Culture
The Panama game was an important test for this USMNT generation – and they failed
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We’ll get to the Panama game in a bit, but first, think back to December 2022.
The United States men’s national team had just been eliminated from the World Cup by the Netherlands, losing in the round of 16 by a 3-1 margin. A nation was looking for answers: why couldn’t Gregg Berhalter’s side get the job done?
“When you look at the difference between the two teams; to me, there was some offensive finishing quality that we are lacking a bit,” Berhalter said of the second-youngest squad among the 32 in that tournament. “It is normal. We have a very young group and they are going to catch up to that.”
Ah, youth. There’s nothing more exciting in soccer than the concept of potential; the promise that for as good as a player or team may be now, just wait until they find their sea legs. With experience is supposed to come the intangibles that round out an athletic skill set. These are often the traits that turn a good player into a great one: an erudite reading of the game or an otherworldly ability to anticipate the opponent’s next move, to cite a pair.
Still, it can be an underwhelming silver lining to fixate upon after a team is eliminated in a World Cup. Those only come around every four years and besides, there’s no guarantee that a player, much less a collective of them, will have squatter’s rights over national team spots as younger alternatives rise through the ranks.
At a certain point, a person or a team has to show that the proverbial “teachable moments” from past hardships have resonated and will inform better decisions thereafter.
Which brings us to Thursday night in Atlanta.
For a quarter of an hour, the USMNT was up for the challenge. Panama represents the type of foe that Berhalter’s side would welcome in these circumstances. In this all-Americas edition of the Copa America, ostensibly the CONMEBOL (South American) championship, one would think it’s better to face a CONCACAF rival you play regularly than one from a different confederation altogether.
After the final whistle, with his team having suffered a 2-1 defeat, Berhalter and his players repeatedly cited their familiarity with Panama. They knew Panama was a team that would play with chippiness in every action. They knew what Panama was all about and knew the approach they would take in hopes of shocking the tournament hosts.
It begs the question: if you knew where the opponent would lay its traps, why did you end up ensnared by one entirely of your own creation?
(Eliecer Aizprua Banfield/Jam Media/Getty Images)
Since taking over in 2018, one of the hallmarks of Berhalter’s USMNT tenure has been his ability to stymy, overcome, and eventually run laps around Mexico. For decades, those two teams have fought for supremacy in CONCACAF’s balance of power. As nations such as Costa Rica or Canada enjoyed strong stretches this century, their success was contextualized vis-a-vis the region’s twin powers.
The framing does a disservice to the rest of CONCACAF, a sort of soccer classism built on past pedigree and fame surrounding a nation’s top players. The nature of a group draw, offering every team its next three opponents, inevitably fixates on the perceived “toughest” opponent in the three matches, regardless of their spot in the queue. So when you’re focused on a game against Marcelo Bielsa’s high-flying Uruguay at the end of the group, you risk overlooking the teams you fear less.
Teams like Panama.
Even after watching the highlight of Tim Weah’s 18th-minute red card offense a dozen times (or, perhaps, especially after watching it so often), it’s tough to fathom his decision-making. Before and after the match, the United States emphasized they knew Panama would tap into the dark arts to wrestle control over the game.
Tim Weah receives a red card after review for this contact 🟥 pic.twitter.com/phw8bSzdKR
— FOX Soccer (@FOXSoccer) June 27, 2024
Tim Weah is sent off! 😱
The United States player is shown a straight red for violent conduct 🟥
Big moment in this game… pic.twitter.com/WEmV5B9DKt
— Premier Sports (@PremSportsTV) June 27, 2024
The thing is, this wasn’t one of those cases. It wasn’t a response to a scything tackle or an incisive elbow behind the referee’s back. It was retaliation for an otherwise nondescript off-ball bump between a defender primed for a challenge and an eager attacker. For that to be the series of events that allowed Panama to play over 70 minutes with a man advantage? It undermines claims of “knowing” what to expect.
Well, maybe that’s unfair. There’s knowing what’s coming and then there’s planning accordingly. The latter part is of greater importance.
(Hector Vivas/Getty Images)
To be fair, the gamesmanship the United States claimed to have expected did present itself.
Chief among the examples was the 12th-minute challenge by Cesar Blackman that saw the Panama player clatter into a defenseless Matt Turner in mid-air without making a serious nod toward the ball. Goalkeeper Turner suffered a knee injury in the process, which may have limited his mobility when Blackman placed an equalizer into the net just 14 minutes later.
