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Film Review: ‘On the Line’: Mel Gibson as a Radio Shock Jock Under the Gun

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Film Review: ‘On the Line’: Mel Gibson as a Radio Shock Jock Under the Gun

R | 1h 44min | Crime, Thriller, Thriller, Motion, Drama | 4 November 2022 (USA)

For near 1 / 4 century (1979–2002), Mel Gibson had the Midas contact. He starred in two blockbuster franchises (“Mad Max,” “Deadly Weapon”), high-end thrillers (“The Yr of Dwelling Dangerously,” “Payback,” “Ransom”), and a number of conflict dramas (“Gallipoli,” “The Patriot,” “We Have been Troopers”).

The high-water mark of Gibson’s essential recognition and trade rewards was “Braveheart” (1995), the historic epic that took in over $213 million on the international field workplace and netted him not one however two Oscars.

With “The Ardour of the Christ” (2004), the tide started to vary. Regardless of hauling in over $612 million worldwide, “Ardour” sharply divided critics and audiences and acquired accusations of pushing anti-Semitic content material. At one level, “Ardour” was each the highest-grossing international language and “R” rated film of all time.

Regardless of the unqualified recognition of “Ardour,” it was Gibson’s conservative politics and his outspoken opinions relating to the movie trade’s baby trafficking and abuse that fanned the rising anti-Gibson flames. Aside from the stinker “Daddy’s House 2” (2017), no Gibson-starring film has cracked the $100 million mark within the final 18 years.

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Rankings for his radio call-in present have tanked for host Elvis Clooney (Mel Gibson), in “On the Line.” (Saban Movies)

Simply one of the best factor Gibson has accomplished since “Blood Father” (2016), “On the Line” is the primary English-language effort from French director Romuald Boulanger, who additionally wrote and co-produced, and it is without doubt one of the most expertly executed crime thrillers in current reminiscence.

Gibson takes the lead as Elvis Cooney, an L.A. “shock jock” radio host whose profession has been in decline for causes not (or not wanted to be) defined. It could possibly be as a result of his abrasive, confrontational fashion has begun to put on skinny and now solely appeals to conspiracy-theory insomniac sorts. Working the abysmal midnight to six:00 a.m. time slot, Elvis has clearly misplaced his mojo, and his lack of enthusiasm is past clear.

Getting It Collectively

Earlier than he begins his subsequent present (which additionally takes place on his birthday), Elvis is reminded by his program director, Sam (Nadia Farès), that his scores are within the tank and that he higher get it collectively quickly. He’s chided and taunted by the 8-to-12 host, Justin (Kevin Dillon), and barely pays consideration to the present prep being introduced to him by his producer, Mary (Alia Seror-O’Neill).

Epoch Times Photo
The radio present is produced by Mary (Alia Seror-O’Neill), in “On the Line.” (Saban Movies)

Minutes earlier than happening air, Mary tells Elvis {that a} hotly anticipated call-in visitor has canceled, inflicting Elvis to completely lose it. He begins browbeating and berating his call-screener, Dylan (William Moseley), on his first day answering the telephones. As Dylan begins to depart in frustration, Elvis says that it’s only a ritual, hazing, and ceremony of passage that each new worker receives and asks him to return again, which Dylan does.

The present’s first caller, utilizing the faux title Gary, is clearly high-strung and agitated. He tells Elvis that he’s going to homicide him for a mess of causes, none of which he instantly reveals. With Elvis about to hold up, the caller shoots a warning shot right into a wall, barely lacking Elvis’s petrified spouse and toddler daughter, indicating that he means enterprise. The caller claims he’s within the Cooneys’ house.

In Good Firm

Bearing a lot in frequent with Clint Eastwood’s “Play Misty for Me,” Oliver Stone’s “Discuss Radio,” Ron Howard’s “Ransom” (additionally starring Gibson), and perhaps even somewhat little bit of the primary “Scream,” “On the Line” exhibits that it’s a dwelling, respiration nightmare for anybody making a dwelling within the public eye. When you’re somebody like Elvis—gruff, dismissive, controversial, polarizing, well-known, and rich—recurrently attracting nut jobs virtually comes with the job description.

