Connect with us

Entertainment

'SNL' sees Nate Bargatze return as host, along with another debate cold open

Published

on

'SNL' sees Nate Bargatze return as host, along with another debate cold open

It’s been less than a year since comedian Nate Bargatze made his debut hosting “Saturday Night Live,” but the appearance was so well received that he’s back already, alongside a stacked lineup of Season 50 hosts that include Jean Smart, John Mulaney and Michael Keaton.

Was it as strong a showing as last time? Not exactly. The monologue was more scattershot and less finely crafted than last year’s and the sketches were less uniformly great, but there was still some strong material. Bargatze’s every-guy vibe still fits “SNL” nicely, particularly in sketches where he’s playing with language, such as a sequel to 2023’s fantastic George Washington weights and measurements scene or a pitch perfect “Sábado Gigante” parody (it only took 50 years) in which Bargatze plays a befuddled audience member pulled into the show with only a rudimentary — but not completely blank — understanding of the Spanish being spoken around him. Bargatze led a funny pre-taped sketch in which a golf tournament competitor keeps inadvertently harming wildlife on the course.

Elsewhere, Bargatze played an EMT who, with his partner (Michael Longfellow), is trying to convince water park workers to let a dead body go down a slide rather than carry it down 255 steps. He portrayed a coach who wants to be paid for football jerseys and the husband of a woman (Heidi Gardner) determined to win a very messy eating challenge at a restaurant. Musical guests Coldplay performed “All My Love” and “We Pray,” the latter featuring Palestinian singer Elyanna and Argentine singer Tini. A title card before the closing hugs honored Kris Kristofferson, who died Sept. 28 at 88. The singer-songwriter and actor hosted “SNL” in 1976 during the show’s first season.

Advertisement

As with Bargatze as host, this week’s cold open was a case of: “It worked great, let’s do it again.” All the guest stars who appeared in last week’s cold open were back for the “SNL” take on the vice presidential debate. Bowen Yang and Jim Gaffigan returned as Sen. J.D. Vance and Gov. Tim Walz, respectively, on the debate stage, while Vice President Kamala Harris (Maya Rudolph) and husband Doug Emhoff (Andy Samberg) watched at home and were visited by a mostly confused President Biden (Dana Carvey).

Kamala, on top of the world, celebrated endorsements from Liz Cheney and Bruce Springsteen, but her joy was short-lived as she watched Walz flub lines — “I’m friends with school shooters” — and got too friendly with Vance. “Why are they friends?” she cried. “Why are they vibing?” On the debate stage, Vance and Walz get so familiar that they try to touch hands across the split scene while “Take My Breath Away” plays. Walz explained his mistake about saying he was in Hong Kong during the Tiananmen Square massacre by telling viewers he forgot he was at Epcot. Vance, meanwhile, inserted mid-sentence pleas to not be fact checked while expressing support for former President Trump.

But like last week, it was Dana Carvey’s Biden impression that stole the show, whether he was announcing things that are down, like gas prices and Emmys for “The Bear,” or waving an ice cream cone that landed ice cream on Kamala’s face. As Rudolph maintained her composure even as ice cream dripped down her chin, it was hard to forget that Carvey and David Spade, the co-host of “Fly on the Wall” podcast, said this week that sometimes physical ad libs or flubs on the show are really accidental-on-purpose, as was the case with Biden burying his head in Kamala’s hair on last week’s show.

Bargatze’s monologue was shorter than last time around and without a strong close, but it still had great lines as the comedian discussed going to community college (“… where they’re like, ‘You’re probably staying in your community.’”) and, at length, his addiction to processed foods (“I’m a farm-factory-table guy.”) and ordering junk food from DoorDash late at night. Bargatze said he’s even double-dashed, ordering from two places simultaneously on the food-delivery service, which causes him anxiety when two different drivers show up at the same time. “I need one of them to get in a wreck! I’m mortified!” he said. There were also funny bits about the “extra” in extra virgin olive oil and what happened when he ate a raspberry for the first time at the age of 40. Unlike last year’s monologue, this one wasn’t as razor sharp, but the material overall had the comic’s signature specificity and bafflement at the world.

Advertisement

Best sketch of the night: Washington returns to claim freedom for hot-dog lovers

Diminishing returns are sometimes fine if the original was this strong. In a sequel to the weights and measure sketch, George Washington (Bargatze) stands on a boat, telling his soldiers about the future of the English language. A dozen is a word for 12, but, “Only 12 shall have its own word.” We’ll spell Jeff two ways, one with a J and, “The stupid way with the G.” A hot dog, Washington says, will not be made of dogs. But when asked what they’re made of, he says, “Nobody knows.” When a soldier questions that, he’s invited to leave the boat, right into the water. Like last time, Washington largely ignores questions from a soldier (Kenan Thompson) over what will happen to slaves after the war, at least this war in 1776.

