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‘What a shot’: The stories behind some of hockey’s most iconic photos from the man who took them

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‘What a shot’: The stories behind some of hockey’s most iconic photos from the man who took them

OLD BETHPAGE, New York — Bruce Bennett may have been to more NHL games than anyone in history, and the 69-year-old’s house offers glimpses into the career that’s put him rinkside so many times over more than five decades.

Signed jerseys, sticks and photos of Wayne Gretzky line the living room walls, many inscribed with notes thanking Bennett for his friendship and work. There’s a model Stanley Cup. And a closet full of camera lenses, wires and other equipment.

Bennett has a lofted office over the living room. A few of his photographs hang framed on its walls. There’s a bookshelf full of hockey and photography books, as well as a plastic rat that hit him on the head when the Florida Panthers were celebrating their 2024 Stanley Cup Final win. On the bottom shelf, there’s a shot of John Tavares’ first NHL goal.

“What a shot!” the former New York Islanders captain inscribed on the photo.

Scotty Bowman coached 2,141 NHL games. Patrick Marleau played 1,779. David Poile spent 3,075 games as a general manager, though executives don’t always attend every game. Lou Lamoriello is closing in on that record with 2,868.

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Bennett has photographed more than 5,000.

“I could do a game every other day through an entire season, but I’m too greedy,” Bennett says. “So if there’s four games in four nights, chances are I’m going to take all four. Don’t want to leave anything on the table.”

As of July 2, when Bennett most recently updated his statistics, he had been to 5,240 NHL games between the regular season and playoffs. Of those, 44 have been Stanley Cup deciders. If you include preseason, he’s been to 328 more. If you count all hockey games — international, PHWL, junior, exhibitions, etc. — he was up to 6,142 over the summer.

The Islanders presented him with a customized No. 5000 jersey when he reached that mark. It’s framed right above a shelf of toys for his grandchildren.

Now the director of hockey photography at Getty Images, Bennett was born in Brooklyn and grew up on Long Island. When he was in elementary school, he borrowed his father’s Kodak Instamatic to snap pictures on school field trips. “Horrible photos,” he calls them, but they sparked a passion.

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He first shot a hockey game as a 17- or 18-year-old at Madison Square Garden. He didn’t have a press credential, so he took pictures from the balcony. Around the same time, he snuck into the Islanders photo box and shot the game. He mailed a few of his pictures to the Hockey News and asked if they’d be interested in using his work. The publication said yes, which got Bennett a photography credential and kicked off what has become a legendary career — one that has given Bennett a front-row seat to some of the biggest moments in hockey history.

Whether they know it or not, sports fans’ lasting memories of those seminal hockey moments are often seen through Bennett’s lens.

How does he capture them, and what are the ones that mean the most to him?

To give a sense of it, he walked The Athletic through 10 of his favorite photos, his process of creating the shots and why he values them.


Varlamov from above


Islanders goalie Semyon Varlamov as seen from above in 2023.

To get a shot from above, Bennett has to walk along the arena catwalk and attach a remote camera into the rafters. Then, while shooting a game from ice-level, he presses a button on a remote that will trigger the rafter camera to snap pictures.

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Walking above the rink is not for the faint of heart, but don’t get fooled by the fact that Bennett does it. “I am scared s—less of heights,” he says.

Getty Images likes its photographers to be creative, and Bennett had the idea to set one camera above the net with a slower shutter speed. That way, if a goalie was on top of the puck during a net-front scramble, he’d appear still with a blur of action all around him. Bennett got his wish with this photo of New York Islanders goalie Semyon Varlamov.

Yzerman in the box


Red Wings Hall of Famer Steve Yzerman leans on the boards in 1984.

The old photo boxes at Nassau Coliseum were positioned right between the penalty boxes, which allowed Bennett to capture a photo of the Detroit Red Wings’ young Steve Yzerman in 1984. It was an ideal position in many ways: He was close enough to smell the liniment on players’ skin and hear them trash talk.

