Culture
The Jaguars overestimated themselves. Did they overestimate Trevor Lawrence, too?
The NFL’s biggest surprise teams through Week 4 reside at opposite ends of the standings.
The Minnesota Vikings are 4-0 after losing their highly drafted rookie quarterback and substituting the well-traveled Sam Darnold in his place.
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The Jacksonville Jaguars are 0-4 less than four months after rewarding their quarterback, Trevor Lawrence, with a $275 million extension.
Here’s another surprise: Lawrence’s statistical production through his 54 career starts mirrors the production for Darnold to the same point in his career (Darnold has made starts No. 57-60 this season).
It’s early for a Jaguars autopsy, but so far, Jacksonville fits the profile of a team that overestimated itself, symbolized most resoundingly when paying its quarterback. The team is facing tough questions earlier than anticipated because winnable games slipped away, leaving the Jaguars 0-4 for the second time in four seasons with Lawrence, and for the fourth time in 13 seasons with owner Shad Khan.
The schedule delivers beatable opponents over the next three weeks in the Indianapolis Colts (2-2), Chicago Bears (2-2) and New England Patriots (1-3), but enough has gone wrong through the Jaguars’ first four games to examine the evidence. Including that Darnold-Lawrence comp.
“It will not end well”
The Jaguars are not the only team to invest market-setting dollars in a quarterback carrying question marks long before there was a deadline for making a decision. The Miami Dolphins acted similarly with Tua Tagovailoa, as did the Arizona Cardinals with Kyler Murray. Both Lawrence and Murray signed extensions with two years remaining on their rookie contracts.
Shortly after the Jaguars extended Lawrence’s deal for $55 million annually, 50 coaches and executives voting in my 2024 Quarterback Tiers survey combined to place Lawrence in Tier 3. Lawrence ranked 16th. Tagovailoa was one spot higher. Murray was one spot lower. (Those three quarterbacks’ teams are a combined 2-10 this season.)
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The deal for Lawrence came after the Jaguars lost five of their final six games last season, with the only victory coming against Carolina, when Lawrence was unavailable because of injury.
“They have a quarterback they think is a superstar, and he is not a superstar,” a QB Tiers voter said over the summer. “Ownership thinks he is a superstar. It will not end well.”
The implication was that Lawrence can be good, but not great, and that he isn’t good enough consistently enough to meet sky-high expectations.
“Make no mistake, this is the best team assembled by the Jacksonville Jaguars, ever,” Khan told fans in late August. “Best players, best coaches. But most importantly, let’s prove it by winning now.”
The Darnold comp
Through 54 starts, Darnold and Lawrence had identical won-lost records (20-34), the same yards per pass attempt (6.7) and nearly the same average air yards per attempt. Their passer ratings lagged. Darnold took more sacks. Lawrence suffered from more dropped passes.
Lawrence had the better expected points added (EPA) per pass play, but in looking at the table below, we would never conclude that one of these quarterbacks deserved a market-setting extension, while the other was an abject failure.
Darnold and Lawrence, first 54 starts
| QB | Darnold | Lawrence |
|---|---|---|
|
W-L |
20-34 (.370) |
20-34 (.370) |
|
Cmp % |
60.2% |
63.1% |
|
Yds/att |
6.7 |
6.7 |
|
TD-INT |
61-53 |
62-40 |
|
Rating |
79.2 |
84.6 |
|
Sack % |
7.4% |
5.4% |
|
Explosive pass % |
15.8% |
14.0% |
|
Rush TD |
12 |
11 |
|
Avg air yds |
8.1 |
8.0 |
|
Fumbles (lost) |
32 (13) |
35 (21) |
|
Passes dropped (%) |
63 (3.7%) |
106 (5.5%) |
|
EPA/pass play |
-0.07 |
-0.01 |
Both players experienced terrible team situations early in their careers — Darnold with the New York Jets in the NFL’s largest media market, Lawrence with Jacksonville in its smallest.
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“Good players can be in bad situations, bad players can be in good situations and it takes a little while to figure out the true merit sometimes,” a veteran coach said.
Lawrence badly missed two open receivers, Christian Kirk and rookie Brian Thomas Jr., for what would have been long touchdown passes during the Jaguars’ 24-20 defeat at Houston in Week 4.
With those throws presumably in mind, coach Doug Pederson pushed back when asked after the game about possibly taking over play-calling duties from offensive coordinator Press Taylor.
“For what?” Pederson replied. “I thought he called a great game. As coaches, we can’t go out there and make the plays. It’s a two-way street.”
Lawrence missed Thomas along the right sideline for what would have been another big gain. Receivers made diving catches to secure two shorter throws. Other passes were imprecise enough to limit yards after the catch. Most of the misses were overthrows.
