Culture
Women’s basketball isn’t having a moment. This is our new reality
I was in the seventh grade the first time sports writing gave me a visceral feeling. UConn capped a 39-0 season to win its third national title in eight years, and I anxiously awaited the delivery of Sports Illustrated.
When it arrived, Maryland’s Juan Dixon graced the cover, but across the April 8, 2002, edition of the magazine’s top, it read: “UConn’s AMAZING WOMEN, Pg. 44.”
I immediately flipped past “Faces in the Crowd,” where you could reliably see female athletes in the magazine in 2002, and tore through the feature that detailed the lives of UConn’s close-knit seniors: Sue Bird, Swin Cash, Asjha Jones and Tamika Williams. How they lived together off campus. Cooked weekly family dinners. Fought over card games and bet about who would be the first to cry on senior night. … I ate it up.
These details stayed with me years later, because as a women’s college basketball fan in the 1990s and 2000s, there wasn’t much out there to consume about the most exciting teams and players. You rarely forgot anything. Facts just existed in your brain (sometimes for the next 20 years).
After rereading the UConn story, I turned to the back page to check out the column I always read — “Life of Reilly.”
The headline? “Out of Touch with My Feminine Side.”
“You think it’s hard coaching in the Final Four? You think it’s tough handling 280-pound seniors, freshmen with agents, athletic directors with pockets full of pink slips?” columnist Rick Reilly began. “Please. Try coaching seventh-grade girls. After working with boys for 11 years, I helped coach my daughter Rae’s school basketball team this winter. I learned something about seventh-grade girls: They’re usually in the bathroom.”
Those few pages about UConn’s intense, elite women were sandwiched by a three-word headline on the cover and 800 words better suited for bad movies or lazy literature on the back page. It was disappointing and frustrating. Worst of all, even to my seventh-grade self, it was expected.
For so much of sports history, women athletes (and their fans) have had to accept the highs with the lows and move forward, understanding that too often the lows were intentional — a lack of investment, institutional support or attention. Later, those lows were artificial reasons to continue holding down and holding back the sport. It’s the women’s sports Catch-22.
The “Caitlin Clark Effect” poured over into the WNBA this summer, and teams across the league — not just the Fever — drew record crowds and massive TV ratings. As the women’s college season began this week, even without the stars that pushed women’s college hoops to new levels, interest remains.
GO DEEPER
Paige Bueckers vs. JuJu Watkins: How UConn, USC stars will keep women’s basketball in spotlight
Defending champion South Carolina sold out its season ticket packages for the first time in program history. UConn sold out its season tickets for the first time since 2004. LSU and Iowa, without Angel Reese and Clark, respectively, sold out. Texas, Notre Dame and Tennessee are also reporting huge increases.
Five months before the national title game, tickets are sold out for the Final Four, and the resale market is buzzing. Nosebleeds for the national championship game are nearly $200, while a courtside seat will run close to $3,000.
For the first time since 2004-05, our Gampel Pavilion season tickets are SOLD OUT!
Limited season tickets remain for XL Center games ➡️ https://t.co/SLhPATBr4S pic.twitter.com/QGyhYGh81F
— UConn Women’s Basketball (@UConnWBB) October 2, 2024
Nobody in women’s hoops has won like Dawn Staley — Final Fours as a player, national titles as a coach, Olympic golds as a player, Olympic gold as a coach. Her South Carolina office drips with memorabilia. Yet, among all of her special accomplishments, this particular moment in women’s college basketball feels uniquely different to her. “It feels like we’re free to just explore where this game can go,” she said. “There’s no boundaries on us, and because of that, you’re seeing talent, you’re seeing coaching, you’re seeing fan support, you’re seeing viewership — you’re seeing all of those things.”
Staley speaks often and openly about how the women’s game was intentionally held back by so many for so long. First, by the exclusion of women in sports before Title IX. Then, by the NCAA, which prioritized men’s college basketball. Also, by television media partners, which refused to put the game in front of as many as possible (and then used that lack of audience as a reason to not air it on major networks), and in print media coverage, which refused to write about women’s sports (and then often claimed no one read about it).
Then came last season. A year in which the women’s national title game pulled in nearly 4 million more viewers than the men’s title game, just three years after the Kaplan Report exposed the NCAA’s intentional undervaluing of the game and allowing its media partners to underpay.
“This,” Staley said, with a pause, motioning with her hands to indicate everything over the past year. “I never thought it would come during a time when I could be a part of it.”