Of course, Blackman escaped the collision without seeing a yellow card, but that’s another story.
In a cruel twist, the player who seemed poised to bring the “offensive finishing quality” that Berhalter longed for in 2022 did his part. Even after Weah’s red card and before Blackman’s goal, Folarin Balogun opened the scoring with the kind of attempt that only a special striker could confidently convert.
(Hector Vivas/Getty Images)
The USMNT fought valiantly in the second half after Berhalter made a trio of adjustments to replace Turner with a fresh goalkeeper, withdraw one midfielder to add another defender, and swap out defensive midfielders to ensure stability. In theory, a 1-1 draw would have done wonders for the hosts, putting them on four points and Panama on one with one game each remaining.
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Eventually, Panama’s extensive ownership of possession (74%, or 72% when only considering touches in each attacking third) gave them enough time to turn one point into three. As Christian Pulisic succinctly put it after the game, “it’s not so easy to keep the ball” when you’re playing with one man less. Panama created its best chance of the game in the 80th minute and didn’t waste it.

Weah’s teammates and coach were quick to mention that the Juventus man was contrite after the match, relaying that he’d apologized for his action and the disadvantage it caused. Seemingly, he’ll soon have another chance (whether in the knockouts or after this tournament) to make things right — as others of this generation, including Gio Reyna, Weston McKennie and Sergino Dest have done following their own incidents on and off the pitch.
For now, however, the damage is done. Weah’s ill-advised shove gave Panama an advantage it may not have needed but certainly relished. Tyler Adams referred to Weah’s infraction as a “lesson” to reflect upon for the future. Pulisic assured us that Weah is “gonna learn from it”.
Haven’t we heard this before? Given how infrequently the USMNT can schedule friendlies against teams outside of CONCACAF, is there any excuse left for not having some level of mastery over the finer points of playing rivals within your confederation?
How can a team expect to outfox Uruguay, or one of Brazil or Colombia in a potential quarterfinal — to say nothing of the broader field at a World Cup — if it frequently falls victim to the opponents it knows best?
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(Top photo: Hector Vivas/Getty Images)
Culture
Closed-Door Romance Books That Will Make You Swoon
As a lifelong fan of romantic comedies, my list of favorite “sweet” romances is extensive.
Not because I have a spice aversion — but because the rom-coms I love most, with that classic cinematic vibe, often come with fewer peppers on the spice scale.
Some people refer to these books as “closed door.” I prefer to think of them as “in the hall” romances (though that admittedly doesn’t roll off the tongue quite the same way). The reader is there for all the swoon, the burn and the banter — but when things head to the bedroom, the reader remains out in the hallway. With less focus on what happens inside the boudoir, all that juicy heightened tension and yearning really shine. Here are a few of my favorites.
Culture
Book Review: ‘Seek the Traitor’s Son,’ by Veronica Roth
SEEK THE TRAITOR’S SON, by Veronica Roth
I read Veronica Roth’s new novel for adults, “Seek the Traitor’s Son,” over one weekend and had a hard time putting it down, and not just because I was procrastinating on my house chores.
There’s much about the novel one would expect from Roth, the author of the Divergent series, one of the hottest dystopian young adult series of the 2010s. Thematically, the novels are similar. Like “Divergent,” this new book is also set in an alternate, dystopian version of our world; it is also packed with vivid, present-tense prose full of capitalized labels to let you know that something different is going on; and it also centers on a classic “Chosen One” who is burdened by the mantle of savior she carries.
These are classic tropes, but I, like many other genre fiction fans, enjoy that familiarity. Still, I’m always hoping for a subversion, a tornado twist that sucks me into imagination land.
In “Seek the Traitor’s Son,” our Chosen One is Elegy Ahn, the spare heir of the most powerful woman in Cedre. Elegy likes her life, even if it’s filled with danger. See, some time ago, a virus took over the world. The contagion is strange: Everyone who is infected dies, but 50 percent of the people who die come back to life with mysterious cognitive gifts.
After the outbreak, Earth split into two factions: The dominant Talusar, who worship the Fever, believe it is a divine gift, willingly infect themselves with it and consider anyone who does not submit to it a blasphemer; and Cedre, a small country made up of everyone who rejects the virus and the dogma around it. They are, naturally, at war.
Early in the book, Elegy, solidly on the Cedre side, and Rava Vidar, a brutal Talusar general, are summoned by an order of prophets who tell them: One of you will lead your people to victory over the other, and one of the deciding factors involves an unnamed man whom Elegy is prophesied to fall in love with.
