Entertainment
Alec Baldwin asks judge to dismiss charges in fatal 'Rust' shooting
Alec Baldwin has asked a New Mexico judge to dismiss involuntary manslaughter charges against him in the deadly “Rust” movie shooting, alleging misconduct by prosecutors who have overseen the long-running case.
A grand jury in Santa Fe County indicted Baldwin in January on two counts of involuntary manslaughter for his role in the October 2021 accidental death of “Rust” cinematographer Halyna Hutchins on the low-budget western movie set. If convicted, the 65-year-old actor could serve up to 18 months in prison.
On Thursday, Baldwin’s attorneys filed a motion to dismiss the indictment. In the 52-page petition, they detailed a series of alleged missteps that they said threatened Baldwin’s constitutional right to receive a fair trial. His criminal trial is set to begin July 10 in a Santa Fe courtroom.
In the motion, Baldwin’s lead attorney, Luke Nikas, accused special prosecutors Kari T. Morrissey and Jason J. Lewis of conducting a “sham” grand jury proceeding against Baldwin earlier this year. The closed-door hearing occurred on Jan. 18 — just one day before the grand jury panel’s term of service ended. Baldwin’s attorneys said special prosecutors called just seven witnesses during the hearing, and only one was a witness to the shooting. The attorneys also alleged that evidence that favored Baldwin was not presented to the grand jury.
The new allegations come after a series of high-profile mistakes last year by the previous set of prosecutors, including initially charging Baldwin with a criminal count that was not on the books in New Mexico when the fatal shooting occurred. After the first two prosecutors stepped down, Morrissey and Lewis took over the case nearly a year ago.
Baldwin has pleaded not guilty to the charges.
“State prosecutors have engaged in this misconduct — and publicly dragged Baldwin through the cesspool created by their improprieties — without any regard for the fact that serious criminal charges have been hanging over his head for two and a half years,” Baldwin’s attorneys wrote in the motion to dismiss. “Enough is enough. This is an abuse of the system, and an abuse of an innocent person whose rights have been trampled to the extreme.”
Morrissey declined to comment. In an email, she said a response would be filed with the court later this month.
Earlier this month, Morrissey and Lewis won a conviction of the film’s armorer, Hannah Gutierrez. After a 10-day trial, a Santa Fe jury found the 26-year-old Arizona woman, who loaded the gun that day, guilty of involuntary manslaughter in Hutchins’ death. Gutierrez was taken into custody immediately after the verdict; her sentencing hearing is scheduled for April 15.
During Gutierrez’s trial, prosecutors introduced evidence that suggested Baldwin might also share responsibility for the tragedy by allegedly acting carelessly when handling his prop gun. Prosecutors played behind-the-scenes video from the set for jurors; one video from several days before the deadly shooting showed Baldwin rushing crew members to quickly reload his gun.
In her closing argument, Morrissey told jurors in the Gutierrez case that Baldwin also must answer for his actions.
The tragedy on the set of “Rust” brought added scrutiny to on-set safety, a key concern among Hollywood film crews.
Just hours before the fatal shooting, “Rust” camera crew members had walked off the set, on a sprawling movie location south of Santa Fe, to protest what they saw as safety concerns. Camera crew members pointed to accidental gun discharges and a lack of nearby lodging. Baldwin was one of the film’s producers.
Because of the camera team’s exodus, the remaining crew members were running behind that day.
Just after lunch, Baldwin and Hutchins were rehearsing a scene that was meant to be a camera close-up of Baldwin — who was playing a hardened outlaw, Harland Rust — slowly pulling his Colt .45 revolver from his shoulder holster while sitting in a pew in a rustic church. Baldwin has acknowledged pointing the revolver at Hutchins, who was standing next to the camera, and cocking the hammer. He had been told the gun was “cold,” meaning it had no live ammunition inside. But the gun contained five so-called dummy rounds and an actual bullet.
Baldwin has long maintained that he did not pull the gun’s trigger. Hutchins, the cinematographer, was standing two to three feet away when Baldwin’s gun discharged, firing the lead bullet that fatally struck her in the chest. The bullet also injured the film’s director, Joel Souza, who has recovered from his wound.
A month after the accident, Baldwin told ABC News anchor George Stephanopoulos: “I didn’t pull the trigger. … I would never point a gun at anyone and pull the trigger at them.”
