Connect with us

Movie Reviews

A REAL BUG’S LIFE Review

Published

on

A REAL BUG’S LIFE is a fun documentary series on Disney+ showing the lives of bugs in various environments. Each of the five episodes shows different bugs surviving different environments and interacting with other creatures in their ecosystems. The whole show is narrated by the very excited and energetic Awkwafina, who brings a sense of joy in talking about bugs. Each episode has different bug heroes, who overcome various adversities to accomplish their goals of survival.

The main purpose of A REAL BUG’S LIFE is educational. The whole point is to show that, despite the fact that many people find bugs to be a bit creepy, they are still important to their various ecosystems. The main concern in the series is depictions of insect violence. Various episodes showcase a predator-prey relationship between bugs as well as territory disputes. The other concern is that mating does occur, but the depictions of bugs mating aren’t graphic. Overall, A REAL BUG’S LIFE is entertaining, engaging, educational, and uplifting. It has a moral undertone. It stresses human stewardship of the planet and promotes hard work and perseverance.

(BB, E, VV, S, M):

Dominant Worldview and Other Worldview Content/Elements:

Strong moral worldview in documentary series about bugs where the bugs show an amazing amount of hard work, diligence and perseverance and the series encourages human beings, including children, to be good stewards of the planet (though the series has an ecological message, it doesn’t villainize human beings but sees them as an important harmonious part of bug life), plus the whole purpose of the documentary is to explain and educate the world of bugs to children and adults in a fun and engaging storytelling fashion where each episode drips with educational truth;

Advertisement

Foul Language:

No foul language, but there are a few instances where images of dung are shown, but mostly shown to be a part of nature, although it is still gross;

Violence:

The violence is animal kingdom violence which includes territory disputes and predator-prey interactions, such as a fight occurs between two jumping spiders over territory in the episode “In the Big City,” a huge amount of army ants rip apart multiple different small creatures in “Welcome to the Jungle,” antlions attack and slaughter unsuspecting ants in “Land of Giants,” a shrew slaughters many bugs in “The Busy Farm,” but the interactions are usually quick and never bloody.

Sex:

Advertisement

There are a few instances where insect mating is shown, the two most graphic examples are a couple of monarch butterflies in “Braving the Backyard” and a promiscuous doodlebug in “The Busy Farm”;

Nudity:

No nudity;

Alcohol Use:

No alcohol use;

Advertisement

Smoking and/or Drug Use and Abuse:

No smoking or drugs; and,

Miscellaneous Immorality:

In the episode “Land of Giants,” the narrator jokes that the female Dung Beetle isn’t ready to settle down.

If you don’t like bugs, then the documentary series A REAL BIG’S LIFE in Disney+ isn’t for you. If you love bugs, then this is a fun educational insight into the roles various critters play in our everyday lives.

Advertisement

Disney+ and National Geographic present A REAL BUG’S LIFE, in honor of Disney Pixar’s animated movie A BUG’S LIFE. The series has a total of five episodes. Each one is narrated by actress Awkwafina, who brings an upbeat, fun commentary of each of the main bugs for each individual episode. The actress’ playful and direct tone brings an upbeat new feel to the documentary series, which is great for a documentary meant for families with children. Each episode not only follows different hero bugs, but in fact shows the roles bugs actually play in the daily life of their particular environments.

The first episode is called “The Big City,” with it taking place in the concrete jungle of New York City. Here the story follows Pavement Ants, and a Jumping Spider as it tries to find new territory in the big city. In this episode, viewers learn how vital Pavement Ants are to the cleaning of New York’s streets and how far a jumping spider is willing to go to secure new territory.

The next episode takes viewers from the concrete jungle to the real jungle, a South American Rainforest in “Welcome to the Jungle.” This episode’s protagonists are a male orchid bee as he goes out of his way to make the perfect scent and a new leafcutter ant who’s new to her job and colony. The third episode is called “Braving the Backyard,” which has aa western style storytelling aspect which fits because it takes place in a Texas backyard. This story follows a Unicorn Mantis as she grows into adulthood, a group of Fire Ants trying to move, and some resting Monarch Butterflies. The fourth episode called “Land of the Giants,” takes place in the African Safari. This story follows a newly formed Dung Beetle and an elder nanny Acacia ant as they navigate the dangers of Africa. The last episode is called “The Busy Farm,” and follows the adventures of a young Queen Bumblebee starting a new hive, and an orb spider protecting the livestock.

Overall, the program’s primary purpose is an educational one, to educate folks on how not only bugs live among people but their importance to their various situations. For example, in the first episode the existence of pavement ants helps clean the streets of New York. In the second episode, the narrator contrasts the difference between the lifestyles of leafcutter ants and army ants. Leafcutter ants are actually incredible fungus farmers, and army ants are just insect orcs, the evil, warped creatures who serve the satanic villains in Tolkien’s Middle Earth stories. The third episode explains how Monarch Butterflies make generational migration between Canada and Mexico. The fourth episode introduces a bug called an antlion whose larvae make sandpit traps to devour ants. In the final episode, a human farmer uses ladybugs as a pesticide against aphids.

The stories in A REAL BUG’S LIFE have a moral undertone. They have two main messages. The first message is that human beings should take care of the planet. The second one is that hard work and perseverance always bring rewards. Unlike some other documentaries, A REAL BIG’S LIFE doesn’t turn human beings into the villain. Instead, it depicts people as an important harmonious part of the lives of the bugs.

