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Rainn Wilson and Aasif Mandvi are waiting for 'Godot' at Geffen Playhouse

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Rainn Wilson and Aasif Mandvi are waiting for 'Godot' at Geffen Playhouse

Aasif Mandvi, one of the leads in a new production of “Waiting for Godot” opening Thursday at L.A.’s Geffen Playhouse, is sitting on a couch, recalling the dearth of roles for South Asian actors in 2003, when he played a Taliban minister in Tony Kushner’s “Homebody/Kabul.” Mandvi’s co-star, Rainn Wilson, leans in.

“I thought you were Cuban!” Wilson deadpans.

Mandvi doesn’t miss a beat.

“I’ve told you a million times, I’m not Cuban,” he says with mock exasperation.

“You could play Cuban,” Wilson says.

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“I’ve played Cuban, but I’m not Cuban,” Mandvi says.

“You should change your name, you really should,” Wilson persists. “Like, Antonio Mandivosa. You would work nonstop.”

Mandvi shakes his head, ribbing Wilson right back.

“You’re so white right now,” he says.

They both laugh.

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The two men are in the midst of recounting their early days in theater, when Wilson didn’t make more than $17,000 annually for years and Madvi toured Florida with a production of “Aladdin” for kids so young they occasionally peed their pants during the performance.

Aasif Mandvi photographed at Geffen Playhouse in October.

(Christina House / Los Angeles Times)

For his first show in New York, Mandvi played Hector in Shakespeare’s “Troilus and Cressida.” The production took place at the back of a restaurant in Brooklyn, and the audience consisted of maybe a dozen people. The mother of the guy who played Troilus made all the costumes, Mandvi recalled, and so he came out onstage with a cardboard sword with a crease in it.

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“I’d been through drama school, I was a professional!” Mandvi says with a laugh. “It was the most insane thing. But this is to say that you just get onstage and do whatever you can to get seen, to build your résumé.”

It’s funny to think of a time when either actor still needed to build his résumé. As two of modernist theater’s most iconic misfits — Vladimir (Wilson) and Estragon (Mandvi) — the actors will take the stage as bona fide stars. Although Wilson will always be associated with the gullible and weaselly Dwight Schrute on NBC’s “The Office,” and Mandvi recently won a devoted fan following for his portrayal of the science-minded skeptic Ben Shakir in “Evil” on Paramount+, both men refer to theater as their first — and biggest — love.

“The entire reason I came to Los Angeles, and I am not even exaggerating one iota, is I knew that if I ever wanted to play Mercutio at the Public Theater, I was gonna need to be on a TV show,” Wilson says. “That’s just the reality of New York theater. They want to sell tickets.”

Rainn Wilson stands, one hand resting on an open door, the other on his hip

Rainn Wilson at Geffen Playhouse on Oct. 29, 2024.

(Christina House / Los Angeles Times)

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Wilson has stayed in L.A., but he still talks about going back with the goal of playing some of those great roles. Which is why he jumped at the chance to work on “Waiting for Godot.” He performed a scene from the play in acting class at the University of Washington in 1986 and ended up marrying his scene partner, writer Holiday Reinhorn. Since then, he’d always dreamed of revisiting it. Mandvi also performed “Godot” in acting class long ago, and the play has long been on his bucket list.

The Geffen production is exciting to both actors because it’s presented in association with the Irish theater company Gare St Lazare Ireland, which specializes in Beckett’s work.

“I’ve rarely been this challenged before as an actor,” Wilson says. “I played Hamlet in college, and I will say this is harder because everything is subject to interpretation.”

Wilson throws out an example. He has a line in the middle of the play that reads, “In an instant, all will vanish and we’ll be alone once more in the midst of nothingness.”

“You could play that line with all the darkness and sincerity that you can muster, and it might really strike a chord in the the heart of the audience, or you could put a tiny little spin on it and get a big laugh,” he said, thinking about it for a moment. “Yeah, and I’m not sure which way I’m even gonna go with that right now.”

