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'Being true to our inner nerd': The eye-catching lineup at L.A. Comic Con is proof of the event's growth

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'Being true to our inner nerd': The eye-catching lineup at L.A. Comic Con is proof of the event's growth

Giancarlo Esposito is no stranger to the fandom convention circuit. His role in “Breaking Bad” brought a certain type of fan. His roles in “Abigail” and “The Mandolorian” bring another type. And his upcoming role in “Captain America: Brave New World” will thrust him into a Marvel fan space he has yet to experience.

He acknowledges that it’s all because of fans.

“They are responsible for me being in ‘Captain America,’ because although I liked the idea of X-Men and many other comic book characters, it was that particular fandom blowout that allowed me to walk up to [Marvel executive] Nate Moore at an Emmy Awards and say, ‘Hey, it would be great to do something with you,’” said Esposito.

“The world has changed in film and television, and I think people are listening to the fans. Fans are loyal. If fans love what you do, they can create a space for you to do more of what you do and to do what you don’t do.”

The award-winning actor is one of the standout participants at this year’s Los Angeles Comic Con. The con takes place this Friday through Sunday, and has been around in different forms since 2011. Founded by producer Regina Carpinelli and her brothers as Comikaze Expo, the show gained support from industry stars like Elvira, Todd McFarlane, and Stan Lee. It has gone through enough iterations and name changes and now draws about 125,000 people to downtown L.A.’s convention center. Not exactly low-key, but when mentioned alongside other national fandom events, it may not seem to have the same Hollywood cache.

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There’s little reason for that logic, and this year could help prove it.

Chris DeMoulin, CEO and GM of Los Angeles Comic Con parent company CEI, wants to create a home for Angeleno nerds.

(Courtesy of Los Angeles Comic Con)

Chris DeMoulin, CEO and GM of Los Angeles Comic Con parent company CEI, wants L.A. Comic Con to be a home for Angeleno nerds. It’s different than its two closest comparisons (not competitors): Anime Expo, which features Japanese anime, manga and cosplay, and San Diego’s Comic-Con International, which, though fan-centric, has become a calling card for Hollywood studios.

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But how is it different?

“Our mantra from day one has always been that we’re a convention that’s for the fans by fans. … In the early going, as a little show, the studios weren’t going to sit down with us and think about doing big publicity things with us. So we just asked the fans, ‘Who do you want to see?’ ,” says DeMoulin. “So we don’t do it just for the sake of doing it. We really do it because somebody like Hayden Christensen has been in the top five recommended guests in the post-show surveys we’ve done for the last five years.”

Besides Esposito and Christensen , additional fan-favorite guests this year include Ewan McGregor, Tara Strong, Hayden Panettiere and Gordon Cormier. Reunion casts of “Back to the Future” and “The Addams Family” will also make appearances on panels and at autograph booths.

DeMoulin was excited over last year’s appearance of the four hobbits from the “Lord of the Rings” franchise (Elijah Wood, Sean Astin, Billy Boyd and Dominic Monaghan), and this year’s crop is just as exciting. Many of the names, like Rosario Dawson and Ming-Na Wen, are familiar on the convention circuit. But there are others, like Michael J. Fox and Anjelica Huston, who represent a little of what’s different about L.A.’s Comic Con.

“I mean, Anjelica Houston. Amazing actor. Doesn’t normally do cons — but when we had Christopher Lloyd and we were talking to Christina Ricci, we thought, ‘Hey, “Addams Family” reunion!’ We reached out to her agent and she was like, ‘Yeah, I normally don’t do this stuff, but I live here, so why not?’”

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It’s that proximity to stars — not just where they work in Hollywood, but also where they live — that is also a unique component of the growing convention. Though he’s an avowed New Yorker, Esposito sees something special about the L.A.-ness of the event. He has been to the con twice before, and will be there again this year greeting fans who may only know him as Moff Gideon, his “Mandolorian” bad guy, but most likely are more savvy about his career.

“I think the L.A. Comic Con is an example of people who are also in film. And I think that gives it a bit of an edge,” says Esposito. “The connective tissue between Los Angelinos and Hollywood and film and geek actors and geek technicians is huge. I always look forward to doing L.A. Comic Con because part of the reason I go to Comic Cons is to be in wonder, enchantment and joy.”

A shot of the Artist Alley at last year's Los Angeles Comic Con in the L.A. Convention Center.

A shot of the Artist Alley at last year’s Los Angeles Comic Con in the L.A. Convention Center.

(Courtesy of Los Angeles Comic Con)

Like other fandom gatherings, L.A. Comic Con also endeavors to keep fans front-and-center with the vendors. The main stage is actually in the middle of a showroom floor, which will be host to almost 900 exhibitors and artists. The Artists’ Alley section also highlights what DeMoulin sees as one of the main purposes of the convention.

