Lifestyle
9 launches in L.A. that will keep the holiday drip edging toward overdrive
Luna Luna: Forgotten Fantasy
Aerial view of Luna Luna in Moorweide park. Hamburg, Germany, 1987. Photo: © Sabina Sarnitz. Courtesy Luna Luna, LLC
(Sabina Sarnitz / Luna Luna)
In 1987, an amusement park opened in Hamburg, West Germany, where all the rides and games were also contemporary art: a carousel by Keith Haring, a glass labyrinth by Roy Lichtenstein, a multicolored archway by Sonia Delaunay. The pieces were then stored and forgotten in shipping containers for 36 years. Astonishingly, the park has been reassembled at Ace Mission Studios in downtown L.A. Now open. 1601 E. 6th St., Los Angeles. lunaluna.com
Golf le Fleur* season two
In Tyler, the Creator’s universe, Lil Yachty, Maverick Carter and Anwar Carrots all pour out of the same school bus dressed in spring pastels from le Fleur*’s season two collection. The video look book, designed and directed by Tyler himself, shows models giving statements to a slightly out-of-frame police officer after their bus hit another car. The camera focuses in on the string of characters in their puffer jackets, the brand’s first-ever take on a cycling jersey, fur ushankas, berets, sweater vests and sport coats with matching trousers. In typical le Fleur* fashion, the clothes are whimsical and sharp. Select pieces available in stores December 9 and online December 13. golflefleur.com
Slauson Saturdays powered by Supervsn
Since October, Supervsn has been hosting a monthly party known as “Slauson Saturdays.” The free event takes place at the flagship store in Windsor Hills and features guest DJ sets, food and drink. December’s party will feature some holiday specials, including custom Supervsn gift wrapping and Santa’s Custom Embroidery Workshop. Saturday, Dec. 9. 4440 W. Slauson Ave. Flagship.
“Staring Into the Sun” opens at Webber Gallery
Photographs by Deanna Templeton (left/top) and Amina Cruz (right/bottom) featured in “Staring Into the Sun,” a group show at Webber Gallery. (Deanna Templeton; Amina Cruz)
A photograph by AJ Wilson featured in “Staring Into the Sun,” a group show at Webber Gallery.
(AJ Wilson)
“Staring Into the Sun,” a group show curated and edited by Chantal Webber of Webber Gallery and Yudo Kurita of Comfort, opens at Webber Gallery December 8. Featuring the work of 30 L.A. photographers including Eddie Salinas, Nori Rasmussen-Martinez, Jess Cuevas, Carlos Jaramillo, Thalía Gochez and Deanna Templeton, the opening is from 6 to 10 p.m., with DJ sets by Passionfruit and Gem, followed by an after party at Soho Warehouse. 939 S. Santa Fe Ave., Los Angeles. @webber_gallery
Fear of God and Adidas launch Athletics
After three years in the making, Fear of God Athletics has launched. The sports line hearkens back to late ’90s and early 2000s Adidas football gear — think thick stripes and oversize hoodies — with puffy jackets and track pants in earthy, gray tones. “My heart has always been in sports,” Jerry Lorenzo tells GQ. First drop now available. fearofgod.com
“Betye Saar: Drifting Toward Twilight” at the Huntington
Betye Saar with “Drifting Toward Twilight,” 2023 (installation view).
(The Huntington Library Art Museum and Botanical Gardens)
Betye Saar, “Drifting Toward Twilight,” 2023 (installation view).
(The Huntington Library Art Museum and Botanical Gardens)
L.A. icon and artist Betye Saar has just unveiled a brand-new artwork that takes over an entire room at the Scott Galleries at the Huntington. The centerpiece is a wooden canoe, carrying various “passengers,” including birdcages, antlers and children’s chairs. The walls are bathed in blue and the floor is scattered with plants that Saar foraged from the surrounding gardens. Saar has invited us to drift and dream. On view through Nov. 30, 2025. Virginia Steele Scott Galleries of American Art, the Huntington Library, Art Collections, and Botanical Gardens, 1151 Oxford Road, San Marino. huntington.org
Hiro Clark opens in L.A.
You can now feel Hiro Clark’s soft cotton tanks and sweatpants for yourself at the brand’s first L.A. store. Look out for the Tom of Finland collab, sleek tees with desert plants in silhouette, and some items that are available exclusively in-store. Open now. 677 N. Berendo St., Los Angeles. hiroclark.com
L.A. Wonderland
In this art wonderland curated by L.A. brand Amor Prohibido, painters, fashion photographers and jewelry designers intermix in surprising and moving ways. Look out for works by Monica Zulema, Danie Cansino, Ally Rae, Maggi Simpkins and many more. Through Jan. 3. 2–3 Fair Gallery, 1800 Berkeley St., Unit B, Santa Monica.
grounds and H. Lorenzo Mens Holiday Pop-up
The Tokyo shoe brand grounds has teamed up with H. Lorenzo Mens to host a holiday pop-up this month. If you’re looking for a fun pair of sneaks, grounds will have limited-edition colors of its signature, bubbly shoes. Also, the 13-foot sculpture of a “human-like creature” wearing the brand’s shoes seems worth seeing for spectacle alone. Dec. 8–26. 8700 Sunset Blvd., Los Angeles.
