Culture
Where do the 2024 Chicago White Sox rank among the worst teams in any sport?
By Rustin Dodd, Zack Meisel and Andy McCullough
When the Tampa Bay Buccaneers snapped a record 26-game losing streak in December 1977, head coach John McKay tried to look on the bright side.
“Three or four plane crashes and we’re in the playoffs,” he said.
It was hard to blame him. The year before, the Bucs had finished 0-14 in their inaugural season, stamping their place among the worst teams in the history of professional sports.
The list includes the winless, the hopeless, and the talentless. One owner traded all of his good players to his other team. This year, the list includes a new applicant: The 2024 Chicago White Sox.
This year, the South Siders set the modern MLB record for the most losses in a season, topping the 1962 New York Mets Friday night with loss No. 121 — and they’re not done yet. Here’s where the White Sox rank among a baker’s dozen of the worst teams ever.
So awful they were forgettable
13. 2011-12 Charlotte Bobcats, NBA, 7-59, .106
Before the season, the Bobcats’ owner sized up his team’s chances this way: “Who knows how good we can be? We’ve got some good pieces that can help us get to the playoffs. I’m not waiting until next year. I think we have a good quality basketball team this year.”
It was a rare airball from perhaps the greatest basketball player who ever lived. Michael Jordan won six NBA Finals MVP awards. His Bobcats won seven regular season games during the 2011-12 season. Jordan flirted with immortality as a player, and then as an owner he oversaw the perhaps most vincible NBA team ever assembled.
Sure, that season was shortened to 66 games because of a lockout, but the Bobcats weren’t exactly trending well toward the end. They dropped their final 23 games. Otherwise, 7-59 might have become 9-73 or 10-72 or, hell, 7-75.
Their seven wins were one-third the total of the next-worst team. Their 87.0 points per game are the lowest by any team in the last 20 years. They lost by double digits 38 times and by at least 20 points on 22 occasions. Their .106 winning percentage is the worst in NBA history. Their head coach, Paul Silas, reportedly shoved forward Tyrus Thomas “toward his locker” after a loss to the Boston Celtics because Thomas had been “fraternizing” with the opposition. — ZM
12. 2011 Tulsa Shock, WNBA, 3-31, .088
When the WNBA’s Detroit Shock relocated to Tulsa for the 2010 season, legendary former Arkansas coach Nolan Richardson took over as head coach. In 2011, the team put a new spin on “40 Minutes of Hell.”
Gutted by departures, the 2011 Shock began the season with a 1-10 record before Richardson resigned. It didn’t get better. Under new coach Theresa Richards, the team finished 3-31, setting a WNBA record for worst winning percentage (.088). The team finished last in points per game, second to last in points allowed, and set a record for consecutive losses (20) — later matched by the 2023 Indiana Fever. “What can I say?” Richards said. “I’m the one in the seat.”
The Shock lasted just four more seasons in Tulsa before moving to Dallas. — RD
Maybe relegation is a good idea
Derby County’s Steve Howard after yet another loss, this one to Crystal Palace. (Ryan Pierse / Getty Images)
11. 2007-08 Derby County, English Premier League, 1-29-8, .026
In 2023-24, Sheffield United set a Premier League record by allowing 104 goals in 38 games. And yet in terms of sheer awfulness, they can’t touch the Derby County side from 2007-08, which won just one match and accumulated just 11 points, the worst since the league began in 1992.
Manager Billy Davies was out after just 14 matches. His replacement, Paul Jewell, did not experience a win. Neither did anyone during the club’s final 32 matches — a record for top-flight football.
Derby County also set the record for fewest goals (20) and most defeats (29). They were relegated after the season and have never played their way back to the Premier League. As The Athletic’s Duncan Alexander wrote earlier this year, “ … no side will ever go as low as 11 points again, but Derby at least have had the sense to never return.” — RD
There’s no earthly reason they should have been this bad
10. 1972-73 Philadelphia 76ers, NBA, 9-73, .110
In his memoir, Tom Van Arsdale, a 6-5 shooting guard who joined the Sixers in January 1973, compared the team to a “burnt, faded, broken-down used lemon with the sticker price so low it was almost offensive.”
The team set the NBA record for losses with 73.
Their head coach was Roy Rubin, a New Yorker who was hired from Long Island University to replace Jack Ramsay, and then lasted just 51 games, finishing with a 4-47 record. In a 2023 story for ESPN, center John Block described Rubin as “a nice guy, but he really, really had a hard time coaching.”
Block later moved to Florida and operated an IHOP restaurant.
Philadelphia had been in a general state of decline since losing Wilt Chamberlain after the 1967-68 season. But it had never been this woeful. The Sixers endured a 14-game losing streak that started in December, snapped the skid on Jan. 7, 1973, and then promptly lost another 20 games in a row.