Also good: You don’t have to know Spanish to understand ‘Sábado Gigante’

Bargatze plays an audience member called on stage by host Don Francisco (Marcello Hernández), who leads him through a random set of sketches, dance numbers and game-show segments, which is not at all different from what the real show was like; ask anybody who grew up in a Spanish-speaking household before 2015. For Hernández’s absolute commitment to the sketch, Bargatze’s so-real-it-stings confusion, the kid in the beard dressed like Bargatze’s character, and the puppet orange in a sailor suit, this one wins our hearts as much as winning five dogs on a game show might.

Will probably go viral: ‘Sushi Glory Hole’ is the new ‘Dick in a Box’

Advertisement

Slotted as it was so late in the show, a new “SNL” digital short featuring Lonely Island’s Samberg and Akiva Schaffer was so surprising, catchy and pushing the line of good taste that it feels like something that could take off in a big way online. (The term “Sushi Glory Hole,” in fact, was already trending on X shortly after the episode aired.) The premise? Two musicians (or are they businessmen?) pitch the idea of a hole in a bathroom wall that feeds you fresh sushi. That’s it. That’s the joke. But it’s taken to hilariously dumb lengths even as those being pitched (Maya Rudolph among them) are just trying to leave the room.

‘Weekend Update’ winner: Jane Wickline stayed at the party too long

It sometimes takes a while to get to know new cast members, but this segment was a nice introduction. Jane Wickline appeared in the water slide sketch as the only voice of reason and in a “Weekend Update” segment, playing piano and singing about staying overnight at a party that has long since stopped being a party. When Colin Jost tries to wrap up the song midway through, she says, “I intend to keep singing.” Clever, playful lyrics and a strong performance suggest great things to come on “SNL” for Jane Wickline.

Advertisement

Entertainment

Jada Pinkett Smith asks court to make Will Smith’s former friend pay her $49,000 legal bills

Published

on

Jada Pinkett Smith asks court to make Will Smith’s former friend pay her ,000 legal bills

Jada Pinkett Smith is asking a judge to make Bilaal Salaam cover the $49,000 in legal fees she racked up fighting claims he made in a December lawsuit.

According to a motion filed April 20 and obtained by The Times, Pinkett Smith is asking that Salaam pay $49,181.23, consisting of “reasonable attorneys’ fees incurred” in connection with Pinkett Smith’s successful special motion to strike Salaam’s complaint, “plus further fees and costs associated with this motion.”

Salaam — Will Smith’s former best friend of 40 years who also goes by Brother Bilaal — filed a lawsuit against the “Bad Moms” actor in December, alleging emotional distress and seeking $3 million in damages.

Salaam claimed that in September 2021, he attended a private birthday party for Will Smith at the Regency Calabasas Commons. According to his lawsuit, he was in the lobby of the movie theater when Pinkett Smith approached him with about seven members of her entourage and threatened him. Salaam’s suit claims that Pinkett Smith told him he would “end up missing or catch a bullet” if he kept “telling her personal business.” She also allegedly pressured him to sign a non-disclosure agreement.

In November 2023, Salaam appeared on the “Unwine With Tasha K” podcast and alleged that he walked into Duane Martin’s dressing room and saw Will Smith having a sexual encounter with the “All of Us” actor. He also made claims about Pinkett Smith’s sexual habits.

Advertisement

Pinkett Smith swiftly responded during an appearance on “The Breakfast Club” and said that Salaam started the rumors as part of a broader “money shakedown” and that his claims were “ridiculous and nonsense.”

“It’s not true and we’re going to take care of it,” she said. “We’re about to take legal action.”

Salaam beat Pinkett Smith to the courthouse and sued her in December, but Pinkett Smith asked the judge to toss the case in February.

According to the motion filed this week, the former “Red Table Talk” host argues Salaam should pay her hefty legal bills because she “prevailed on her anti-SLAPP motion” and the court struck all allegations relating to media statements “that formed the basis for Plaintiff’s three causes of action, as well as additional allegations regarding a cease-and-desist letter.”

Advertisement
Continue Reading

Movie Reviews

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces

Published

on

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces
Lionsgate

SPOILER NOTICE:

The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.

There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.

You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.

Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.

Advertisement

With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.

Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.

RELATED: You, Me & Tuscany Review – Sappy, Sweet, C+ Rom-Com

Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.

Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.

Advertisement

On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.

If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.

Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.

Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:

Continue Reading

Entertainment

Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Published

on

Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

Advertisement

Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

Advertisement
Continue Reading
Advertisement

Trending