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Taylor Frankie Paul is the latest blow to the fairy-tale formula of ‘The Bachelorette’

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Taylor Frankie Paul is the latest blow to the fairy-tale formula of ‘The Bachelorette’

Taylor Frankie Paul was reciting a familiar speech as she embarked on her search for true love as the star of ABC’s “The Bachelorette.”

“I’m ready to fall in love, I’m ready to find my person, to find my happily-ever-after,” said Paul, a breakout star on Hulu’s “The Secret Lives of Mormon Wives.” In a preview of the season where she would be courted by 22 men, she proclaimed, “I’m optimistic that the man of my dreams is here.”

Those sentiments echoed the words of previous stars of “The Bachelorette,” a spin-off of the network’s “The Bachelor” franchise centered on rose-colored romance, wacky contests, fantasy suites, exotic locations and over-the-top drama.

Paul’s turn in the spotlight signaled a sharp reset for the franchise, which has been plagued in past years by a relentless stream of firestorms including executive producers acknowledging the shows’ history of propelling a “vicious cycle of racism,” sloppy vetting, accusations of bullying and reports of a toxic work environment.

In developing the latest crossover experiment of Disney’s reality TV universe, executives and producers — staggered by the continual franchise woes — were counting on the photogenic Paul to inject a new wave of vibrant energy and unpredictability into the ABC series while also attracting fans of the Hulu hit.

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But that strategy has dramatically backfired, propelling the aging franchise closer to the brink of the point of no return.

Taylor Frankie Paul in a promotional shot for “The Bachelorette,” which paused the airing of her season late last week.

(Sami Drasin / Disney)

Three days before the scheduled Sunday launch of “The Bachelorette,” a video of a 2023 domestic dispute between Paul and her on-again, off-again partner Dakota Mortensen was leaked to TMZ. While the incident had been documented in court records and on “Mormon Wives” — Paul’s arrest was shown via police bodycam footage in Episode 1 of the first season — the video added a disturbing level of detail that hadn’t been seen before, showing Paul arguing with Mortensen and throwing metal stools in his direction. Off camera, a child can be heard crying. She later pleaded guilty to one count of aggravated assault; other charges were dropped.

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Adding to the drama, reports surfaced last week that Paul and Mortensen had been involved in another dispute in late February. Utah’s Draper City Police Department confirmed there is an open investigation. As a result of the inquiry, Paul has temporarily lost custody of her 2-year-old son, Ever, that she shares with Mortensen.

As a result of the controversies, ABC pulled the plug on the premiere for now, putting doubt on whether the season, which had completed filming and cost an estimated $70 million to produce and market, will ever air.

Producers and executives were aware that Paul had a volatile personality, a volcanic relationship history and a criminal record, but they still chose to cast her. It has brought fresh infamy to “The Bachelor” and its format of prioritizing fairy-tale romance scenarios inside an isolated bubble while sidelining real-world issues centered on social trends, mental health and cultural shifts.

In addition to the pause on airing the season, the collapse also casts doubt on the future of “The Bachelor” since the next lead would likely been chosen from Paul’s suitors.

“I think it’s over,” said former “Bachelorette” lead Rachel Lindsay, speaking on the “Bachelor Party” podcast minutes after the news broke about Paul. “There’s no way, under any brand, but particularly Disney, that you can proceed when this video comes out.”

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Its ouster from the ranks of top TV reality franchises has been accelerated by fan disappointment in the previous season of “The Bachelorette,” which starred Jenn Tran, the show’s first Asian lead. Her season was followed by the 29th season of “The Bachelor,” starring Grant Ellis, the show’s second Black star. His low-wattage charisma was blamed for a sharp drop of almost a million viewers from the previous season, which featured professional tennis instructor Joey Graziadei.

Also contributing to the show’s decline is its spotty success rate: In the combined 50 seasons of “The Bachelor” and “The Bachelorette,” fewer than 10 couples have stayed together.

