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Bill Pullman gets into the twisted mind of a killer. He could use a few laughs now

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Bill Pullman gets into the twisted mind of a killer. He could use a few laughs now

Why in the world was a nice guy like Bill Pullman asked to play a monstrous killer — convicted of murdering his wife and son — in Lifetime’s ripped-from-the-headlines, two-part miniseries “Murdaugh Murders: The Movie”?

“I kept thinking maybe it’s because they anticipated I’d look all right with ginger hair,” jokes the warm and genial Pullman during an early spring interview in Los Angeles.

But a switch in hair color was just a small part of the actor’s deft transformation to evoke Alex Murdaugh, the South Carolina lawyer — and scion of a prominent legal family — who’s currently serving two consecutive life sentences in state prison for the 2021 double homicide. (He was also sentenced to 40 years for financial fraud.)

Curtis Tweedie, as the son killed by Alex Murdaugh, played by Bill Pullman, in “Murdaugh Murders: The Movie.”

(Lifetime)

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Not that Pullman’s dye job didn’t initially worry the veteran actor. “The movie’s makeup and hair heads took me to a [suburban Vancouver] strip mall where there was this beauty salon and I just thought, ‘Oh, my God, how did this happen?’” he says with a wry smile. “But they did an excellent job.”

Though he’s perhaps best known for warm-hearted or heroic roles in such movies as “Sleepless in Seattle,” “While You Were Sleeping” and “Independence Day,” a check of his 100 or so screen credits reminds that his career has been peppered with much darker parts. These include serial killers in both the BBC One/Starz series “Torchwood: Miracle Day” and Jennifer Lynch’s 2008 film “Surveillance,” as well as a detective with a troubling underside in USA Network’s anthology series “The Sinner.”

“It was the same when I did ‘Lost Highway,’” recalls Pullman of 1997’s surreal thriller, in which he played a murder suspect. “When they asked [director/co-writer] David Lynch, ‘Why did you cast Bill?’ he said, ‘His eyes. He looks like a guy who could get himself in a lot of trouble.’” (Pullman slyly admits that he’s had a few “harrowing moments” in real life.)

Still, Pullman initially had misgivings about playing Murdaugh in the breakneck production racing against the looming actors’ strike last year. “I think I had probably eight days to prepare,” says Pullman, “and the first two were taken up with me saying, ‘I don’t want to do this,’ because I just had not followed [the Murdaugh story], I had no information. All I knew is that he killed his wife and son.”

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But that changed once he finally read Michael Vickerman’s teleplay, which blends transcriptions of actual courtroom testimony, dashcam footage and Murdaugh’s 911 call. “I was intrigued by the text of the script,” Pullman says. “I could feel there was something really unusual going on in the thought process when you actually write things down the way they’ve been spoken. A lot gets revealed in that.”

Discussing the character with the film’s director, Greg Beeman, helped too. “I said, ‘I have the feeling that the bedrock of all this is that Alex loved his wife and loved his son.’ Greg said that was his feeling too. So I thought, ‘OK, that’s a premise we can start from, that’s going to be valuable. It’s a paradox.’”

The actor calls having all those Murdaugh tapes to study “a blessing and a curse” and found that he had to pull himself out of “the weeds” to start inhabiting the role. That’s when, right before shooting began, another key insight struck: He had yet to put himself into the role.

Bill Pullman sits on a chair on a balcony for a black-and-white portrait.

Bill Pullman has played troubled men in more roles than you might expect.

(Shayan Asgharnia / For The Times)

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“You realize, everyone’s been looking at this [coverage of the Murdaugh case] and they’re going to want a mirror,” Pullman says. “I told Greg that, just to give myself some slack and some elbow room, I wasn’t going to do an impersonation — meaning I wasn’t going to stand around and say, ‘Oh, [Murdaugh] didn’t turn left when he said that, he turned right.’ And Greg agreed.”

Though the actor was inspired by the abundant footage of Murdaugh, he also didn’t try to duplicate the disgraced attorney’s Southern inflection. “I don’t think of him as having that specific accent,” Pullman explains. “Nowadays there are more urbane people living in the Piedmont. Nobody’s coming out of the hills doing any of those big, back-throated things.” He adds, “But how amazing it was to have that much material to base something on. I just had never had anything like that before.”

And how did Pullman channel the heinousness of his character, who was a habitual liar, drug abuser, embezzler and, ultimately, killer? “Well, I think he’s a guy who says, ‘I can handle everything,’ so that’s the perfect candidate to build up a big thundercloud when he doesn’t know it’s going to rain — and it rains,” the actor says. “Like suicide, it has some psychiatric patterns. You read a bit about brain chemistry and you realize on those arcs of mania and depression, which Murdoch was chasing while using [oxycodone] pills to keep up above the darkness … that people can present as competent — until they’re not.”

Pullman concludes, “That’s all interesting stuff. You don’t get to do that playing a good guy. But it does make you want to do a comedy next.”

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Michael Jackson documentary set to release after massive re-write

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Michael Jackson documentary set to release after massive re-write
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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”