Entertainment
Opinion: Elon Musk rides to the rescue of Gina Carano, fired by Disney for 'abhorrent' posts
Social media is awash with stupidity, cruelty and wrongheaded political opinions passed off as deep thoughts and intellectual acuity.
Three years ago, the actor Gina Carano, of “The Mandalorian” fame, became an exemplar of the trend when she reposted a particularly inane meme on her Instagram story page.
It featured a famous, sickening image of a terrified half-naked Jewish woman running from a pursuing mob, including a child menacingly brandishing a stick. The photograph was taken in 1941, during the Lviv pogroms in Ukraine.
Opinion Columnist
Robin Abcarian
“Jews were beaten in the streets, not by Nazi soldiers but by their neighbors … even by children,” said the post. “How is that any different from hating someone for their political views?”
Carano has said that the message behind the meme was simple: “Do not demonize your neighbor.” In her own naive way, I actually think she believes it.
But if I need to explain to you the difference between deadly antisemitic purges and getting into a fight on Facebook with someone whose politics you despise, you probably should not be posting this stuff in the first place. And you deserve the criticism that follows.
But do you deserve to lose your livelihood?
The social media mob decided that Carano was unfit to be employed and digitally descended on Lucasfilm, and its corporate parent, Walt Disney Co., demanding it #FireGinaCarano. The entertainment giant did just that.
“Gina Carano is not currently employed by Lucasfilm and there are no plans for her to be in the future,” Lucasfilm said in a statement on Feb. 10, 2021. “Nevertheless, her social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable.”
That’s really not what she did, but that did not stop Disney from canceling a “Star Wars” spinoff series, “Rangers of the New Republic,” that she was to star in. Nor did it stop UTA, her talent agency, from dropping her. Nor did it stop Hasbro from scratching the line of action figures that was based on her “Mandalorian” character, Cara Dune.
“I was distraught,” Carano told Glenn Beck last week. She said she briefly lost most of her hearing, as well.
And then, she said, she got an email from a lawyer who works for Elon Musk, the impulsive billionaire who owns X.
Last year, Musk offered to fund lawsuits for anyone who believes they have been subject to employment discrimination because of their posts.
Carano, with Musk’s backing, filed her employment- and sex-discrimination lawsuit last week.
“After two highly acclaimed seasons on The Mandalorian as Rebel ranger Cara Dune, Carano was terminated from her role as swiftly as her character’s peaceful home planet of Alderaan had been destroyed by the Death Star in an earlier Star Wars film,” the lawsuit alleges. “And all this because she dared voice her own opinions, on social media platforms and elsewhere, and stood up to the online bully mob who demanded her compliance with their extreme progressive ideology.” (Kudos, by the way, to the attorneys who drafted the brief, which is a fun — if cheesy — read.)
Carano, 41, maintains that she was unceremoniously canned because she dared to express her conservative political views on social media. Hard to disagree with that. In a March 2021 call with investors, then-Disney CEO Bob Chapek implied that Carano did not share the company’s values of respect, decency, integrity and inclusion. He didn’t mention free speech, which is ironic since Disney would later accuse Florida Gov. Ron DeSantis of violating the company’s free speech in retaliation for Disney’s opposition to the state’s 2022 “Don’t Say Gay” legislation.
In her posts, Carano has also ridiculed California mask mandates, embraced conspiracy theories about voter fraud and mocked demands by trans activists that she state her preferred pronouns, which, alluding to R2-D2, she declared were “boop/bop/beep.” That is not transphobia; that is refusing to be cowed by people who demand you do something you don’t feel like doing. (I don’t put pronouns on my signature card, either.)
Carano also alleges that she was treated differently from her male co-star, Pedro Pascal, the Mandalorian himself, who once posted a meme conflating former President Trump with Hitler and Nazis, and suffered no blowback, even though, as the lawsuit alleges, “some would find their statements ‘abhorrent.’ ”
Carano was a celebrated mixed martial arts fighter before being tapped, out of the blue as she has described it, by Steven Soderbergh to star in his 2011 thriller “Haywire” with an A-list cast of co-stars: Michael Douglas, Antonio Banderas, Ewan MacGregor, Channing Tatum and Michael Fassbender.
“I expect her to become a considerable box-office success,” Roger Ebert wrote in his “Haywire” review, “because the fact is, within a limited range, she’s good. She has the no-nonsense beauty of a Noomi Rapace, Linda Fiorentino or Michelle Monaghan.”
That Carano’s movie career has been derailed is clear. That it happened because she embraces ideas that are out of step with Hollywood’s liberal orthodoxy is also clear. It’s not fair, but she became a target for rabid “Star Wars” fans and a headache for Lucasfilms — which is not required to put up with headaches.
In 2022, she starred in “Terror on the Prairie,” a movie produced by Ben Shapiro and the Daily Wire as part of the conservative media outfit’s attempt to do battle with, as Shapiro put it, “a culture that despises conservatives.” The movie bombed.
With Disney and Lucasfilm, Carano took a stand on principle, and she lost. She is asking for damages, of course. And she also wants her job back. In the end, she traded stardom for a star turn on conservative talk shows. I wonder if she thinks it was worth the price.
Movie Reviews
Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review
NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.
Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.
Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.
Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.
The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.
To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.
So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.
Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.
As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.
These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.
True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.
The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.
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Entertainment
Reiner family tragedy sheds light on pain of families grappling with addiction
When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.
It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.
Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.
“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)
“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”
Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.
But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.
“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.
Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.
Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.
The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.
Experts in substance use cautioned against drawing a direct line between addiction and violence.
“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.
The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.
Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.
Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.
“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”
During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.
Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.
Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.
“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”
Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.
Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.
On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.
There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.
“There is always the risk of relapse. That can be hard to process,” Greg said.
Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.
“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”
After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”
But the painful fact is that devotion alone cannot cure a complex, chronic disease.
“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”
If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.
Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.
(Denise Truscello / Getty Images for Wynn Las Vegas)
Movie Reviews
The Housemaid
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