Anyone who has been around women’s basketball will share guarded optimism as well as excitement for this season. Will this finally be the tipping point? Will the forces that held back the game permanently move out of the way?
Tara VanDerveer has seen it all, including what she thought was the turning point. Twenty-two thousand people showed up for Iowa vs. Ohio State in 1985, her first season in Columbus. But it turned out to be an outlier. Throughout her career, which began with her driving the team bus and doing the laundry as an assistant coach and ended last season at Stanford with three title rings and 1,216 career wins, she experienced those starts and stops, times when a moment could’ve turned into momentum if it had investment, support and excitement.
“We needed to build on that, not have it be a one-off,” VanDerveer said. “Keeping our eye on the ball, keeping having the game grow. More young girls playing. Great high school tournaments, enthusiasm for the college game. People being excited about the WNBA.”
VanDerveer says today feels like that.
Clark pushed the game to new heights last season. This year, USC’s JuJu Watkins, UConn’s Paige Bueckers and the Gamecocks — on a 39-game winning streak — are poised to continue the momentum. NIL has completely changed how women’s basketball players are marketed (and given them power), bringing in new fans. The transfer portal opened player movement and democratized the game’s increasing parity. Look around and you’ll see as many as 10 teams that look capable of heading to the Final Four. Gone are the days when a UConn or Tennessee could win so much they were blamed as being bad for the sport.
Less than a week into the season, we’ve already seen top-five teams pushed to the brink. The talented stars in women’s hoops? They draw. But the parity, which has never been better, and true belief that on any given night, anything could happen? That’s riveting.
What we’re seeing is long overdue, and it still feels like it’s just getting started.
For decades, women’s college hoops deserved better than playing second fiddle in the NCAA’s orbit. It needed to be untethered so that the moments could fit together into something bigger and better. It was worthy of more than three words on the front cover and a patronizing column on the back page. It deserved the full spread. So please, decision-makers and stakeholders, don’t mess this up.
There’s a new generation of seventh-graders watching.
(Photo of Dawn Staley: Sean Rayford / Getty Images)
Culture
Closed-Door Romance Books That Will Make You Swoon
As a lifelong fan of romantic comedies, my list of favorite “sweet” romances is extensive.
Not because I have a spice aversion — but because the rom-coms I love most, with that classic cinematic vibe, often come with fewer peppers on the spice scale.
Some people refer to these books as “closed door.” I prefer to think of them as “in the hall” romances (though that admittedly doesn’t roll off the tongue quite the same way). The reader is there for all the swoon, the burn and the banter — but when things head to the bedroom, the reader remains out in the hallway. With less focus on what happens inside the boudoir, all that juicy heightened tension and yearning really shine. Here are a few of my favorites.
Culture
Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth
SEEK THE TRAITOR’S SON, by Veronica Roth
I read Veronica Roth’s new novel for adults, “Seek the Traitor’s Son,” over one weekend and had a hard time putting it down, and not just because I was procrastinating on my house chores.
There’s much about the novel one would expect from Roth, the author of the Divergent series, one of the hottest dystopian young adult series of the 2010s. Thematically, the novels are similar. Like “Divergent,” this new book is also set in an alternate, dystopian version of our world; it is also packed with vivid, present-tense prose full of capitalized labels to let you know that something different is going on; and it also centers on a classic “Chosen One” who is burdened by the mantle of savior she carries.
These are classic tropes, but I, like many other genre fiction fans, enjoy that familiarity. Still, I’m always hoping for a subversion, a tornado twist that sucks me into imagination land.
In “Seek the Traitor’s Son,” our Chosen One is Elegy Ahn, the spare heir of the most powerful woman in Cedre. Elegy likes her life, even if it’s filled with danger. See, some time ago, a virus took over the world. The contagion is strange: Everyone who is infected dies, but 50 percent of the people who die come back to life with mysterious cognitive gifts.
After the outbreak, Earth split into two factions: The dominant Talusar, who worship the Fever, believe it is a divine gift, willingly infect themselves with it and consider anyone who does not submit to it a blasphemer; and Cedre, a small country made up of everyone who rejects the virus and the dogma around it. They are, naturally, at war.
Early in the book, Elegy, solidly on the Cedre side, and Rava Vidar, a brutal Talusar general, are summoned by an order of prophets who tell them: One of you will lead your people to victory over the other, and one of the deciding factors involves an unnamed man whom Elegy is prophesied to fall in love with.