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“Ultimately, we want this to be a place where creators want to come and debut new stuff and just interact with fans. We’ve got really knowledgeable, interesting fans in this town, and they love to come out and meet the creators that are associated with the stuff that they love,” says DeMoulin.

The convention is evolving, this year inserting video game creators and lots of anime- and manga-centered entertainment in their own spaces. The new additions are a side effect of growth, and there’s more coming.

“I think you’ll see us continue to add concentric circles of adjacent entertainment spaces as we grow, but always being true to our inner nerd, which is we’re never going to walk away from the key franchises,” DeMoulin continues. “The Marvels and the ‘Star Wars’ and the ‘Star Treks’ and the whole comic universe. That’s always going to be the core of what we do. But I think we have the opportunity to do more because we’re L.A.”

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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

California helped make them the rich. Now a small proposed tax is spooking them out of the state.

California helped make them among the richest people in the world. Now they’re fleeing because California wants a little something back.

The proposed California Billionaire Tax Act has plutocrats saying they are considering deserting the Golden State for fear they’ll have to pay a one-time, 5% tax, on top of the other taxes they barely pay in comparison to the rest of us. Think of it as the Dust Bowl migration in reverse, with The Monied headed East to grow their fortunes.

The measure would apply to billionaires residing in California as of Jan. 1, 2026, meaning that 2025 was a big moving year month among the 200 wealthiest California households subject to the tax.

The recently departed reportedly include In-n-Out Burger owner and heiress Lynsi Snyder, PayPal co-founder and conservative donor Peter Thiel, Venture Capitalist David Sacks, co-founder of Craft Ventures, and Google co-founder Larry Page, who recently purchased $173 million worth of waterfront property in Miami’s Coconut Grove. Thank goodness he landed on his feet in these tough times.

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The principal sponsor behind the Billionaire Tax Act is the Service Employees International Union-United Healthcare Workers West (SEIU-UHW), which contends that the tax could raise a $100 billion to offset severe federal cutbacks to California’s public education, food assistance and Medicaid programs.

The initiative is designed to offset some of the tax breaks that billionaires received from the One Big Beautiful Bill Act recently passed by the Republican-dominated Congress and signed by President Trump.

According to my colleague Michael Hiltzik, the bill “will funnel as much as $1 trillion in tax benefits to the wealthy over the next decade, while blowing a hole in state and local budgets for healthcare and other needs.”

The drafters of the Billionaire Tax Act still have to gather around 875,000 signatures from registered voters by June 24 for the measure to qualify on November’s ballot. But given the public ire toward the growing wealth of the 1%, and the affordability crisis engulfing much of the rest of the nation, it has a fair chance of making it onto the ballot.

If the tax should be voted into law, what would it mean for those poor tycoons who failed to pack up the Lamborghinis in time? For Thiel, whose net worth is around $27.5 billion, it would be around $1.2 billion, should he choose to stay, and he’d have up to five years to pay it.

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Yes, it’s a lot … if you’re not a billionaire. It’s doubtful any of the potentially affected affluents would feel the pinch, but it could make a world of difference for kids depending on free school lunches, or folks who need medical care but can’t afford it because they’ve been squeezed by a system that places much of the tax burden on them.

According to the California Budget & Policy Center, the bottom fifth of California’s non-elderly families, with an average annual income of $13,900, spend an estimated 10.5% of their incomes on state and local taxes. In comparison, the wealthiest 1% of families, with an average annual income of $2.0 million, spend an estimated 8.7% of their incomes on state and local taxes.

“It’s a matter of values,” Rep. Ro Khanna (D-Fremont) posted on X. “We believe billionaires can pay a modest wealth tax so working-class Californians have Medicaid.”

Many have argued losing all that wealth to other states will hurt California in the long run.

Even Gov. Gavin Newsom has argued against the measure, citing that the wealthy can relocate anywhere else to evade the tax. During the New York Times DealBook Summit last month, Newsom said, “You can’t isolate yourself from the 49 others. We’re in a competitive environment.”

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He has a point, as do others who contend that the proposed tax may hurt California rather then help.

Sacks signaled he was leaving California by posting an image of the Texas flag on Dec. 31 on X and writing: “God bless Texas.” He followed with a post that read, “As a response to socialism, Miami will replace NYC as the finance capital and Austin will replace SF as the tech capital.”

Arguments aside, it’s disturbing to think that some of the richest people in the nation would rather pick up and move than put a small fraction of their vast California-made — or in the case of the burger chain, inherited — fortunes toward helping others who need a financial boost.

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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