The glow has even faded from “The Golden Bachelor,” an offshoot which got off to a buzzy start in 2023 with then-72-year-old widower Gerry Turner. The retired restaurant owner got engaged on the series to financial services professional Theresa Nist, but the couple divorced three months after their wedding, which was broadcast live.

But those pitfalls were glossed over as producers continued to emphasize the “romance and roses” formula during Paul’s introduction to “The Bachelorette” in “Before the First Rose,” which aired March 15 following the 98th Academy Awards.

The leadoff special featured several former Bachelorettes, who gathered at the show’s mansion headquarters to welcome Paul to “the sisterhood.”

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“I’m obsessed with Taylor,” gushed Hannah Brown, who starred in the show’s 15th season. “I think she is perfect for this because she really doesn’t know what she’s doing. But I love that — that’s what going to make her so lovable.”

Although she sent a short video message to Paul, Tran was conspicuously absent from the in-person reunion. Her stint in 2025 was promoted as a milestone to correct the franchise’s historic diversity shortfalls, but her romantic journey has been labeled by many members of the Bachelor Nation fan base as a low point. The installment was criticized immediately because of the near-absence of Asian suitors.

The troubles reached a crescendo during the live finale when a distraught Tran revealed that the man she had chosen as her husband-to-be, Devin Strader, had ended their engagement a month before the broadcast. Strader joined Tran onstage minutes later, and she wept as the footage of her joyous proposal to him was played back. Viewers accused the show of cruelty and humiliating Tran by making her relive her trauma on live television.

A woman in a white patterned dress looks up at a man in a black suit, seen from behind.

Jenn Tran in Season 21 of “The Bachelorette.”

(John Fleenor / ABC)

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The episode also revived attacks on the show’s spotty vetting after reports that Strader had been arrested in 2017 on suspicion of burglarizing the house of an ex-girlfriend. He had not informed producers of the arrest when he was interviewed for the show.

More upheaval struck the franchise a few months after the seasons starring Tran and Ellis with the announcement that executive producers Claire Freeland and Bennett Graebner would be exiting. The two took charge of the shows in 2023 following the departure of creator Mike Fleiss in the wake of accusations that he was responsible for racial discrimination behind the scenes. Fleiss denied the accusations.

Though Freeland and Graebner vowed to make the show more culturally inclusive, they were blamed for the missteps involving Tran and Ellis, and were also charged by several staffers of creating a “hostile” environment behind the scenes, according to Deadline. They denied the allegations.

One surprise participant in “Before The First Rose” was Lindsay, who has been the most critical alumnus of “The Bachelor” franchise.

Lindsay was a key figure in the show’s most fiery phase when it cast Matt James as the first Black Bachelor. James’ season unraveled following an uproar over photographs that surfaced of contestant Rachael Kirkconnell at an antebellum South-themed party. Then-host Chris Harrison defended Kirkconnell in a combative interview with Lindsay, then a correspondent on “Extra.” Harrison eventually left the franchise after nearly 20 years.

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Angered by the incident, Lindsay called out show producers and what she called the racist “Bachelor Klan” fan base while announcing she was leaving the franchise.

“I’m no longer making myself available to The Bachelor universe,” Lindsay wrote in a 2021 first-person essay for New York magazine headlined “Rachel Lindsay Has No Roses Left to Burn. I thought I could change the Bachelor franchise from within. Until I realized I was their token.”

She wrote in the conclusion: “I used to always say, ‘If you want me to shut up, bring in another Black lead.’ Now, I wouldn’t come back and talk about something if they paid me. Well, maybe if they paid me eight figures …”

Lindsay has made amends with the franchise since as she cheered Paul on during the special, advising, “We’re here to make her comfortable, to keep it real.”

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Movie Reviews

Movie Reviews 2026: Ukrainian and World Premieres

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Movie Reviews 2026: Ukrainian and World Premieres

The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.

“Kakhovka Object” (war drama)

The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.

“Mavka. The True Myth” (romantic fantasy)

The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.

