Culture
The baseball statistic that’s changing MLB — for better or worse
Major League Baseball recently released a report about pitcher injuries. It was the culmination of interviews with 200 subject-matter experts about the growing rash of arm troubles in the sport, and the word “stuff” was used 47 times. The report includes entire sections about the concept of stuff metrics — like Stuff+ — and how they may relate to pitcher health.
The study of the physical characteristics of a pitch, and how they relate to outcomes, has been improved immensely over the past few years by new technology and machine learning techniques. Now a number like Stuff+ can tell you how good a pitch is based only on its velocity, spin and movement. The recent explosion in the use of pitch types like sweepers, hard sliders and cutters across the league can be tied back to these metrics, which pointed to these pitch types as underrated.
“It’s been an important tool for us as we evaluate and develop our pitchers,” said one major-league pitching coach, one of multiple team employees who were granted anonymity because they weren’t approved to talk about these metrics publicly.
“Stuff+ has really helped bridge the gap between how the public and front offices think about pitchers and pitch quality,” said an MLB team analyst. “Teams keep their own metrics internal, obviously, but given how similarly teams build these metrics and how similar Stuff+ is to what these teams have, Stuff+ helps the casual observer understand what teams are seeing in pitchers.”
But it’s not just the doctors, coaches and analysts who care about these metrics. A player helped inspire one of the first stuff metrics. Brandon Bailey, now a pitching coach in the Dodgers organization, had the generative question in 2018 when he was pitching. He had a curve and a slider, and the Astros wanted him to either throw the curveball harder, or the slider with more movement. He didn’t know which idea was better.
“He asked us: Which should I do?” said Kyle Boddy of Driveline. “We were like, ‘Oh, that’s a good question. Can we quantify this?’ That was the first question that led us to develop Stuff+.”
Clearly, these stuff metrics are here to stay. They’re in the bullpen when the coach is assessing his guys, they’re in the offseason plans when pitchers get homework assignments, they’re in the scouting reports hitters mull over before the game and they’re in the office when the analysts are trying to find undervalued players to acquire. They’re now up on many of the best statistical websites in baseball and in most teams’ lexicons when it comes to developing and acquiring players, and they’re increasingly part of the regular parlance of the sport.
But, before we get into the ramifications of these new numbers, it makes sense to understand them better.
What is Stuff+?
Aptly named, Stuff+ is a number that evaluates a pitcher by studying his movement, velocity, spin and release points. It’s generally trying to remove the context of how a specific pitch performed on the field by looking at how certain combinations of shapes, velocities and spins usually perform across baseball and then assigning that value back to the pitch itself. What started with a revelation like “hard sliders that drop a lot are good” has become more complicated, but the analysis comes from the same place.
Pioneered by former Cubs research and development analyst Jeremy Greenhouse in 2009, the framework and concepts within were pushed forward by analysts like Harry Pavlidis at Baseball Prospectus and many others in the field, including Alex Chamberlain with FanGraphs and Tom Tango with Major League Baseball.
Working with Ethan Moore, we debuted a Quality of Stuff metric here at The Athletic in 2020 before Max Bay (now with the Dodgers) brought Stuff+ here a year later and eventually on to FanGraphs, where it now lives in a sortable leaderboard. Driveline Baseball first posted about its model, built by now-Phillies R&D head Dan Aucoin, in late 2021 but had already been using it before it went public. Now there are many competing models available publicly, and most teams have their own private versions.
The most basic and powerful pillar of Stuff+ is that velocity is good. That’s no surprise, but it’s not just that the velocity of the fastball is good for itself. The velocity of the fastball is also good for the secondary pitches, which we define off the fastball using velocity as the “anchor.” This is because hitters have to time the fastball — they have to be able to swing early and hard enough to hit the pitch that is still the most common in baseball. When they do so, they open themselves up for mistakes and swings and misses.
Here’s a look at Max Fried’s fastball and curveball, which sit a whopping 18 mph apart. Look at where the curveball is when the fastball crosses the plate.
If you swing to time that fastball, you’ll miss the curveball by feet, so velocity is very important for whiffs. Movement is also key because it can influence the results of a ball in play. Movement can be difficult to talk about and understand in pitching terms because it’s defined theoretically. Here’s an example.