Baldwin was first charged with involuntary manslaughter in January 2023. Prosecutors at that time added a “firearm enhancement” charge that carried a mandatory five-year prison sentence. But New Mexico’s Legislature and governor did not enact the law until months after the shooting. The first two prosecutors resigned from the case a year ago.
Soon after Morrissey and Lewis took over the prosecution, they dropped the charges against Baldwin “after Baldwin’s counsel proved to them, accurately, that the gun was modified and that the State had overlooked dozens of legal issues and facts,” according to Wednesday’s motion by Baldwin’s team.
At the time, the prosecutors said they reserved the right to refile the charges.
After they dropped the charges, Baldwin traveled to Montana to resume the filming of “Rust.” Production of the movie wrapped last May. The film’s producers have been in talks with potential distributors in anticipation of the movie’s release.
Persistent questions about the gun’s condition at the time of the shooting are likely to be thorny for prosecutors.
Baldwin’s defense team has suggested the prop gun was faulty and may have malfunctioned, leading to its discharge — a theory that is expected to be a centerpiece of the actor’s defense should the case go to trial. His lawyers have pointed to the failure of the weapon during testing to support Baldwin’s recollection of his role in the tragic shooting.
However, ballistics experts — including one who testified for the prosecutors during Baldwin’s grand jury proceeding — have cast doubt on Baldwin’s claims.
An FBI forensic examiner who testified in Gutierrez’s trial said the gun — an Italian-made Pietta pistol, a replica of a vintage 1873 model — was operational when he received it a few months after the shooting. That analyst, Bryce Ziegler, said he performed a rigorous set of tests, including striking Baldwin’s prop gun several times with a “rawhide mallet” to determine whether bumping or jostling the weapon would result in a discharge. He said he was trying to simulate scenarios for the gun to go off without the handler pulling the trigger.
The gun broke during testing.
Morrissey hired a respected Arizona gun expert, Lucien Haag, to review the evidence in the case, including the damaged gun.
“Although Alec Baldwin repeatedly denies pulling the trigger, given the tests, findings and observations reported here, the trigger had to be pulled or depressed sufficiently to release the fully cocked or retracted hammer of the evidence revolver,” Haag wrote in his August 2023 report.
After receiving Haag’s report and the behind-the-scenes video from the movie production, Morrissey and Lewis shifted gears, announcing last fall that they would take Baldwin’s case to the grand jury.
The sixth outing in the director’s chair for filmmaker Kirk Jones, I Swear dramatizes the real-life story of touretter John Davidson (played by Robert Aramayo). Tourette’s Syndrome, for those unfamiliar with the condition, is a nervous system disorder that causes various tics, the most prolific being erratic and explicit language. However, as I Swear expertly showcases, the syndrome is far more than ill-timed outbursts of curse words. Davidson’s story is one of societal frustration, finding your people (both with and without the condition), and using your voice to help others rise. The subject and subject matter are handled with absolute care and understanding under Kirk’s measured vision and Robert Aramayo’s BAFTA-winning performance.
The film kicks off with the greatest exclamation to democracy ever uttered (*%#! the Queen!), as a nervous John Davidson prepares himself before entering an awards ceremony hosted by Britain’s royal family. Right away, the film tells us what it is: a triumph over adversity that blends humor and human drama with education. It’s an important setup, as the film flashes back to Davidson’s 1980s youth, where we see his time as a star soccer recruit flatline as his condition takes hold. Davidson’s life spirals from there. Some aspects, like school bullying and accidental run-ins with authority figures, are expected but important to empathizing with young Davidson’s (young version, played with heart by Scott Ellis Watson) new everyday life. The more tragic, a complete meltdown of his family system, is unsettling if quick. His father (Steven Cree) is never given enough screen time to explore his alcohol coping tendencies. However, his mother Heather’s descent into easy fixes and blaming is crushing and convincing. Harry Potter series actress Shirley Henderson (Moaning Myrtle) gives a layered performance as Heather. Someone who loves her son, but also feels cursed by him as the entire family exits the picture. It’s bitter, she’s tired, and fills each conversation with ‘only medication and your mother can save you’ energy.
