Culture
The '24 White Sox are at risk of being worse than the '62 Mets: Can they avoid infamy?
Editor’s note: The White Sox have fired manager Pedro Grifol, the team announced Thursday morning.
OAKLAND, Calif. — It was two hours before first pitch, and Chicago White Sox manager Pedro Grifol sat in his office this week as he would before any other game. As his scuffling club prepared to face the Oakland Athletics, he settled in behind his desk, in uniform, and projected a sense of calm that belied his predicament.
On the day he was hired, in November of 2022, Grifol flashed the intensity of a baseball coaching lifer, a quality that helped him land the job. “We’re going to prepare every night to kick your ass, and that’s just what we’re gonna do,” Grifol said, a comment that has since gone viral because there have been precious few ass-kickings delivered by the White Sox. In this second year at the helm, Grifol is 89-190. And on this day, with his team on a 20-game losing streak, the conversation brought all the expected questions about his job performance.
In the public discourse, the end of his tenure has been referred to as a question of when, not if. Sitting back in his chair, Grifol politely introduced himself. For the next 10 minutes, he was at times thoughtful, acknowledging the desperate desire to win a game. When asked about a radio report that claimed Grifol had pinned all the losing on his players — part of a motivational tactic gone wrong earlier this season — his denial indicated a firm sense of the demands of leadership.
“What coach or manager in their right mind would try to separate themselves from adversity?” Grifol said. “When you’re in a group setting, when you’re all in this thing together. … It’s not my personality, it’s not who I am.”
But at other times, he flashed an edge.
When asked if he felt the talent in his clubhouse was better than the team’s record, Grifol said, “I’m not going to answer that question. What’s behind that question?”
When asked if he felt the conversation surrounding his team wasn’t fair, Grifol said: “I don’t read (the) media. I don’t have social media. So that’s a tough question. I know where we’re at as a team. I know where we’re trying to go, and what we’re trying to get accomplished. But as far as what’s happening out there, I can just imagine it.
“I’m not avoiding anything because I don’t hear the noise. I come here to work with the players.”
Just hours later, those same players would tie an American League record with their 21st consecutive loss. And though they’d come back the next day to end the losing streak, it proved to be a temporary reprieve. On Wednesday, the White Sox left Oakland on the heels of another loss, a 3-2 defeat that dropped them to 61 games below .500, 15 games worse than any other big league team.
With the season entering the homestretch, the White Sox remain on track to break one of baseball’s most dubious records.
In 1962, in the first year of their existence, the New York Mets did what no club had done in baseball’s modern era. In a single season, they lost a staggering 120 games. The 2024 White Sox are on pace to lose 123 games. They’ll need to win 15 of their next 45 games to avoid tying the Mets’ ignominious mark. It won’t be easy.
The rest of the season is now a race to avoid infamy, one that has become a national storyline, though the beleaguered manager seems taken aback by the scrutiny.
“This is a close-knit group,” Grifol said. “Here, you come from the outside, and nobody knows you.”
White Sox manager Pedro Grifol following a loss. (Bruce Kluckhohn / USA Today)
In 2023, when Chicago was expected to compete, their abysmal record necessitated a trade deadline sell-off. A year later, a team that began with low expectations has found a way to massively underperform, with a roster littered with hitters who have failed to live up to their career numbers. Luis Robert Jr. hit 38 home runs last year; he has just 12 this season. Andrew Benintendi was an All-Star two years ago; this season his OPS+ is 70.
Andrew Vaughn, Gavin Sheets, Nick Senzel and the recently traded Eloy Jimenez have all disappointed. Meanwhile, Robbie Grossman and Kevin Pillar struggled earlier in the year with the White Sox but have vastly improved with their new teams.
All this failure begs the question: Where is this all headed, and what is the plan to right the ship?
White Sox general manager Chris Getz, a 40-year-old former player, was elevated into his position late last season after the dismissal of longtime executives Kenny Williams and Rick Hahn. He hammered home the idea of getting back to contention, called this season the first year of a “multi-layered, multi-year project” and boasted about what he believes is growth in the organization’s pitching department.
“We made a pretty strong run at the major-league level with some of our starting pitchers — for two months time being at the top of the American League with our starters,” Getz said in an interview this week. “That is not something I think many people believed we were going to be able to accomplish.”
Yes, there was a stretch where the team’s starting pitching excelled, however, as a whole the staff has accomplished very little. The White Sox team ERA is 4.83, better than only the Colorado Rockies.
This season is more painful than anyone expected, Getz acknowledged. He knows it’s hard to watch. He came in unproven, and his previous work as the club’s director of player development hadn’t yielded many positive results. But as a GM, he believes the organization is in a better place now, overall, than when he inherited it.