The best player on the ‘72-73 Sixers was guard Fred Carter, who doubled as the best story. The upbeat Carter, who hung around Philly for four more seasons, was later credited with helping popularize the fist bump with his Sixers teammates. — RD
9. 2003 Detroit Tigers, MLB, 43-119, .265
This could have been the team the 2024 White Sox were chasing, if not for a miraculous recovery in the final week of the season. The Tigers started the season 1-17. By late September, they were 38-118 and on the verge of eclipsing those ’62 Mets as the most pitiful outfit to ever step foot on a modern big-league diamond.
It wasn’t as though this came out of left field. As team architect Dave Dombrowski recalled to The Athletic last year: “We didn’t expect to have a good season, by any means.” As the club reached triple digits in the loss column in late August, though, they started eyeing that Mets record and computing how they could steer clear of it.
With 20 games remaining, they knew they needed six more wins to avoid infamy. With six games remaining, they still needed five more wins. They surged to the finish line, though, and now, they’re merely a footnote in the annals of baseball ineptitude.
“It was almost like winning the World Series,” said outfielder Craig Monroe about that frantic finish to the season, which included Detroit’s biggest comeback win in 38 years. “Doesn’t that sound crazy as hell?”
Why, yes, it does. — ZM
Expansion? How about contraction instead?
8. 1992-93 Ottawa Senators, NHL, 10-70-4, .119
The headline writers at the Ottawa Citizen could not contain their glee when the Senators returned to town after a 56-year absence: “Maybe Rome was built in a day,” the paper declared after the Sens defeated the Montreal Canadiens in the first game of the season. “10,449 fans went wild, and it was magical,” a sub-hed read.
They were wrong about Rome — and they were wrong about the new hometown team.
Ottawa did not win again until its 23rd game. The rest of the season went about the same way. The team won just once — once! — on the road. And that happened in the 81st game. The club finished with 24 points, 34 points behind the Hartford Whalers in the Adams division. Not ideal. — AM
7. 1974-75 Washington Capitals, NHL, 8-67-5, .100
When the Washington Capitals and Kansas City Scouts joined the NHL for the 1974-75 season and proceeded to have two of the worst years in league history, a general opinion formed around the league: Expansion was a mistake.
The Scouts were awful. The Capitals were even worse, finishing a shocking 8-67-5, including an incredible 1-39 on the road. The Capitals allowed a record 446 goals. They lost four games by at least 10 goals. The reason was simple enough: The NHL had tipped the scales against the new franchises, allowing the league’s incumbent teams to protect all of their good players.
“It’s not fair,” Capitals GM Milt Schmidt told The New York Times in 1974. “We paid $6 million to join the league, and look how little the other teams have left for us.”
When the Capitals did win their one and only road game, they returned to the dressing room and paraded a trash can around the room like it was the Stanley Cup. — RD
6. 1976 Tampa Buccaneers, NFL, 0-14, .000
Head Coach John McKay and his Bucs didn’t have much, but they did have those distinctive uniforms. (Focus on Sport / Getty Images)
Hamstrung by inequitable expansion rules, the Buccaneers had a roster of aging veterans (many of whom would injure their hamstrings) and unproven young players. They set a new standard for professional incompetence.
The Bucs did not score until their third game and did not record a touchdown until their fourth. They did manage to place 17 players on the injured reserve, an unofficial record. In all the Bucs were outscored 412- to-125, including a 42-0 loss at Pittsburgh and a 34-0 loss at the Jets. And before the season opener, head coach John McKay famously got lost in the Astrodome tunnels.
The creamsicle uniforms were nice, but the team plane was not. In an NFL Films segment, future Hall of Famer Lee Roy Selmon — as a rookie, perhaps the team’s lone bright spot — relayed a story about how the Bucs’ old plane, which always seemed to break down, was leased from the owner of a chainsaw company, complete with a chainsaw logo on the side: “Right away,” he said, “I was a little worried.” — RD
5. 1962 New York Mets, MLB, 40-120, .250
“Can’t anybody here play this game?” Mets manager Casey Stengel famously asked.
The answer was no. (Well, Frank Thomas and Richie Ashburn were decent.)
The Mets finished 40-120, setting the modern era record for losses. Their exploits were legendary: Their pitchers posted a team ERA of 5.04. They committed 210 errors. Nearly 25 percent of their wins came during a 9-3 spurt in May. Nineteen players would never play another season in the majors. Perhaps no moment symbolized the 1962 Mets like the day Marv Throneberry missed first base against the Cubs while hitting a potential game-winning RBI triple with two outs. When the Cubs appealed to first and Throneberry was called out, erasing the runs, the umpire had a message for an upset Stengel. “Casey, I hate to tell you this,” he said, “but he also missed second.” — RD
The 0-16 Club
The 2017 Cleveland Browns found themselves looking up at pretty much every team ever. (Patrick Smith / Getty Images)
4. 2017 Cleveland Browns, NFL, 0-16, .000
Hue Jackson guaranteed the Browns would not repeat their 1-15 record from 2016. If that happened, he vowed, he would plunge into the choppy, chilly waters of Lake Erie.