Advertisement

That said, small children should take caution when watching this documentary because it does show bug territory struggles and animal kingdom interactions both of bug violence and bug mating. Overall, however, A REAL BUG’S LIFE is equally entertaining, engaging, educational, and uplifting and deserves a second season if possible.

There’s always something new to learn with each episode of A REAL BUG’S LIFE. Of course, the intricate lives of bugs and their incredible connections to the natural world around them shows how marvelous, wise and beneficial the design of God is to every being’s life here on Planet Earth.

We are a crowdfunded organization, supported by people like you. These are some of the reasons why our supporters choose to give.

Subscribe us on
-->
Advertisement
Continue Reading

Movie Reviews

Movie Review: “Lee Cronin’s The Mummy” is likely to remind horror fans of better movies – The Independent | Southern Utah’s #1 Source for Arts, Events & Entertainment

Published

on

Movie Review: “Lee Cronin’s The Mummy” is likely to remind horror fans of better movies – The Independent | Southern Utah’s #1 Source for Arts, Events & Entertainment

MOVIE REVIEW: “LEE CRONIN’S THE MUMMY” (R)
Grade: C

For horror fans out there miffed at the very idea that Lee Cronin has somehow earned the right to put his name above the title of his latest project (something generally reserved for horror icons like John Carpenter and Wes Craven) even though he only has a couple of features to his credit (“The Hole in the Ground,” “Evil Dead Rise”), just know that this is the least of this movie’s problems. Also, let it be known that this wasn’t done out of arrogance. It’s been reported that producer Jason Blum made the suggestion to put Cronin’s name atop the title as to not confuse casual moviegoers. The last thing the team behind this gore-fest want is folks walking in thinking that this is a new entry in the Brendan Fraser “Mummy” franchise which this film most certainly is not. Fear not, though, as it’s looking like we’ll be seeing a new installment in that particular series sometime in 2027. As for “Lee Cronin’s latest, it’s an entirely different beast and in the end, it’s barely a “Mummy” movie at all. I mean, I’m all for liberties being taken in a modern reimagining of a familiar property but honestly, if you’re going to stray this far, maybe just call it something else.

In this blood-soaked take on “The Mummy,” journalist Charlie Cannon (Jack Reynor) and his loving wife Larissa (Laia Costa) relocate the family to Egypt for Charlie’s latest job and ultimately, they are plunged into every parent’s worst nightmare after their young daughter Katie (Emily Mitchell) goes missing. Shortly after the disappearance, the Cannon family, which includes Katie’s siblings Maude (Billie Roy) and Sebastian (Shylo Molina), do what they can to pick up the emotional pieces.

Cut to; 8 long years later. The Cannon family now reside in New Mexico, and they get the shock of their lives after receiving a call from the authorities informing them that Katie has been found but as the Cannon family quickly discover, she is not at all herself.  But then, I suppose spending an extended period of time trapped in a sarcophagus would have a strange effect on a person. 

Advertisement

Upon watching this film, one might speculate that Cronin approached the powers that be about doing a follow up to his own “Evil Dead Rise” but after getting turned down, he couldn’t take no for an answer, so he just opted to do a sort of repurposed version of “The Mummy” instead.  And that’s pretty much what this movie plays like; A fusion of “Evil Dead’ and “The Exorcist” with a little “Hereditary,” “The Omen,” and “Poltergeist” thrown in for good measure.

When it comes to bringing the gore factor, Cronin ain’t no slouch. Those with a pure love for carnage candy will find plenty to grasp on to here. That said, this take on “The Mummy” is dour, ugly, brutal, and often unpleasant and even though Cronin is perfectly adept at crafting the proceedings, it does get to a point where the movie feels like it’s simply more interested in making us squirm than anything else.

Of the performances here, Laia Costa has some nice moments as a mom who tries to convince herself that there’s nothing wrong with her daughter but Reynor (an actor I’ve suggested for quite some time would make the perfect James Bond) spends the majority of the film looking at the strange happenings around him in bug-eyed fashion. The standout of the cast is Natalie Grace whose work as the older version of Katie is fittingly terrifying.

As was the case with Leigh Whannell’s disappointing adaptation of “Wolf Man,” “Lee Cronin’s The Mummy” does attempt to say something about one’s fear of not being able to protect their children but here, it’s a somewhat meager attempt because any such subtext is all but buried in an endless sea of ick. This is to say nothing of a handful of plot points that are either underexplained or make very little to no sense. Take, for instance, the medical profession as presented in this film. These so-called professionals are pretty quick to send Katie home even though there’s clearly something wrong with her. Also, where exactly was this girl for the last 8 years? “Lee Cronin’s The Mummy” treats this aspect of the proceedings as an inconvenient afterthought.

Advertisement

Again, there’s very little here that feels like “The Mummy.” Yes, there’s a sarcophagus and an Egyptian locale, but these things feel shoehorned in. Beyond that, for all of Cronin’s abilities when it comes to crafting fittingly shocking set pieces and skillfully working with a barrage of creative practical effects, his take on a property made famous by a decades-old classic Universal monster movie starring Boris Karloff feels pretty darn deadite-heavy by comparison. What’s more, with a runtime of 2 hours and 14 minutes, it all feels awfully long-winded for a film of this nature. At the end of the day, while this isn’t a bad film (for all its flaws, it’s more effective than the 2017 Tom Cruise headlined-take), what “Lee Cronin’s The Mummy” is most successful at doing is reminding us of a handful of better horror movies.

Continue Reading
Advertisement

Trending