Movie Reviews
'Pavements' review: Far more than just a music documentary
(Credits: Venice Film Festival)
Pavements – Alex Ross Perry
I’ll start with a disclaimer: before I had settled into my cinema seat at the press screening of Pavements, Alex Ross Perry’s unorthodox new documentary about Pavement, I’d never really listened to their music. Of course, I’d heard a few songs, I’d heard the band name, but I’d never delved deeper. These things often fall into a trap. Who are music documentaries for? Only for the fans? The whole point of Pavements was to avoid that, so I was sent in as a test.
“For Pavements, I was always trying to not think about the fans because that’s your worst audience,” Alex Ross Perry told Interview. With this new and admittedly odd movie about Pavement, he was doing everything possible not to make a classic fan-focused music documentary because, as a music fan himself, he was sick of it.
“So few bands want to do anything different now. It’s become so flat and uninteresting. Now it’s all about making a valuable piece of marketing,” he complained, not wanting to chain himself to that narrative. It’s something he’s been trying to avoid doing for a while now. As he’s also been working on a Metallica movie for some time, he’s been thinking this one thought a lot: “I want to make a good movie that grapples with a lot of this and isn’t fan service”.
So given that Pavements is purposefully not fan service, I felt fine to go in blind, to see what I’d learn and simply to find if it holds up as a film for someone outside of the band’s world. In short? It does.
Pavements is odd, really odd. It feels like a music documentary made by Nathan Fielder, as I know that if I had access to my phone, I would have quickly been googling, “Is Pavements real?”, “Was Joe Keery scripted in Pavements?”, “Was the Pavement musical real?”
Because it’s a wild web and you’re never quite sure what’s real or not. Not only does the movie tick the box of giving a good and thorough overview of Pavement, letting me leave the cinema now knowing a lot about the band, aware of a general timeline of their career, and with an insight into key moments and an understanding of the players, but it’s so much more than that. It feels like a movie, more so than a documentary, so I’ll call it that. The movie centres on these three points, all happening at the same moment; Alex Ross Perry is creating Slanted! Enchanted! A Pavement Jukebox Musical, he’s also cast actors who are preparing for their roles in Range Life, a classic biopic of the band, and Pavement, the actual band, are preparing for their actual reunion tour.
It’s a lot, but it’s brilliant. The moments focused on Range Life are genuinely laugh out loud funny, especially the bits showing Joe Keery’s melodramatic journey to becoming Stephen Malkmus, taking the piss out of method actors. There’s a nod towards Austin Butler’s obsessive Elvis transformation as Keery sits stoicly with an accent coach discussing his desire to get a photo of Malkmus’ tongue and later freaking out when he cant stop doing the slurring Stockton, California accent. It’s moments like these that make Pavements a worthwhile movie, totally independent of the band, because it makes it something way bigger.
Obviously, this is a film about Pavement, and it does hinge on real-life footage of the group and always comes back to an investigation into them and their success. But it’s more than that. In fact, I’d say it is a movie about music documentaries as a whole. It’s about music movies, or the way bands’ becomings are mythologised into somewhat of a fictional account, when their art is taken and twisted in that way. That is especially shown in two of the film’s most interesting moments.
The first is merely a gag. At one point, it breaks apart, pauses to show the ‘For Your Consideration’ banner of the movie as a joke about how the Oscars eat music biopics up, layering these fake clips of the fake film with melodramatic piano music as a piss-take of the genre.
The second is a more nuanced critique. After recounting the moment the band were pelted with mud and rocks during a 1995 Lollapalooza show, the screen splits in two. What the audience hears is the scene in Range Life where the band returns to their dressing room and falls into a dramatic depression, once again with some sad music on top as they launch into a heavy conversation about splitting up. But on the other side of the screen, you can see the real-life band joking around. It’s moments like that where Perry shows his focus, and it’s less on the band and more on making things interesting.
“The stories you hear, you know they never add up”: These are the words that appear onscreen at the start of the movie, pulled from the band’s track ‘Frontwards’. As someone who didn’t know the band and so didn’t know the song, that lyric merely became a kind of warning-slash-mission statement for the film. It’s as if Perry is using it to comment on the entire genre of music films, or the entire history of how bands are treated, the way their stories naturally become twisted, dramatised and fictionalised to a degree, over time.
From what I learn from the actual clips of Pavement in the movie, the overwhelming characteristic of the band is just sheer normality. They were a group of utterly normal people just wanting to make music, but found themselves at the centre of a storm of obsession that would never just settle for that. By building such a baffling and interesting nest around them here, bringing in the phoney movie and the wild musical, Perry allows the group to be the most normal part of it. This allows their actual story to be told purely because the entertainment and the drama are elsewhere. Not only is it somewhat genius, it’s also just a lot of fun—even if you’re not a fan.
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Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
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Movie Reviews
Movie Reviews 2026: Ukrainian and World Premieres
The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
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