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Beckett wrote “Waiting for Godot” in the late 1940s after World War II, during which he was part of the French Resistance. The play, which centers on two ragtag characters waiting in vain for a man named Godot, delivers some of 20th century theater’s most closely parsed lines. It premiered in1953 at the Théâtre de Babylone in Paris and ever since has been endlessly analyzed and explained by academics, critics and theater lovers bent on uncovering its meaning.

“It presumes the ultimate thesis, which is, we don’t know what we’re doing here, or why we’re here,” Mandvi says. “We just pass the time.”

Mandvi and Wilson are the same age, 58, and shared the same agent in the mid-’90s when they were starting out, but they had never worked together.

“It just sounded like a blast, right?” Mandvi says. “ I was like, ‘Oh, I get to work with Rainn who I’ve always admired and watched and —’”

“Been oddly attracted to,” Wilson interrupts.

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Mandvi nods slowly.

“Been oddly attracted to,” he repeats before adding emphatically, “which has really diminished.

“He’s one of the few people where the more you know him, the less you like him,” Mandvi continues. “The less you lust, I should say.”

“It’s true,” Wilson agrees.

Up next, the actors suggest: A mashup of “The Office” and “Evil” where the Dunder Mifflin Paper Co. is haunted. Hollywood producers, take note.

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‘Waiting for Godot’

Where: Geffen Playhouse, 10886 Le Conte Ave., Westwood

When: 8 p.m. Wednesday-Friday, 3 and 8 p.m. Saturday, 2 and 7 p.m. Sunday; ends Dec. 15

Tickets: $49-$159

Information: (310) 208- 2028 or geffenplayhouse.org

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Running time: 2 hours, 30 minutes (one intermission)

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Jesse Ridgway speaks out on death threats after ending pregnancy due to Down syndrome

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Jesse Ridgway speaks out on death threats after ending pregnancy due to Down syndrome

YouTuber Jesse Ridgway and his wife, Ashley, shared that they terminated their pregnancy following a Down syndrome diagnosis. What happened online afterward has shocked the couple, but Jesse said he is hopeful that sharing their experience may help other couples feel less alone.

The YouTuber, who’s been a content creator for 20 years and has more than 4.3 million subscribers on his main channel, shared a video on his personal YouTube channel last week that featured he and his wife receiving the results of an amniocentesis — a test for certain genetic abnormalities, chromosomal conditions, and fetal infections — and the results were consistent with Trisomy 21, or Down syndrome.

After the couple read the results, Jesse said that they’d discussed beforehand whether they’d consider terminating the pregnancy. “I know this is traumatic for the whole community. Now that we have a definitive result, we’ll talk with the counselors, and we’re gonna have some hard conversations,” he said. Both Jesse and Ashley were emotionally distraught and crying throughout the video.

Jesse told The Times over a phone call on Thursday evening, with Ashley beside him as she recovered from her procedure, that sharing the diagnosis online happened accidentally. The couple was in the middle of a gender reveal video when they spotted the preliminary markers for Trisomy 21 on the same report.

“We were filming and ready to celebrate with our audience and we were blindsided,” he said. “What do we tell people? How do we navigate this? I reverted to being honest, and yes, that led us to the last 48 hours.”

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On Wednesday, Jesse posted a lengthy statement that disclosed the couple’s decision to terminate the pregnancy. Ashley reposted the statement to her own Instagram.

“This week, my wife and I made the very difficult decision to terminate the pregnancy due to Trisomy 21,” the since-expired Instagram story read.

Jesse continued that the decision was “not made lightly” and said he appreciated the messages of support he and Ashley received. “I know some of you may be very disappointed to hear this news. We are devastated. This has been extremely traumatic for both of us, especially Ashley. She underwent the procedure earlier this week and is on the mend. Thankfully, everything went smoothly, but emotionally we are drained.”

The YouTuber continued the series of posts explaining: “When I first confronted this news, I was shocked but optimistic. … I signed on to be a parent, come what may … but I just didn’t fully understand what Down Syndrome entailed. Once we made it public, it became clear that MOST people don’t know what Down Syndrome entails (and no, it’s not the same as Autism).

