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Commentary: Mehdi Hasan reflects on Zeteo one year after launch: 'We're in a very good place'

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Commentary: Mehdi Hasan reflects on Zeteo one year after launch: 'We're in a very good place'

Journalism isn’t what it used to be, and that’s not necessarily a bad thing. Especially if you’re Mehdi Hasan.

Hasan, 45, is no stranger to the rising dissatisfaction around the state of the news media and the confusion over how we consume our news. He rose through the ranks of broadcast giants, including the BBC, Al Jazeera and MSNBC, and has written on subjects ranging from Trump’s tariffs to Gaza for outlets such as the Guardian and the Huffington Post.

But no matter where he’s been on camera or published, the British-born son of Indian immigrants asked the kind of tough questions that gained him a reputation as a fierce debater and unflinching proponent of high-impact, often adversarial journalism.

“When we talk about media organizations, it’s often asked, ‘Are they left or are they right?’” Hasan says. “But I don’t think that dynamic is helpful. For me, it’s more like do they keep their heads down or do they keep their heads up?”

Hasan’s unwillingness to soften the edges around hot-button topics could be the reason he’s worked for more outlets than most public-facing folks in the media. His departure from MSNBC in January 2024, for example, came after his shows were canceled by the network for “business reasons.” They offered to keep him on as a contributor, but he declined.

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Instead, he started his own independent platform, the Washington, D.C.-based Zeteo. Now, on the one-year anniversary of his enterprise, Hasan talks about what it took to create an outlet somewhere between mainstream news and “burn it all down” media.

This conversation has been edited for length and clarity.

“When we talk about media organizations, it’s often asked, ‘Are they left or are they right?’” Mehdi Hasan says. “But I don’t think that dynamic is helpful.”

(Tom Keeter Photography)

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What did it take to get Zeteo up and running?

Me and the four people who set it up. And it was Ramadan. And I was fasting. I will say I never want to do a startup company again with four people during Ramadan [laughs]. We’re still a small, nimble operation, but it’s not insane as four people trying to do everything. We have a political correspondent, Prem Thakker, who broke the campus deportation story. We brought on Jamaal Bowman and Cori Bush, members of Congress, to do a YouTube show for us called “Bowman and Bush.” [Former Washington Post columnist] Taylor Lorenz has just become a contributor for us. We have Daniel Levy, the former Israeli peace negotiator. And we’re going to be announcing more in the coming days as we approach the anniversary. So we’re growing on that front.

The name Zeteo comes from the ancient Greek word for “seeking out” or “striving.” Why not just call your startup the Mehdi Hasan Network?

It was never going to be the Mehdi Hasan network. Obviously, I’m the face of it. I’m the founder. I do the flagship shows. But it was always about being more than me. That is the goal. If I achieve nothing else, I’ve provided a platform for really interesting people to say the unsayable, whether it’s [Egyptian political satirist] Bassem Youssef on the podcast; John Harwood [formerly of CNN], who writes amazing political pieces for us; Pakistani novelist Fatima Bhutto; Amy Klein; Owen Jones; or Greta Thunberg. They are saying things as contributors you won’t see elsewhere.

You moved to the U.S. in 2015, where you hosted a weekly show on Al Jazeera English. But just five years later, you landed your own show, “The Mehdi Hasan Show,” on Peacock. And soon after that, you were slotted into MSNBC’s lineup. That’s a rapid trajectory.

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When I moved here, people said to me, “Oh, you’re going to end up at CNN, MSNBC because you do great interviews.” I was like, “No one’s ever going to hire me. I’m a brown, Muslim, lefty immigrant. I’m happy at Al Jazeera.” Mainstream was never going to be for me, yet Phil Griffin and MSNBC took a chance on me in 2020 and hired me to do a show. I didn’t think I’d last longer than six months, but I lasted for 3½ years.

As the country has become more polarized, there’s been criticism that journalism is now more about activism than news gathering. What’s your take?

You don’t have to define activism as changing things and journalism as not changing things. The biggest changes in our society have come from journalism. Investigative journalism, at its very best, changes things. It holds people accountable. It forces people to change structures, reform institutions. So I think the best journalism is impact journalism that drives change. Otherwise, what is the point? Horse-race journalism — who’s up, who’s down, who’s doing well in the polls — that’s never been my interest. I do it occasionally because it has its role, but that’s never been what drives me. I don’t think it should be what drives our industry, either. I want to make a change. That’s why I do what I do. Otherwise, I’d be an accountant.

Where does Zeteo stand in the crowded field of new media startups?

One thing I was very clear about when I launched Zeteo was that I was going to be walking that tightrope between being anti-establishment and establishment, between mainstream and non-mainstream. A lot of people didn’t like that. What happens to a lot of left-wing media outlets is that they get marginalized or marginalize themselves. They’re seen as fringe. But there’s no point in doing excellent journalism, excellent op-eds or commissioning brilliant documentaries if no one sees them.

