Growing up, Phil Weinstein, executive producer of “Mickey Mouse Funhouse,” celebrated both Christmas and Hanukkah.

“My uncle had a religiously blended family,” Weinstein says. “We would go to their house and they would have a Christmas tree and a Hanukkah menorah. It was kind of awesome.”

That cherished childhood memory is present in “Hanukkah at Hilda’s,” one of the first “Mickey” episodes to celebrate the Jewish holiday. In the episode, premiering Dec. 6 on Disney Junior, Mickey and his pals get stranded in a snowstorm at Hilda’s house and learn that she is Jewish and celebrates Hanukkah. The gang then celebrates both December holidays with Christmas sugar cookies and jelly-filled doughnuts known as sufganiyot.

Each year, starting around Thanksgiving, culture vultures get to unwrap an early present: a raft of films, TV shows, concerts and more that fill the calendar through the end of the season. And this week, The Times is happy to be your guide to some of the most noteworthy offerings, from Oscar contenders and crowd-pleasers to holiday specials you and the family can curl up with. Read on!

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Since its premiere in 2021, “Mickey Mouse Funhouse” has highlighted many culturally diverse holidays including Nochebuena, a Christmas Eve tradition celebrated by Latinos; the Korean holiday Chuseok; Día de Muertos and the Armenian holiday Vardavar. “In our show, we have these stairs to anywhere, which is really about imagination,” Weinstein says. “Imagination can take you anywhere and then, as we got into the show, we realized it doesn’t just have to be fantasy places that they go off to. We can really celebrate real things like Hanukkah and Nochebuena.”

That ethos is shared among the Disney Junior shows that will highlight the Jewish holiday this season. In an episode of Marvel’s “Spidey and His Amazing Friends” titled “Hanukkah Heist,” premiering Dec. 3, Spidey and the Thing help his Aunt Petunia save her beloved latkes from the show’s villains, including Rhino and the Green Goblin. “The Thing is a really special character, and he’s Jewish so it was very natural to tell a story through his point of view,” says Becca Topol, “Spidey’s’’ story editor and co-producer. “The Thing might be tough and gruff but ultimately he’s a softy when it comes to family and holidays and things he loves.”

The “Hanukkah Heist” episode of “Spidey and his Amazing Friends” will premiere Dec. 6 on Disney Junior.

(Disney/Disney)

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The hook of the story is that all the bad guys want Aunt Petunia’s latkes because they are so delicious. Aunt Petunia’s secret ingredient, in addition to the potatoes, oil, salt and onions, is love. “I know that’s true for people in other religions, that the food always ends up being so closely connected to the celebration of holidays,” Topol says. “The real beauty of the episode is that I think audience members can connect with it whether they are Jewish or not. It is the togetherness of the family and the really close relationship that the Thing has with his aunt.”

Topol says at her Hanukkah celebrations, there are always a few people who have never had a latke before. “Every culture has their food that they are really proud of that everyone wants to have. You can appreciate this and learn more about the Jewish culture and what traditional Hanukkah is like and connect to it,” she says. “[We are] taking the specific and making it universal and relatable on a bigger level. Spidey is also having latkes for the first time so Spidey is a way in for our audience.”

“SuperKitties” songwriter Keith Harrison Dworkin wrote “Hanukkah Lights” for the “Hanukkah Rescue” episode that premieres Dec. 4 and finds the heroic felines lighting the menorah. “I grew up in a Jewish household so I know what it is to say the prayer over the menorah and go through that ritual. That’s really the centerpiece of the holiday,” he says. “That first version of the song is kind of in lieu of the prayer. And then at the end of the episode, we get the full song, which is kind of the danceable fun party version, and that’s just a lot of fun.”

Dworkin loved being able to create a song that feels modern and relatable “because sometimes Hebraic music cannot feel that way.” The central lyric of the song is that “even when hope grows dim together, we will make it through.” “That was the line that’s really what Hanukkah is about for me thematically,” he says. “It’s about hope. In this particular episode, we are teaching the kids that cultural diversity is good and Hanukkah is a positive and valuable and beautiful part of the holiday season. What a wonderful message to share.”

Each of the episodes take the time to explain to their young audience what Hanukkah is. As she did for the Rosh Hashanah “Spidey” episode that aired last year, Topol worked with the nonprofit Tanenbaum as well as Disney Junior’s internal education and inclusion team.

“For our audience we need to explain it in a digestible way,” Topol says. “How are you going to explain something that’s relatively complicated? We really did want to go into the heart of it, the miracle of lights. The idea of introducing a holiday to viewers that they may not have celebrated before or know much about and introducing it with joy and love and family and togetherness is a way to really allow those universal themes of holiday to come out and bring more happiness and joy to the world.”

These may be preschool shows but for all involved, it’s also an opportunity to help impart positive messages on the young minds watching.