“50% of babies with DS have heart defects. 75% will have hearing challenges. Over 50% will have vision problems. Impaired immune function, developmental disabilities, learning disabilities, delayed physical development, poor muscle tone, structural issues with face, decreased lifespan, etc. … Sadly, the list is long, feel free to look it up … Down Syndome isn’t a “blessing”, it is objectively sh— from a health perspective. I didn’t realize just how rough it is for the child, let alone the family.”

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According to the National Institutes of Health, about 6,000 babies are born in the U.S. each year with the condition, affecting about 1 out of every 700 babies. “[W]ith appropriate support and treatment, many people with Down syndrome lead happy, productive lives,” the agency notes, but there are often significant lifelong health challenges and risks.”

Ashley had the abortion on Monday. Jesse said he spent the beginning of the week tending to her, and on Wednesday he crafted the post to explain what the couple had decided and why.

“I put it out there for my audience, and then it took on another life. Because it’s a contentious topic, I figured there would be some level of like flak or differing opinions, but to see what it’s become has been pretty shocking,” he said. “There are a million abortions every year, and I’m just shocked that one couple deciding to abort for Trisomy 21 is mainstream news. This is happening every day, and it’s just not talked about.”

Jesse said that his and Ashley’s DMs had been flooded not only with messages of support but also dozens of confessions from strangers who had been through the same experience. And while the supportive messages felt “validating,” Jesse said the couple had received a “tremendous amount of death threats. People saying we’re murderers.”

According to Healthline, nearly 100% of women in Iceland who receive a positive test for Down syndrome terminate their pregnancy. In Denmark, 98% are terminated, in France 77%, and in the United States it’s 67%.

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When the Ridgways had finished filming the results of the amniocentesis, they debated whether they should share the video. They said they didn’t even want to watch the tape.

“But I kept coming back to, there are so many people out there like us dealing with these things, and nobody’s talking about it,” he said. “I think if we share this, it will have a net positive for other people, and they can feel more comfortable and less shame confronting these things. … I hope other people can see that, that there is some value in this, but I can’t push it any more than I have. People are going to cast their judgments.”

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Bandar Movie Review: Bobby Deol roars in Anurag Kashyap’s unsettling legal thriller that refuses to spoon-feed

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Bandar Movie Review: Bobby Deol roars in Anurag Kashyap’s unsettling legal thriller that refuses to spoon-feed

Name: Bandar

Director: Anurag Kashyap

Cast: Bobby Deol, Sanya Malhotra, Sapna Pabbi, Saba Azad, Jitendra Joshi, Raj B Shetty

Writer: Sudip Sharma, Abhishek Banerjee

Rating: 3.5/5

Plot:
Bandar follows Sameer Mehra’s character, essayed by Bobby Deol, a fading star who is desperately clinging to his past glory. Just as he attempts to rebuild his life and finds solace in a new relationship, his world comes crashing down. A former girlfriend files a heinous allegation against him, dragging him into a vicious, high-profile legal battle. Written by Sudip Sharma and Abhishek Banerjee, the film moves away from standard Bollywood courtroom setups. Instead, it dives straight into the murky waters of social media trials, public perception, and a sluggish judicial system where the truth gets buried under layers of gray.

What works:
Known for his chaotic energy, Anurag Kashyap takes a remarkably mature and controlled approach here. He avoids sensationalizing a highly sensitive topic, choosing instead to focus on the psychological claustrophobia of the protagonist. The prison sequences are exceptionally well-shot. They create a suffocating, raw atmosphere that makes you feel the weight of the character’s confinement. The script successfully avoids preachy, black-and-white monologues. It bravely forces the audience to confront their own biases regarding modern-day public trials and the digital judge-and-jury culture.

What doesn’t:
Clocking in at nearly two hours and twenty minutes, Bandar feels heavily weighed down in the second half. The narrative stretches thin, and a few subplots demand too much patience, making you wish for a tighter edit. The film stubbornly refuses to take a definitive moral stance or offer a neat resolution. While film enthusiasts might appreciate the complexity, mainstream viewers looking for a clear-cut ending or emotional payoff might walk away feeling detached and frustrated.