Elegy doesn’t want this. But the prophecy spurs the Talusar into action, and so her mother assigns her a Talusaran refugee as a knight and forces her into the fray as the Hope of Cedre.
If that seems like a lot of setup, don’t worry. That’s just the first few chapters. Besides, if you know those dystopian novel tropes, you’ll get the hang of it. Roth gets through the world exposition quickly, and after a rather jarring time skip, the plot takes off, effectively and entertainingly driving readers to the novel’s exhilarating end.
The strength of “Seek the Traitor’s Son” is Roth’s character work. Elegy is a dynamic heroine. She has a lot to lose, and she leads with love, which is reflected in the intense grief she feels for the people she’s lost in the war and the life the prophecy took from her. It’s love that makes her stop running from her destiny and do what she thinks is right to save the people she has left.
Many authors isolate their characters to back them into bad decisions, so it’s refreshing that Roth has given Elegy a community to support her. Her sister Hela in particular is a treat. She’s refreshingly grounded, and often gives a much needed reprieve from the melodrama of the other characters’ lives. (She has an important subplot that has to do with a glowing alien plant, but the real reason you should pay attention to her is that she’s funny, loves her sister so much, has cool friends and listens to gay romance novels.) Hela and Elegy’s unwavering loyalty to each other casts a positive illumination on both characters.
My favorite character is Theren, Elegy’s knight, who is kind and empathetic to everyone but himself. As the obvious romantic lead, his character most diverges from genre standard because of the nuanced depiction of his trauma. He has been so broken by his experiences that he thinks what he can do with his body is all he can offer, and it’s worth nothing to him.
But like I said, I need subversion, and for all the creative world-building, I didn’t quite get it. The most distinct part of the novel was the setting and structure of alternate Earth, as well as the subcultures born from that setting. But after ripping through the novel, I found that those details didn’t provide nourishment for thought, and the general handwaviness of the technology and history of Earth was distractingly easy to nitpick.
I am a greedy reader, so I want my books to have everything: romance, action, an intellectual theme, novel ideas about the future, and character development. “Seek the Traitor’s Son” comes close. The novel is the first in a series, and I’m willing to hold my reservations until I read the next book. Elegy and Theren are worth it.
SEEK THE TRAITOR’S SON | By Veronica Roth | Tor | 416 pp. | $29
Culture
Revolution is the Theme at the Firsts London Book Fair
To mark the 250th anniversary of the U.S. Declaration of Independence, “Revolution” is the timely theme of the Firsts London book fair, opening Thursday in the contemporary art spaces of the Saatchi Gallery.
The fair, running Thursday through Sunday, will feature 100 dealers’ booths on three floors of the neoclassical, early 19th-century building in the upscale Chelsea neighborhood and will take place at a moment of geopolitical convulsion, if not revolution. It also coincides with a profound change in reading habits: Fewer people read for pleasure, and when they do, more often it is on a screen. And yet some physical books are fetching record prices.
Why is that? Clues can be found at Firsts London, regarded as Britain’s pre-eminent fair devoted to collectible books, maps, manuscripts and ephemera. Dealers will be responding to the revolution theme by showing a curated selection of items that document political upheavals over the centuries.
While the organizers — members of the nonprofit Antiquarian Bookseller’s Association and the International League of Antiquarian Booksellers — have been eager to expand the theme to include material that throws light on revolutions in other realms such as science and social attitudes, the momentousness of the Declaration’s anniversary has spurred dealers to bring items with ties to 18th-century America.
The New York-based dealer James Cummins Bookseller, for instance, will be offering a 1775 London printing of Congress’s declaration of the “Causes and Necessity of Taking Up Arms” against the British authorities. Mostly written by John Dickinson and Thomas Jefferson and published just a year before the Declaration of Independence, the document represents a decisive moment in the colonies’ struggle for self-determination. It is priced at $22,500.
“We’re generalists. We’re bringing a bit of everything,” said Jeremy Markowitz, a specialist on American books at Cummins. “But this year, because of the anniversary, we’re bringing Americana that we otherwise wouldn’t have brought.”
The London dealer Shapero Rare Books will be showing a letter written in January 1797 by Thomas Paine, one of the most influential Founding Fathers, to his friend Col. John Fellows who had served with the American militia during the Revolutionary War. The text reiterates the views of Paine’s open letter to George Washington, urging him to retire from the presidency, fearing that the office might become hereditary. With an asking price of 95,000 pounds, or about $130,000. Paine’s letter to Fellows was written just weeks before Washington stood down in March at the end of his second term, a practice later enshrined in the 22nd Amendment limiting presidents to two terms.