There were drawbacks, too. Bennett got hit by plenty of pucks flung by players trying to get out of their defensive zone. Nowadays he shoots from the corner of rinks, where there are 4-by-5-inch holes for camera lenses.

Richter and Vanbiesbrouck’s shared jersey


Rangers goalies Mike Richter and John Vanbiesbrouck pose together in 1991.

The Hockey News assigned Bennett to take a photo of New York Rangers goalies Mike Richter and John Vanbiesbrouck, who shared the net in the early 1990s. Ahead of the shoot, Bennett purchased the biggest Rangers jersey possible and cut the back of it so both could squeeze into it. He remembers feeling weird destroying an expensive jersey.

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“I hope this works,” he thought to himself while making the cut.

Fortunately, both goalies were into the idea and happily posed for the photo. Afterward, Bennett didn’t know what to do with the jersey, so he had Richter and Vanbiesbrouck sign it. Now it’s in a frame in his living room, matted over a copy of the shot for which it was used.


Penguins forward Patric Hornqvist and Devils goalie Cory Schneider watch the puck enter the net in 2017.

Bennett sometimes puts a camera into the base of the net. He secures it inside a polycarbonate box, then can snap photos remotely with the same type of clicker he uses for his rafter shots. He likes this photo, which shows the Pittsburgh Penguins’ Patric Hornqvist scoring on Cory Schneider, because you can see the New Jersey Devils’ logo on the puck, as well as the symmetry of the players and the scoreboard showing New Jersey was on the penalty kill.

“It’s such a great angle,” he says. “To me, it’s a little cliched at this point. … But when you get a good one, it’s a good one.”

Crosby’s golden goal


Sidney Crosby celebrates an overtime goal on Ryan Miller in 2010.

Before the end of Olympic gold medal and Stanley Cup-clinching games, Bennett has to line up at the Zamboni corner, where he’ll get let onto the ice for the postgame presentation. He hates it.

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“Horrible,” he says. “You’re standing there and you’re looking at the scoreboard. You can’t shoot.”

Bennett had a camera set up in the rafters during the 2010 Olympic gold medal game between the U.S. and Canada. During overtime, he got on his knees so he could look up at the scoreboard. As Crosby received a pass from Jarome Iginla, Bennett held down his remote button, hoping the scoreboard monitor was synchronized with real-time action. Thankfully for him, it was. He got the shot he was looking for.

“It’s the moment that Canada sighed (its) relief,” he says.

Gainey with the Cup


Bob Gainey lifts the Stanley Cup in 1979.

Bennett found himself in a predicament after the Montreal Canadiens beat the Rangers to win the 1979 Stanley Cup in five games. He couldn’t find his way onto the ice and didn’t know French, so he ran both ways around the rink trying to figure out how to get close to the celebration. Eventually, he gave up trying to get on the ice and made his way to the stands. He stood on a chair and snapped photos as best he could.

“A couple fans, instead of clapping for their hometown, were holding me up so I could take pictures, which was really nice for the Anglophone, stupid American,” he says.

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He got lucky with a photo of Hall of Famer Bob Gainey. It’s a symbol, Bennett says, of the glory of winning the Stanley Cup.

Young Gretzky


Wayne Gretzky stands in the Oilers locker room in 1979.

This photo of Wayne Gretzky is the cover for the English edition of Bennett’s book, “Hockey’s Greatest Photos.” It’s from Gretzky’s final WHA game with the Edmonton Oilers. Back then, photographers were allowed in the locker room after games, which is how Bennett got this shot.

“High school shoulder pads,” Bennett says. “Skinny, scrawny guy.”

It was the first famous photo he took of Gretzky, who wrote the foreword to “Hockey’s Greatest Photos.” Bennett took the lasting image of Gretzky scoring his 77th goal of the 1981-82 season, breaking Phil Esposito’s record. He doesn’t view that photo as anything special artistically, but it captured a moment in history. A signed copy hangs in Bennett’s living room.

