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Why deep runs are “probably the most important thing in football”

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Why deep runs are “probably the most important thing in football”

When watching a game of football, we only truly consume a snippet of the action.

We are naturally drawn to the fun stuff occurring on the ball, but zoom out a little and there is beauty laid out in the carefully choreographed off-ball movements across the pitch.

You might not notice a lot of runs. Some of them will not even get picked up by the television coverage, but when a player receives the ball in space, you can be confident that it was their team-mates’ movements elsewhere that dragged the opposition out of shape.

Runs beyond the defensive line are crucial to a team’s attacking potency, particularly in a Premier League that is increasingly physically demanding.

“Deep runs are probably the most important thing in football,” said Liverpool manager Arne Slot on Amazon Prime after their 3-1 victory over Leicester City.

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“You don’t even always have to play to a player who makes the deep run — but then you can maybe create a bigger one-v-one situation for your winger, so the more deep runs you make, the more chance you have of winning a game.”

The Athletic identified a similar trend in Slot’s side earlier this season, with the underlapping runs made beyond the opposition defensive line allowing Liverpool’s wingers to come inside to cross — as shown by Mohamed Salah’s assist for Curtis Jones against Chelsea.

Runs beyond the ball remain a key theme of Liverpool’s campaign under Slot.

As well as the obvious candidates of forwards Salah, Cody Gakpo and Luis Diaz, Slot’s midfielders have shown a notable propensity to break beyond the opposition last line with those runs from deep.

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For example, in their recent Premier League game against Manchester United, Jones is desperately trying to catch the attention of Ibrahima Konate as he identifies a gap in the defensive line.

While the ball does not reach Jones, Harry Maguire’s attention is drawn to the 23-year-old as the ball continues to be circulated.

Five seconds later, that space is exploited with another deep run from fellow midfielder Alexis Mac Allister, with Salah’s clipped ball struck first time by the Argentina international.

Using SkillCorner’s Game Intelligence model — which extracts contextual metrics from broadcast tracking data — we can measure the number of off-ball runs made by each team when they are in possession, focusing on runs made in behind.

For those unsure, this type of run simply logs when a player is attacking space behind the last defensive line — like the example below. Crucially, the player does not have to receive the ball for the run to be logged.

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When looking across all Premier League teams, Liverpool’s 4.1 runs in behind per 30 minutes in possession — adjusted to control for each side’s share of the ball — is the third-most this season, with Crystal Palace topping the charts, edging ahead of Aston Villa.

There is no right or wrong method here, but the graphic above highlights the stylistic approach taken by each team in attack.

For example, Arsenal and Manchester City are comparably low by this measure, which reflects their desire for a more patient, possession-based build-up that looks to squeeze the opposition back — gaining territorial dominance, which often leaves less space behind the opposition defensive line.

As for Southampton, well, let’s not compound their misery.

go-deeper

GO DEEPER

Measuring off-ball runs by Premier League wingers

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For league-leading Palace, the runs of Jean-Philippe Mateta are crucial to Oliver Glasner’s attacking approach and they can have a dual benefit for the team.

The first is the typical threat of a striker receiving the ball beyond the opposition last line, but the second is the space that such a run can provide for others to exploit between the lines — namely Eberechi Eze.

For example, in their most recent Premier League game against Chelsea, Ismaila Sarr finds right wing-back Daniel Munoz in space on the right flank, with Mateta occupying Chelsea’s centre-backs with a run in behind, towards the front post (see frame 2).

That run makes space for Eze to drift into, with Munoz’s cutback allowing Eze to shoot first time — albeit missing the target.

There was a near-identical pattern 20 minutes later. Sarr’s ball finds an onrushing Munoz, with Mateta’s run in behind to the near post allowing Eze to hold back and receive the cutback — which is blocked on this occasion.

Conversely, Mateta’s improved link-up play has allowed Sarr to thrive as a No 10 by making runs from deeper.

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This is shown in his Premier League goal against Aston Villa in November, with Mateta dropping to receive the ball in his own half before releasing Sarr, who has made the run in behind.

It is a part of his game that Sarr has been actively working on in training since his summer arrival.

“We showed him the space where he can show his strength,” Glasner said in his press conference last month.

“We wanted to have pace, a player who can make runs in behind. (To find) the perfect profile we are looking for, we can’t spend (a lot of) money, so we have to find players with most of the profile, then it’s our job to teach them where they can show their skills and talent.”

go-deeper

GO DEEPER

If Eze has his confidence back, Palace have a true triple threat up front

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At Aston Villa, the midfield runs of John McGinn and Morgan Rogers — alongside the wide runs from left full-back Lucas Digne — are key to Unai Emery’s system. However, Ollie Watkins is one of the leading candidates across the Premier League for runs made in behind.

While he is capable of dropping deep to receive, Watkins has developed his game in recent seasons, staying on the last line between the width of the six-yard box and conserving his energy — having pulled into wider areas in seasons gone by.

He picks his moments carefully, but the muscle memory of his channel runs in behind when Tyrone Mings has the ball continues to be effective — as it was against Leicester last weekend.

It was a similar run made for his Premier League goal against Crystal Palace in the aforementioned fixture in November. Before McGinn received the ball between the lines, Watkins was already looking for the space he could exploit in behind (see frame 1).

A perfectly weighted pass and a calm finish duly followed.

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When breaking down Watkins’ run types by category, more than two-thirds of his total tally are runs in behind or ahead of the ball — with a notably small share coming short or pulling into the half-space to receive.

When a team-mate gets the ball in space, you can be sure Watkins will be on his bike heading towards goal.

Crucially, this aligns with Emery’s method of attack to pierce through the opposition’s back line when they can. No Premier League team has logged more than Villa’s 53 through balls this season, which shows that they often take the opportunity to play the pass when those runs are made.

Breaking down our SkillCorner dataset by player, Watkins is out in front alongside Leicester’s Jamie Vardy in the highest volume of runs in behind as a share of their total tally, in a list made up largely of No 9s who spearhead their team’s respective attack.

Below Watkins on the list? The previously discussed Mateta, of course.

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Like Mateta, the runs made by Watkins and Jhon Duran don’t always need to be met with a pass from a team-mate. However, these movements are still vital for pushing the defence back and creating space for Villa’s No 10s to exploit.

This was particularly notable in Villa’s recent victory over Manchester City — as The Athletic has previously analysed — with Rogers and Youri Tielemans benefiting from Duran’s relentless forward running.

go-deeper

GO DEEPER

How Tielemans and Rogers’ ability between the lines helped Villa beat City

While our post-match debrief will largely focus on the events that occurred on the ball, the key to unlocking a defence might often occur elsewhere on the pitch.

Whether you’re Nottingham Forest or Forrest Gump, running matters — and now we can measure its impact in context.

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Culture

Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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