“Tidawhitney Lek: Living Spaces” at Long Beach Museum of Art
“Happy Birthday, Again” by Tidawhitney Lek
(Tidawhitney Lek)
“Khmer New Year at Eldorado Park” by Tidawhitney Lek.
(Tidawhitney Lek)
In her first solo museum show, Long Beach-based artist Tidawhitney Lek paints a tender portrait of her city: moments of picnicking on the grass, celebrating a birthday, walking past dandelions on the sidewalk. Lek’s paintings are so layered that they have been likened to quilts — rich patchworks that remind viewers how much more there is to see. On view through Feb. 4, 2024. Long Beach Museum of Art, 2300 E. Ocean Blvd., Long Beach. lbma.org
Genny opens in Beverly Hills
Genny store in Beverly Hills
(Genny)
Genny, the Italian womenswear brand, has opened its first U.S. store in Beverly Hills. Peruse elegant knitwear and glittery pants in the soothing new space built in white and champagne tones. Open now. 9536 Brighton Way, Beverly Hills. genny.com
Fred Segal and grantlove Holiday Pop-Up Shop
It’s that time of year. Fred Segal and grantlove have a pop-up on Sunset Boulevard stocked with a cozy wintry assortment, including a new hoodie collaboration with A-Morir, throw blankets by Faribault Mill and candles by Amber Sakai. Open through January. 8500 Sunset Blvd, Los Angeles. fredsegal.com
Lifestyle
Chaos Gardening: A Laid-Back Way to Garden
Annuals include flowers like marigolds and nasturtiums. They grow fast but won’t come back the next spring (though they will drop seeds and possibly propagate). Perennials like lavender and sage will return year after year, but they may take longer to grow. Wildflower and pollinator packets often contain both annual and perennial seeds but are frowned upon by some serious gardeners, because the selection can be haphazard and ill-suited to the area.
It’s a good idea to exercise a little situational awareness. How much rain can you expect? How much sunlight? Dig the earth and feel it between your fingers — is it sandy? Loamy? These are things to keep in mind as you prepare for your journey into horticultural chaos.
“You want to prepare your soil, your site, at least a little bit,” said Deryn Davidson, a sustainable landscape expert at Colorado State University Extension in Longmont, Colo. “Try to get rid of weeds. Make sure the soil is ready to receive seeds.”
Davidson, who has written about chaos gardening, strongly advised covering the seeds with a layer of soil, lest they become bird food. As for watering, that depends on where you live, she added. On the whole, though, the formula is straightforward: “Soil, sun and water is what these seeds need,” Davidson said.
Not everyone is a fan of the trend, or at least the way it has been portrayed on social media. “Nature is not chaos — nature is pattern,” said Robin Wall Kimmerer, a botanist and the author of “Braiding Sweetgrass,” which recommends imbuing modern life with Indigenous wisdom.
“It seems unrealistic,” Kimmerer said of the chaos gardening videos she has watched. The feeling of effortlessness they convey — a common social media effect, almost always the result of deft editing — seems to elide the work that goes into a garden, whether chaotic or not, she suggested.
“I want my garden to be natural and biodiverse,” she said. “That’s a good impulse. I don’t think this technique is going to get you there, but that’s an important impulse.”
Boitnott, the maker of the viral video, offered a simple reason for why chaos gardening has become popular: “It just makes you happy.”
Lifestyle
What is an eye massage? We tried it at this under-the-radar L.A. spot
Admission: I suffer from eyestrain. Even right this very second. As a reporter working on a computer more than eight hours most days, my eyes often feel fatigued and itchy by evening.
I’m not alone: More than half of the U.S. population lives with computer vision syndrome, also known as digital eyestrain, and nearly 16.4 million Americans suffer from dry eye syndrome. So I was especially excited to stumble on New Vogue Spa, in the City of Industry, which offers a relaxing, if intriguing, treatment called “Eyeball Care” — something I’d never heard of before at a day spa.
New Vogue Spa is an Asian-style spa with Korean and Chinese influences. The spa’s offerings include massages and body scrubs — I was curious about the “Red Wine Body Scrub” — but I couldn’t help exploring eyeball care, which was much needed after my 50-minute drive from Silver Lake. (The City of Industry is about 30 minutes from downtown L.A. without heavy traffic.)