We know that “ride” is good on the fastball, and that Logan Gilbert has 16 inches of it. That means the spin on his four-seamer helps the pitch counteract the effect of gravity. The ball doesn’t rise, but it does drop less than the hitter would expect it to. Gilbert’s fastball has 16 inches more ride than a pitch that spins like a bullet and is only affected by gravity.
It turns out that the Mariners’ starter actually throws a slider with one inch of horizontal movement and zero inches of vertical movement, so almost exactly this theoretical bullet pitch. If we overlay his fastball and slider, we can get a sense of what 16 inches of ride looks like in the real world.
Using machine learning, Stuff+ can test all sorts of different combinations of movement and velocity and spin and release points to find the best stuff. That makes it hard to produce top-line outcomes like “ride is good.” Even if ride is good, it’s more complicated than that because velocity, spin and release still matter.
Here’s an example of some feature interactions within the model. In this case, you have slider velocity (x-axis) against slider drop (y-axis), where the colors indicate the Stuff+ of each combination of velocity and drop around the league. If you look for the red (good), then you’ll find that generally it’s good to throw your slider harder, but that drop still matters. All of the features have this sort of complicated interaction, and that adds up to a single number.
One surprise from these models is that release point is incredibly important. What seems likely is that hitters see a release point and then automatically expect a certain type of movement from that slot. Pitchers who can play with that expectation — like Josh Hader does with his unique fastball — do really well in stuff models.
In this next visual, we can see how Bryce Elder and Clay Holmes throw their sinkers from almost the same arm slot but with different movement. Elder’s sinker shape is more expected given its high release point, so his sinker has an 80 Stuff+ (a Stuff+ score of 100 represents the average for all pitchers). Holmes gets four more inches of drop on his sinker from the same slot, so he has a 112 Stuff+. And the results follow, as Elder has allowed a slugging percentage that’s more than 100 points higher on his sinker in his career.
This finding has turned some of baseball’s traditional wisdom on its head, as a short pitcher with lots of ride (like Shota Imanaga) might receive preferential treatment from today’s teams over a taller pitcher with the same ride. Unexpected movement is huge.
“I wish I could be shorter, actually,” the 6-foot-3 Cal Quantrill once told me. “If I was shorter, it might improve the angle of some of my pitches.”
Unable to change their stature, pitchers have often turned to the baseball’s seams to produce unexpected movement. Clay Holmes has leveraged his knowledge of “seam-shifted wake” — a phenomenon in which seams can gather on one side of the ball and drag it in a certain direction — to make his sinker move like pitches thrown from lower arm slots. He gets tremendous drop from an over-the-top slot because of the seam effects on the fastball he throws.
These are the things that teams seem to value in today’s pitchers: velocity, spin and unconventional combinations of movement and release points. That’s what you’ll see at the top of the Stuff+ leaderboards today, too.
What has Stuff+ brought to the game?
The research that produced Stuff+ contained discoveries that have changed how teams think about player acquisition, player development and in-game strategy.
The most obvious thing that came out in the first runs of the stuff models was that sliders performed so much better than any other pitch in the model. This led to the idea that they were being underutilized. In every season since Statcast was introduced, the league has thrown more sliders.
A closer inspection of the best sliders revealed that a certain type of sideways slider was particularly useful, especially against same-handed hitters. That pitch didn’t have a single name at first, going by the Dodger slider, or the whirly in the Yankees organization, and eventually turning into the sweeper in the collective consciousness. Some teams went all in, like the Mariners as they taught it wholesale in the minors, and others were more tentative, but there have been more sweepers with every season since Statcast was born.
These models have been able to incorporate seam-shifted wake since Statcast went to Hawkeye technology in 2020. Since then, we’ve seen an increase in sweepers, cutters and sinkers, which can all use seam effects to increase unexpected movement.
The last pitch listed is the most remarkable. Sinkers fell out of vogue during the first pitch-tracking era (2008-2015) when ride was first quantified, because a good four-seam with ride gets more whiffs. Now that teams know how to produce seam-shifted movement better, they’re able to produce sinkers that reliably affect the way batted balls perform, and they’re coming back.