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A man in a suit and tie sitting behind a desk.

Mehdi Hasan says he “was going to be walking that tightrope between being anti-establishment and establishment” with Zeteo.

(Tom Keeter Photography)

Did you plan on becoming a journalist?

I went to Oxford University. I did PPE [Politics, Philosophy and Economics]. Most of my graduating class went off to be management consultants and investment bankers. I went off to get a 13,000-pound-a-year job, to the great disappointment of my Asian parents. But working in TV seemed important.

As kids of immigrants, our parents came from places where the media was hobbled or where there is no free press. Now you’re in the U.S., and the media is facing unprecedented challenges from the Trump administration.

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It’s a risky time. People keep saying to me, “Trump’s good for business, right? You’re going to get loads of subscribers because he talks crazy stuff and makes politics interesting.” Yeah, in theory, in the sheer generation of news stories, he’s good for business. But in terms of the big picture of a free press — no, he’s not. I worry about the future of my organization in a country that’s going fascist very quickly. I worry about Zeteo as a small startup at a time when big media companies like ABC and CBS and some might argue the L.A. Times — their owners are rolling over for Trump. And you’ve got MAGA folks who are intimidating journalists. For a while I’ve had prominent people in the MAGA movement saying deport and denaturalize Mehdi Hasan, and in the current climate, that’s not the kind of thing you take lightly. Journalists have been intimidated, threatened, harassed.

Now, having said that, we’ve got to put it in context. I’m still in the U.S., still protected by the 1st Amendment. I’m not in Gaza, where over 200 journalists have been killed. It’s the worst conflict for journalists in history. The Civil War, WWI, WWII — none of it comes close. Yes, it’s a risky time for journalists in America, but in context, we’re still 10,000 times in a better place than journalists in Gaza, for example.

This month marks one year since Zeteo’s official launch. How are things going?

I’m a very cautious person. I’ve never run a business before. I don’t have that entrepreneurial streak of risk-taking. When I launched this, I was super cautious about what we could achieve. But, amazingly, the support I got after I left MSNBC and announced Zeteo blew me away. We blasted through all of our early benchmarks, metrics and targets, and by the time we hit the summer, we were well ahead of ourselves. So we’re in a very good place.

Can you name some of the benchmarks?

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A year in, most startups don’t break even. But this year we’ve made a small profit, which we weren’t planning on. We’re at 400,000 subscribers, which is not where I thought we’d be. We’re No. 6 on Substack, behind Bari Weiss, Heather Cox [Richardson] and the Bulwark folks. We have 715,000 followers on YouTube right now and we’re growing by more than 1,000 a day. We’ve got more than 40,000 paying subscribers, which helps pay the bills. And we’ve got over 1,000 founding members who pay $500 a year to support us.

A man in a white shirt and blue pants sitting on a white chair with a microphone near his face.

“A year in, most startups don’t break even. But this year we’ve made a small profit, which we weren’t planning on,” Mehdi Hasan says.

(Tom Keeter Photography)

Is corporate media adequately covering the America we live in today?

My position is not that the corporate media’s dead or that all mainstream media is bad. That would be ridiculous. I’ve worked in these organizations. There are great journalists doing great work there. My position is that mainstream media gets a lot wrong, and there are a lot of gaps that need to be filled, and that is what Zeteo is doing. That doesn’t mean I want to burn it all down. We wouldn’t be able to exist as a small media business if we weren’t able to rely on great investigative scoops from certain people at the Post or Politico or the New York Times. That doesn’t mean I like everything that those outlets do.

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For a time, the journalistic standards in legacy newsrooms made covering MAGA conspiracy theories, lies and genuinely fake news incredibly difficult. It was like using an old dialect to describe a new language.

Even in opinion journalism, calling Trump a racist caused a debate in newsrooms for a decade. More and more people now say the R-word. But for a time, it was “he said something racially tinged, racially divisive, racially loaded.” It’s like, just say racist. It’s fewer letters. Let’s not insult our viewers and our readers. Let’s not disrespect them. Everyone knows what’s going on.

They know “mistruth” is just a softer word for “lie.”

My position is very simple: If you say something false more than once after you’ve been corrected, it’s a lie. That’s Trump 100 times over.

You are known for being unapologetically outspoken, and pinning your debate opponents on divisive issues. You even channeled your superpower into a book, “Win Every Argument.”

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There’s always been that shadowing around me wherever I’ve been. It’s made people uncomfortable in a lot of places. I’m not going to name an outlet, but I will say this, there have been times where an interview I’ve done has gone viral and people are like, “Oh, my God, mic drop! The person’s been destroyed,” to use YouTube language. That’s what people know me for. Then I’ll mention that to a friend or family member, and they will say, but do your bosses even want that? And it’s like, “Oh, I didn’t think of that. Good question.”

