Movie Reviews
Movie Review – Dune: Part Two
Read Time:4 Minute, 32 Second
I have read all of Frank Herbert’s DUNE books many times, and a few that were written by his son Brian. I can unequivocally say that the DUNE is my favorite science fiction series. The depth of the universe that Herbert creates is rivaled only by Tolkien’s Lord of the Rings. This is why it is so hard to recreate DUNE for the screen. If I had a choice, I would have preferred that DUNE were created as a streaming mini-series that could have taken as much time as needed to tell the story. The visuals and music may not have been as spectacular as what Denis Villeneuve was able to pull off, but the story could have explored the depths of the characters and plot much more deeply.
What I love about the movie
What I love most about Denis Villeneuve’s DUNE is the visuals. The mood Villeneuve creates with his cinematic eye provides hints into the depth of the story that cannot be told through dialog or acting. Arrakis, the planet DUNE, is a character in the book, and Villeneuve treats it as such. I think I might agree with someone who said that Arrakis is the best-developed character in the movie.
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Every actor performs magnificently. Of course, the actors deserve credit for their talent, but I believe that the only way to get great acting from an entire cast is through great script and great direction.
What I dislike about the movie
I’m not one who thinks that any movie based on a book should try to be completely faithful to the source material. Each medium should stand on its own. That being said, there are things that are changed in the movie that I don’t think transfer. The most glaring is that Gurney Halleck was convinced that Lady Jessica was the traitor and not Dr. Yueh. That was instrumental to the motivation for Paul to take the water of life. Speaking of which, in the book, Lady Jessica did not want her son to take the water of life. For that matter, neither did Paul. It was only done after much trepidation. This plot line is completely removed from the movie. The Harkonnens launch an attack on Sietch Tabr and destroy it; Paul says, “Well, I didn’t see that coming. I guess I should take the water of life so that I can see the future more clearly.” That’s about how glibbly the movie treats it whereas in the book it’s a crucial decision that has enormous repercussions.
Also, Alia is born in the book and she’s the one who kills the Baron. The events in the movie are massively compressed as compared to the book. The events in the book span about four years. The events in the movie are compressed into less than nine months since Jessica is pregnant when she arrives on Arrakis and Alia is yet to be born by the end.
I’m also not sure what to think of the changes made to Chani and the relationship between Paul and Chani. On the one hand I like that Chani has more agency in the book. That works well for the story, but now I’m unsure how they will make amends without diminishing Chani’s agency. Villeneuve has said that he is already working on the script for Children of Dune and so Paul and Chani will have to have a reconciliation before they can actually have children. I’m going to guess that the third movie will pick up a number of years into the future, just as the book does. But to have Paul and Chani fix things off-screen now would be weak sauce.
I wish more details were given to the motivations of the characters. As I mentioned earlier, Frank Herbert created a detailed universe filled with conflict and did a masterful job of putting his characters in situations where they were forced to make sacrifices. Paul did not want to be the Kwisatz Haderach. He only chose that path as a last resort. The movie expressed his fear of taking the water of life, but the motivation for taking that risk wasn’t sufficiently expressed in the movie.
Conclusion
I’m glad that Villeneuve took on the daunting task of making DUNE. It’s hard to be critical given the constraints of cramming twenty hours of material into the five hours of DUNE 1&2. The visuals and music are masterpieces. With any hope this will inspire someone else to tackle the source material someday and give it the proper attention to detail it requires.
Grade: B
About The Peetimes: I think the first two Peetimes are the best, but none of them are bad. The only issue is with the forth Peetime, there is an important scene that begins as the Peetime ends that you don’t want to miss.
There are no extra scenes during, or after, the end credits of Dune: Part Two.
| Rated: | (PG-13) Sequences of Strong Violence | Brief Strong Language | Some Suggestive Material |
| Genres: | Action, Adventure, Drama |
| Starring: | Florence Pugh, Timothée Chalamet, Rebecca Ferguson |
| Director: | Denis Villeneuve |
| Writer(s): | Denis Villeneuve, Jon Spaihts, Frank Herbert |
| Language: | English |
| Country: | United States, Canada |
Plot
Duke Paul Atreides joins the Fremen and begins a spiritual and martial journey to become Muad’dib, while trying to prevent the horrible but inevitable future he’s witnessed: a Holy War in his name, spreading throughout the known universe.
Don’t miss your favorite movie moments because you have to pee or need a snack. Use the RunPee app (Androidor iPhone) when you go to the movies. We have Peetimes for all wide release films every week, including DUNE part II, Drive Away Dolls, and coming soon King Fu Pana, The American Society of Magical Negroes, Ghostbusters: Frozen Empire, and Godzilla x Kong: The new Empire and many others. We have literally thousands of Peetimes—from classic movies through today’s blockbusters. You can also keep up with movie news and reviews on our blog, or by following us on Twitter @RunPee.
If there’s a new film out there, we’ve got your bladder covered.
Creator and developer of the RunPee app. When something doesn’t work right in the app it’s pretty much his fault. 🙂
Aspiring author. Would like to finish his “Zombie Revelations” trilogy if he could break away for working on RunPee and the cottage he’s building for RunPee Mom.
Movie Reviews
Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat
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Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.
🔥 Quick Facts
- Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
- Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
- March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
- Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases
Project Hail Mary Dominates with 95% Critical Acclaim
Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.
According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.
Streaming Certified Fresh Titles Light Up March
March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.
Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.
Beyond the Blockbusters: Other Standout Certified Fresh March Releases
| Title | Tomatometer Score | Release Date | Status |
| Hoppers | 94% | March 6, 2026 | Theaters |
| Ready or Not 2 | 73% | March 20, 2026 | Theaters |
| Late Shift | 96% | March 20, 2026 | Theaters |
| Two Prosecutors | 97% | March 20, 2026 | Theaters |
“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”
— IMDb Critics, Film Review Community
What Makes a Film Certified Fresh on Rotten Tomatoes
Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.
This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.
Plan Your March Movie Marathon Now – Which Film Will You Watch First?
Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.
New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?
Sources
- Rotten Tomatoes – Official certification database and critical scoring system
- Variety – Best movies streaming in March 2026 coverage
- The Wrap – Most anticipated films arriving in March analysis
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Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
Lisa Dent
Weekdays 2-6pm
A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
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