“When someone is so consistently spraying the ball and they are a guy who was a No. 1 overall (draft choice), I almost always feel like there is some element of, I don’t want to say the yips, but some sort of mechanical, fundamental thing,” NFL quarterback-turned-analyst J.T. O’Sullivan said while breaking down every Jaguars offensive play from Week 4 for his Patreon subscribers.
O’Sullivan noted that Lawrence in this game hopped backward unnecessarily while throwing. Bad habits can set in when quarterbacks do not trust their pass protection. Lawrence took a punishing hit early in the Houston game as the Texans’ physical defensive front asserted itself.
The Jaguars rank 16th in ESPN’s pass-block win rate metric and 23rd in Pro Football Focus’ pass-block grading, which doesn’t seem so bad. Reviews from within the league have been harsher.
“They play up front like they can’t wait until the play is over — tough to watch,” a personnel executive said before the Houston game. “The quarterback is missing easy throws. There’s bad body language. Just in general, offensively, a downtrodden group.”
Considering a potential Wentz parallel
The Philadelphia Eagles ranked 18th in offensive EPA per play during Pederson’s Super Bowl-winning tenure as their coach from 2016 to 2020. That period encompassed the rise and fall of Carson Wentz. Is Lawrence following a similar arc on a smaller scale?
The chart above compares the cumulative pass EPA for Wentz and Lawrence when both were with Pederson, pegged to career start number. The line for Wentz begins at career start No. 1, while the line for Lawrence begins at career start No. 18. There’s nothing definitive here, but this could be worth revisiting as the 2024 season progresses.
Pederson benched Wentz late in their fifth and final season together. Lawrence remains early in his fourth NFL season and third with Pederson. His five-year contract extension begins in 2026. He’s likely going to be in Jacksonville for years to come, no matter who is coaching.
Nine consecutive defeats for Lawrence
Lawrence’s current nine-game losing streak as a starter moves him one away from matching Carson Palmer (2010) and Jared Goff (2020-21) for the longest such streaks since 2000 for quarterbacks drafted No. 1.
Ten would also match the Jaguars’ franchise record, held by Chad Henne and Blake Bortles.
Darnold has been there before, once losing nine straight with the Jets. But his recent team and individual production far outpaces that of Lawrence, as the table below shows.
Darnold and Lawrence, last 9 starts
| QB | Darnold | Lawrence |
|---|---|---|
|
W-L |
6-3 (.667) |
0-9 (.000) |
|
Cmp % |
63.8% |
58.9% |
|
Yds/att |
8.6 |
6.3 |
|
TD-INT |
17-6 |
13-8 |
|
Rating |
105.1 |
80.7 |
|
Sack % |
8.4% |
6.5% |
|
Explosive pass % |
21.4% |
13.7% |
|
Rush TD |
2 |
1 |
|
Avg air yds |
8.5 |
10.1 |
|
Fumbles (lost) |
11 (4) |
7 (3) |
|
Passes dropped (%) |
5 (2.2%) |
17 (5.4%) |
|
EPA/pass play |
+0.16 |
-0.08 |
The decision to extend Lawrence’s contract at such an expensive price does not stand alone among choices inviting scrutiny for Jacksonville. They used the first pick in the 2022 draft for Travon Walker instead of Aidan Hutchinson. Bigger-picture defensive changes also stand out.
Last season, the Jaguars ranked 23rd on offense and 11th on defense as measured by EPA per play. They fired defensive coordinator Mike Caldwell and seven defensive assistants.
The offense ranks about the same this season (24th), but the defense ranks much worse (30th) while transitioning to a new style. Under coordinator Ryan Nielsen, Jacksonville is playing man coverage at the second-highest rate (42 percent) after having the third-lowest rate (15 percent) last season.
Darnold, backed by the NFL’s top-ranked defense by EPA per play, has attempted only two passes while trailing this season. The Jaguars’ record and Lawrence’s role in it would likely be footnotes if Jacksonville were getting that kind of production from its defense this season.
The defensive changes could still pay off. Lawrence and the offense could still hit stride.
The Jaguars were close to breaking open their season-opening game at Miami, but running back Travis Etienne fumbled as he neared the goal line. The Dolphins scored an 80-yard touchdown two plays later. Jacksonville led Houston 20-17 late in the third quarter when Tank Bigsby’s 58-yard run gave the Jaguars first-and-goal from the 4. Jacksonville turned over the ball on downs.
The 24-20 defeat to Houston dropped the Jaguars to 1-4 since the start of last season in games decided by four or fewer points. Such things tend to even out. The evening out cannot happen fast enough for a team set to induct its only winning coach, Tom Coughlin, into its Ring of Honor in Week 5.
(Photo of Trevor Lawrence, right, and Doug Pederson: Bryan Bennett / Getty Images)
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Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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