Culture
What It’s Like to Be a Sociopath
Sociopaths are modern-day boogeymen, and the word “sociopath” is casually tossed around to describe the worst, most amoral among us. But they are not boogeymen; they are real people and, according to Patric Gagne, widely misunderstood. Gagne wrote “Sociopath,” her buzzy forthcoming memoir, to try to correct some of those misunderstandings and provide a fuller picture of sociopathy, which is now more frequently referred to as antisocial personality disorder. As a child, Gagne found herself compelled toward violent outbursts in an effort to try to compensate for the emotional apathy that was her default. As she got older, those compulsive behaviors turned into criminal ones like trespassing and theft. Eventually, she discovered that there was a name — that dreaded word — that could be used to describe and explain her experiences of remorselessness, criminality and lack of empathy. The desire to destigmatize her experience and also to help others who may share it (Gagne previously worked as a therapist to those with the disorder and has also written about sociopathy) put Gagne on a path that led to “Sociopath.” “I’m not trying to say, ‘Sometimes we do bad things, but we’re really sweet on the inside,’” says Gagne, who is 48. “I’m saying there is more to this personality type.”
What does that redirecting look like in practice? Every once in a while, I will have an urge to do something destructive just because I can, and my redirect is, Do you want this destructive behavior? Or do you want to continue to maintain this life that you have, which requires that you not do those things? I have to have that conversation with myself.
What’s a recent sociopathic impulse that you had? This is a very vanilla example. When I go to the grocery store and I come home, if anything that I’ve purchased has gone bad, I’ll make a mental note: I’m stealing this next time.
You write about your difficulty with understanding other people’s emotions, feeling apathy and lacking empathy. But you also write about experiencing love. Why are you innately able to feel love but not, say, empathy? The way I experience love seems to be very different from the so-called neurotypical experience. My experience of love seems less emotional. If I had to explain what love feels like to me, I would say symbiotic. So, a relationship that’s beneficial to both people involved. Not transactional, not possessive, not ego-driven. Mutual homeostasis. It’s not that I’m unable to access emotions or empathy. It’s that my experience of those emotions is different.
Are you able to describe how you’ve built a sense of morality? Just because I don’t care about someone else’s pain, so to speak, doesn’t mean I want to cause more of it. I enjoy living in this society. I understand that there are rules. I choose to follow those rules because I understand the benefits of this world, this house where I get to live, this relationship I get to have. That is different from people who follow the rules because they have to, they should, they want to be a good person. None of those apply to me. I want to live in a world where things function properly. If I create messes, my life will become messy. I think people are uncomfortable with the idea of, You don’t really care? What does it matter? What does it matter why I choose to help the woman cross the street? Why does it matter why I choose to pick up a wallet and hand it to the person in as opposed to keeping it? It’s not because I’m a good person. It’s not because I would feel shame or guilt. But why does that matter?
What advice do you have for neurotypical people about how best to interact with someone who identifies as sociopathic? I’m not sure neurotypicals need any, because I have been identifying as a sociopath for years now, and my experience with people who don’t know that has been positive. I have yet to encounter anybody who, when I disclose my diagnosis, acts afraid or upset. I think, inherently, neurotypicals are fascinated by sociopathy because it’s a relatable disorder. Everybody has that darkness in them. Everybody has those thoughts that they shoo away because of guilt. If more conversations between neurotypical and so-called neurodivergents were to occur, it would benefit both. It would benefit the sociopathic person because that acceptance lets 80 percent of the air out of the balloon, but it would help the neurotypicals, like, Oh, I can share things with this person that maybe I couldn’t share with other people. I get more secrets from strangers after telling them my diagnosis; you wouldn’t believe the things that people have told me because they feel safe.
What secrets do they tell you? Oh, man. I was sitting across from a man at a dinner party — this was like two years ago — and my diagnosis came up, and 30 seconds afterward he said, “You know, I have thoughts of killing my wife a lot.” Not to normalize that, but I was like, Tell me about that. And he goes: “I’ve really thought about it. I’ve reached out to people about hiring somebody to kill her.”
So people just assume that you’re a sympathetic audience? Yeah, because these are things you’re not supposed to think about. So to be able to talk to somebody — you don’t have to worry that I’m going to start clutching my pearls.
You were a practicing therapist, and we think of therapists as highly empathic, invested in the emotions and stories of their clients. So how did you relate to your clients? I didn’t relate to them. Now, that is not to say I didn’t care about my patients. The easy answer is, of course I care about you. I wouldn’t continue to see you if I didn’t, but why do you need that reassurance from me? My job is to help you understand what’s going on with you. My job is to help you take your emotions, separate them out, explore your motivation. That’s my job. I think that I was a good therapist because I was able to parse those things out unemotionally. My gift to my therapy patients was that I was able to lend them sociopathy: Why do you care? What does it matter? What do you need from that? That, I felt, helped them achieve things that maybe a nonsociopathic therapist couldn’t have offered.
