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Oscars 2025: Who's in for supporting actor and actress?

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Oscars 2025: Who's in for supporting actor and actress?

A month before our December awards vote, the Los Angeles Film Critics Assn. launches a group email thread for members to advocate for their favorite films and standout work. The idea is to help everyone close any gaps in our viewing as we plow through screeners and links in a hopeless attempt to see everything before we vote.

Sometimes the discussion veers into other areas, often focusing on whether a particular performance should be considered lead or supporting. Who’s the true lead in “Emilia Pérez,” Karla Sofía Gascón playing Emilia Pérez, the character that drives the narrative, or Zoe Saldaña, who has the most screen time as the attorney helping her? Or are they co-leads? Netflix doesn’t think so, campaigning Gascón in lead and Saldaña in supporting. (It should be noted that these decisions are made with the actor and their teams.)

You could argue that Cynthia Erivo and Ariana Grande should be considered co-leads of “Wicked” too. But the musical is really Elphaba’s story, with Grande’s Glinda along for the ride as her best frenemy. So Universal pushing Erivo in lead and Grande for supporting doesn’t seem egregious.

And what about Kieran Culkin going supporting for “A Real Pain,” an odd-couple road movie about two cousins, played by Culkin and the movie’s writer-director, Jesse Eisenberg, traveling to Poland to visit the childhood home of their late grandmother? Culkin has almost as much screen time as Eisenberg, but the story is told from the point of view of Eisenberg’s character. (Same with Saldaña, which is why, for some, her placement has raised eyebrows.)

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At our L.A. Film Critics vote, we tackled lead performance first, and Culkin came close to making the final round. Supporting came next, and it was immediately clear that even the people who thought Culkin was a lead weren’t going to be deterred from voting for him, and he won the award with Yura Borisov from “Anora.” A publicist friend texted me afterward: “That’s where Culkin belongs. If you gave him lead, you’d be saying that he was trying to pull a fast one by going supporting.”

Where he belongs remains up to Oscar voters, who don’t have to follow the studio’s suggested placement. And on rare occasions, they haven’t. The Weinstein Co. campaigned Kate Winslet in supporting actress for “The Reader” at the 2009 Oscars, looking to avoid competing with her lead turn opposite Leonardo DiCaprio in “Revolutionary Road.” The Golden Globes and SAG Awards nominated Winslet for supporting, but film academy members put her in lead. And Winslet wound up winning the Oscar. (She made a point of not thanking Weinstein in her acceptance speech.)

It’s hard to see voters making such a category shift with Culkin or Saldaña or Grande this year. Who might be joining them in the supporting categories? Let’s take a quick look.

SUPPORTING ACTOR

Owing to his excellent work — and all that screen time — playing a charmer whose exuberance masks a deep inner turmoil, Culkin has been dominating the season’s early awards. Borisov could join him as a nominee for his soulful performance as the brooding Russian henchman in “Anora,” though it’s fair to wonder if his work might be too subtle for a branch that tends to reward “most” instead of best.

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If you’re looking for “most,” Denzel Washington has got you covered and then some for “Gladiator II.” He’s clearly having the time of his life, and his exuberance (and the sharks!) made the movie well worth our time. Another actor clearly enjoying himself is Edward Norton playing folk singer Pete Seeger in “A Complete Unknown.” Norton leans into Seeger’s folksiness but also weaves in a manipulative streak as we see Seeger trying to keep Bob Dylan (Timothée Chalamet) in the activist movement. He’s every bit as good as Chalamet.

Nobody has a better story among the supporting actor contenders than Clarence Maclin, who went from Sing Sing to “Sing Sing,” and he’s a marvel playing an inmate initially reluctant to participate in the prison theater program. Maclin should be winning more awards, but the movie just hasn’t found a big enough audience.

That’s five, but there are others in the hunt. Jeremy Strong is at the top of his game (as always) playing Roy Cohn in “The Apprentice.” Stanley Tucci brings his delicious snark to “Conclave.” And there’s Peter Sarsgaard and John Magaro, two members of the excellent “September 5” ensemble that, like “His Three Daughters,” is hampered because everyone’s so good. How do you single anyone out?