“At the end of the day, nobody’s going to feel or believe that we’re building toward something until it shows up in the win-loss record,” Getz said. “That’s the reality of our sport. That’s the reality of fan bases. Until that happens, there’s going to be a high level of skepticism.
“But for those of us that are living under the hood and understand this multi-layered project in front of us, they understand that this is part of the process that was set out.”
Many of those fans questioning the rebuild’s credibility also don’t believe that owner Jerry Reinsdorf will ever fully invest what’s needed to build the White Sox into a sustainable winner. After all, the most expensive contract in White Sox history is the $75 million that Andrew Benintendi earned before last season.
White Sox GM Chris Getz. (Kamil Krzaczynski / USA Today)
When asked if Reinsdorf would eventually increase his financial investment, Getz answered definitively: “Yes.”
“There’s going to be times when we’re going to have to tap into some financial resources to go after free agents, or pour infrastructure and technology and continue to expand and strengthen our front or departments throughout the organization,” Getz said.
“That’s all part of this plan that’s in place.”
That plan seems hard to envision, especially as the disheartening losses pile up, though like most big-league teams the White Sox don’t let on. This week, the clubhouse functioned like almost any other around the league. Before the game, players occupied themselves with card games or their phones. The mood was light. Even the quiet after Monday’s game seemed typical for a big league team. Whether a team is in first place — or in the running for worst team ever — there is mostly silence.
The most obvious difference: In this clubhouse, and with this team, the players are being asked to explain what feels almost inexplicable.
“We’re handling it fine, as best as we can,” outfielder Corey Julks said quietly. “We’ve got to rally as a team.”
The trade deadline similarly gave cold comfort to those hoping to see Chicago’s plan substantively advance. The White Sox were universally criticized for their return in a three-team trade that netted Miguel Vargas and two 19-year-old prospects for Erik Fedde, Tommy Pham and Michael Kopech.
Getz said he knew ahead of time the trade might be criticized. But he said he remains very happy with the return and hopes it can represent an organizational shift.
“Obviously, that’s why I’m here,” Vargas said. “I’m trying to bring that LA energy, trying to bring that here. Have that culture … trying to bring that here, that energy to be able to, in the future, have success.”
Vargas left a first-place club and joined one that was, at the time, on a 15-game losing streak.
In the days following, the toll of talking to the media about the club’s struggles was evident in its players.
“We just haven’t scored as many runs as the other team has for 20 games in a row,” pitcher Garrett Crochet said before a game this week.
When asked, probably not for the first or last time, about the anxiety of avoiding an all-time loss record, he said: “I’m done with this interview.”
John Brebbia, a 34-year-old workhorse reliever in his first season with the White Sox, is the oldest and most veteran player on the roster, and he believes the talent is better than the record. He understands the concerns over finishing with a worse record than the ‘62 Mets.
“It’s fair, it should be asked,” Brebbia said. “If it’s trending that way, we’re gonna get asked about it. It’s part of the job. I can’t speak for everyone’s motivation. But from my perspective, it looks like everyone shows up and wants to win as much as possible.”
But outside the lines, the White Sox have become a sideshow. Even the team-run postgame show has piled on with criticisms.
Prior to Grifol’s hiring, Ozzie Guillen reportedly was one of several candidates interviewed by the organization. His ties to the White Sox run deep, both as a player and later as the manager during Chicago’s World Series championship in 2005. He ultimately was not selected for a reunion and now serves as an analyst. After a recent loss, Guillen brought up the team’s choice of Grifol, and quipped on air: “I don’t think I was that bad a manager.”
The fans, too, have seen enough. Paper bags have become part of the standard uniform for some White Sox loyalists who still show up for games. In Oakland, in the stands behind the visiting dugout, White Sox fan Matt Verplaetse bought a ticket and sat alone. He wore a T-shirt that displayed what has long been a common refrain among the fanbase: “Sell the team Jerry.”
Verplaetse grew up in the Chicago area and has since moved to Northern California. He likes baseball and remains a die-hard fan, though he was still self-aware enough to poke fun at his attendance.
There is a lot to ask about the franchise’s future. The legitimacy of their long-term plan — and the quality of staff and players they’ll be able to bring in — are chief among them. But for now, over the final 45 games, Verplaetse has zeroed in on perhaps the most important question.
“I think everyone, going in, expected it to be pretty bad,” he said. “But (they) never predicted it being this bad. And now, it’s almost a morbid curiosity.
“How bad is it going to get?”
(Illustration: Dan Goldfarb / The Athletic. Photos: Getty Images / David Berding, Lachlan Cunningham)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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