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“When Will You Divorce?” (corporate comedy)

A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters. 

“Odyssey” (epic adventure drama)

A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep. 

“Lord of the Universe” (sci-fi, action)

The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.

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“Scream 7” (2026)

The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics. 

Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.

“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views

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The two Taylor Lautners announce a baby Lautner is on the way

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The two Taylor Lautners announce a baby Lautner is on the way

The two Taylor Lautners are expecting a baby.

“What’s better than two Taylor Lautners?”

That’s what the couple — call him Taylor and her Tay — wrote Thursday in a social media post announcing that a newborn was in their future.

The couple included four photos: The first showed the “Twilight” franchise star, 34, kissing the belly of his 29-year-old wife as she stands in a field holding sonogram images. The others showed them having fun in that same field as they celebrated the news.

That last one was in black and white and a little blurry, but it showed her sitting in a low chair, hands on her belly, cracking up as he sat low by her side with a big smile on his face. The sonogram made its way through all of the baby-on-board photos.

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The couple offered no further details about the baby, including the due date.

Taylor Lautner met the former Taylor Dome in December 2017, and the two went public with their couplehood the next October and got married in November 2022 after a yearlong engagement. She was a registered nurse when they met; he was a few years off playing werewolf Jacob Black in the blockbuster franchise that brought a sparkly vampire-human love story to life.

While co-stars Kristen Stewart and Robert Pattinson, who played Bella Swan and Edward Cullen, have charted distinctive acting careers since 2012, when “The Twilight Saga: Breaking Dawn — Part 2” debuted, Taylor has hung back a bit. He met Tay after his sister set them up with invites to the same game night.

Tay, by the way, was Team Edward, crushing on Pattinson more than Lautner when she experienced the “Twilight” franchise. “I was too young for Jacob’s abs,” Tay told Cosmopolitan in a 2025 profile of the Lautners.

“Yeah, when I was walking around in my little booty jean shorts and ripping my shirt off and my abs were on big screens, she’s 11 years old, throwing a ‘Twilight’ birthday party,” he told the magazine. Tay was “a breath of fresh air” for him after years of dating women who worked in the spotlight.

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That list famously included Taylor Swift, his co-star in “Valentine’s Day,” with whom he coupled up for several months before that 2010 movie came out.

“Now I have my priorities straight,” Taylor Lautner told Cosmo. “If I do a project and it doesn’t go as planned, I’ll still be coming home to my family that’s always going to be there.”

And soon that family will be more than two.

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Movie reviews reveal A Poet and All That’s Left of You dominate March with perfect 100% scores – Art Threat

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Two masterpieces just shattered critical consensus on Rotten Tomatoes. Both A Poet and All That’s Left of You have garnered rare perfect 100% scores from critics, dominating March 2026’s excellence rankings. These dual releases represent a historic moment for international cinema.

🔥 Quick Facts

  • A Poet: 100% Rotten Tomatoes score from critics celebrating Simón Mesa Soto‘s Colombian drama
  • All That’s Left of You: 100% Certified Fresh multi-generational Palestinian epic by Cherien Dabis
  • Release Timeline: Both films expanding dramatically in theaters March 2026 after festival triumphs
  • Critical Moment: Rare simultaneous perfect scores elevate international storytelling into mainstream spotlight

A Poet Achieves Unanimous Critical Acclaim

Simón Mesa Soto‘s A Poet stands as one of 2026’s finest achievements. Starring Ubeimar Rios as Oscar Restrepo, a once-promising writer turned tragic failure, the film examines fatherhood’s weight with devastating wit and elegance. The Colombian-Swedish-German co-production premiered at Cannes Film Festival’s Un Certain Regard section last year and has conquered every distribution market since.

The ensemble cast includes Rebeca Andrade, Guillermo Cardona, and Humberto Restrepo, delivering layered performances that anchor the film’s four-chapter structure. Critics hailed the film as a triumph of tone, mixing tragicomic observation with genuine emotional devastation. The New York Times called it “The Romance of Misery”, recognizing its ability to find beauty in human failure. The film’s philosophical depth and formal precision explain its unprecedented critical consensus.