So it came to be that I found myself lying on a massage table, wearing what looked like protruding diving goggles, with clouds of cool, aromatic steam oozing from both sides of it and engulfing my face. A spindly plastic tube extended from my forehead to the “Eye Spa” machine. Serene spa music, a blend of classical piano and loudly chirping birds, trilled in the background as the machine sloshed and gurgled. It felt like lying, creekside, in a spa robe wrapped in a blanket of chamomile and rosemary-scented fog.
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As my esthetician, Jenny Chen, adjusted the eye mask and added essential oils to the mist, New Vogue manager Lesley Xie explained that the 60-minute, $125 Eyeball Care treatment aims to hydrate and stimulate blood circulation in the eye area, decrease puffiness and dark circles and aid eye fatigue and dry eye syndrome.
“It’s really helpful for overall eye health for people who are on computers for a long time or sleep really late or who are reading a lot,” she said.
1. The Eyeball Care treatment included a mask filled with cool, aromatic steam to help relieve fatigued eyes. 2. Slippers in the Himalayan Salt Room.
Xie said that eyeball care treatments are common in China. When she was growing up in Guangdong in Southern China, elementary school students were given a break every afternoon to perform “eye exercises,” which involved gently massaging pressure points around their eye areas, for 5-10 minutes.
“It released eye stress because we studied from eight o’clock in the morning until almost noon time,” she said. “It was a break for our eyes to prevent nearsightedness and tired eyes.”
New Vogue Spa’s treatment was supremely relaxing from the onset — part Head Spa, part facial, part eye care. Chen began by massaging my scalp for about 10 minutes, as I tried not to fall asleep.
Next she cleaned my face, applied massage cream and gently massaged my face and eye area, manipulating the outer corners of my eye sockets as well as under my brow bones and on my temples. She was precise and firm but careful — as she pressed on the outside corner of my eye, I felt tension draining down the side of my cheek and neck.
Esthetician Jenny Chen conducts “Golden Eye therapy” on reporter Deborah Vankin.
Xie said the massage is based on traditional Chinese medicine, focusing on stimulating acupressure points around the eyes.
“Gentle massage of these areas is believed to help promote blood circulation, relax the muscles responsible for focusing and relieve visual fatigue,” she said. “While it’s not a medical treatment for vision conditions, it’s widely used as a preventative and restorative method.”
The massage was followed by “Golden Eye therapy,” during which Chen used an electronic device on my face with a metal roller ball on it. It uses “ultrasonic vibration technology,” Xie said, to help the skin absorb the applied moisturizing cream and combat eye puffiness.
The main event was the “cooling steam therapy,” which Xie said was meant to be calming and refreshing and help relieve tired eyes. Chen fitted me with what looked like an enormous diving mask that quickly filled with cool, hydrating mist — I felt droplets of water dripping from my eyes and down my cheeks. The Eye Spa machine uses a “cold mist atomization process,” Xie said, “that disperses micro-particles of moisture combined with soothing essential oils.”
At the end of my treatment, Chen gave me under-eye gel pad masks, for added hydration, while conducting one last head massage. She applied moisturizing eye cream, face cream and sunscreen before sending me off.
Dr. Kristina Voss, an ophthalmologist with Keck Medicine of USC, was enthusiastic about the Eyeball Care treatment.
“It sounds wonderful. Anything that makes you feel good, I generally support,” she said. “It sounds safe because they’re not putting pressure on the eye. Direct pressure on the eyeball [is dangerous]. And I’d be nervous if they were putting something in the eye, but they’re not. Steam, or even cool condensation from a humidifier, is effective for dry eye. Massaging pressure points probably doesn’t treat dry eye, but could potentially treat eyestrain or tension headaches that can be interpreted as eyestrain.”
Los Angeles Times features writer Deborah Vankin inspects her eyeballs after her treatment.
Temporary relief aside, however, Voss warned that the treatment is not a replacement for seeing a doctor if a condition is ongoing.
“It’s relaxing and complementary to a doctor’s dry eye treatments — like medicated drops or in-office treatments — but it’s not a simple fix or cure all,” she said. “Ongoing doctor’s care would be important.”
After my treatment, I was invited to linger in the co-ed Himalayan Salt Room and Red Clay Room or woman-only spa area, complete with a warm soaking tub, lounge area and treatment rooms for body scrubs. (I skipped the adjacent New Vogue MedSpa, where you can get botox, dermal filler or microneedling treatments.)
Guests are also treated to a cup of homemade snow fungus tea (made from tremella mushrooms) with a single jujube, or red, date, floating inside. New Vogue makes a fresh batch every morning for guests, simmering the collagen-rich drink so long it becomes somewhat gelatinous.