SUPPORTING ACTRESS

This Oscar race will come down to a battle between Saldaña and Grande, thanks to the screen time, the quality of their work and the fact that this has been a strangely thin year for supporting women. If I were voting, I’d check off Natasha Lyonne, Carrie Coon and Elizabeth Olsen from “His Three Daughters,” alongside Grande and Saldaña, and call it a day. Though I would be tempted to find room for Margaret Qualley, so good as Demi Moore‘s younger half in “The Substance.”

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There’s been a lot of justified praise for Danielle Deadwyler’s performance in “The Piano Lesson,” playing a woman determined to deal with her family’s past in her own way — and not according to her brother’s wishes. After being overlooked two years ago for “Till,” Deadwyler makes a clear case for her first nomination. Felicity Jones also is looking to break through as an Oscar nominee, and her work as the strong-willed wife in the second half of “The Brutalist” has put her in the conversation.

Then there are Aunjanue Ellis-Taylor and Isabella Rossellini, making big impressions in a small amount of time. Rossellini has never been nominated and is in “Conclave” for less than eight minutes. But she has one great scene (that curtsy!) that often generates applause at screenings. Voters remember that. Ellis-Taylor, meanwhile, brings a palpable heartache to “Nickel Boys” as a devoted grandmother sidelined by inequality and avarice.

Finally, there’s Selena Gomez playing a drug cartel boss’ wife in “Emilia Pérez,” delivering a showstopping song and adding an interesting ambiguity to her character. Gomez has been called out for her Spanish in the film, but that feels like nitpicking in a movie where absurdity often feels like the principle.

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Celebrities express grief over death of Eric Dane, pride in his ‘heroic’ battle against ALS

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Celebrities express grief over death of Eric Dane, pride in his ‘heroic’ battle against ALS

News of Eric Dane’s death Thursday was met with an outpouring of grief by celebrities, who expressed their admiration for the TV star’s mischievous on-screen charisma and his advocacy efforts during his battle against ALS.

Dane is best known for his role as Dr. Mark Sloan, or “McSteamy,” on “Grey’s Anatomy” and recently portrayed the dark and secretive father Cal Jacobs in HBO’s “Euphoria.” He died at age 53, less than a year after publicly announcing his diagnosis with the neurodegenerative disease.

Alyssa Milano, who was Dane’s romantic co-star on “Charmed,” shared a heartfelt message on Instagram praising his cheeky, yet tender spirit and deep love for his daughters.

“I can’t stop seeing that spark in Eric’s eye right before he’d say something that would either make you spit out your drink or rethink your entire perspective,” said Milano. “He had a razor-sharp sense of humor. He loved the absurdity of things.”

HBO Max shared a statement on Instagram, lauding Dane’s talent and saying the network was “fortunate to have worked with him on three seasons of Euphoria.” The show’s creator, Sam Levinson, shared a statement with Variety saying he’s heartbroken by the loss of a dear friend.

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“Working with him was an honor,” Levinson said. “Being his friend was a gift. Eric’s family is in our prayers. May his memory be for a blessing.”

Former “Grey’s Anatomy” showrunner Krista Vernoff shared an Instagram post fondly reminiscing about when Dane returned to the set in 2021 to film a dream sequence featuring his character, who died in Season 9. Although it was shot during the pandemic, he “broke the rules” and gave her a huge hug.

“The thing I will remember most about Eric Dane are his hugs,” Vernoff wrote. “The best hugs. Oh my friend. I wish you peace.”

Dane was preparing to publish his memoir, “Book of Days: A Memoir in Moments,” later this year with Maria Shriver’s publishing imprint, the Open Field.

Shriver said Dane was heroic in the way he handled his disease and used his platform to raise awareness about ALS.

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“He told me he wanted his family to know how much he loved them, and he wanted to leave them a story they could be proud of,” she said in a statement on X. “My love goes out to his family, and to all those battling this cruel disease, as well as all those caring for someone battling it.”

In 2025, Dane drew on his personal experiences with the condition to portray a firefighter living with ALS on “Brilliant Minds” and advocated for legislation to provide funding for ALS research and give patients early access to treatments.

He worked closely with the nonprofit organization I Am ALS to raise money to research new treatments for the disease, which currently has no cure.

