Throughout his career, he stressed the importance of confronting the Nazi era as uniquely criminal, insisting that postwar-German democracy must recognize and reckon with its guilt.
Friedrich Ernst Jürgen Habermas was born in 1929 in Düsseldorf into a middle-class Protestant family. Like many children of his generation, he joined the Hitler Youth as a boy and was drafted into the German military in 1944. He soon became a strong critic of the Nazi regime.
After the war, he studied philosophy, history, psychology, German literature, and economics in Göttingen, Zurich, and Bonn. As a student at Göttingen University, Habermas criticized Martin Heidegger, the greatest living German philosopher of the time, for a remark Heidegger had made nearly two decades earlier and never retracted concerning “the inner truth and greatness of the Nazi movement.”
“Habermas was a modern day Aristotle or Hegel for whom no precinct of culture or science was alien and a gifted polemicist and partisan in the great German political debates of the postwar and post-reunification era,” said Matthew Specter, an intellectual historian at Santa Clara University, in an email to NPR. “He was a philosopher who taught Europeans how to ‘learn from disaster’ by committing to the practice of reason and a radical liberal whose thought remains a resource for resisting illiberalism, nationalism and authoritarian currents worldwide.”
Habermas’s lectures and books were famously dense. He taught at, among other institutions, the Universities of Heidelberg and Frankfurt am Main, as well as the University of California, Berkeley, and was director of the Max Planck Institute for the Study of the Life-Conditions of the Scientific-Technical World in Starnberg.
His “Theory of Communicative Action” published in 1981 is perhaps his best known work and is considered a foundation of 20th-century critical theory.
“Habermas has been able to go into discussions in political theory and sociology and psychology and legal theory and a dozen different disciplines and become one of the dominant voices in each one,” said former Georgetown University president John DeGioia when introducing the influential thinker before a lecture in 2012.
The philosopher won many awards, such as the prestigious Erasmus Prize in 2013, bestowed by the Dutch Praemium Erasmianum Foundation to individuals or institutions for exceptional contributions to European culture, society, and social science.
As lionized as he was, Habermas’s ideas also came under severe scrutiny. Among other issues, he has been criticized over the years for espousing an idealized theory of communication that ignores power imbalances and practical realities.
Habermas never lost his sense of unbridled hope and insistence on democratic ideals. “Democracy depends on the belief of the people that there is some scope left for collectively shaping a challenging future,” he wrote in a 2010 article for The New York Times.
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John Cena wanted to step away from the WWE ring before he became ‘too slow for the show’ : Wild Card with Rachel Martin
A note from Wild Card host Rachel Martin: First a confession: I have never watched a WWE match in its entirety. Don’t get me wrong, I appreciate the athleticism and the performance, it’s just not my thing. But there is something about John Cena I’ve never been able to shake.
Yes, he is a wrestling legend, but he has built a career as an entertainer that transcends the ring. The first time I saw him lead a cast was the 2019 family movie “Playing with Fire” and his rapport with kids in that film didn’t seem like acting at all. The man contains multitudes!
He co-stars with Eric Andre in his newest film, “Little Brother.”
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Great movies you may have missed : Pop Culture Happy Hour
Xie Miao and Yang Enyou in The Furious.
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There have been some fantastic movies released this year, and we know you can’t see them all. So we’re recommending four recent movies we missed that you should add to your watchlist: The Furious, Tuner, She’s The He, and Heresy.
If you need a few more fun film recommendations, check out these episodes:
Fun movies you may have missed
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A judge says the Kennedy Center must update him on its plans — and address that tarp
A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., on June 13. A federal judge has asked the arts complex’s leadership to explain the purpose of the tarp and the surrounding scaffolding.
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On Wednesday, the federal judge overseeing the Kennedy Center lawsuit ordered the center to give him a status report on the center’s operation and programming within the next few weeks. Judge Christopher R. Cooper also said that the Kennedy Center must explain the purpose and status of the tarp and scaffolding that have been placed over the front of the arts complex, where until recently both President Trump and President John F. Kennedy’s names were both displayed.
In a directive issued last Tuesday, Judge Cooper had given Kennedy Center administrators three days to update him on the arts complex’s immediate plans regarding construction, programming and public access. Trump, who now serves as the center’s chairman, had announced July 5 as the date the venue would close for major renovations.

Last Friday, on Cooper’s due date, lawyers for the Kennedy Center filed a request asking for an extension. In that filing, Matt Floca, who was promoted as the center’s president and CEO in March, said that the Kennedy Center’s current management intends to present its board with “an array of options” for trustees to vote on at their next meeting on an unspecified date in mid-July.
According to Floca, the options are a complete closure for extensive renovations; a partial closure “enabling some continued public access and limited programming” while some renovations are undertaken; and “a highly limited series of phased closures to address only the center’s most serious infrastructure needs while scheduling and maintaining a full slate of programming.”
In his newest order, Cooper denied Floca’s request for an extension. And he mandated that the center file a status report within seven days of the center’s July board meeting or by July 31, whichever date is earliest. He also ruled that the report must “indicate the purpose for and status of the tarp and scaffolding,” which were erected by workers over the center’s front signage in the early morning hours of June 13.
When asked for comment Wednesday, the Kennedy Center pointed back to the documents its legal team submitted to the court.
The tarp and scaffolding on the center’s front portico went up after the Kennedy Center’s administration slow-walked the court-mandated removal of President Trump’s name from the front of the center and from all digital materials, which was supposed to happen no later than June 12. Workers removed the lettering overnight into the following morning, hours after the federal court’s original deadline, and covered the center’s sign with a tarpaulin.
As of Monday, the sign remains hidden from the public.

Trump’s name was scrubbed from all of the Kennedy Center’s digital content on June 4, the same day an email order to do so was issued by the complex’s legal team; NPR obtained this memo the day it was sent out to Kennedy Center staff.
These court orders are part of the ongoing lawsuit filed by Rep. Joyce Beatty, D-Ohio, against President Trump and the board of the Kennedy Center. Earlier this year, Cooper ruled that Beatty, an ex-officio member of the Kennedy Center board, must be allowed to participate in board meetings. NPR has asked Beatty if she plans to vote at the July board meeting, but did not receive an immediate response.
It would be very difficult for the Kennedy Center to revive a thriving programming lineup for the months ahead. Over the past year, many prominent artists canceled their planned appearances, citing the politicization of the venue. Most of the center’s programming staff have departed, either via layoffs or resignations. Unlike top administrators at other major performing arts venues around the country, Matt Floca has no experience in artistic direction, fundraising or arts administration; formerly, he was the center’s head of facilities, and he holds a bachelor’s degree in construction management.
Established artists who typically perform at the Kennedy Center generally have their touring schedules set at least a year in advance, if not multiple years ahead. In years past, the center has publicly announced its upcoming season in mid-spring for performances beginning in September and running through the following summer.

Currently, only a handful of outdoor free movie screenings of nostalgic favorites like The Princess Diaries and Clue appear on the center’s calendar of events, along with some participatory workshops for kids. In the past, the Kennedy Center presented over 2,000 arts and education events each year.
The center also recently became ensnarled in litigation with one of its longtime tenants and artistic partners. On June 12, the Washington National Opera, a company formerly in residence at the Kennedy Center, sued the complex for $17 million. It claims that the Kennedy Center had withheld “years’ worth of donor gifts, bequests and endowment funds” that had been intended specifically for the WNO.
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