This itself may end up as the biggest legacy of the stuff movement among analysts. That the batting average on balls in play (BABIP) was around .290 across the league year in and year out led Voros McCracken to create a theory of Defensive Independent Pitching in 1999. Because pitchers demonstrated more year-to-year control over their strikeout and walk rates, he reasoned, it was better to hone in on those when evaluating pitchers. Essentially, pitchers weren’t seen as having control over what happens on a ball in play, even if that’s not the most correct way to sum up his research.
In the most recent revamp of Stuff+ on FanGraphs, though, the link between pitch shapes and batted-ball outcomes becomes even clearer. Sometimes the statistics have to catch up to the common wisdom, and it turns out that having more sophisticated tracking data helped the model understand that certain physical characteristics of pitches were a reliable predictor of things like ground-ball rates, home-run rates and — yes — more extreme BABIPs than McCracken might have projected in the past.
“I think that’s probably simply because BABIP does such a poor job predicting itself — it needs help,” said McCracken about these new findings. “Strikeouts already predict strikeouts really well.”
In a way then, Stuff+ doesn’t refute his research, it simply refines it. Now Stuff+ can help us project BABIP better and show just how much control a pitcher can have over a ball in play.
Analysts tend to like models like Stuff+ because it helps them acquire pitchers who can do things (like suppress hits and home runs) that old models won’t pick up on. Pitching coaches value these models because — after evaluating only a handful of pitches — they can produce roadmaps for their pitchers who want to improve.
“Stuff+ has been an accurate indicator of how a particular guy’s pitches are performing at the big-league level — not only relative to the league but in relation to his arsenal,” said a major-league pitching coach. “If one is doing really well — this might impact how much we are throwing it, meaning we may bump up the usage. If one is doing poorly — it allows us to double-click on it and investigate why this might be the case: Is it the strikes? Is it the whiff? Is it the shape of the pitch?”
So, when a team picks up a pitcher with a funky release point, and coaches a pitcher to throw more sliders, pick up a sweeper, add a sinker or tweak a pitch shape, it is often acting in ways that Stuff+ would guide it. This has probably been a part of the rise of strikeouts across the league, because pitchers can optimize their stuff in ways that before were more intuitive and are now more precise.
If this Pandora’s box has been opened, it doesn’t seem likely to be shut, but there are a few hopeful ways forward. One is for hitters to use the same sorts of scientific tools to help their process. This is underway now, with the most modern approaches to hitting development including technology and concepts that pitchers have long valued. As hitters understand their bat paths with bat path grades that now resemble early Stuff+ grades, they can better fight fire with fire.
And then there are rules changes that can help the hitter. We’ve seen things like sticky stuff enforcement, the pitch clock and shift restrictions that lean toward boosting offense. One team analyst thought that baseball could paint lines on the ball that would help hitters better see the spin and better react to pitches. That could be viable, given the other changes baseball has recently seen.
Of course, since Stuff+ values velocity, spin and funky movement, and helps pitchers see the way toward optimizing their arsenals, it becomes obvious that there might be a link between the rise of these metrics and the rise of injuries across the game. Putting these things on one table brings that into focus.
But the research linking specific aspects of stuff and injury rates is a little murkier. For certain, velocity has a huge role. But is it how close a pitcher throws to their own personal maximum, as Glenn Fleisig found in his peer-reviewed study? Then why does a bigger velocity gap not lead to better health outcomes?
Or is velocity generally a stress on the elbow, as Driveline found? And if 80 mph sliders are fine, but 90 mph sliders are actually more stressful, as at least one study found, then maybe breaking ball velocity is one of the biggest strains on elbows?
Despite Dr. Keith Meister sounding the alarm bells about sweepers, there is no research directly linking sweepers to more risk. Are pitchers throwing with too much intensity in their pitch design sessions? How would that be knowable across the sport when those sessions aren’t tracked by the league?
As the rate of Tommy John surgeries on torn elbow ligaments has plateaued, overall days on the injured list have not. The biggest problem facing baseball is probably not that stuff metrics have found a way to characterize excellent pitches, though — that kind of work has been going on for nearly 20 years and seems impossible to stop. The problem is that velocity is good and is also a stressor, and there’s no way to tell a young pitcher who might make the big leagues that he needs to throw softer. They’re capable of doing the math, and they’ve made a calculated choice, as Justin Verlander pointed out about his pitching style.