Which brings us back to MSNBC…

When MSNBC canceled my shows, I knew that I didn’t want to just go to another network or another paper. I’ve worked for a lot of places in my career: BBC, Sky News, Al Jazeera, NBC. I write a monthly column for the Guardian, but I didn’t want to go work for the Guardian. I’ve already done stuff for the Intercept and the New Statesman. I wanted to do my own thing, so I thought if not now, when? This idea that I needed to speak freely crystallized pretty quickly, especially in the climate we’re in with Gaza, the return of Trump, fascism. As far as ever being employed by anyone else again, I think that ship has sailed.

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Movie Reviews

Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

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Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

‘How to Make a Killing’

Directed by John Patton Ford (R)

★★

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After ‘Yellowstone’ and a twist of fate, Luke Grimes rides again as Kayce in ‘Marshals’

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After ‘Yellowstone’ and a twist of fate, Luke Grimes rides again as Kayce in ‘Marshals’

This story contains spoilers for the pilot of “Marshals.”

When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.

The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.

“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”

Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.

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The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.

Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.

(Sonja Flemming / CBS )

In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.

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During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.

“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”

Those doubts eventually ebbed away.

“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”

But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.

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“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”

He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”

A bearded man with his hands in his jeans looking downward.

“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.

(Jay L. Clendenin / For The Times)

Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”

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But he stressed that although Monica is physically gone, her presence will be heavily felt this season.

“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”

As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”

Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.

“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.

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Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”

“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”

Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”

“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.

“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”

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The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”

A man in a blue shirt standing with his arms crossed as horses with saddles graze in the background.

“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.

(Jay L. Clendenin/For The Times)

Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.

Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”

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He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”

Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”

In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.

“Luke’s creative fingerprints are all over the pilot,” Hudnut said.

Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.

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“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”

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Movie Reviews

Roll On 18 Wheeler: Errol Sack’s ‘TRUCKER’ (2026) – Movie Review – PopHorror

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Roll On 18 Wheeler: Errol Sack’s ‘TRUCKER’ (2026) – Movie Review – PopHorror

I am a sucker for all those straight-to-video slasher movies from the 90’s; there was just a certain point where you knew the acting was terrible, however, it made you fall in love. I can definitely remember scanning the video store sections for all the different horror movies I could. All those movies had laughable names and boom mics accidentally getting in the frame. Trucker seems like a child of all those old dreams, because it is.

Let’s get into the review.

Synopsis

When a group of reckless teens cause an accident swroe to never speak of it.  The father is reescued by a strange man. from the wreckage and nursed back to health by a mysterious old man. When the group agrees to visit the accident scene, they meet their match from a strange masked trucker and all his toys with revenge on his mind.

Roll on 18 Wheleer

Trucker is what you would imagine: a movie about a psychotic trucker chasing you. We have seen it many, many times. What makes the film so different is its homage to bad movies but good ideas. I don’t mean in a negative way. When you think of a slasher movie, it’s not very complicated; as a matter of fact, it takes five minutes to piece the film together. This is so simple and childlike, and I absolutely love it. Trucker gave us something a little different, not too gory, bad CGI fire, I mean, this is all we old schlock horror fans want. Trucker is the type of film that you expect from a Tubi Original, on speed. However, I would take this over any Tubi Original.

I found some parts that were definitely a shout-out to the slasher humor from all those movies. Another good point that made the film shine was the sets. I guess what I can say is the film is everything Joy Ride should have been. While most modern slashers are trying to recreate the 1980s, the film stands out with its love for those unloved 1990’s horror films. While most see Joyride, you are extremely mistaken, my friend; you will enjoy this film much more.

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In The End

In the end, I enjoyed the entire film. At first, I saw it listed as an action thriller; I was pleasantly surprised, and Trucker pulled at my heart strings, enveloping me in its comfort from a long-forgotten time in horror. It’s a nostalgic blast for me, thinking back to that time, my friends, my youth, and finding my new home. Horror fans are split down the middle: from serial-killer clowns (my side) to elevated horror, where an artist paints a forty-thousand-year-old demon that chases them around an upper-class studio apartment. I say that a lot, but it’s the best way to describe some things.

The entire movie had me cheering while all the people I hated suffered dire consequences for their actions. It’s the same old story done in a way that we rabid fans could drool over, and it worked. In all the bad in the world today, and my only hope for the future is the soon-to-end Terrifier franchise. However, the direction was a recipe to succeed with 40+ year old horror fans like me. I see the film as a hope for tomorrow, leading us into a new era.

Trucker is set to release on March 10th, 2026

 

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