Elegy doesn’t want this. But the prophecy spurs the Talusar into action, and so her mother assigns her a Talusaran refugee as a knight and forces her into the fray as the Hope of Cedre.
If that seems like a lot of setup, don’t worry. That’s just the first few chapters. Besides, if you know those dystopian novel tropes, you’ll get the hang of it. Roth gets through the world exposition quickly, and after a rather jarring time skip, the plot takes off, effectively and entertainingly driving readers to the novel’s exhilarating end.
The strength of “Seek the Traitor’s Son” is Roth’s character work. Elegy is a dynamic heroine. She has a lot to lose, and she leads with love, which is reflected in the intense grief she feels for the people she’s lost in the war and the life the prophecy took from her. It’s love that makes her stop running from her destiny and do what she thinks is right to save the people she has left.
Many authors isolate their characters to back them into bad decisions, so it’s refreshing that Roth has given Elegy a community to support her. Her sister Hela in particular is a treat. She’s refreshingly grounded, and often gives a much needed reprieve from the melodrama of the other characters’ lives. (She has an important subplot that has to do with a glowing alien plant, but the real reason you should pay attention to her is that she’s funny, loves her sister so much, has cool friends and listens to gay romance novels.) Hela and Elegy’s unwavering loyalty to each other casts a positive illumination on both characters.
My favorite character is Theren, Elegy’s knight, who is kind and empathetic to everyone but himself. As the obvious romantic lead, his character most diverges from genre standard because of the nuanced depiction of his trauma. He has been so broken by his experiences that he thinks what he can do with his body is all he can offer, and it’s worth nothing to him.
But like I said, I need subversion, and for all the creative world-building, I didn’t quite get it. The most distinct part of the novel was the setting and structure of alternate Earth, as well as the subcultures born from that setting. But after ripping through the novel, I found that those details didn’t provide nourishment for thought, and the general handwaviness of the technology and history of Earth was distractingly easy to nitpick.
I am a greedy reader, so I want my books to have everything: romance, action, an intellectual theme, novel ideas about the future, and character development. “Seek the Traitor’s Son” comes close. The novel is the first in a series, and I’m willing to hold my reservations until I read the next book. Elegy and Theren are worth it.
SEEK THE TRAITOR’S SON | By Veronica Roth | Tor | 416 pp. | $29
Culture
Revolution is the Theme at the Firsts London Book Fair
To mark the 250th anniversary of the U.S. Declaration of Independence, “Revolution” is the timely theme of the Firsts London book fair, opening Thursday in the contemporary art spaces of the Saatchi Gallery.
The fair, running Thursday through Sunday, will feature 100 dealers’ booths on three floors of the neoclassical, early 19th-century building in the upscale Chelsea neighborhood and will take place at a moment of geopolitical convulsion, if not revolution. It also coincides with a profound change in reading habits: Fewer people read for pleasure, and when they do, more often it is on a screen. And yet some physical books are fetching record prices.
Why is that? Clues can be found at Firsts London, regarded as Britain’s pre-eminent fair devoted to collectible books, maps, manuscripts and ephemera. Dealers will be responding to the revolution theme by showing a curated selection of items that document political upheavals over the centuries.
While the organizers — members of the nonprofit Antiquarian Bookseller’s Association and the International League of Antiquarian Booksellers — have been eager to expand the theme to include material that throws light on revolutions in other realms such as science and social attitudes, the momentousness of the Declaration’s anniversary has spurred dealers to bring items with ties to 18th-century America.
The New York-based dealer James Cummins Bookseller, for instance, will be offering a 1775 London printing of Congress’s declaration of the “Causes and Necessity of Taking Up Arms” against the British authorities. Mostly written by John Dickinson and Thomas Jefferson and published just a year before the Declaration of Independence, the document represents a decisive moment in the colonies’ struggle for self-determination. It is priced at $22,500.
“We’re generalists. We’re bringing a bit of everything,” said Jeremy Markowitz, a specialist on American books at Cummins. “But this year, because of the anniversary, we’re bringing Americana that we otherwise wouldn’t have brought.”
The London dealer Shapero Rare Books will be showing a letter written in January 1797 by Thomas Paine, one of the most influential Founding Fathers, to his friend Col. John Fellows who had served with the American militia during the Revolutionary War. The text reiterates the views of Paine’s open letter to George Washington, urging him to retire from the presidency, fearing that the office might become hereditary. With an asking price of 95,000 pounds, or about $130,000. Paine’s letter to Fellows was written just weeks before Washington stood down in March at the end of his second term, a practice later enshrined in the 22nd Amendment limiting presidents to two terms.
