Culture
Zak Brown’s path to McLaren F1 began with ‘Wheel of Fortune’ and some watches
This article is part of our Origin Stories series, an inside look at the backstories of the clubs, drivers, and people fueling the sport.
Zak Brown never grew up expecting to become one of the most powerful figures in Formula One.
He doesn’t come from a racing background, nor does he have a college degree. Motorsport wasn’t even his “first love.” It was baseball. At one point in his career, he was sleeping on an air mattress on the floor of a friend’s sister’s dining room in England, working for £75 a day.
Brown, born in Los Angeles, Calif., but considers himself British given how long he’s lived in the U.K., got his racing start thanks to winning during a Teen Week episode of one of the longest-running game shows on American television and some advice from Mario Andretti.
Now, Brown’s the CEO of McLaren Racing — and one of his teams leads the F1 constructors’ standings for the first time since 2014.
“I didn’t come from a racing background. I didn’t come from a privileged background. We weren’t poor, but by racing standards, we were poor,” Brown said to The Athletic. “And so I think I’ve been fortunate to get where I am because of a lot of help, a lot of luck, but also a lot of hard work. And I think what I’ve been fortunate to achieve can be replicated by others if you put in the time and effort and have the passion.”
“Wheel of Fortune” started as a daytime game show on NBC in 1975, created by Merv Griffin, who also designed “Jeopardy!”. Chuck Woolery and Susan Stafford were the original host duo before Pat Sajak and Vanna White joined in the early 1980s.
The now-evening game show is similar to the pencil-and-paper guessing game Hangman. Contestants spin a colorful wheel filled with possible prizes, like different cash amounts, and danger placards, such as “Lose A Turn” and “Bankrupt.” They then try to win by correctly guessing, letter-by-letter, what the answer is on the letterboard.
This iconic American show is where Brown began building his motorsports career.
He attended his first F1 race with his family in 1981 and became captivated by the cars, sound and speed. Although he “fell in love with racing,” he had no connections to the F1 world. “It seemed very unachievable,” he said, “and (I) didn’t even know how do you get in racing, where baseball is quite easy, because everybody plays it.”
His father continued to take him and his brother to local races, but baseball still gripped Brown’s attention until high school, when the sport became more serious. He couldn’t continue playing because he wasn’t attending school very frequently. He said, “You don’t get to stay on the baseball team if you don’t get good grades.”
Around this time, Brown finally had a racing connection: a friend’s family was involved in motorsports. But that world still did not seem attainable. He was still in love with America’s favorite pastime.
In 1984, the big game show came to town. Kids could apply and interview to compete on “Wheel of Fortune” for Teen Week. Brown recalls that around 50 to 75 students from each school came in for “a dummy hangman contest, do a little interview to see if they thought you can handle being on TV, et cetera.” From there, they whittled the number per high school to 15. The top 15 finalists from each high school then underwent more “testing and simulated games,” ending with a waiting period. “We’ll call you. Don’t call us, and we might not call you,” Brown recalls.
As a lifelong fan of the show, Brown eagerly navigated the process (and waiting game). The call came a week later — he had made it. “Wheel of Fortune” brought 20 kids back, taping a whole week of shows in a single day. But there was a twist: only 15 teens could be on the show.
“They need 15 people, but you can get disqualified if you talk to the audience or do something you shouldn’t,” Brown said. “So even though you now know you’re in the top 20 and you’re actually going to go to the recording, you don’t know if you were one of the 15 or one of the five subs.”
He was one of the 15 contestants and behaved — and he won the first two rounds. “The Smurfs and Wild Bill Hickok, who I had no idea who that was.”
For those familiar with today’s “Wheel of Fortune,” you know the contestants win money or sometimes a vacation. But when Brown played on Teen Week, they selected prizes. A carousel of sorts with prizes would spin, and the contestants were put on the spot to select their winnings.
“They show this big whiteboard, and everything’s listed in the order of cost, and they would knock out what you can’t afford,” Brown said. “And so, as most 13-year-olds, the first thing you do is look at the board and just go, what’s the most expensive thing I can afford? It had to be watches.”
The watches sat around in his house for some time, the intention being to sell them at some point. A motorsports career was so far from his mind that when Sajak asked on the show what he wanted to do, Brown referred back to his favorite sport.