With the exception of the primary and final 5 minutes, the narrative is introduced in actual time, with Boulanger messing with the viewers’s heads in the identical method that “Gary” does with Elvis.

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Because the narrative progresses, Boulanger retains upping the ante, tightening the vise grip on our psyche. We all know solely what Elvis is aware of; Boulanger has no intention of letting us off hook, a lot in the identical method because the Nineteen Fifties’ efforts of Alfred Hitchcock.

Epoch Times Photo
Justin (Kevin Dillon, L) chides Elvis (Mel Gibson) to enhance his present, in “On the Line.” (Saban Movies)

With out my giving something in any respect away, there are not less than two endings, perhaps extra, and until you’re clairvoyant, you gained’t be capable of determine any of them. Furthermore, Boulanger doesn’t supply up any time-wasting or deceptive crimson herrings, one thing this style does with numbing regularity.

Every little thing that occurs within the final quarter-hour is the fruit of clues being seeded alongside the way in which within the first 30, however you’ll solely be capable of put all of it collectively as soon as in hindsight or with a second or third watch. This film virtually begs for a number of viewings.

Is “On the Line” going to resuscitate Gibson’s waning profession? In all probability not. Will it change the minds of his many detractors? No, not even shut. It’ll, nevertheless, supply additional proof that Gibson likes to work and, every so often, recapture the spirit of his glory days.

Epoch Times Photo
“On the Line” is without doubt one of the most expertly executed crime thrillers in current reminiscence. (Saban Movies)

‘On the Line’
Director: Romuald Boulanger
Stars: Mel Gibson, William Moseley, Kevin Dillon, Alia Seror-O’Neill, Nadia Farès
Working Time: 1 hour, 44 minutes
MPAA Ranking: R
Launch Date: Nov. 4, 2022
Ranking: 4 out of 5

Michael Clark

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Initially from Washington, D.C., Michael Clark has offered movie content material to over 30 print and on-line media shops. He co-founded the Atlanta Movie Critics Circle in 2017 and is a weekly contributor to the Shannon Burke Present on FloridaManRadio.com. Since 1995, Mr. Clark has written over 4,000 film critiques and film-related articles. He favors darkish comedy, thrillers, and documentaries.

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Movie Reviews

Movie review: “The Watchers”

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Movie review: “The Watchers”
“The Watchers” is a horror/thriller movie that is Isha Night Shyamalan’s directorial debut, released in 2024. It is based on the book The Watchers by A.M. Shine. There is a hint of fantastical elements throughout the movie and lore that would have made for a great overall story, but unfortunately,…
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Movie Review: ‘Summer Camp’ is an entertaining disappointment

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Movie Review: ‘Summer Camp’ is an entertaining disappointment

Nothing forges a friendship like treating an arrow wound. For Ginny, Mary and Nora, an ill-fated archery lesson and an injured classmate are just the beginning of the lifetime of trouble they’re about to start.

Ginny is a year above the other two, more experienced in both summer camp and girlhood, and takes it upon herself to somewhat forcefully guide her younger friends. Mary cowers in the bathroom away from her bunkmates, spouting medical facts, while Nora hangs back, out of place. When their camp counselor plucks them out of their cabin groups to place them in the new “Sassafras” cabin, they feel like they fit in somewhere for the first time.

50 years later, “Summer Camp” sees the three girls, now women, reunite for the anniversary reunion of the very same camp at which they met. Although they’ve been in touch on-and-off in the preceding decades, this will be the first time the women have seen each other in 15 years.

Between old camp crushes, childhood nemeses and the newer trials of adulthood, the three learn to understand each other, and themselves, in a way that has eluded them the entirety of their friendship.

I really wanted to like “Summer Camp.”

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The opening scene, a glimpse at the girls’ first year together at Camp Pinnacle, does a good job at establishing Ginny, Mary and Nora’s dynamic. It’s sweet, funny and feels true to the experience of many adolescent girls’ friendships.

On top of that, this movie’s star-studded cast and heartwarming concept endeared me to it the moment I saw the trailer. Unfortunately, an enticing trailer is about the most “Summer Camp” has to offer.