“Eric brought humility, humor, and visibility to ALS and reminded the world that progress is possible when we refuse to remain silent,” the organization said in a statement. “Eric was more than a supporter of our mission — he was part of our family.”

ALS, also known as Lou Gehrig’s disease, is a progressive disease that damages nerve cells controlling voluntary muscles, typically causing death two to five years after diagnosis.

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Nina Dobrev, Dane’s co-star in the western romance movie “Redeeming Love,” wrote on her Instagram story that she was heartbroken by his death.

“He was warm, generous, prepared, and so passionate about what he did,” she said. “He led with kindness and made everyone on our set feel seen.”

Times staff writer Alexandra Del Rosario contributed to this report

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Movie Reviews

Hey Balwanth Movie Review – Gulte

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Hey Balwanth Movie Review – Gulte

2.5/5


02 Hrs 14 Mins   |   Comedy Drama   |   20-02-2025


Cast – Suhas, V K Naresh, Shivani Nagaram, Vennela Kishore, Harsha Vardhan, Sudarshan, Sravanthi Chokarapu, Ajay Ghosh, Annapurnamma, Babu Mohan and others

Director – Gopi Atchara

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Producer – B. Narendra Reddy

Banner – Trishul Visionary Studios

Music – Vivek Sagar

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From April 2024 to the middle of 2025, at least six films were released with Suhas in the lead role but none of them gave him the expected positive result. He took a pause for about six months in releasing his films in theatres and came up with a comedy-drama film ‘Hey Balwanth’. The inform producers and the presenters, Vamsi Nandipati and Bunny Vasu, took the responsibility of releasing the film and generated enough curiosity among the audience with some interesting promotions. After getting its title changed from ‘Hey Bhagawan’ to ‘Hey Balwanth’, due to the censor board objections, the film was released in theatres today. Did Suhas, score a theatrical hit after tasting not-so-favourable results with his last few films in lead roles? Did the actress, Shivani Nagaram, continue her success streak? Did Vamsi Nandipati and Bunny Vasu, deliver yet another successful film? How did the director, Gopi Atchara, do? Did Vivek Sagar’s music help the film? Let’s figure it out with a detailed analysis.

What is it about?

Krishna(Suhas), grew up watching his father(Naresh) working day in and day out. He wants to take up his father’s business after he finishes his post-graduation in business management. But, Krishna’s father asks him to find a good job elsewhere. To prove his worth as a worthy successor to his father, he joins as a business consultant at an NGO which is being managed by Mithra(Shivani Nagaram) and eventually falls in love with her. When everything seems to be going well, Krishna’s father suffers a heart attack and the doctors ask him to take bed rest for a few months. Since his father has to take a rest, Krishna decides to run the family business. What happens when Krishna decides to run the business? What exactly is the profession of Krishna’s father? How did Mithra’s family get themselves involved with Krishna’s family business? Forms the rest of the story.

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Performances:

Suhas did a good job with his performance in comedy episodes. His ability to appear so effortless while generating fun, worked well at many places in the film. He did a decent job during the emotional sequences. Shivani Nagaram, delivered a decent job with her performance. She too did well during the comedy portions. Especially, the way she delivered the dialogue ‘Maadi chala orthodox family’, multiple times in the film, generated good laughs.

Sudarshan’s comedy timing and dialogue delivery are the major plus points of the film. He generated a good amount of laughs in almost every sequence in which he appeared. V K Naresh, made his presence felt during the emotional sequences. However, the comedy portions for his character, would have been written and executed in a better way. Vennela Kishore generated good laughs, although a few people may find it uncomfortable, in one episode in the first half. Harsha Vardhan and Ajay Ghosh with their timing, generated a few laughs here and there. Senior actress, Annapurnamma and the veteran actor, Babu Mohan, in crucial roles made their presence felt.

Technicalities:

Vivek Sagar came up with two decent to good songs. And, his background score was alright. Overall, his work in the film is adequate. Cinematography by Mahi Reddy Pandugula, is decent. He delivered a standard output to suit the scale and theme of the film. Viplav Nysdam’s editing would have been a bit better in the second half. Production values by ‘Trishul Visionary Studios’, are adequate. Let’s discuss the work of director and writer, Gopi Atchara, in detail in the analysis section.