“Baseball player.”
A few years went by, and the watches still hadn’t been sold.
Brown attended the Long Beach Grand Prix in 1987, and one of his friend’s families happened to know Andretti, who won the F1 world championship in 1978. He met Andretti that race weekend and asked him a question that shaped the next chapter of his life—“How do you get started in racing?”
Andretti’s answer was karting. Inside the race program, there happened to be an advertisement for a kart racing school. Brown went on to sell the watches he won on “Wheel of Fortune” at a pawn shop in Van Nuys, a neighborhood in Los Angeles, Calif. He used that money to pay for the kart racing school and loved it.
Brown began advancing and winning in karting, competing for almost five years in California before making the jump to Europe in 1991, though it was not a permanent move. In 1984, he competed in both British Formula Three and the Formula Opel-Lotus Benelux Series as well as North America’s Toyota Atlantic Series. The following year, he made his Indy Lights debut and launched his own company, Just Marketing Inc.
“When I was racing in Europe, ’91 through ’94, TWA Airlines was my big sponsor. I was kind of getting homesick, and I got a deal to race back in the States. So I went to TWA and said, ‘Hey, I’m out of here. I’m going to go race back in the States.’ And at that point, the sponsorship became very successful for them. So they said, ‘That’s a shame you’re leaving. But you must know all the guys and gals in pit lane. Can you place your sponsorship with someone?’”
Brown agreed and took a commission after placing the sponsorship. He realized, “Not only should I be chasing sponsorship for myself, but actually, it’s much easier to sell some of the more famous people out there.” Brown had spent years networking and building relationships, and he asked his contacts about expanding their sponsorships to various motorsports series, like IndyCar, NASCAR and F1.
“Because they trusted me and I had credibility, that I knew what I was doing from the racing side, people started going, actually, yeah, we don’t want to sponsor you, Zak, because you’re not famous enough. But if you can go get us in front of Jeff Gordon or Nigel Mansell, we’d be interested. And that’s how the business got started.”
His business grew along with his reputation to get sponsorship deals done. But he needed help. Brown hired his first employee and created the business’s name — Just Marketing Inc. Brown said he didn’t want his name on the company, and he wanted “a little bit of intrigue,” so he opted against including motorsports. To this day, he still calls Just Marketing “kind of a crazy name.”
Zak Brown drove in the Legends Parade during the 2024 Austrian GP weekend. (JOHANN GRODER/APA/AFP via Getty Images)
Brown couldn’t keep pursuing a full-time racing career, though he still hops into a car from time to time and co-founded United Autosports with racing driver Richard Dean in 2009. However, Brown continued to thrive in the business industry as he grew his skills and knowledge of motorsports’ commercial and business worlds. JMI became one of the largest motorsport marketing agencies worldwide when Brown sold a majority of it in 2008. Seventy percent of the company went to Spire Capital and Credit Suisse.
Chime Communications bought JMI in 2013 and brought Brown in as Group CEO for three years, which he said was “about two years and 11 months longer than I would have liked.” The role focused on a variety of sports, but he loves baseball, hockey and racing.
“I was getting involved in sports that have no passion for me, and I’ve always been driven,” Brown continued. “My work ethic’s always been driven by fun and passion. And so when I was getting involved in other sports that don’t tick that box, I felt like I had a job.”
At the end of 2016, he had a choice — work for F1 or McLaren. He ultimately decided to go with the papaya family, joining in 2017 as its CEO at a time when McLaren was in the midfield (finishing sixth in 2016). He not only helped transform the brand of the F1 team but also took the company to a global level, the most recent chapter being the World Endurance Championship this year.
“It was always my favorite racing team, and I wanted to be not only on the commercial side of the business, which I loved, but I wanted to be on the competitive side of the business,” Brown said. “So that was something that McLaren could offer me, that Formula One as a sanctioning body couldn’t.”
The same characteristics F1 fans see today have been evident throughout each of Brown’s chapters. Passion has been at the core of his work ethic, and he does not shy away from showing excitement like he did at 13 years old while standing on the “Wheel of Fortune” stage.
But to think, the story of a prominent F1 leader started thanks to a multicolored wheel, a Hangman-esque game and watches he sold to a pawn shop.
The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication.
Top photo: Clive Mason/Getty Images
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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