In other words, players are always going to try to be better, just like Bailey when he asked the question that begat one version of Stuff+. If the sport is serious about improving injury, funding a bilateral effort would be a start, and adding rules changes that incentivize teams to carry pitchers who can go further into games (like a reduction in injured list slots) would do more than simply asking players to stop trying to throw nastier pitches.
What’s next?
Not everyone likes Stuff+, of course, beyond those linking it to injury.
“You can never get pitching into one number,” said Max Scherzer about the stat. “Even if you are able to, you’re still missing something.”
The effort to quantify aspects of pitching that stuff metrics miss is well underway despite his skepticism. Driveline (with Mix+ and Match+) and Baseball Prospectus (with its recently released arsenal stats) have attempted to put a number on the value of having wide arsenals with different movement and velocity profiles. Over at FanGraphs, Michael Rosen did some work on release angles that might better quantify command. To improve as a pitcher, you have to understand what the best do. So analysts will continue to try to define the best processes for pitchers.
“If you cannot measure it, you cannot improve it,” as Lord Kelvin, the legendary physicist, once proclaimed.
“We posted leaderboards with the Reds — we posted Stuff+, Command+ and times to the plate, those were the things we cared about,” said Boddy of his time as pitching coordinator. “Our coaches were being evaluated on that, we were determining who our best coaches were based on it. We found coaches that helped pitchers outperform our Stuff+ projections, like Brian Garman, our pitching coach at Dayton, and Forrest Herrman, our pitching coach at Daytona. Big shock, both are coordinators now.”
That said, every time analysts make an advancement that spreads throughout the game, like Stuff+, it quickly ceases to be an advantage. Boddy thought that 28 of 30 teams had their own internal Stuff+ model, and other analysts agreed that he wasn’t far off.
So maybe the future is more about the exciting research being done in biomechanics that could set a team apart. Over at NTangible, they feel they’ve built a better test of makeup — the attitude and energy that fuels the most successful players — which is notoriously difficult to define, scout and measure. At the winter meetings, people from all parts of baseball emphasized soft skills as a way to successfully bridge the gap between data and play on the field.
Despite the urge to quantify everything, there’s also the truth that the unquantifiable will always be important, and will remain a possible edge for a team that understands it best (including finding a way to quantify it). These more nebulous aspects of the game will always be a source of chaos in the machine of any metric. And that’s a good thing — it’s a sport, not a simulation.
(Graphics: Drew Jordan and John Bradford/ The Athletic; Illustration: Dan Goldfarb / The Athletic; Photo of Clay Holmes: Andrew Mordzynski / Icon Sportswire / Getty Images)
Culture
Is Emily Brontë’s ‘Wuthering Heights’ Actually the Greatest Love Story of All Time?
Catherine and Heathcliff. Since 1847, when Emily Brontë published her only novel, “Wuthering Heights,” those ill-starred lovers have inflamed the imaginations of generations of readers.
Who are these two? Definitely not the people you meet on vacation. The DNA of “Wuthering Heights,” set in a wild and desolate corner of Northern England, runs through the dark, gothic, obsessive strains of literary romance. Heathcliff, a tormented soul with terrible manners and a worse temper, may be the English novel’s most problematic boyfriend — mad, bad and dangerous to know. What redeems him, at least in the reader’s eyes, is Catherine’s love.
As children growing up in the same highly dysfunctional household, the two form a bond more passionate than siblinghood and purer than lust. (I don’t think a 179-year-old book can be spoiled, but some plot details will be revealed in what follows.) They go on to marry other people, living as neighbors and frenemies without benefits until tragedy inevitably strikes. In the meantime, they roil and seethe — it’s no accident that “wuthering” is a synonym for “stormy” — occasionally erupting into ardent eloquence.
Take this soliloquy delivered by Catherine to Nelly Dean, a patient and observant maidservant who narrates much of the novel:
This all-consuming love, thwarted in the book by circumstances, has flourished beyond its pages. Thanks to Catherine and Heathcliff — and also to the harsh, windswept beauty of the Yorkshire setting — “Wuthering Heights,” a touchstone of Victorian literature, has become a fixture of popular culture.
Laurence Olivier and Merle Oberon played Heathcliff and Catherine in William Wyler’s 1939 multi-Oscar-nominated film adaptation.
