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Will Premier League players really go on strike?

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Will Premier League players really go on strike?

It is the week when Manchester City begin another assault on the Champions League against the backdrop of a legal battle with the Premier League, yet Rodri, the club’s star midfielder, managed to take the conversation in an unexpected direction on Tuesday.

A question on the increasing demands being placed upon Europe’s elite players brought a pointed response. “We’re close to (strike action),” Rodri told reporters during a press conference previewing City’s clash with Inter Milan. “It’s the general opinion of the players and if it keeps this way, we’ll have no other option.”

The debate over football’s calendar has rumbled on and on, but Rodri’s words felt like a significant moment. One of the Premier League’s most gifted stars, a leading candidate for the Ballon d’Or prize next month, willingly made it known that industrial action has become a consideration for him and his peers.

A genuine threat or an idle bluff? The Athletic assesses how realistic a players’ strike might be in the ongoing battle to be listened to.

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Why are players like Rodri angry? 

Footballers, at least at the game’s summit, believe too much is now being asked of them. Expanded competitions have squeezed the opportunity for rest and ensure established international stars regularly go beyond the threshold of 55 games a season recommended by FIFPro, the global players’ union.

This season has only deepened misgivings. A new format in UEFA’s Champions League adds two more group games to a participating club’s schedule and the summer sees FIFA launch its new Club World Cup between June 15 and July 13.

The 2024-25 campaign began with Rodri and his Manchester City team-mates theoretically facing as many as 75 games for club and country. “It is too much,” Rodri said on Tuesday. “Not everything is about money or marketing. It is about the quality on show. When I am not tired I perform better.”

Rodri, in a few short sentences, pointed out the nuclear button in the players’ armoury. There has long been the belief that their views are not heard, a feeling entrenched by the creeping expansions overseen by both UEFA and FIFA. Pre-season and end-of-season tours involving extensive travel are also an uncomfortable norm that players are asked to swallow.


Rodri made 50 starts across six competitions for Manchester City last season (Justin Tallis/AFP via Getty Images)

The last six months, though, have brought an orchestrated response.

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Two of the biggest players’ unions in Europe, the English Professional Footballers’ Association (PFA) and the Union Nationale des Footballeurs Professionnels in France, launched legal action against FIFA in June, challenging the legality of the governing body “unilaterally” setting football’s international match calendar.

A month later, it was the European Leagues, representing professional football in 30 European nations, including the Premier League, teaming up with La Liga and FIFPro Europe to file a formal complaint to the European Commission against FIFA.

The new Club World Cup, FIFPro said, was the “straw that broke the camel’s back” and deep battle lines, with players at the heart of the fight, have now been drawn. Enough, they argue, is enough.


How would a strike actually work in practical terms? 

Rodri might have suggested strike action was “close”, but the train is still a good few stops from arriving at that point. This would have to be coordinated through either the PFA or FIFPro and would be considered a last resort should all negotiations with stakeholders fail.

The PFA, as English football’s only players union, would theoretically have to ask its nearly 5,000-strong membership base if they supported a strike and that would then require a majority backing from the ballot to proceed.

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Any competitions impacted, whether run by the Premier League, the English Football League, the Football Association, UEFA or FIFA, would also have the option to take retaliatory legal action blocking any planned strikes.

“We’ve really tried hard to engage with the relevant stakeholders,” Maheta Molango, the PFA’s chief executive, told The Athletic FC podcast last week. “So we’ve tried to do our best to reach a diplomatic solution — legal action is always a defeat for everyone.

“But sometimes when adult people cannot reach a solution, you need to have a third party deciding for you.”


The PFA’s chief executive, Maheta Molango (Steven Paston/PA Images via Getty Images)

Has it ever happened in English football before?

Go back to November 2001 and there was a very real danger of English football’s biggest names downing tools. The PFA had grown tired in negotiations with the Premier League, which wanted the traditional cut of domestic broadcast deals sent to the union reduced from five per cent to two.

