Some of these reviews are cracking me up. It’s clear they have never played the game and have no idea what the fans want or ANY of the rules/ canon of Mortal Kombat. One reviewer was mad that a guy “had a laser eye!” Why the fuck do we still allow people that don’t have any love…
— Todd Garner (@Todd_Garner) May 6, 2026
Movie Reviews
'Challengers' Movie Review – Spotlight Report
‘Challengers’ is directed by Luca Guadagnino and stars Mike Faist, Josh O’Connor, and Zendaya.
Tashi ( Zendaya) a former tennis prodigy turned coach is married to a champion on a losing streak. Her strategy for her husband’s redemption takes a surprising turn when he must face off against his former best friend and Tashi’s former boyfriend.
Mike Faist and Josh O’Connor give it their all in this film and they were a great addition to this amazing cast. Being the new guys on the block when it comes to big Hollywood productions, they’ve easily cemented themselves as actors with a long career ahead of them.
The actors both took up months of tennis training prior to the film starting production and this was something that really pays off on screen as their performances as tennis players is that much more captivating because of their efforts.
Zendaya is of course a standout and always brings her A game to any film she is a part of. She works very well on screen with Faist and O’Connor and their overall chemistry is strong throughout the duration of the film.
The cinematography of this film is something that really stands out as there are endless amounts of creatively executed shots that show off the sport of tennis, while at the same time, keeps it fresh and thrilling to watch throughout the course of the film.
The film has a lot of time jumps involved as we start the film in the present day and then go back and forth between past and present events to flush out the backstory of the film’s characters. At times this was a little jarring as some of these time jumps aren’t spaced out too well and happen very quick and abruptly.
The film’s runtime is roughly 2 hours and 20 minutes. This runtime could have been dramatically shortened to allow for a more seamless and smoother flowing story. After the first few time jumps and once the audience understands the relevant backstory of the characters, some of the time jumps seem pointless and sometimes take you out of the film.
Overall, ‘Challengers’ is a captivating sports romance flick that is worthy of a trip to the cinema if you get the opportunity. The film has something everyone can enjoy and if you’re a fan of the sport of tennis there is definitely a lot involved that you would appreciate.
Movie Reviews
“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report
Billie Eilish fans prepare yourself, the much talked about secret project has finally arrived on the big screens!
Billie Eilish has always been about intimacy over artifice, but her latest concert film takes that to a visceral new level. Co-directed by Eilish and James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) manages to bridge the gap between a massive stadium show and the quiet grit of life backstage.
The film starts 18 minutes out from the show and builds the tension until audiences are literally folded into a box with her. Being taken under the stage, passing fans who have no idea she’s inches away, sets a tone of total immersion. What makes this film different is the balance between the spectacle and the behind-the-scenes reality. We see the creative shorthand between Billie and James Cameron as they chase what she calls the “best kind of sensory overload”.

There are so many standout moments, the handheld camera work during “Bad Guy” that gives a dizzying POV of the band, and the chilling minute of silence Billie requests from the crowd to record a vocal loop.
The film captures her unique stage presence. Influenced by rap culture, Billie refuses to have anyone else on stage, unlike many female artists that use back up dancers. Billie can hold the entire stadium in awe by herself which is incredible to witness, until Finneas joins her for a beautiful, emotional piano set.
Between the high-tech visuals and the “Puppy Room” (where she keeps rescue dogs for staff to decompress), the film feels incredibly personal. While the film doesn’t give us any new insights into Billie, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is an enjoyable experience that elevates the tradition concert film.
Movie Reviews
Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC
The producer of the Mortal Kombat 2 movie has called out critics who gave it a negative review.
At the time of writing, Mortal Kombat 2 has a score of 73% on film review aggregator site Rotten Tomatoes, and a score of 48 on Metacritic.
While this means reviews have generally been mixed, the film’s producer Todd Garner took to X to criticise those who wrote negative reviews, suggesting that some of them were written by critics who aren’t familiar with the source material.
“Some of these reviews are cracking me up,” Garner wrote. “It’s clear they have never played the game and have no idea what the fans want or any of the rules/canon of Mortal Kombat.
“One reviewer was mad that a guy ‘had a laser eye’! Why the fuck do we still allow people that don’t have any love for the genre review these movies! Baffling.”
When questioned on this viewpoint by some followers, Garner explained that while he doesn’t have an issue with negative reviews in general, his problem is specifically reviewers who don’t appear to be familiar with Mortal Kombat.