“We are all just people and we can treat each other with respect,” Weinstein says. “We are always consciously thinking about how we can hopefully help kids to learn how to treat their fellow humans.”

After delivering a successful film, Gaami & not so successful film, Gangs of Godavari this year already, Vishwak Sen came up with his third film of the year, Mechanic Rocky, an action comedy film under the direction of debutant, Raviteja Mullapudi. Meenakshi Chaudhary & Shraddha Srinath did the female lead roles and Jakes Bejoy who scored a hit recently with Saripodhaa Sanivaaram, scored the music for the film. It’s a crucial film for producer Ram Talluri who delivered a disaster with Matka last Friday. Did Vishwak Sen score a hit with Mechanic Rocky? Did the debutant director deliver a memorable film? Did Ram Talluri get a sigh of relief? Let’s figure it out with a detailed analysis.

What is it about?

Nagumomu Rakesh Aka Mechanic Rocky (Vishwak Sen) works as a mechanic and driving teacher at his father’s (Naresh) garage. Ranki Reddy (Sunil), a real estate settlement goon agrees to grab Rocky’s lake-view garage and hand it over to a businessman for ₹25 lakhs. Rocky makes a deal with Ranki Reddy for ₹50 lakhs and asks him to give him ten days to adjust the money. While Rocky & Ranki Reddy making the deal, he gets a call from Maya (Shraddha Srinath) who says Rocky’s father has a two-crore insurance policy in his name and Rocky will now get the two crore as his father passed away. Will Rocky get the two crore money? Who is Maya? What is her connection with Priya (Meenakshi Chaudhary)? Forms the rest of the story.

Performances:

Vishwak Sen as Rocky Aka Nagumomu Rakesh did a decent job with his performance but he looked odd as a student during the college episode in the first half. The film has two female leads and both of them have good character arcs.

Meenakshi Chaudhary as Priya who takes responsibility for her family after her father and brother passes away, did perform well. Shraddha Srinath got a meaty role as Maya and utilised it so well. It is safe to say that she is the best performer in the film out of all the other actors. Senior actor Naresh’s comedy worked to an extent. Sunil, Harsha Chemudu and Hyper Aadi were wasted in insignificant roles. Harsha Vardhan and Raghu Ram Ambadapudi (MTV Roadies Creator) are just decent.

Technicalities:

Jakes Bejoy’s background score is a mixed bag. It was good at a few parts and was out of sync at a few parts. His songs are forgettable. The film has a total of five songs and none of them worked. The cinematography by Manoj Reddy Katasani is adequate. There’s nothing much to talk about his work. Anwar Ali’s editing should have been much better. He should have edited at least fifteen to twenty minutes of the film, especially in the first half. SRT Entertainment’s production values are decent. Debutant director, Raviteja Mullapudi should have avoided adding unnecessary commercial elements to a plot that has a very good potential to become a good thriller.

Thumbs Up:

Core Plot of The Film
Two Twists In The Second Half

Thumbs Down:

Routine Template-Driven Screenplay In The First Half
Boring Songs
Poorly Written Dialogues
Unnecessary Action Episodes
Climax

Analysis:

‘Your phone number won a lottery’, ‘You have received a parcel from abroad, ‘Click on the link to check your CBIL/Credit score’, etc., almost all of us must have got calls or E-Mails or messages from fraudsters who say one of the aforementioned things to loot money from us. As mentioned in the movie, around twenty-thousand such crimes are happening in India every day.

The debutant director, Raviteja Mullapudi took a very relatable point of crime happening by targeting middle-class people in India, as the core plot and he added a couple of good twists to the plot that worked well. But, in an attempt to include commercial elements, he lost the plot completely in the first half. The first half of the film tests your patience with a routine template-driven screenplay with three songs, two fights, a beaten-to-death hero & villain track and a romantic track. Everything in the first half looks forced and dragged forever.

Even in the second half, when the core plot is unfolding interestingly, he included a celebration song between Vishwak Sen & Meenakshi Chaudhary that comes across as a speed breaker to the proceedings. After a good sixty minutes in the second half, the director chose to end the movie very routinely with an action sequence and poorly written ‘punch’ dialogues that are uttered by the hero.

The core plot of the film should have been worked as a proper thriller film with a crisp runtime and tight screenplay but the director’s attempt to make it an ‘Action & Romantic & Comedy & Thriller’ film worked against it. Just like most of Vishwak Sen’s films, Mechanic Rocky also has a lot of curse words throughout the film.

Overall, the core plot of Mechanic Rocky has a lot of potential but the overall feel of the film is spoiled by unnecessary commercial elements and runtime. Given the potential of the core plot, Mechanic Rocky will end up remaining as a missed opportunity.

Mechanic Rocky – Lost In Commercialization

Rating – 2.5/5

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Tags Mechanic Rocky Mechanic Rocky Review