Bernard Quaritch, another London bookseller, will be exhibiting a first edition in book form of “The Federalist Papers,” the celebrated collection of essays written in favor of the new Constitution by Alexander Hamilton, James Madison and John Jay from 1787-1788. (These texts are mentioned in Lin-Manuel Miranda’s award-winning musical “Hamilton.”) In its original binding, with the pages uncut and largely unopened, this pioneering work of U.S. political philosophy is priced at £220,000.
The fair, like the United States, has gone through its own process of reinvention. It is the sixth annual edition of Firsts London, but its origins stretch from 1958, when its more traditional forerunner, the London International Antiquarian Book Fair, was founded.
The rebranded Firsts London was initially held at an exhibition space in Battersea Park in 2019, then transferred to the Saatchi in 2021. (There is also Firsts New York and Firsts Hong Kong.) Last year the event attracted an estimated 5,000 visitors over its four days, according to the organizers, and notable sales were made.
“Book fairs are now part of the ‘experience culture.’ In an age where everything is available at a click, fairs have to present themselves in a different way,” the exhibitor Daniel Crouch said.
Crouch will be showing two late-18th-century engraved maps printed on paper of New York by Bernard Ratzer, an engineer commissioned by the British to survey the city and its environs in 1766 and 1767 in case it became a battlefield. Ratzer’s large three-sheet map of the southern end of Manhattan and part of New Jersey and Brooklyn is priced at £240,000; his smaller map of south Manhattan at £25,000. Both date from January 1776, just six months before the Declaration of Independence was adopted in Philadelphia on July 4, 1776.
Other revolutions are also represented. The cover design of Millicent Fawcett ’s classic 1920 Suffragists tract, “The Women’s Victory — and After,” from the collection of the Senate House Library at the University of London, is the poster image for the event and the library is lending the entire pamphlet for display at the fair.
Scientific revolutions are represented by items like a 1976 first edition of Richard Dawkins’s book “The Selfish Gene,” offered at £2,250 by Ashton Rare Books of Market Harborough in Leicestershire, England. Fold the Corner Books in Surrey is offering a handwritten letter by an anonymous British spy describing scenes in Paris in 1791 during the French Revolution, and the dealers at Peter Harrington are bringing a Chinese parade banner from the Cultural Revolution. The banner and the letter are each priced at £750.
While the U.S. document’s anniversary has spurred many exhibitors to show rare 18th-century American items, the organizers stressed the fair’s wider remit.
“We wanted to do something related to our cousins over the water, but something a bit broader than just the American Revolution,” said Tom Lintern-Mole, the chairman of this year’s London fair.
“Revolution is a concept,” he said. “It encompasses everything to do with our world. Printing itself was a revolution. It helps foment revolutions. We like to think that books make history, as well as being artifacts of it.”
In terms of making sales, science fiction and science and fantasy are genres that many traders see as the key growth areas, because of, in great part, recent Hollywood adaptations. “Affluent younger collectors are moving the needle in the market,” said Pom Harrington, owner of Peter Harrington.
Cummins is offering a 1965 first edition of “Dune” for $16,500, while the London-based Foster Books will be asking £22,500 for a 1954-1955 three-volume first edition of “The Lord of the Rings” by J.R.R. Tolkien. It is sumptuously covered in red morocco leather by the binders at Bayntun Riviere.
And with the rise of tech, online sales have increasingly replaced high street transactions, resulting in many rare-book shops closing. Tom W. Ayling, who trades from his home in Oxfordshire and is exhibiting at Firsts London, is one of the most prominent of a cohort of young dealers who sell online and at fairs without the expense of a shop.
“I get almost all my customers through social media,” said Ayling, who has about 298,000 followers on Instagram alone.
Tolkien is a favorite subject for his engaging, regular video posts. Ayling will be bringing a copy of the author’s extremely rare collection of poems, “Songs for the Philologists.” Printed in 1936, only about 15 copies of the collection are known. Ayling is asking £65,000 for this one.
“I put as much content out there as I can to get people interested in book collecting,” Ayling said. “I want to widen the arcane world of book collecting to a mass audience.”
A mass audience collecting — let alone reading — books? That really would be a revolution.
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