Culture
Winter storm, Big Ten, prime-time attention … nothing stops the Caitlin Clark show
IOWA CITY, Iowa — In a sold-out Big Ten showdown before a national prime-time audience, No. 3 Iowa once again reminded No. 13 Indiana and everyone else watching that it has Caitlin Clark — and they don’t.
The Hawkeyes buried the Hoosiers with a 3-point barrage, knocking down 15 in an 84-57 blowout Saturday night at Carver-Hawkeye Arena. Among her 30 points, Iowa’s Clark drilled a pair of logo 3-pointers and dished 11 assists. The victory was as dominant as it was complete. Consider it a highly visible statement by the defending NCAA runners-up to the rest of women’s basketball.
“I think the sky’s the limit,” Iowa coach Lisa Bluder said.
It’s hardly unusual for a game between the Hawkeyes and Hoosiers to generate eyeballs and interest. In the land of yesteryear, which feels closer to yesterday than four decades ago, Iowa and Indiana matchups sold out Carver-Hawkeye Arena, and iconic men’s basketball coaches Bob Knight and Tom Davis seemed larger than life.
In 2024, it’s still happening. This time, it involves their women’s basketball teams. Bluder, the winningest coach in Big Ten women’s basketball history, stood on one side while IU’s Teri Moren, who guided the Hoosiers to the Big Ten regular-season crown last year, walked the opposite sideline. Clark, the reigning national player of the year, faced a fellow Naismith finalist in center Mackenzie Holmes.
The Hawkeyes (17-1, 6-0 Big Ten) and Hoosiers (14-2, 5-1) entered the game unbeaten and tied atop the Big Ten standings. After Iowa’s Gabbie Marshall drilled a 3-pointer to put the Hawkeyes up by 15 points, the sound inside reached 115 decibels. The Hawkeyes won decisively — and Clark once again stole the show — but the scene and setup were as notable as the result.
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Fans wearing black and gold filled the arena bowl despite 25 inches of snow hitting the Iowa City area and a blizzard sending the wind chill to 29 degrees below zero. Gus Johnson and Sarah Kustok called the game for Fox in prime time, and that this showdown aired on a major network opposed by an NFL playoff game showed it’s no novelty act.
“This game being televised was a big deal,” Bluder said. “I think it’s partly because of the atmosphere that we have here at Iowa. You had two great teams competing against each other. You’ve got the best player in America. I mean, that’s must-see TV. So why wouldn’t you want to have this game on?”
It’s been a while since I’ve felt this kind of energy at Carver. Probably not since the last time these two teams played.
Indiana and Iowa entered the Big Ten on the same day: Dec. 1, 1899. They were the first two expansion teams in college sports history.
— Scott Dochterman (@ScottDochterman) January 14, 2024
Johnson had never watched Clark in person and was giddy to call her game when he arrived two hours before tip. He got his start in the business as a student broadcasting Howard Lady Bison games with coach Sanya Tyler and called New York Liberty games in the WNBA for 10 years. Of all the great athletes he has covered, he sees something different in Clark, whom he called a “virtuoso.”
“I had never watched a player like Diana (Taurasi), especially when she got to the WNBA,” Johnson said. “But this young lady (Clark) is a whole different level. She’s playing in a different dimension, a different realm.
“She is a perfect example of the evolution of the game of basketball. I’ve never seen a woman with that kind of range and that kind of fluidness, handle. She can go wherever she wants to go on the court, and she’s got an incredible acumen for this game. She sees things people don’t see.”
When asked about the Clark phenomenon, Johnson compared the Iowa senior to the pinnacle of athletic success.
“Michael Jordan,” Johnson said. “He was Mick Jagger. He was a one-man rock show, and that’s what Caitlin is. She’s a rock star. People just gravitate towards her because of her spectacular play. She doesn’t just play well; she plays with a pizzazz, a swagger, a cockiness, orneriness, but with a big smile, kind of like Larry Bird used to. Excuse my French, but she’ll talk more than a little s— to you on the floor.”
With 32 seconds left in the third quarter, Clark blasted a 3-pointer from the logo’s Tigerhawk beak to give the Hawkeyes a commanding 63-48 lead. Clark waved her arms and the crowd responded enthusiastically. On Iowa’s first possession in the fourth quarter, Clark passed to guard Molly Davis for a layup and tweaked her ankle. One minute later, Clark re-entered the game to applause. It was her 46th career 30-point game.