1. The Himalayan Salt Room. 2. The co-ed lounge area. 3. The Red Clay Room.
“Snow fungus focuses on deep hydration and skin plumping, while red dates support circulation and a healthy glow,” Xie said, calling the concoction “a warm bowl of snow fungus and red date soup.”
I can’t speak to the medicinal benefits of snow fungus tea. But after a glass of the warm, woody-tasting drink — together with the hour-long tension-taming eye treatment — I saw the world in a whole new way while walking out the door: clearly, from a relaxed perspective and with the bigger picture in focus.
Lifestyle
A Monument to Chocolate Is Wrapped in Layers of Mexican History
This article is part of our Design special section on retrofits.
In Mexico City’s urban core, history runs deep. Beneath the 19th-century buildings erected after Mexico’s independence and the Baroque structures that remain from the Spanish colonial city lie the ruins of the Aztec capital of Tenochtitlan.
Preserving historical structures in the city center is dauntingly complicated said Javier Sánchez, whose architectural firm JSa recently retrofitted a 17th-century house steps from the Zócalo, the main square. What spurred him to take on the project? Chocolate.
“Cacao offers this connection between past and present,” said Agustín Otegui, whose family was involved in commissioning JSa in 2013 to turn the three-story building into the city’s Museum of Cacao & Chocolate. (The institution is part of a network in the Americas and Europe that are devoted to the history of chocolate.) Speaking in a video interview, he added, “You have this bean that was used by the Maya and Aztecs, and now it’s a daily delicacy. It’s a link to the past that keeps going.”
Having designed an extension of the Spanish Cultural Center a few doors from the museum, JSa was familiar with the complexities of working in the historic core. In that project, which was completed in 2012, the ruins of a pre-Hispanic school for the nobility were uncovered on the site. Now, the architects, extrapolating from Spanish maps of Tenochtitlan, had reason to believe that they would encounter another such ancient structure.
Supporting this hypothesis was the 17th-century building’s slant, Aisha Ballesteros, the JSa partner who led the museum’s design, said in a video interview. Many buildings in Mexico City are sinking because of the gradual settling of the underground lake bed; the angle in this particular case suggested that there was something below ground propping it up.
That something turned out to be what the Mexican government describes as one of the country’s most important archaeological finds: a section of a tzompantli, or wooden rack
displaying more than 650 human skulls belonging to people who were believed to have been
sacrificed in the 15th-century reign of the Aztec kings Itzcoatl, Ahuízotl, and Moctezuma
Ilhuicamina. Other tzompantlis have been discovered, but this one — the Huei, or great, Tzompantli — is the biggest and best preserved.
What followed was an 11-year effort to excavate and stabilize the Huei Tzompantli below ground while working on the colonial building above. What’s more, the architects designed a five-story museum addition — one of just a handful of contemporary structures built in the historic quarter in the last two decades — to fill the empty space behind the 17th-century building.
“We were facing three important histories,” Ballesteros said. “Ours, the pre-Hispanic and the colonial one. It was important for us to remember that we are only a small part of this 500-year timeline.”
The design centered on a plan to safely showcase the ancient skull rack and let the colonial building shine, with the contemporary building conceived as a quiet presence where additional museum programs could be housed.
After stabilizing the colonial building — Ballesteros said it was like placing footings underneath the legs of a table that is wobbling — builders sank 100-foot-deep pilings to establish a solid foundation for the new structure. This contemporary building was clad in local, sand-colored travertine, a nod to the volcanic stone composing much of the historic center’s architecture and a quiet presence among the more venerable showplaces.
The two museum structures come close, but never touch. “We separated the new building so that you could see the historic walls, but also because of seismic requirements,” Ballesteros said. In many places, the contemporary addition’s right angles draw attention to the colonial building’s tilt. “It becomes a play between old and new, crooked and straight.”
Between them is a courtyard that allows anyone to pick up a beverage from the cacaotería — a chocolate and coffee shop at the museum’s street level — and catch a glimpse of the chefs making chocolate in the nearby prep kitchen. An open-air corridor illuminated by hand-hammered copper light fixtures leads to a courtyard with shade trees and seating. Eventually, visitors will be able to view the ancient skull rack through a window next to the ticket office.
Those with tickets can visit the exhibitions that start on the second level, tracing the history of cocoa from its Mayan roots to the chocolate we consume today. The circulation path moves from within the building to outdoor terraces, allowing visitors to take in the architecture from different perspectives.
There, as in the rest of the museum, can be seen the layered architectural fabric making up the city’s past and present.
“The project showcases Mexico’s richness of heritage without making our contemporary heritage any less important,” Sánchez said. “It is possible to recuperate our history, but also make our city be alive at the same time.”
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