Since then, the volatile Heathcliff has been embodied by a succession of British brooders: Richard Burton, Ralph Fiennes, Tom Hardy. At least for Gen X, the definitive Catherine will always be Kate Bush, dancing across the English countryside in a bright red dress in an indelible pre-MTV music video.
Now, just in time for Valentine’s Day, we’ll have Emerald Fennell’s new R-rated movie version, with Margot Robbie (recently Barbie) as Catherine and Jacob Elordi (recently Frankenstein’s monster) as Heathcliff.
Is theirs the greatest love story of all time, as the movie’s trailer insists? It might be. For the characters, the love itself overwhelms every other consideration of feeling. For Brontë, the most accomplished poet in a family of formidable novelists, that love is above all a matter of words. The immensity of Catherine and Heathcliff’s passion is measured by the intensity of their language, which of course is also Brontë’s.
Here is Heathcliff, in his hyperbolic fashion, belittling Catherine’s marriage to the pathetic Linton:
Which is what romance lives to do. It’s a genre often proudly unconstrained by what is possible, rational or sane, unafraid to favor sensation over sense or to pose unanswerable questions about the human heart. How could Catherine love a man like Heathcliff? How could he know himself to be worthy of her love?
We’ll never really have the answers, which is why we’ll never stop reading. And why no picture will ever quite match the book’s thousands of feverish, hungry, astonishing words.
Culture
Annotating the Judge’s Decision in the Case of Liam Conejo Ramos, a 5-Year-Old Detained by ICE
One of the many unsettling images to emerge from the recent ICE surge in Minneapolis was that of 5-year-old Liam Conejo Ramos, in his blue bunny hat, standing in the January cold with the hand of a federal officer gripping his Spider-Man backpack.
Liam and his father, Adrian Conejo Arias, an asylum seeker from Ecuador, were taken from Minnesota to Texas and held at a detention facility outside San Antonio. Lawyers working on their behalf filed a petition for a writ of habeas corpus, an ancient judicial principle forbidding the government from holding anyone in custody without providing a legally tenable reason for doing so. On Saturday, Fred Biery, a federal judge in Texas’ Western District, granted their petition, freeing them.
That’s the boilerplate. But Judge Biery’s decision — which has gotten a lot of attention in legal circles and beyond — is much more than a dry specimen of judicial reasoning. It’s a passionate, erudite and at times mischievous piece of prose.
That may not have surprised some Texas court watchers. Judge Biery, who was appointed to the federal bench by President Bill Clinton in 1994, is known for his wit and writerly flair. His judicial order in a 2013 case involving San Antonio strip clubs is famous for its literary allusions (“to bare, or not to bare”) and its cheeky double entendres. A 2023 profile in San Antonio Lawyer magazine called him “a judge with a little extra to say.”
The extra in this case transforms what might have been a routine decision into a thorough scourging of the Trump administration’s approach to governance. This text isn’t much longer than one of Mr. Trump’s Truth Social posts. In fewer than 500 words, Judge Biery marshals literature, history, folk wisdom and Scripture to challenge the theory of executive power that has defined Trump’s second presidency.
It’s worth looking at how he does it.
OPINION AND ORDER OF THE COURT
Before the Court is the petition of asylum seeker Adrian Conejo Arias and his five-year-old son for protection of the Great Writ of habeas corpus. They seek nothing more than some modicum of due process and the rule of law. The government has responded.
He starts by juxtaposing the grandeur of habeas corpus with the modesty of the father and son’s claims, implying that what makes the writ “Great” is precisely its ability to protect the basic right of ordinary people not to be locked up arbitrarily. It does this by requiring that the government either provide reasons for holding them in custody or else let them go.
Judge Biery’s footnote directing readers to Blackstone’s commentaries and Magna Carta may be intended to give a remedial lesson to members of the administration. His larger point, though, is that to flout the guarantee of habeas corpus — as he insists the current deportation policy has done — is to threaten the integrity of the American constitutional order itself.
The case has its genesis in the ill-conceived and incompetently-implemented government pursuit of daily deportation quotas, apparently even if it requires traumatizing children. This Court and others regularly send undocumented people to prison and orders them deported but do so by proper legal procedures.
He calls attention to the grandiosity and sloppiness of the administration’s position while suggesting that its overreach reflects a more sinister intention.
