Culture
Zheng Qinwen, China's new tennis star with a heart-wrenching backstory and big forehand
Zheng Qinwen has reached her first Grand Slam final. In fact, she is the first person from China to do so in 10 years.
Zheng grew up watching the last Chinese Grand Slam winner, Li Na, and has said she has watched the 2014 Australian Open final ‘at least 10 times.’ If you have been on tennis social media, no doubt you will have come across the image of Zheng watching Li win 10 years ago, transfixed by her achievement. Tennis in China was expected to boom as a result.
This was Qinwen Zheng watching Li Na winning the 2014 Australian Open title.
Ten years later, Zheng is into the 2024 Australian Open Women’s Final, becoming the first Chinese singles finalist at a Major since Li Na, herself.
🥹👏🇨🇳 pic.twitter.com/N2PRhT0u45
— Olly 🎾🇬🇧 (@Olly_Tennis_) January 25, 2024
It has taken until now for that to start to come to fruition.
One viral video this week saw Li sneak up on Zheng mid-interview and greet her like you would your best friend — with a smack on the bum. Zheng says they had barely met before this tournament. It is not every day you get to not only meet your idol but become buddies with them, too.
Li Na surprising Qinwen after she specifically brought her up in her post-win interview today 🥹
🎥 @AustralianOpen pic.twitter.com/BozJdXRJvD
— Bastien Fachan (@BastienFachan) January 20, 2024
But before you go any further, stop and read this piece by Matt Futterman. It is the heart-wrenching story of Zheng Qinwen’s childhood when, as a seven-year-old, she was taken by her father to Wuhan to display her talent to a higher-level coach.
The major detail her father kept from her? She would be staying there.
He would not.
What else do you need to know about her?
Australian Open journey
The end of Zheng’s 2023 season was kiboshed by the return of Naomi Osaka. Wim Fissette had been her coach and the key to her climbing the rankings in 2023, reaching the quarterfinal of the U.S. Open before being stopped in her tracks by one Aryna Sabalenka, her opponent for Saturday’s final.
Osaka’s return to the sport after the birth of her first child, Shai, meant a reunion with Fissette. Zheng was devastated. “There is nothing I want to say about Wim Fissette,” she told reporters earlier this week.
That led Zheng to do the same and reunite with coach Pere Riba, who was alongside Coco Gauff during her success at the U.S. Open in 2023.
Zheng’s route to the final has been without any great hurdles. Not once has she played someone within the top 50. Her highest-ranked opponent was Great Britain’s Katie Boulter (54). That said, she has spent more than 11 hours on court.
This creates a small issue when analysing Zheng’s game because she has not been tested by anyone remotely close to her ranking at this Grand Slam.
Style of play
Sliding and stretching around the court, Zheng uses all of her 5ft 10in (178cm) frame to reach the ball and fizz back a forehand, often slicing it on the long diagonal. As a result, she has hit 165 winners over the past two weeks. This is a skill noted by Sabalenka, who said following her semifinal victory: “I think her (Zheng’s) forehand is her best shot. It’s quite heavy.
The new top-10-ranked player really tests the length of the court, too, hitting the lines, leaving little margin for error.
In addition to that powerful forehand, her serve is one to watch. She has 48 aces and counting for the tournament, the best in the women’s draw. By contrast, Sabalenka ranks third and has half that total.
Zheng Qinwen celebrates victory against Dayana Yastremska in the semifinal (Lillian Suwanrumpha/AFP via Getty Images)
The main battle she faces is thinking too much. “I think at the beginning of the first set I’m just thinking too much… Of course, that’s one of my problems,” she said after her quarterfinal. “So when I lost the first set directly, I tried to tell myself: ‘Stay focused. Don’t think too much. Just focus right now.’”
Zheng says Li offered her a similar observation: “It’s really simple advice: don’t think too much.”
Expect the Rod Laver Arena to be filled on Saturday with shouts of “jiayou”, which means “vamos” in Mandarin, as Zheng looks to emulate her idol and win at Melbourne Park.
Zheng is excited to reach the final. Someone just remind her to not think about it.
(Top photo: Cameron Spencer/Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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