Patric Gagne at age 4. From Patric Gagne
What’s an invasive question you want to ask me? Why are you interested in me? Why are you interested in sociopathy? Talk to me about your darkness. I’m not expecting answers.
You want to get into it? Oh, yes. I find neurotypical people absolutely delightful!
I’ll give you two reasons I’m interested: I was sent the book, and I started reading, and the opening involved you as a second grader stabbing a kid in the head with a pencil. I thought, Holy moly, readers will be interested in this! So there was a mercenary quality to my own interest. Then also, there are times when I’ve wondered if the skills that I’ve learned from doing my job over the years are basically just forms of interpersonal manipulation, and I was curious to talk to you as a roundabout way of exploring that question for myself. Where does that question reach you?
What do you mean? Do you manipulate people in order to execute your job?
I think there is a degree of manipulation, but what do we really mean by manipulation? Is manipulation by definition negative, or does manipulation just mean intentionally creating a certain interpersonal context? That sounds like a justification to me, which means you’re sidestepping shame or sidestepping guilt.
I disagree. That would be like saying therapists are always guilty of “manipulation.” Just so we’re clear, when I said justification, I wasn’t trying to say that what you were doing was bad. You’re talking to a sociopath! I don’t think anything that you’re doing is bad. Yes, you are manipulating people to a certain extent — to your point — in the way that I might manipulate somebody in therapy, but I would never feel the need to justify it, and your justification came so quickly. That’s why I was like, Hey, what’s happening that you felt the need to defend your answer?
We don’t usually say we have to justify a positive thing. That’s probably why I reacted that way. What else? How much of that dark side of sociopathy can you relate to? And if you don’t have an easy answer for that, was it comforting to read about somebody who was open with their experience of being fully immersed in their darkest impulses and a lot of times carrying them out?
Well, I would say that one question that the book raised for me was the extent to which a lot of behaviors that people do could be considered sociopathic, and we just don’t understand them that way. Plenty of us do things that we know are bad because the transgressions feel good. It feels good. Why? I think it feels good because it feels free. To do something bad, it’s like, I don’t give a [expletive]. The consequences — be it internal guilt or getting thrown in jail — happen after. In this moment, I’m going to do this because it feels [expletive] great to just not care. That is what the sociopath experience is almost all the time. One piece of advice I would give to anyone who sees themselves in my description is to find an external philosophy that works for you. I liked karma. It seemed clean. It seemed organized. Find that philosophy for yourself, because you’re not going to get to rely on internal checks and balances.
I realize I didn’t quite understand what you meant when you said that you can experience empathy, just differently. What is empathy to you? Eventually as I got older, what I started to realize is that if I can connect to something that I can internalize naturally, I use that as a bridge to broaden my empathic response. For example, I’ve found frequently that a lot of people who exhibit sociopathic symptoms have strong feelings for pets. That’s a great bridge: You would feel upset if something happened to this animal that you care about. Now let’s extend that feeling to someone close to you that you have a strong relationship with.
But when you say “extend that feeling,” is it cognitive understanding that you’re describing or an emotional response? At first it is cognitive. Then, over time, that does grow into the emotion. It’s the understanding of it that leads to the feeling. I’m sure you’ve had a situation where someone is explaining something to you, and at first you’re like, I don’t care.
Multiple times a day! [Laughs.] Great. Now, imagine if that’s your first instinct, but you understand that you have to be like, Oh, yeah, I understand that I have to care. That is cognitive empathy. You’re not faking it, but you’re internalizing it. That’s your first take on something, and then maybe you get to know the situation better, or you find something about that situation that you can anchor to, and then the feeling kicks in.
Do you see your sociopathy as beneficial to you? I think my sociopathy is entirely beneficial to me. I see my friends struggling with guilt. On an almost daily basis I think, I’m glad I don’t have that. The psychological characteristics of sociopathy are not inherently bad. Lack of remorse and shame and guilt has been misappropriated to mean this horrible thing, but again, just because I don’t care about you doesn’t mean I want to cause you more pain. I like that I don’t have guilt because I’m making my decisions based on logic, based on truth, as opposed to ought or should. Now, there is a flip side. I don’t have those natural emotional connections to other people, but I’ve never had those. I don’t feel like I’m missing anything. Just because I love differently doesn’t mean my love doesn’t count.
Opening illustration: Source photograph by Kristia Knowles, via Simon & Schuster
This interview has been edited and condensed for clarity from two conversations.
Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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Culture
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