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‘Sting’ review: Great horror marred by character

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‘Sting’ review: Great horror marred by character

Sting sounds a lot like the sci-fi horror movies that packed drive-ins across America during the 1950s. A strange object from space crashes through a window in a rundown apartment. Twelve year old Charlotte (Alyla Browne, young Furiosa in the upcoming Furiosa: A Mad Max Saga) stumbles across the debris and finds a tiny spider within. She takes it and begins to care for it as her pet. As the creature grows larger and hungrier, birds, cats, and even people are found dead.

It sounds straight and to the point, and at its base level it is, but it is the detours along the way that make for an uneven viewing experience. Sting has the expected familial issues; Charlotte’s stepdad Ethan (Ryan Corr, House of the Dragon) is having difficulty connecting with her, for example. But it is also lacking in forming connections between them, including between the young girl and her arachnid.

This is not from a lack of trying, however. Sting tries to show what everyone means to each other. It is a noble attempt that ends up doing more harm than good. As the film moves around the apartment, it feels like there is a lack of focus. The titular spider takes a backseat to the drama surrounding the residents of the apartment. But since each lacks any sort of depth, it makes the entire movie feel like it is just spinning its wheels.

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Ethan ends up being impacted the most. For the first two-thirds, he is just a guy who is trying to get his life together. He does not leave any impression, for better or worse. At the start of the final act, he is given a big scene that reveals more about him. Unfortunately, none of it is good. He comes off as selfish and petty. This all leads to an ending that feels underserved.

Sting is at its best when it focuses on its scarier aspects. There are some really good jump scares and excellent use of shadows. It all helps create a great sense of tension. During the finale twenty minutes, there is a sense that anybody can die at any time. It makes for a harrowing watch in all the best ways.

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As long as it delivers on its scares, character development can play second fiddle in this type of film. Sting has some excellent effects, including some downright brutal kills. The movie is filled with terrifying moments and the spider is absolutely creepy. This will appeal to the adrenaline driven visceral part of your brain and helps the movie get past its flaws.

Sting opens in theaters April 12

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Movie Reviews

Movie Review: “The Odyssey”

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Movie Review: “The Odyssey”

Heat Advisory

from THU 12:00 PM EDT until THU 8:00 PM EDT, Eastern Montgomery County, Lower Bucks County, Philadelphia County, Delaware County, Eastern Chester County, Gloucester County, Northwestern Burlington County, Camden County, Mercer County, New Castle County

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Movie Reviews

Adam MacDonald’s ‘THIS IS NOT A TEST’ (2026) – Movie Review – PopHorror

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Adam MacDonald’s ‘THIS IS NOT A TEST’ (2026) – Movie Review – PopHorror

By and large, the zombie subgenre has bitten off more than it can chew in modern times. Between George Romero survival films and camp comedies, the well has become pretty infected. But once in a while, along comes a movie like This Is Not A Test.

Let’s sink our teeth into this new release and see how it stacks up against the classics.

This Is Not A Test was directed by Adam MacDonald (Pyewacket 2017, read our review here), and written by MacDonald and Courtney Summers (in their debut credit). It stars Olivia Holt (Heart Eyes 2025) as Sloane and Froy Gutierrez (The Strangers: Chapter 1 2024) as Rhys. This is a standard zombie outbreak faire that sees a girl on the verge of ending her life, suddenly join a group of kids that are striving to survive a zombie apocalypse.

The tone and tenor of this film represent the classic survival movies like Night Of The Living Dead. But the thing that grabs the audience about This Is Not A Test is the trauma of the characters. Holt shines as a withdrawn survivor of an abusive home, trying to cut through the wreckage to reunite with her sister. Each of the main characters have standout traits, and they bathe in strongly acted moments as the stress of the situation changes who they are.

The gore in This Is Not A Test is pretty strong. The attacks spring quickly and when they do, the special effects team does a good job showcasing the battle scars. The camera work is also frenetic in a good way, because the chaos of the chase scenes puts the viewers in a first-person perspective. This film lets you feel like a part of the survivors, so their journeys are interactive.

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Longtime fans may say that there’s nothing new in This Is Not A Test, and maybe they’re right. There’s no fresh take on the monsters here, no crazy origin, nothing that we haven’t seen in the past fifty-eight years. But the pacing nails a great balance between getting to know the characters and getting the zombie splatter fest. The mental meltdowns of the characters feel well earned, and the arc of Sloane and her sister brings a lot of heart and investment to the story. Even the most jaded zombie horror fans will find something to appreciate here, even as a background movie.

Adam MacDonald has made another intense hit here, and This Is Not A Test is currently available to stream on Shudder.

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Movie Reviews

Film Review: “The Odyssey” – MediaMikes

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Film Review: “The Odyssey” – MediaMikes

 

  • THE ODYSSEY
  • Starring:  Matt Damon, Tom Holland and Anne Hathaway
  • Directed by:  Christopher Nolan
  • Rated:  R
  • Running time:  2 hrs 45 mins
  • Universal

 

Our score:  4.5 out of 5

 

EPIC.  If I was asked to describe Christopher Nolan’s latest film, that is the word I would use.  He has mounted a film that rivals the greatest achievements of filmmakers like Cecil B. DeMille or David Lean.  And, like the films of those mentioned, it’s runs a tad too long.

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I was shocked, but pleased, to see that my 12-year-old granddaughter recently did a school paper on King Agamemnon.  Thank goodness they’re still teaching History in our schools.  Based on Homer’s “The Odyssey,” the film tells the story of King Odysseus (Damon) and his adventures which, if you’ve read “The Odyssey,” include the Trojan Horse, the Cyclops and assorted angry Greek gods.  The film covers each of these adventures in great detail, sparing nothing in the production design department.  While Odysseus is away – and he’s gone for a l-o-n-g time, his wife Penelope (Hathaway) has to endure a never ending string of “suitors,” men lining up in the hopes of replacing the King should he not return.  The men are nothing more then scavengers, taking advantage of the law of Zeus, which decrees no one should be turned away.  This angers the Queen’s son, Telemachus (Holland), who must control his temper when the men try to bait him into a fight, the idea being if Telemachus is killed, the new husband would become the King.  It’s all very interesting and complicated.  And long.

 

Director Nolan is one of the rare filmmakers who, in my opinion, has never made a bad film.  From “Memento” to the “Dark Knight” trilogy to the Oscar-winning “Oppenheimer,” he has proven himself a true master of cinema.  “The Odyssey” only adds to that distinguished resume’

 

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The cast is a tribute to Nolan himself who, like Woody Allen, can pretty much get anyone he wants for his films because, as an actor, why wouldn’t you want a credit in one of his films.  Besides the three stars named above, the cast includes Robert Pattinson, John Leguizamo, Zendaya, James Remar, Jon Bernthal, Oscar nominees Samantha Morton and Elliot Page as well as Oscar winners Charlize Theron and  Lupita Nyongo.  As MGM used to advertise, “more stars than there are in heaven.”

 

The script and story are pretty faithful to the source material, though for some reason it bothered me whenever Telemacus referred to Odysseus as “dad.”  Never father.  The weird things you notice.  Visual.y the film is stunning and the Trojan Horse and battle of Troy are worth the price of admission alone.  I will add that I did see the film in 70 mm and, if that format is playing in your town, I urge you to see it in that format.

 

On a scale of zero to five, “The Odyssey” receives ★★ ½

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