From there, the viewer and Davidson find refuge in a host of characters. Maxine Peake plays Dottie, the mother of a childhood friend and a retired mental health nurse. Screen vet Peter Mullan plays maintenance man Tommy Trotter. Together, they help Davidson build a life and an understanding of himself that carries the film forward into its second half. After that, the film is primarily a 3-actor show as director Kirk fills the screen with these tour-de-force performances. Peake and Mullan are great vessels to get the film’s main message across: patience, love, and a shared responsibility between the diagnosed and those who understand their struggle can help change the path for people quickly left behind by a normative world. Together, they are the soul of the movie, with the filmmakers clearly hoping the audience will follow their lead after they exit the theater (in my case, the beautiful Oriental Theater for the Milwaukee Film Festival). Both performances are perfectly warm and reflective and shouldn’t be left out in discussions of I Swear.
I say this because the movie is anchored by The Rings of Power actor Robert Aramayo, who leaves Elrond’s elf ears behind to bring an acute naturalism to his performance of main character John Davidson. Aramayo’s physicality and timing of the fitful Tourettes Syndrome never feel out of place or overplayed. In fact, the movie as a whole does an amazing job of never veering into sentimentality. While many moviegoers left with tissues dabbing their eyes, the filmmaking never felt like it was forcing that reaction out of audiences. It straddles the line between feel-good and reality with every story beat and lands squarely on the side of letting the real inform our feelings. Anyone with an ounce of empathy will grasp the film’s message and hopefully take it with them into life.
I Swear continues at the Milwaukee Film Festival on Tuesday, April 21st, and releases nationwide April 24th, 2026, courtesy of Sony Pictures Classics.
Several private equity firms and Hollywood power players, including United Talent Agency and longtime agent Patrick Whitesell, have expressed interest in buying parts of Casey Wasserman’s music and sports management firm after it abruptly went up for sale.
Wasserman became ensnared in controversy earlier this year after his salacious decades-old emails to Ghislaine Maxwell, an accomplice of child sex offender Jeffrey Epstein, were released as part of the U.S. Justice Department’s trove of Epstein files.
The agency auction is in the early stages, according to three people close to the process but not authorized to comment.
Earlier this week, several interested parties submitted proposals to meet a preliminary deadline in the auction, two of the sources said.
The company, which changed its name to the Team last month, is expected to be valued at around $3 billion.
Providence Equity Partners holds the majority stake. The private equity firm has discussed selling the entire company or carving off Wasserman’s minority interest. Providence also has considered selling the bulk of the firm and staying on as a minority investor, one of the sources said. Another scenario could involve separating, then selling the individual business units that make up the Team.
Wasserman and Providence’s company boasts an enviable roster of music artists, including Kendrick Lamar, Coldplay and Ed Sheeran. Its sports marketing practice is viewed as particularly lucrative and has potential to grow in value as big dollars flow into sports that draw large crowds.
Wasserman, who declined to comment, has a veto right over any sale of the company that he has spent a quarter of a century building.
UTA, which also declined to comment, is among the most aggressive suitors, the sources said. The Team’s sports marketing and music representation divisions would dramatically boost the Beverly Hills agency’s profile and client roster.
Whitesell, former executive chairman of Endeavor, separately has been motivated to make investments in sports, media and entertainment since last year when he left the talent agency that he and Ari Emanuel built. Whitesell launched a new firm with seed money from private equity firm Silver Lake, and last spring he started WIN Sports Group to represent professional football players.
Whitesell wasn’t immediately available for comment.
European investment firm Permira also has expressed interest, according to a knowledgeable source. Permira declined to comment.
The New York Times first reported that Permira, UTA and Whitesell had expressed interest.
The sales process is expected to stretch into summer, the knowledgeable people said. The auction could become complicated particularly if Providence decides to unwind the business.
For example, UTA could not buy the entire company because of the Brillstein television unit. The agency is bound by an agreement with the Writers Guild of America that prevents it from owning television production.
Investment bank Moelis & Company is managing the sale. A representative of the firm declined comment.
Wasserman also is the chairman of LA28, the nonprofit group that will be staging the Summer Olympics in Los Angeles in two years.
Following revelations of Wasserman’s 2003 emails with Maxwell, several musicians and athletes — led by pop artist Chappell Roan and soccer star Abby Wambach — said that, to stay true to their values, they would leave the agency then known as Wasserman.
Wasserman apologized to his staff for “past personal mistakes” and said he would sell the agency.