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Positives:

1.⁠ ⁠Fun Portions
2.⁠ ⁠Sudarshan’s Comedy Timing
3.⁠ ⁠A Few Good Dialogues

Negatives:

1.⁠ ⁠Unexciting Drama
2.⁠ ⁠Clichéd Narration
3.⁠ ⁠Melodrama

Analysis:

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The entire promotional campaign of the film revolved around the profession or the business of the lead character and his family. In a way, the makers succeeded in generating curiosity and setting the expectations right among the audience by stressing the word ‘business’ during the promotions. To stay away from spoilers, let us not disclose the details about the profession. The ‘business’ theme on which the story of a father and son is narrated, can be made into an out-and-out comedy drama or a serious social drama. But, the director chose to make it as a social dramedy. In doing so, he succeeded as long as the film stuck to comedy episodes, but the film lost track, the moment the director started to blend the film with drama and a message.

The film has at least five sequences that generated very good laughs. The fun quotient during the pre-interval, interval episodes and a majority of the episodes involving the actor, Sudarshan, worked in favour of the film. Considering the core plot of the film, the director deserves special appreciation for not choosing the ‘below the belt’ comedy. Barring one or two instances, the film largely had clean comedy. Apart from executing the comedy portions well, the writer and director, also came up with a few very effective and heart-touching dialogues. Especially the dialogue – ‘Mogudu, koduku, anna.. inka chala perlu petti thanani pilichina kani… Nanna ani thanani pilichinappude…mogadu…oka hero la feel avvutadu’, worked out so well in explaining the emotional turmoil of a father to his son.

When a director chooses a sensible socially relevant topic as the backdrop of the film and decides to justify a certain profession, it should be executed as a serious drama with subtle social satire to generate fun. It looks artificial and out of sync when a filmmaker generates fun using a profession and social awkwardness around it, during the first and second acts and suddenly, takes a turn during the third act of the film to ‘justify’ the profession. It is where the film lost its track. The sudden shift in tone from comedy portions to serious drama, worked against the film. Also, the drama portions are executed in a very bland manner with unexciting writing and beaten-to-death narration. The entire third act of the film appeared so out of place and bored the audience to a large extent.

Overall, Hey Balwanth, has its moments and it worked to an extent because of the comedy portions and a few well-written dialogues but the film would have been much better had better care been taken in writing and executing the drama portions, especially during the second half.

Final Verdict – Fun Worked. Drama Did Not.

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Rating – 2.5/5

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Snoop Dogg sends Winter Olympics tickets to restaurant owners after his credit card was declined

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Snoop Dogg sends Winter Olympics tickets to restaurant owners after his credit card was declined

Snoop Dogg is dropping Olympics tickets like it’s hot.

The hip-hop icon has been busy at the Milan-Cortina Games as a special correspondent for NBC as well as an honorary coach for the U.S. team. According to recent reports by NBC and Reuters, he’s also been spreading the Olympics joy to the locals.

The rapper reportedly sent five tickets for the men’s snowboard halfpipe final to the owners of a local restaurant who covered his dinner after there were some troubles with the credit card payment. Sofia Valmadre, whose parents own Cronox in Livigno, Italy, said Snoop had placed an order for a cheeseburger, chicken wings, chicken nuggets and French fries at her family’s eatery. Unfortunately, the credit card the mogul’s staffer tried to use was declined for an unknown reason.

“My mother told him it was OK [to take the food] without paying,” Valmadre told Reuters. “[The next day] he sent us five tickets to see the final.”

The “Gin and Juice” rapper has become a familiar presence at the Olympics, especially since NBC made his involvement official starting with the 2024 Paris Summer Games. In addition to cheering on American athletes including curlers Cory Thiesse and Korey Dropkin, snowboarder Chloe Kim and speedskater Erin Jackson at their events — usually in custom apparel celebrating the sports stars — Snoop has been spending his time in Italy hanging out with bestie Martha Stewart, learning how to ski from Picabo Street and getting chummy with Olympians like “Quad God” Ilia Malinin.

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For those curious about Snoop’s dining habits, Stewart recently described him as a “very fussy eater.” She even surprised him with a bowl of spaghetti with meatballs topped with cheddar cheese during a recent fine-dining outing.

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