Title A Poet (Un Poeta)
Director Simón Mesa Soto
Lead Actor Ubeimar Rios as Oscar Restrepo
Rotten Tomatoes 100% Certified Fresh
Theatrical Status Expanding in March 2026

All That’s Left of You Shatters Records as Palestinian Saga

Cherien Dabis wrote, directed, and starred in All That’s Left of You, a sweeping three-generational epic set in the Occupied West Bank spanning decades of family trauma and resilience. Featuring Saleh Bakri, Mohammad Bakri, Adam Bakri, and Maria Zreik, the film follows a teenage boy swept into a pivotal protest with consequences that ripple through his family’s future.

Produced by Watermelon Pictures, the film premiered at Sundance Film Festival 2025, where it immediately earned Certified Fresh status and near-universal praise. Filming relocated to Cyprus, Greece, and Jordan after production complications, yet the result feels seamlessly authentic. Critics point to Dabis’s multi-media mastery (she directs, performs, and produces) as essential to the film’s emotional authority. The film’s scope rivals the greatest epics while maintaining intimate character work that defines recent international cinema.

All That’s Left of You arrived in selected theaters on January 9, 2026 and steadily expanded throughout early March. The film’s 100% Rotten Tomatoes score reflects not just critical respect but genuine reverence for Dabis’s artistic vision. This achievement represents Palestinian cinema reaching its greatest artistic and commercial moment.

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Why These Two Films Dominate March 2026’s Conversation

Rarity defines these simultaneous perfect scores. A Poet and All That’s Left of You occupy the rare 100% Tomatometer tier reserved for films of historic excellence. The 2026 FilmFare recognized both as front-runners for major awards, acknowledging how they’ve elevated the expectations for drama itself. Industry observers note that achieving perfect critical consensus in today’s fractious landscape represents not consensus but unanimous recognition of artistic achievement.

Both films reflect cinema’s global moment. Simón Mesa Soto‘s Colombian vision and Cherien DabisPalestinian perspective prove that international storytelling now commands the cultural conversation. Rotten TomatoesOfficial Rankings place both films in its exclusive Certified Fresh top tier. March 2026 becomes the month cinema decided: universal critical acclaim belongs to filmmakers willing to transcend borders.

“All That’s Left of You is a sweeping multigenerational epic that captures the thematic breadth of great cinema while exploring what it means to endure generational trauma.”

Rotten Tomatoes Critics Consensus, Officials

The Future of International Cinema Starts Now

Both films expand to more theaters through March 2026 and beyond. A Poet hits streaming services and digital platforms simultaneously, making it accessible to audiences beyond Select Release cities. All That’s Left of You continues rolling out across regional markets, having already secured international distribution. Industry observers expect both to capture major festival awards at upcoming spring cinema celebrations.

These perfect scores matter beyond accolades. They signal to studios, streamers, and investors that audiences hunger for international voices and authentic storytelling. March 2026 becomes a watershed moment where Colombian drama and Palestinian cinema proved they belong in the conversation with any major market release. The critical paths of A Poet and All That’s Left of You forecast how cinema itself will evolve toward greater global representation.

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Where Can Film Lovers Watch These Perfect-Score Masterpieces?

Both films remain available in theatrical releases across the United States and expanding internationally. A Poet plays select theaters with plans to widen release through spring 2026, while All That’s Left of You continues broader theatrical circulation. Check major ticketing platforms for showtimes and streaming availability. International audiences should consult local cinema schedules for release dates and language availability. These 100% Rotten Tomatoes achievements deserve the big screen experience both directors envisioned.

Sources

  • Rotten Tomatoes – Official Tomatometer scores and Critics Consensus for both films
  • The New York Times – Critical analysis and reviews of A Poet’s artistic achievement
  • Watermelon Pictures – Official distribution and production information for All That’s Left of You

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