He had limited dealings with Epstein, flying on the financier’s jet along with former President Clinton for a September 2002 humanitarian trip through Africa.
Wasserman, a prolific Clinton fundraiser whose legendary grandfather, Hollywood titan Lew Wasserman, helped the Democrat win the 1992 presidential election, was joined on Epstein’s jet by his then-wife, Laura, actor Kevin Spacey, Epstein, Maxwell — who was convicted of sexual abuse in 2021 — and others, including security agents.
The LA28 board’s executive committee unanimously voted to keep Wasserman as chairman, citing his “strong leadership” of the Games.
Pizza Movie (2026) Director: Nick Kocher and Brian McElhaney, Star: Gaten Matarazzo and Sean Giambrone
Somehow, I got through an hour of this movie. I was seconds away from turning off in the first fifteen minutes because of the juvenile humor. Pizza Movie is too silly, repetitive, and the characters are annoying. Stranger Things Gaten Matarazzo and Sean Giambrone star as college friends, Jack and Montgomery. College angles are rarely seen in films right now, and that’s the one saving grace of the film. Similar to high school, people are also trying to fit in. The story and visuals were too corny. You can only watch someone’s head exploding for so long without letting yours.
The Super Mario Galaxy Movie (2026) Director: Aaron Horvath and Michael Jelenic, Stars: Chris Pratt, Charlie Day, Anya Taylor-Joy
I never saw the first Super Mario Brothers Movie when it was out, but I heard it got positive reviews. My brother always loved playing Super Mario video games as a kid, and I’d watch him. I tagged along with my friends to see Super Mario Galaxy Movie, and it’s a cute and fun film. I like it when movies explore the video game world. The animation creates unique worlds and characters. The characters are split into their own storylines, and for me, I felt like it worked. It adds more action, especially for kids who are seeing the films.
Emily in Paris Season 5 (2025) Creator: Darren Star, Stars: Lily Collins and Ashley Park
After a bright spot in season 4, I thought season 5 of Emily in Paris would continue its growth in the story and its protagonist, but no, it’s all drained out in the usual Emily (Lily Collins) mishaps. Ashley Park (Mindy) has become too good for this show. Emily and Mindy waste several opportunities because of their love lives. The whole relationship angle is ruining it. I don’t understand why Alfie (Lucien Laviscount) is still in the show. I thought writers learned their lesson, but by the last episode, they’re continuing to bring the past into an apparent season 6.
Sarah’s Oil (2025) Director: Cyrus Nowrasteh, Stars: Naya Desir-Johnson and Zachary Levi
There’s always history lurking right beneath our noses. Sarah’s Oil (2025) tells the true story of Sarah Rector, an Oklahoma-born African American girl who became the first black female millionaire in the U.S. Naya Desir-Johnson is fierce and driven as Sarah. Zachary Levi is also along for the ride as Bert, a man who helps Sarah. Kate (Bridget Regan) was another favorite character as an intelligent woman. Cyrus Nowrasteh was drawn to the subject for its story and its themes. Nowrasteh’s direction is compelling as he unearths a hidden story from history. The film is streaming on Amazon Prime.
Jack Goes Boating (2014) Director and Star: Phillip Seymour Hoffman and Amy Ryan
Jack Goes Boating (2014) didn’t quite work for me, largely because of its slow pace and uneven storytelling. The film stars the late Seymour Hoffman as Jack, who also directed the film. This was Hoffman’s first and only time in the directing chair. Amy Ryan also stars in the film, giving a solid performance. This was also based on a play that Hoffman starred in. Jack wants to participate in a swim championship. That’s hardly what the film is about, tracking other characters’ stories. While the film aims for quiet intimacy, it ultimately drags, making it an underwhelming viewing experience.
You Kill Me (2016), Director: John Dahl, Stars: Ben Kingsley, Tea Leoni, Luke Wilson
Meet You Kill Me (2016), yet another film that I found in the museum of underrated gems. The concept revolves around Frank (Ben Kingsley), a hitman, who is sent to an A.A. meeting to get his mind focused again. A different story happens, where Frank falls in love with Laurel (Tea Leoni). Leoni is one of my favorite actresses. It also stars the funny Luke Wilson. I liked the trio’s dynamics. You Kill Me is a mental health movie. It’s okay to make changes if you’re not happy. I recommended that you keep an eye out for this movie.
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