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A polarizing, provocative French novelist says he’s written his last book
Michel Houellebecq says Annihilation will be his last novel.
Joel Saget/AFP via Getty Images
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Joel Saget/AFP via Getty Images
Early in Michel Houellebecq’s novel Submission, its professor hero talks about what makes a writer worth reading: “[A]n author is above all a human being … and whether he writes very well or very badly hardly matters — as long as he gets the books written and is, indeed, present in them. (It’s strange that something so simple, so seemingly universal, should actually be so rare …)”
Few writers are more present than Houellebecq, the international literary superstar who’s one of a handful of writers who invariably jangles my nerve-ends. Trenchantly ironic about our self-centered society, his novels are barracuda-toothed provocations, idea-laced fictions filled with dodgy sex, joyless masculinity, swipes at Islam, derision toward ’60s freedoms, contempt for the media elite, attacks on the EU and casual misanthropy. Houellebecq is surely the most acclaimed literary figure to have praised Donald Trump. In France, he’s routinely called a genius — or a creep.
In fact, his fiction is brainier, trickier and more stimulating than his polarizing reputation suggests. It’s not just that his novels have been eerily prophetic about what’s happening in society. He cuts to the heart of things in a way that makes most of his American counterparts look like well-schooled functionaries doodling prettily on the margins of life.
A sense of doom — social and personal — looms over his new novel, Annihilation, which the 68-year-old Houellebecq has said will be his last. Although far from his best, it’s a fascinating book tinged by mortality. You can feel this one-time bad boy crawling out of his comfort zone to do something he’s pointedly not done before: explore middle-class family life and the healing power of love.
As usual, Annihilation features a de-centered male hero. Fiftyish Paul Raison is a high-level Paris bureaucrat who’s in a sexless marriage to another bureaucrat, Prudence. Bored and vaguely disaffected — he doesn’t believe in much of anything — Paul’s going through the motions, when his world starts falling apart.
In the public sphere, there’s a series of cyberattacks designed to send seismic shocks through the existing global order. In his personal life, his father has a stroke, and Paul’s forced to engage with his family, especially the devoutly Catholic sister he’s been largely ducking for years. Even as he’s confronted by an often-byzantine medical system, he must deal with a group of anti-government radicals, and a health crisis of his own.
Although deftly translated by Shaun Whiteside, Annihilation is slow getting started and too diffuse by half — I began skipping the boring dream sequences. But Houellebecq has always had one of those narrative voices that draws you in, as in this book’s opening line: “Particularly if you’re single, some Mondays in late November or early December make you feel as if you’re in death’s waiting-room.”
Houellebecq’s major works — Atomized, Platform, Submission and Serotonin — were all worshiped or reviled for their seeming cynicism. Yet beneath their dryly funny, sometimes shocking surfaces, they’re the work of a radical conservative — to borrow a description Norman Mailer used of himself. Houellebecq’s books dissect how, in our modern society, people, in particular men, feel hollowed out. “Anything can happen in life,” says the hero of Platform, “especially nothing.”
No longer bound by the old religious, national and tribal belief systems, Houellebecq’s characters inhabit an atomized world whose individualism leads to the bleak consolations of technology, consumerism and the soulless sex typified by pornography. His great satire, Submission, in which Islam takes over France, was pilloried as an attack on that religion. In fact, it’s a book about a French culture so decadently anemic that it finds a kind of comfort living under the certainties of Sharia law.
Dismissive of both the Left and market-driven society, Houellebecq is such a sly and ambiguous writer that I’m not always sure when he’s kidding. I often identify with his characters, and even when I find certain pages repellent, Houellebecq challenges my perceptions. He gets me asking whether I’m in touch with my real self, or whether I’ve unthinkingly donned a set of attitudes passed on by our culture.
And in Annihilation, he surprised me. After a career spent, as he puts it, “clearing away the sources of hollow optimism,” he ends Paul’s story with some of the tenderest pages — and tenderest sex — of his career. This is a book about discovering the ties that bind and about letting yourself be bound by them. Filled with acceptance if not serenity, it has the happiest ending you can have in a book by a writer who doesn’t believe in happiness.
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
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Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
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