Performances:

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  • Bobby Deol is the beating heart of this film. Stripping away the massive macho swagger and menacing villainy of his recent hits, he delivers a deeply vulnerable, understated performance. He plays Samar with a mix of arrogance, confusion, and raw helplessness, proving his immense range.
     
  • Sanya Malhotra anchors her screen time with her trademark reliability, turning in a grounded and impactful performance.
  • Saba Azad and Sapna Pabbi excel in their respective roles, bringing genuine nuance to characters that could have easily been sidelined.
     
  • Jitendra Joshi is an absolute scene-stealer, commanding your attention every single time he steps into the frame.
     
  • Indrajith Sukumaran and Raj B Shetty are absolute show stealers with their raw acting.

Final Verdict:
Bandar is an unsettling, morally complex thriller that refuses to spoon-feed its audience. It isn’t a comfortable watch, nor does it try to be. While the sluggish pacing in the second half prevents it from being an absolute masterpiece, it is worth a watch for Bobby Deol’s spectacular acting reinvention and Anurag Kashyap’s gritty, thought-provoking storytelling.

Disclaimer: The views and opinions expressed in this article are solely those of the author and do not reflect the official policy or position of Pinkvilla. No statement in this article is intended to defame, harm, or malign any individual or entity. 

ALSO READ: Maa Behen Movie Review: Madhuri Dixit, Triptii Dimri, and Dharna Durga save a slow-burning mystery

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Kathy Hilton won’t be WeHo Pride’s grand marshal after backlash from community

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Kathy Hilton won’t be WeHo Pride’s grand marshal after backlash from community

Kathy Hilton will no longer be the grand marshal of West Hollywood’s pride parade.

The city and WeHo Pride on Wednesday released a joint statement, announcing that “The Real Housewives of Beverly Hills” star would no longer serve as the Grand Marshal Icon for the 2026 WeHo Pride Parade. The event is scheduled for Sunday.

“After thoughtful discussions, the City of West Hollywood, the WeHo Pride production team, and Kathy Hilton have determined that the 2026 WeHo Pride Parade will not designate a Grand Marshal Icon honoree,” read the statement.

The decision comes less than a week after Hilton was announced. That May 28 announcement was met with swift backlash from the LGBTQ+ community and allies, who called out Hilton’s ties to President Trump and alleged MAGA-leaning politics. Critics also cited accusations that the socialite had used a homophobic slur while on a trip with other cast members of “The Real Housewives of Beverly Hills,” an action she has previously denied.

In their joint statement, West Hollywood and the WeHo Pride team expressed their appreciation for “the respectful and sincere dialogue” around both the event and the “role and significance” of Pride honorees.

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“The City of West Hollywood has always believed that Pride belongs to the community,” the joint statement said. “Since its earliest days, Pride has served as both a celebration and a platform for activism, visibility, resilience, and the ongoing pursuit of equality, dignity, and justice for LGBTQ+ people. … These conversations reflect the passion people have for WeHo Pride and underscore the importance of ensuring that WeHo Pride continues to honor the history, values, and diverse voices of the LGBTQ+ community.”

In a statement, Hilton expressed gratitude for being considered for grand marshal and reaffirmed her commitment to the LGBTQ+ community and causes.

“My reason for wanting to be involved in this year’s WeHo Pride weekend was simple: to celebrate, support, and share in the joy of a community that means a great deal to so many people,” Hilton said. “Pride is, and always will be, about celebrating and uplifting LGBTQ+ voices, experiences, and achievements. … My support for the community and WeHo Pride is unwavering.”

She also mentioned several queer advocacy organizations and events she has supported over the years, including GLAAD, the Elton John AIDS Foundation, the Elizabeth Taylor AIDS Foundation, Dr. Mathilde Krim, God’s Love We Deliver and Project Angel Food.

The latest Pride-related dust-up follows the abrupt cancellation of the Long Beach Pride Festival in May. The city’s Pride Parade took place as planned.

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Both snafus have occurred as conservative politicians and advocates continue to attack LGBTQ+ rights and visibility nationwide. Some Republican governors have even pushed for conservative alternatives to Pride month festivities. A recent Gallup poll has found that after years of steady gains, support for marriage equality and same-sex relationships has slipped, particularly among Republicans.

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