As soon as we meet our trio as adults, things start to fall apart. It really feels like the whole movie was made to be cut into a trailer — the music is generic, shots cut abruptly between poses, places and scenes, and at one point two of the three separate shots of each woman exiting Ginny’s tour bus are repeated.

The main character and sometimes narrator, Ginny Moon, is a self-help writer who uses “therapy speak” liberally and preaches a tough-love approach to self improvement. This sometimes works perfectly for the movie’s themes but is often used to thwop the viewer over the head with a mallet labeled “WHAT THE CHARACTERS ARE THINKING” rather than letting us figure it out for ourselves.

There are glimpses of a better script — like when Mary’s husband asks her whether she was actually having fun or just being bullied, presumably by Ginny. This added some depth to her relationship with him, implying he actually does listen to her sometimes, and acknowledged the nagging feeling I’d been getting in the back of my head: “Hey, isn’t Ginny kind of mean?”

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Despite all my annoyance with “Summer Camp,” there were a few things I really liked about it. I’m a lot younger than the main characters of this movie, but there were multiple points where I found myself thinking, “Hey, my aunt talks like that!” or, “Wow, he sounds just like my dad.”

The dynamic of the three main characters felt very true to life, I’ve known and been each of them at one point or another. It felt especially accurate to the relationships of girls and women, and seeing our protagonists reconcile at the end was, for me, genuinely heartwarming.

“Summer Camp” is not a movie I can recommend for quality, but if you’re looking for a lighthearted, somewhat silly romp to help you get into the summer spirit, this one will do just fine.

Other stories by Caroline

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Caroline Julstrom, intern, may be reached at 218-855-5851 or cjulstrom@brainerddispatch.com.

Caroline Julstrom finished her second year at the University of Minnesota in May 2024, and started working as a summer intern for the Brainerd Dispatch in June.

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The Garfield Movie

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The Garfield Movie

⭐️ ⭐️ ⭐️ ( out of 5)

He looks pretty good for being 45 years old and having a solid diet of the four basic food groups: lasagna, lasagna, lasagna, and lasagna. Garfield (Chris Pratt) has graced newspapers, cinemas, toy stores and has been a window ornament in cars worldwide. As one of the world’s most recognised cats, it is no wonder that he would get a new animated franchise to honour his four decades of lounging around in our lives.

This unlikely adventure takes audiences back to the origins of his life with Odie the beagle and their owner, Jon Arbuckle (Nicholas Hoult). As he does all he can to avoid Mondays and any form of exercise and finds new levels of leisure, the orange cat is suddenly confronted by his past as he is reintroduced to his long-lost father, Vic (Samuel L. Jackson). Their sudden family reunion is tainted by the unexpected need for his father to rectify a wrong with one of his former feline friends, the Persian cat – Vinx (Hannah Waddingham). The two cats and a friendly beagle must reacquaint themselves with one another as they work with Odie to fulfil the order from the criminal kitty who needs them to deliver a milk order that would rub any cat the wrong way. Along the way, they must befriend a wise bull named Otto (Ving Rhames) to stay ahead of dairy security officer Marge (Cecily Strong) as they hope to achieve their mission and get home to their life of lasagna and leisure.

When reviewing a film about a lazy, pasta-eating cat, one must manage expectations. To expect this to be groundbreaking cinema might be a bit of a stretch. Also, considering that there is little for families to enjoy in cinemas, The Garfield Movie might be the best snack food option for parents for the season. The tone goes from ridiculous to sentimental and back to farcical as if the source material is based on a classic cartoon, which, of course, it is. A consideration as you continue with this review and realise that the film will do exactly what it is meant to do, entertain families with the fun, ridiculous actions of the cat with little motivation to do much with his life except eat his favourite Italian food and spend time with his owner. Chris Pratt and the rest of the cast come along for the ride to complement this tale of friendship, family and food.

What should parents know about The Garfield Movie? Suppose your children loved the antics of the Super Mario Brothers or liked the humour delivered by the Minions. In that case, this film will provide laughs and a hankering for Italian food afterwards. Most of the laughs for parents will fly over the heads of the little ones and will provide something for the adults in the audience. There is little to object to outside the gluttonous tendencies of this legendary cat. The discussion opportunities after the film include the three Fs of family, friendship and forgiveness.

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