But what also makes Iowa so dangerous are the players who surround Clark. Davis scored 18 points and choked up in a postgame news conference after describing her expanding role with the Hawkeyes. Kate Martin remained the Hawkeyes’ glue performer with 10 points and 12 rebounds. Marshall drained four 3-pointers, and nobody spaces the floor — which helps Clark — better when she’s knocking down perimeter shots.
At game’s end, perhaps a thousand youths lined up near the tunnel to Iowa’s locker room, hoping for a picture or a signature from Clark. With security around her, Clark signed a few autographs, then left for the locker room. She’s the superstar at home or away, and every game she has played not a neutral site has sold out this year. It’s generated intense love in most situations — or modest vitriol in others.
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“That’s what kind of comes with it when you have the stardom,” she said. “I think something that I try to live by is, at the level you feel the praise, that’s the level you’re going to feel the hate, too. So you’ve got to stay right in the middle.”
Either way, Clark and the Hawkeyes continue to elevate the sport with each game, whether it’s an exhibition on a football field or a sold-out home game with the cheapest pre-blizzard tickets going for nearly $270 apiece. Their traveling rock show will fill up many arenas and generate quality television ratings.
“Everybody loves a winner,” Johnson said. “They want to see her play because she’s a winner. And she’s going to keep winning. And keep amazing, I think, America and the world.”
(Photo: Matthew Holst / Getty Images)
Culture
Closed-Door Romance Books That Will Make You Swoon
As a lifelong fan of romantic comedies, my list of favorite “sweet” romances is extensive.
Not because I have a spice aversion — but because the rom-coms I love most, with that classic cinematic vibe, often come with fewer peppers on the spice scale.
Some people refer to these books as “closed door.” I prefer to think of them as “in the hall” romances (though that admittedly doesn’t roll off the tongue quite the same way). The reader is there for all the swoon, the burn and the banter — but when things head to the bedroom, the reader remains out in the hallway. With less focus on what happens inside the boudoir, all that juicy heightened tension and yearning really shine. Here are a few of my favorites.
Culture
Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth
SEEK THE TRAITOR’S SON, by Veronica Roth
I read Veronica Roth’s new novel for adults, “Seek the Traitor’s Son,” over one weekend and had a hard time putting it down, and not just because I was procrastinating on my house chores.
There’s much about the novel one would expect from Roth, the author of the Divergent series, one of the hottest dystopian young adult series of the 2010s. Thematically, the novels are similar. Like “Divergent,” this new book is also set in an alternate, dystopian version of our world; it is also packed with vivid, present-tense prose full of capitalized labels to let you know that something different is going on; and it also centers on a classic “Chosen One” who is burdened by the mantle of savior she carries.
These are classic tropes, but I, like many other genre fiction fans, enjoy that familiarity. Still, I’m always hoping for a subversion, a tornado twist that sucks me into imagination land.
In “Seek the Traitor’s Son,” our Chosen One is Elegy Ahn, the spare heir of the most powerful woman in Cedre. Elegy likes her life, even if it’s filled with danger. See, some time ago, a virus took over the world. The contagion is strange: Everyone who is infected dies, but 50 percent of the people who die come back to life with mysterious cognitive gifts.
After the outbreak, Earth split into two factions: The dominant Talusar, who worship the Fever, believe it is a divine gift, willingly infect themselves with it and consider anyone who does not submit to it a blasphemer; and Cedre, a small country made up of everyone who rejects the virus and the dogma around it. They are, naturally, at war.
Early in the book, Elegy, solidly on the Cedre side, and Rava Vidar, a brutal Talusar general, are summoned by an order of prophets who tell them: One of you will lead your people to victory over the other, and one of the deciding factors involves an unnamed man whom Elegy is prophesied to fall in love with.
Elegy doesn’t want this. But the prophecy spurs the Talusar into action, and so her mother assigns her a Talusaran refugee as a knight and forces her into the fray as the Hope of Cedre.