Bernard Quaritch, another London bookseller, will be exhibiting a first edition in book form of “The Federalist Papers,” the celebrated collection of essays written in favor of the new Constitution by Alexander Hamilton, James Madison and John Jay from 1787-1788. (These texts are mentioned in Lin-Manuel Miranda’s award-winning musical “Hamilton.”) In its original binding, with the pages uncut and largely unopened, this pioneering work of U.S. political philosophy is priced at £220,000.
The fair, like the United States, has gone through its own process of reinvention. It is the sixth annual edition of Firsts London, but its origins stretch from 1958, when its more traditional forerunner, the London International Antiquarian Book Fair, was founded.
The rebranded Firsts London was initially held at an exhibition space in Battersea Park in 2019, then transferred to the Saatchi in 2021. (There is also Firsts New York and Firsts Hong Kong.) Last year the event attracted an estimated 5,000 visitors over its four days, according to the organizers, and notable sales were made.
“Book fairs are now part of the ‘experience culture.’ In an age where everything is available at a click, fairs have to present themselves in a different way,” the exhibitor Daniel Crouch said.
Crouch will be showing two late-18th-century engraved maps printed on paper of New York by Bernard Ratzer, an engineer commissioned by the British to survey the city and its environs in 1766 and 1767 in case it became a battlefield. Ratzer’s large three-sheet map of the southern end of Manhattan and part of New Jersey and Brooklyn is priced at £240,000; his smaller map of south Manhattan at £25,000. Both date from January 1776, just six months before the Declaration of Independence was adopted in Philadelphia on July 4, 1776.
Other revolutions are also represented. The cover design of Millicent Fawcett ’s classic 1920 Suffragists tract, “The Women’s Victory — and After,” from the collection of the Senate House Library at the University of London, is the poster image for the event and the library is lending the entire pamphlet for display at the fair.
Scientific revolutions are represented by items like a 1976 first edition of Richard Dawkins’s book “The Selfish Gene,” offered at £2,250 by Ashton Rare Books of Market Harborough in Leicestershire, England. Fold the Corner Books in Surrey is offering a handwritten letter by an anonymous British spy describing scenes in Paris in 1791 during the French Revolution, and the dealers at Peter Harrington are bringing a Chinese parade banner from the Cultural Revolution. The banner and the letter are each priced at £750.
While the U.S. document’s anniversary has spurred many exhibitors to show rare 18th-century American items, the organizers stressed the fair’s wider remit.
“We wanted to do something related to our cousins over the water, but something a bit broader than just the American Revolution,” said Tom Lintern-Mole, the chairman of this year’s London fair.
“Revolution is a concept,” he said. “It encompasses everything to do with our world. Printing itself was a revolution. It helps foment revolutions. We like to think that books make history, as well as being artifacts of it.”
In terms of making sales, science fiction and science and fantasy are genres that many traders see as the key growth areas, because of, in great part, recent Hollywood adaptations. “Affluent younger collectors are moving the needle in the market,” said Pom Harrington, owner of Peter Harrington.
Cummins is offering a 1965 first edition of “Dune” for $16,500, while the London-based Foster Books will be asking £22,500 for a 1954-1955 three-volume first edition of “The Lord of the Rings” by J.R.R. Tolkien. It is sumptuously covered in red morocco leather by the binders at Bayntun Riviere.
And with the rise of tech, online sales have increasingly replaced high street transactions, resulting in many rare-book shops closing. Tom W. Ayling, who trades from his home in Oxfordshire and is exhibiting at Firsts London, is one of the most prominent of a cohort of young dealers who sell online and at fairs without the expense of a shop.
“I get almost all my customers through social media,” said Ayling, who has about 298,000 followers on Instagram alone.
Tolkien is a favorite subject for his engaging, regular video posts. Ayling will be bringing a copy of the author’s extremely rare collection of poems, “Songs for the Philologists.” Printed in 1936, only about 15 copies of the collection are known. Ayling is asking £65,000 for this one.
“I put as much content out there as I can to get people interested in book collecting,” Ayling said. “I want to widen the arcane world of book collecting to a mass audience.”
A mass audience collecting — let alone reading — books? That really would be a revolution.
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