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Film Review: Self Reliance

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Film Review: Self Reliance


























Rating: 2 out of 5.

Seasoned comedy actor Jake Johnson tries his hand behind the camera in mildly amusing Self Reliance. Johnson also leads the film opposite Anna Kendrick (Pitch Perfect, A Simple Favor), both playing contestants in some twisted game of cat and mouse. If only Self Reliance leaned into a thriller meets comedy vibe, its premise could have been fulfilled. With omnipresent murderers supposedly always lurking, so much as a single moment of danger would instantly elevate the film. Instead, it ends up rather slight and unremarkable.

Produced by comedy legends The Lonely Island, Self Reliance begins as Andy Samberg the actor, starring as himself, commands Tommy (Johnson) to join him in a limo. As Andy soon explains, single, childless Tommy has been selected to participate in the biggest reality show on the dark web. He could be eligible to win $1,000,000 in cash—of course, there’s one major catch. In order to nab the funds, Tommy must survive thirty days being relentlessly pursued by people who want to murder him. What’s in it for the opposers never gets elaborated on much, but if Tommy is to have any hope of surviving, he may need to take advantage of a surprising loophole.

Tommy can only be killed if completely alone. In other words, making certain that every second of his daily routine gets spent surrounded by another human is genuinely vital to his survival. Not a single one of Tommy’s family believes his plight exists. He tries to hire a man to stay with him for the full thirty days and “shadow” him. The trajectory of Self Reliance changes in a major way from the second Tommy meets up with Maddy (Kendrick), a fellow contestant in the game. The two began a quick and easy love affair, with Maddy clinging to her mother in the hopes of making it out the contest on the other side.

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Stylistically speaking, very little here sets itself apart from a number of indie comedies at any given film festival. There are no unique camera angles, nor do any exciting chase sequences or moments of genuine uncertainty about the game itself rear their head. A supporting cast of familiar faces, from Christopher Lloyd to Emily Hampshire, pop in here or there. They leave absolutely no major marks on the narrative as a whole.

To be honest, I expected a sharper, funnier movie from Jake Johnson. The premise screams with opportunities that Johnson does not embrace. That’s a real shame considering that the film itself is not atrocious or anything, and the cast mostly delivers. It’s more a matter of the parts not adding up to a satisfying whole. In some ways, Self Reliance reminded me of Charlie Day’s directorial effort from last year, Fool’s Paradise. I will say it manages to be a bit better than that, even if that’s not really saying much anyway.

Sign up to play the game of Self Reliance, exclusively in AMC Theaters one night only on January 3rd.

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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