Culture
Shohei Ohtani adds to Dodgers postseason highlight reel with late-game moonshot
NEW YORK — Shohei Ohtani perked up when he heard his name.
“I told him,” Dodgers backup catcher Austin Barnes said after Ohtani’s three-run moonshot iced an 8-0 victory over the Mets in Game 3 of the National League Championship Series, “hit the ball over the fence.”
“Not bad advice,” Ohtani said.
Barnes clapped his hands three times. “Like, ‘Today, man, over the fence.’”
Ohtani beamed as he dressed to leave the ballpark, two victories away from the World Series.
“Good coaching,” Ohtani said.
The game is not that easy for Ohtani. But sometimes he can make it look so, as he did in the eighth inning Wednesday, hitting a ball that looked capable of landing in Flushing Bay if the second deck of Citi Field had not gotten in the way.
Shohei Ohtani has not recorded a hit in 22 at-bats with no one on base but has seven hits in nine at-bats with runners aboard. (Sarah Stier / Getty Images)
The home run ushered a procession of Mets fans to the exits, extended Ohtani’s bizarre postseason splits and eased the tension for manager Dave Roberts. The Dodgers arrived in Queens this week hoping to sneak through three consecutive games while using starting pitchers unable to last deep into games. With one swing, Ohtani boosted the lead and protected the bullpen. Roberts did not have to use high-leverage relievers Evan Phillips and Daniel Hudson. With Yoshinobu Yamamoto starting in Game 4, the team should have Phillips and Hudson plus Blake Treinen and Michael Kopech, who combined for two scoreless innings Wednesday, lined up.
“Those things matter,” Roberts said.
This is Ohtani’s first time in the postseason. He has competed under a microscope for much of his professional career, but never before have American audiences studied his at-bats at such a granular level. He contributed two hits in a Game 1 victory and walked twice in a Game 2 defeat. Yet he had made the game seem so simple in the season’s final months — whenever he saw a pitch, he hit it with great force — that every out he made appeared a portent of a lengthy slump.
Roberts has suggested that Ohtani was swinging too often at pitches outside the strike zone. He looked lost against Mets starter Sean Mananea in Game 2. Tuesday, before the Dodgers worked out at Citi Field, Ohtani fended off questions about his confidence and approach. He did not believe he was wilting beneath the postseason glare. He did not consider himself in the midst of a dreadful stretch.
“I do feel OK at the plate,” Ohtani said through his interpreter, Will Ireton. “I do feel like I (can) recall back to the times when I (felt) good and perhaps incorporate that into it.”
Part of the concern stemmed from an odd disparity in his splits. Ohtani has not recorded a hit in 22 at-bats with no one on base, yet he has seven hits in nine at-bats with runners aboard. The difference might matter less for most sluggers, but Ohtani leads off the Dodgers lineup. He used his legs to steal 59 bases during the regular season. He has stolen none in October.
Ohtani insisted Tuesday that this brief lull in his production would not alter his intentions as a hitter. “Regardless of however they are pitching to me, my plan is to stay with the same approach as much as possible and not really be too focused on how they attack me,” he said.
Ohtani made good on that promise in Game 3. He grounded out on the first pitch he saw, a 95 mph fastball from Mets starter Luis Severino. Two innings later, with Severino unable to find the zone, Ohtani took a walk. In the sixth, after Kiké Hernández’s two-run homer, Ohtani flailed as Mets reliever Reed Garrett’s 0-2 cutter dove toward his cleats.
All those at-bats occurred with the bases empty. Ohtani’s fourth did not. He followed Will Smith’s walk and a two-out single by Hernández. Mets reliever Tylor Megill tried to sneak an 0-1 cutter for an inside strike. Ohtani waffled the ball into right field. A collective gasp overtook the 43,883 fans packed inside the ballpark. The statistics do not do the homer justice: 115.9 mph off the bat, at an estimated distance of 397 feet. The ball hooked near the pole, close enough to merit a replay review.
“I don’t know how you would even overturn that,” said third baseman Max Muncy, who reached base in five plate appearances and added a solo shot in the ninth. “The ball was 100 feet over the foul pole. The foul pole’s not tall enough for that one.”
The home run changed the calculus for Robert’s endgame. He had used Treinen, one of his relief aces, to face the bottom of the Mets lineup in the seventh. As the eighth inning began, with the Dodgers up four, Hudson loosened up in the bullpen. If the score remained the same, Treinen would return for the eighth. If the Dodgers added a run, Hudson would pitch. Adding three runs? That allowed Roberts to send rookie Ben Casparius for the final two innings. “The more the runs we score, that makes it easier,” Treinen said.
The bullpen figures to be close to full strength for Game 4. The Dodgers are trying to navigate this series without Mets hitters Francisco Lindor, Mark Vientos and Pete Alonso receiving repeated looks at the same relievers. Thus far, Roberts has succeeded. “The more we can hide guys, keep them from going in, it’s probably ideal,” Hudson said.
Ohtani left the ballpark without speaking to reporters. He did not need to say much. “It was important,” Roberts said, “for Shohei to build some confidence.” His team holds the high ground. His swing silenced a ballpark and saved his bullpen. It also offered a reminder. Even amid this relative downturn in his hitting, Ohtani can inspire awe. That, of course, is not shocking.
(Top photo of Shohei Ohtani: Elsa / Getty Images)
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
Culture
Summer’s Best Beach Reads
Take me to visit a dysfunctional family with oceanfront real estate
by Meg Mitchell Moore
Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.
The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
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