If that seems like a lot of setup, don’t worry. That’s just the first few chapters. Besides, if you know those dystopian novel tropes, you’ll get the hang of it. Roth gets through the world exposition quickly, and after a rather jarring time skip, the plot takes off, effectively and entertainingly driving readers to the novel’s exhilarating end.
The strength of “Seek the Traitor’s Son” is Roth’s character work. Elegy is a dynamic heroine. She has a lot to lose, and she leads with love, which is reflected in the intense grief she feels for the people she’s lost in the war and the life the prophecy took from her. It’s love that makes her stop running from her destiny and do what she thinks is right to save the people she has left.
Many authors isolate their characters to back them into bad decisions, so it’s refreshing that Roth has given Elegy a community to support her. Her sister Hela in particular is a treat. She’s refreshingly grounded, and often gives a much needed reprieve from the melodrama of the other characters’ lives. (She has an important subplot that has to do with a glowing alien plant, but the real reason you should pay attention to her is that she’s funny, loves her sister so much, has cool friends and listens to gay romance novels.) Hela and Elegy’s unwavering loyalty to each other casts a positive illumination on both characters.
My favorite character is Theren, Elegy’s knight, who is kind and empathetic to everyone but himself. As the obvious romantic lead, his character most diverges from genre standard because of the nuanced depiction of his trauma. He has been so broken by his experiences that he thinks what he can do with his body is all he can offer, and it’s worth nothing to him.
But like I said, I need subversion, and for all the creative world-building, I didn’t quite get it. The most distinct part of the novel was the setting and structure of alternate Earth, as well as the subcultures born from that setting. But after ripping through the novel, I found that those details didn’t provide nourishment for thought, and the general handwaviness of the technology and history of Earth was distractingly easy to nitpick.
I am a greedy reader, so I want my books to have everything: romance, action, an intellectual theme, novel ideas about the future, and character development. “Seek the Traitor’s Son” comes close. The novel is the first in a series, and I’m willing to hold my reservations until I read the next book. Elegy and Theren are worth it.
SEEK THE TRAITOR’S SON | By Veronica Roth | Tor | 416 pp. | $29
Culture
Revolution is the Theme at the Firsts London Book Fair
To mark the 250th anniversary of the U.S. Declaration of Independence, “Revolution” is the timely theme of the Firsts London book fair, opening Thursday in the contemporary art spaces of the Saatchi Gallery.
The fair, running Thursday through Sunday, will feature 100 dealers’ booths on three floors of the neoclassical, early 19th-century building in the upscale Chelsea neighborhood and will take place at a moment of geopolitical convulsion, if not revolution. It also coincides with a profound change in reading habits: Fewer people read for pleasure, and when they do, more often it is on a screen. And yet some physical books are fetching record prices.
Why is that? Clues can be found at Firsts London, regarded as Britain’s pre-eminent fair devoted to collectible books, maps, manuscripts and ephemera. Dealers will be responding to the revolution theme by showing a curated selection of items that document political upheavals over the centuries.
While the organizers — members of the nonprofit Antiquarian Bookseller’s Association and the International League of Antiquarian Booksellers — have been eager to expand the theme to include material that throws light on revolutions in other realms such as science and social attitudes, the momentousness of the Declaration’s anniversary has spurred dealers to bring items with ties to 18th-century America.
The New York-based dealer James Cummins Bookseller, for instance, will be offering a 1775 London printing of Congress’s declaration of the “Causes and Necessity of Taking Up Arms” against the British authorities. Mostly written by John Dickinson and Thomas Jefferson and published just a year before the Declaration of Independence, the document represents a decisive moment in the colonies’ struggle for self-determination. It is priced at $22,500.
“We’re generalists. We’re bringing a bit of everything,” said Jeremy Markowitz, a specialist on American books at Cummins. “But this year, because of the anniversary, we’re bringing Americana that we otherwise wouldn’t have brought.”
The London dealer Shapero Rare Books will be showing a letter written in January 1797 by Thomas Paine, one of the most influential Founding Fathers, to his friend Col. John Fellows who had served with the American militia during the Revolutionary War. The text reiterates the views of Paine’s open letter to George Washington, urging him to retire from the presidency, fearing that the office might become hereditary. With an asking price of 95,000 pounds, or about $130,000. Paine’s letter to Fellows was written just weeks before Washington stood down in March at the end of his second term, a practice later enshrined in the 22nd Amendment limiting presidents to two terms.