And he was right! The Browns did not produce another 1-15 showing in 2017. No, they went winless.
They ranked last in the league in points per game and second-to-last in points allowed per game. All season, they started a raw second-round pick from Notre Dame, DeShone Kizer, who tossed twice as many interceptions as touchdown passes. Only one player, the bac”kup running back, recorded 400 or more receiving yards.
When the season ended, fans organized a parade to protest the franchise for its annual incompetence. They marched around the stadium in subzero temperatures, shouting: “What do we want? Watchable football! When do we want it? Now!” Some Browns fans sported No. 16 jerseys with the name “Owen” on the back. Some Lions fans made the trip to commiserate with the new members of the winless club.
Jackson finally waded into Lake Erie the following June. “It’s going to be a cleansing of our organization,” he declared. He was fired four months later, leaving Cleveland with a 3-31-1 record. — ZM
3. 2008 Detroit Lions, NFL, 0-16, .000
The question, in retrospect, is one of the funniest in the modern history of American sports press conferences. The Lions had just lost, 42-7, giving up more than 30 points for the 12th time in 15 games. The team’s defensive coordinator, Joe Barry, just so happened to be the son-in-law of head coach Rod Marinelli. As Marinelli spoke to the media, Detroit News columnist Rob Parker could not resist.
“On a light note,” Parker ventured, “do you wish your daughter would have married a better defensive coordinator?”
Enough time has passed that hopefully we can admit it: That’s a good zinger.
The Lions were the first NFL team to ever go winless in a 16-game season. The feat was matched nine years later by the Cleveland Browns. But the 2017 Browns were outscored by 176 points. The 2008 Lions? Try a point-differential of negative-249.
Marinelli, understandably, did not take it well. Parker dealt with plenty of blowback; he was suspended by the newspaper and eventually resigned. But he remains a fixture in the sports media landscape. Marinelli was never a head coach again. — AM
The Applicant
2. 2024 Chicago White Sox, MLB, record unknown
There’s an old adage, often attributed to Mark Twain, that says humor equals tragedy plus time.
There will come a time in the future when the 2024 White Sox will be remembered in a way that most baseball teams are not. Many of the teams on this list have not been assembled or competing for decades, but their exploits will never die.
Two players colliding as the opposing announcer declares the moment “full White Sox?” Andrew Benintendi likening the team to a “dead horse?” A 21-game losing streak that tied the AL record?
At some point, these will be colorful and funny details.
It just takes time.
The White Sox had a 4-40 stretch. They lost 27 of 28 at home. They became the first team since the 1916 A’s to fall 81 games under .500.
You can go on.
History will judge the 2024 White Sox. But they are not the worst team of all time. — RD
The Cleveland Spiders’ legacy lives on. (Quinn Harris / Getty Images)
The Worst Team of All Time
1. 1899 Cleveland Spiders, MLB, 20-134, .130
Frank and Stanley Robison owned both the Cleveland Spiders and St. Louis Perfectos, and believing that St. Louis was the better bet to make money going forward, they stripped the Cleveland roster of all its talent and stacked St. Louis instead. Before the season, they swapped Cy Young and other stars with players who did not eventually have distinguished awards named after them. And so the Spiders became the most futile baseball team of all time, a sad-sack bunch destined to fail before they ever took the field.
The Spiders endured a 24-game losing streak. They lost 40 of their last 41 games. They finished the season with a run differential of minus-723. They trailed first-place Brooklyn by 84 games in the final standings. During the summer-long funeral procession, the Cleveland Plain Dealer stopped referring to them as the Spiders and instead dubbed them the Cleveland Exiles or the Cleveland Forsakens.
Following a 4-2 Spiders win on Aug. 25 against the New York Giants, the Plain Dealer printed: “An eighth wonder has come into the world and the Colossus of Rhodes, the Pyramids, the Statue of Zeus and the rest of the seven wonders had better look to their laurels. Cleveland has won another game. How it happened is beyond explanation. … They put up such a sharp, fast game that the 200 people who had gone out to League Park to get a little fresh air and take a quiet siesta were soon aroused to something very close to enthusiasm.” The Spiders wouldn’t win again for three-and-a-half weeks.
Fans bailed on supporting the intentionally depleted roster, so the club wound up traveling for most of its games. They embarked on a 50-game trip in July and August, on which they went 6-44. Even the team’s uniforms stunk, according to the Plain Dealer, which wrote: “Now they are obliged to wear the castoff uniforms of the St. Louis Browns, all of which are plenteously adorned with patches.”
The Spiders were promptly booted from the National League and disbanded. Cleveland baseball was reborn in 1901 as a charter member of the American League with a franchise that still stands today as the Guardians. — ZM
(Illustration by Meech Robinson / The Athletic; Photos: Quinn Harris / Getty Images, Gregory Shamus / Getty Images, David T. Foster III / Charlotte Observer / MCT)
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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