“My comment was very squarely directed at a couple of reviewers that did not like the ‘zombies’ and the fact that there was a ‘guy with a laser eye’, etc,” he said. “Those are elements that are baked into the Mortal Kombat IP and therefore we were dead in the water going in.
“There is no way for that person to review how it functioned as a film, because they did not like the foundational elements of the IP. I just wish when something is so obviously fan leaning in its DNA, that critics would take that into consideration.”
One follower then countered Garner’s complaint by arguing that he shouldn’t be criticising people who don’t know the games, when the films themselves take creative license with the IP.
“Bro to be fair, you invented Cole Young, Arcana and couldn’t even get the simple lore of Mileena and Kitana correct,” said user Dudeguy29. “I’d say you shouldn’t be tossing any stones here.”
“Fair,” Garner replied.
Garner previously criticised the cast of the Street Fighter movie when, during The Game Awards last year, comedian Andrew Schulz – who plays Dan in the Street Fighter film – claimed that the Mortal Kombat 2 movie cast were also in attendance, before joking: “I’m just kidding, they didn’t come, they don’t care about you, they only care about money.”
The jibe didn’t go down well with Garner, who stated on X at the time: “I don’t climb over others to get ahead”. When recently asked how he felt about the cast vs cast rivalry, however, Mortal Kombat co-creator Ed Boon laughed and said he had no issue with it at all.
Mortal Kombat 2 is released in cinemas this Friday, May 8, while Street Fighter arrives later in the year on October 16.
Movie Reviews
Blue Heron Review: Some Things Last a Long Time • The Austin Chronicle
Within the family at the center of Blue Heron, the black sheep is a blond. Fair-skinned teenager Jeremy (Edik Beddoes) is an outlier among his siblings, two jostling preteen boys and watchful, 8-year-old Sasha (Eylul Guven), who are all darkly featured and take after their Hungarian parents (Iringó Réti and Ádám Tompa). Jeremy’s hair color doesn’t really matter, of course, but the contrast makes a useful shorthand for Jeremy’s otherness.
If “other” sounds inexact, that’s the point. To the frustration of his devoted but exhausted parents, there’s been no straightforward diagnosis for what ails Jeremy – for the mood swings, the “acting out.” A move at the beginning of the film to a new home is hopeful but short-lived: The mystery of Jeremy, to himself and to others, persists.
Much of Blue Heron is set over the course of one summer on Vancouver Island in the late Nineties, mirroring filmmaker Sophy Romvari’s own backstory, though the film shouldn’t be confused for straight autobiography. (Her 2020 short film, “Still Processing,” explored her family’s struggles with mental health through first-person documentary.) Still, the remarkable texture of these family scenes and how they favor Sasha’s childlike perspective – her small hands as they handle a potato peeler for the first time, the easy smiles as her mother dabs sunscreen on her face – feels intensely personal. There’s a hushed, dreamy quality to these scenes, mimicking memory itself, that plays into Blue Heron’s remarkable ability to hold two seemingly contradictory things to be true. Sasha can resent her brother and love him. Jeremy can be terrifying and in pain. A film can be whisper-quiet and still trip the wires in your brain that scream “danger.”
With very little dialogue and no cookie-cutter story beats, this fraught family life is vividly, tenderly rendered by Romvari and her naturalistic cast. That makes it all the more disorienting when, at arguably the moment of highest drama, Romvari shifts to a different vantage point. Boldly, she is asking the audience to look anew at what we’ve seen: to acknowledge what we saw was not the whole picture (how could it be, from an 8-year-old’s eye line?). The effect for me – and I suspect for you too, if you’re the kind of person who likes to take a movie apart and understand how it ticks – is exhilarating.
But not entirely effective – and in this reservation I gather I’m the outlier; Blue Heron has been rapturously received at festivals and by critics. This second half (of which I’m loath to spoil the specifics) becomes at once more experimental and more documentary-like, and revolves around a muted performance stranded in the in-between of drama and docudrama. Nothing ruinous, but a hangnail nonetheless on a film that otherwise had me in its thrall.
Blue Heron
2026, NR, 90 min. Directed by Sophy Romvari. Starring Eylul Guven, Edik Beddoes, Amy Zimmer, Iringó Réti, Ádám Tompa, Liam Serg, Preston Drabble.
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This article appears in May 8 • 2026.
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