Bennett’s relationship with Gretzky has spanned decades now. Gretzky brought him along as the official photographer of the Ninety Nine All Stars tour, which took place during the 1994-95 lockout, and Bennett shot Gretzky’s fantasy camps, too. That’s the source of some of the memorabilia on his wall.

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Bossy’s burning stick


The Islanders’ Mike Bossy poses for a portrait in 1980.

Bennett staged this picture for the Hockey News in the locker room at Nassau Coliseum. Look closely and you’ll notice Bossy is still wearing a towel from the showers. To create the image, Bennett put kerosene on the base of the stick and then lit it on fire.

“We had a bucket of water there, but it eventually burnt up the cotton and then dissipated on its own,” he says.

Bossy was part of the Islanders four-peat from 1980 to ’83. That era of hockey came at a good time for Bennett.

“I think it was a moment that helped turn my career a bit,” he says. “Not only that you had a dynasty growing on Long Island, but the fact that I was smart enough or able enough to turn off the fan switch in my head and focus on the task of doing the job.”

Potvin hits Lafleur


The Islanders’ Denis Potvin upends the Canadiens’ Guy Lafleur in the early 1980s.

This photo of Denis Potvin hitting Guy Lafleur is one of Bennett’s early-career favorites.

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“It was one of the first best shots that I had,” he says.

He says he would have considered using it as the cover photo for his book, had it worked horizontally. It’s similar to a photo he took in the 2024 playoffs of Carolina’s Dmitry Orlov hitting the Rangers’ Jonny Brodzinski and leaving him in a similar position as Lafleur. But, he says, “Slight difference in Hall of Fame status. No offense to Jonny.”

Martinez’s Cup-winning goal


The Kings celebrate Alec Martinez’s Cup-winning goal in 2014.

When Bennett lectures on sports photography, he stresses the power of capturing celebration and dejection in the same frame. That’s exactly what he got when Alec Martinez scored on Henrik Lundqvist to win the 2014 Stanley Cup Final.

“It’s gold,” Bennett says. “Lundqvist was a guy who, his emotions, even with a mask and everything, you could just tell by body language.”

The Kings celebrating so close to him added to the impact of the image, which he took with a remote camera positioned in the rafters.

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“I’m getting ready to be pushed out on the ice, so I’m just blindly holding that button,” he says.


More than two hours before the Rangers game Nov. 30 against Montreal, Bennett is crouched in the bowels of Madison Square Garden, attaching his camera into place at the base of the game net. His plan is to shoot the 1 p.m. Rangers game, then take a train to UBS Arena to take photos of Islanders-Buffalo Sabres in the evening.

Bennett’s proximity to multiple teams in the New York area has always allowed him to shoot lots of games, and the passion that carried him as an 18-year-old doesn’t seem to be going anywhere.

“It’s hard to walk away,” he says. “It’s like a professional athlete.”

Bennett starts his work days in his office looking at the photos Getty shooters took the night before. He’ll send out emails, some complimentary, some constructive and some sarcastic. He watches NHL Network and will download media notes for the next game he’s shooting. He’ll note which players are coming up on milestones so he’s prepared to catch the big moments.

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During hockey’s summer hiatus, Bennett keeps himself busy with … photography. He enjoys going on day trips around Long Island and shooting pictures of wildlife. He has one of his favorites, an eagle in Centerpoint catching a fish, blown up and framed in his office.

Then, when the season starts up, he’s always ready to go.

“The expression a golfer would say — one great shot brings you back the next day — that’s how I feel about a hockey game,” he says. “If you’re not there, you’re not getting it.”

(Illustration: Dan Goldfarb / The Athletic. Photos: Peter Baugh / The Athletic; Bruce Bennett / Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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