Bernard Quaritch, another London bookseller, will be exhibiting a first edition in book form of “The Federalist Papers,” the celebrated collection of essays written in favor of the new Constitution by Alexander Hamilton, James Madison and John Jay from 1787-1788. (These texts are mentioned in Lin-Manuel Miranda’s award-winning musical “Hamilton.”) In its original binding, with the pages uncut and largely unopened, this pioneering work of U.S. political philosophy is priced at £220,000.
The fair, like the United States, has gone through its own process of reinvention. It is the sixth annual edition of Firsts London, but its origins stretch from 1958, when its more traditional forerunner, the London International Antiquarian Book Fair, was founded.
The rebranded Firsts London was initially held at an exhibition space in Battersea Park in 2019, then transferred to the Saatchi in 2021. (There is also Firsts New York and Firsts Hong Kong.) Last year the event attracted an estimated 5,000 visitors over its four days, according to the organizers, and notable sales were made.
“Book fairs are now part of the ‘experience culture.’ In an age where everything is available at a click, fairs have to present themselves in a different way,” the exhibitor Daniel Crouch said.
Crouch will be showing two late-18th-century engraved maps printed on paper of New York by Bernard Ratzer, an engineer commissioned by the British to survey the city and its environs in 1766 and 1767 in case it became a battlefield. Ratzer’s large three-sheet map of the southern end of Manhattan and part of New Jersey and Brooklyn is priced at £240,000; his smaller map of south Manhattan at £25,000. Both date from January 1776, just six months before the Declaration of Independence was adopted in Philadelphia on July 4, 1776.
Other revolutions are also represented. The cover design of Millicent Fawcett ’s classic 1920 Suffragists tract, “The Women’s Victory — and After,” from the collection of the Senate House Library at the University of London, is the poster image for the event and the library is lending the entire pamphlet for display at the fair.
Scientific revolutions are represented by items like a 1976 first edition of Richard Dawkins’s book “The Selfish Gene,” offered at £2,250 by Ashton Rare Books of Market Harborough in Leicestershire, England. Fold the Corner Books in Surrey is offering a handwritten letter by an anonymous British spy describing scenes in Paris in 1791 during the French Revolution, and the dealers at Peter Harrington are bringing a Chinese parade banner from the Cultural Revolution. The banner and the letter are each priced at £750.
While the U.S. document’s anniversary has spurred many exhibitors to show rare 18th-century American items, the organizers stressed the fair’s wider remit.
“We wanted to do something related to our cousins over the water, but something a bit broader than just the American Revolution,” said Tom Lintern-Mole, the chairman of this year’s London fair.
“Revolution is a concept,” he said. “It encompasses everything to do with our world. Printing itself was a revolution. It helps foment revolutions. We like to think that books make history, as well as being artifacts of it.”
In terms of making sales, science fiction and science and fantasy are genres that many traders see as the key growth areas, because of, in great part, recent Hollywood adaptations. “Affluent younger collectors are moving the needle in the market,” said Pom Harrington, owner of Peter Harrington.
Cummins is offering a 1965 first edition of “Dune” for $16,500, while the London-based Foster Books will be asking £22,500 for a 1954-1955 three-volume first edition of “The Lord of the Rings” by J.R.R. Tolkien. It is sumptuously covered in red morocco leather by the binders at Bayntun Riviere.
And with the rise of tech, online sales have increasingly replaced high street transactions, resulting in many rare-book shops closing. Tom W. Ayling, who trades from his home in Oxfordshire and is exhibiting at Firsts London, is one of the most prominent of a cohort of young dealers who sell online and at fairs without the expense of a shop.
“I get almost all my customers through social media,” said Ayling, who has about 298,000 followers on Instagram alone.
Tolkien is a favorite subject for his engaging, regular video posts. Ayling will be bringing a copy of the author’s extremely rare collection of poems, “Songs for the Philologists.” Printed in 1936, only about 15 copies of the collection are known. Ayling is asking £65,000 for this one.
“I put as much content out there as I can to get people interested in book collecting,” Ayling said. “I want to widen the arcane world of book collecting to a mass audience.”
A mass audience collecting — let alone reading — books? That really would be a revolution.
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