Apparent also is the government’s ignorance of an American historical document called the Declaration of Independence. Thirty-three-year-old Thomas Jefferson enumerated grievances against a would-be authoritarian king over our nascent nation. Among others were:
1. “He has sent hither Swarms of Officers to harass our People.”
2. “He has excited domestic Insurrection among us.”
3. “For quartering large Bodies of Armed Troops among us.”
4. “He has kept among us, in Times of Peace, Standing Armies without the consent of our Legislatures.”
As the 250th birthday of American independence approaches, the president is being cast as King George III. The federal government’s indifference to habeas claims places it on the wrong side of the historical divide between individual liberty and unchecked state power, and thus at odds with the founding documents of the Republic.
“We the people” are hearing echos of that history.
And then there is that pesky inconvenience called the Fourth Amendment:
The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and persons or things to be seized.
U.S. CONST. amend. IV.
Civics lesson to the government: Administrative warrants issued by the executive branch to itself do not pass probable cause muster.
In constitutional terms, the judge finds that the administration has defied the Fourth Amendment and disregarded the separation of powers.
That is called the fox guarding the henhouse. The Constitution requires an independent judicial officer.
A barnyard metaphor puts the matter in plainer language: Because executive authority has the potential to be predatory, it needs to be checked by the judiciary branch. Judge Biery might also be sending a sly message to his colleagues on the U.S. Supreme Court, who have looked favorably on many of Mr. Trump’s expansive claims of executive branch power.
Accordingly, the Court finds that the Constitution of these United States trumps this administration’s detention of petitioner Adrian Conejo Arias and his minor son, L.C.R. The Great Writ and release from detention are GRANTED pursuant to the attached Judgment.
The language in which the judge renders his decision also sends a message, in this case to the president himself. Capitalization is a hallmark of Mr. Trump’s style, as it is of American legalese. The paragraph granting the petition bristles with uppercase nouns, which makes it all the more striking that the president’s name, otherwise absent from the ruling, is rendered in lowercase, as a card-table verb.
This may be a subtextual swipe at the president’s ego, but it’s consistent with the decision’s fundamental argument, which is that the president — any president — is ultimately smaller than the law.
Observing human behavior confirms that for some among us, the perfidious lust for unbridled power and the imposition of cruelty in its quest know no bounds and are bereft of human decency. And the rule of law be damned.
For Judge Biery, the case involves procedure, and morality too. When he allows himself to express his disapproval — to write judgmentally, rather than judicially — he is in effect arguing that these principles can’t be separated. Due process and human decency are two sides of the same coin.
Ultimately, Petitioners may, because of the arcane United States immigration system, return to their home country, involuntarily or by self-deportation. But that result should occur through a more orderly and humane policy than currently in place.
Philadelphia, September 17, 1787: “Well, Dr. Franklin, what do we have?” “A republic, if you can keep it.”
With a judicial finger in the constitutional dike,
It is so ORDERED.
Benjamin Franklin famously (and perhaps apocryphally) pointed out the fragility of orderly self-government, while the Dutch boy immortalized in the 19th-century novel “Hans Brinker, or the Silver Skates” did what he could to protect his neighbors from the fury of the unchecked sea.
That Judge Biery puts himself in their company suggests that he sees this decision less as a final judgment than as a warning.
SIGNED this 31st day of January, 2026.
FRED BIERY
UNITED STATES DISTRICT JUDGE
Credit: Bystander
After his cautionary conclusion, the judge still has something extra to say, something that shifts the focus away from the rational, secular domain of jurisprudence.
Below his signature, he attaches the widely seen photograph of Liam. Underneath that — after an eloquently anonymous photo credit — are references to two verses from the New Testament. The judge doesn’t quote them, but they speak for him all the same.
Matthew 19:14
The Matthew verse — “But Jesus said, Suffer little children, and forbid them not, to come unto me: For of such is the kingdom of heaven” — is a well-known statement of compassion and care.
John 11:35
So, in its way, is John 11:35, the shortest verse in the English Bible. It is often quoted when things are so terrible that all other words fail:
“Jesus wept.”
Culture
Try This Quiz on Mysteries Set in American Small Towns
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights thriller and mystery novels set in towns around the United States. (Even if you don’t know the book, each question offers a clue about the state.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
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