Three months of discussions had come and gone without an agreement, leading to a strike ballot being called. Ninety nine per cent of players were in favour of boycotting any televised fixture. A date for strike action — December 1 — was even put in place. Gordon Taylor, head of the PFA, claimed Manchester United manager Sir Alex Ferguson and players, including Roy Keane, Gary Neville and Ryan Giggs, were supportive of their position.

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There were legal threats and injunctions, but the strike was eventually averted after eight hours of discussions between the Premier League and PFA in Manchester. Taylor did not get all he had wished for, but the £17.5million ($23m at current rates) offer was eventually deemed satisfactory.


Gordon Taylor in 2001 announcing that over 99 per cent of PFA members had voted in favour of strike action (Phil Noble – PA Images/PA Images via Getty Images)

And dig further into English football’s history, all the way back to 1960, and you arrive at a far more significant moment. The PFA, with Jimmy Hill as their flagbearer, sought to abolish the wage limit of £20 a week for players and relied upon the threat of strike action to force the FA and Football League to eventually relent in 1961.


What about in other countries or other sports?

Industrial action is far more common in the US, where the strength of players’ unions is felt with greater force.

The National Basketball Association (NBA) endured three lock-outs in the second half of the 1990s and another, lasting for five months, in 2011. That was the same year the National Football League (NFL) had its own when players and owners failed to agree a revised collective bargaining agreement.

Major League Baseball endured a lock-out as recently as 2022, the ninth in the organisation’s history. And then there is the National Hockey League (NHL), another well-versed in strained negotiations, player power and owners not blinking.

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Comparisons with European football, however, carry little weight. An elite player in England will feature in games organised by the Premier League, EFL, FA, UEFA and FIFA in a season and the presence of multiple stakeholders will always complicate negotiations over the welfare of a union’s members.


Which competitions could be vulnerable to a player strike? 

That is the great unknown, but what we can be sure of is the strength of relations between the PFA and the Premier League at present. For all the two were at loggerheads 23 years ago, with Taylor butting horns with Richard Scudamore, the two have become closely aligned in recent times. Do not see it as coincidence that that the PFA began one legal case against FIFA in the same summer months that the Premier League helped form a separate one.

The PFA — and, by extension, FIFPro — does not have an issue with domestic programmes, which broadly remain unchanged. There is also sympathy for the FA and EFL, whose competitions have been squeezed to the point of enforced reform in the modern era. It would, therefore, seem unlikely that any strike threat would have such a target.

Relations between the PFA and UEFA are more harmonious given the sense of greater consultation, so might the crosshairs instead fall on FIFA?

FIFA shapes the international calendar and is the focus of so much ire after introducing a revamped Club World Cup. Its defence might be well-versed and robust, pointing out that the games it organises account for a fraction of a player’s workload, but the unions have made their dissatisfaction clear.

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The Club World Cup is also the competition that has struggled to attract broadcast and sponsorship deals before next summer. It has the feel of the softest target for any players wishing to make their feelings known.

go-deeper

GO DEEPER

One year until the Club World Cup in the United States – what’s going on?


How likely is a strike? 

The easiest move would be to dismiss Rodri’s comments as hot air, but the concerns are too deep-rooted. Without meaningful change to the calendar, unions stress, there will come a time when players take a stand.

How that will look and when it will come, though, are questions not easily answered. The issues on workloads are the making of multiple stakeholders wanting more and the next challenge will be how to put the toothpaste back in the tube.

The players’ unions ultimately want a more prominent seat at the table of governance. It is why they have taken legal action against FIFA; a move to make their voice heard and reduce the demands placed upon its members.

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The initial action against FIFA tabled at the Brussels Court of Commerce in June will likely end up in the European Court of Justice at some point next year and the eventual decision will shape where all parties go next. The players’ unions will hope that marks a dilution of FIFA’s powers in charge of the international match calendar, leading to long-term reform.

Strike action, regardless of its likelihood, would remain problematic. It is worth ending with a comment from Stephen Taylor-Heath, head of sports law at JMW Solicitors, who spoke to The Athletic in June.

“It really drills down to issues of employment law between players and clubs,” he said. “There’s always been an uneasy alignment between employment law and football.”

And perhaps about to get a bit less straightforward, too.

(Top photo: Getty Images. design: Dan Goldfarb)

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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