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Ricciardo’s Montreal upgrade hinged on 'self-therapy' — not Jacques Villeneuve

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Ricciardo’s Montreal upgrade hinged on 'self-therapy' — not Jacques Villeneuve

There was a point towards the end of last year when there was a genuine feeling that Daniel Ricciardo was lining up to take Sergio Pérez’s Formula One seat at Red Bull for 2025.

Ricciardo made clear upon his mid-season return to the grid with AlphaTauri (now RB) that getting back in the Red Bull, the same seat he vacated back in 2018, was his ultimate target. As Pérez struggled through the second half of the season, suggestions of that happening only grew.

But, Ricciardo did very little to press his case in the early part of 2024. He frequently trailing teammate Yuki Tsunoda and, besides his run to P4 in the Miami sprint qualifying and race, had not delivered a points finish ahead of Canada and sat 14th in the driver standings. Meanwhile, Pérez performed well enough to secure a contract extension through 2026, ending Ricciardo’s hopes of moving up anytime in the near future.

Off the back of Pérez’s confirmation, Ricciardo acknowledged he had to “hold myself probably accountable for not doing anything too spectacular” this season. “When you’re trying to fight for a top seat, you need to be doing some pretty awesome things,” he said.

By the Canadian Grand Prix, Ricciardo’s tough start to the season had changed his aim from fighting for a top seat to fighting for his current seat.

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No one went further in questioning Ricciardo’s future than Jacques Villeneuve, the 1997 F1 world champion who was part of Sky Sports’ broadcast team for his home race in Montreal.


Jacques Villeneuve leveled harsh criticism at Daniel Ricciardo in Montreal. (Chris Graythen/Getty Images)

“Why is he still here?” Villeneuve said of Ricciardo, asking why he continued to struggle with his cars and declaring that “his image has kept him in F1 more than his actual results.” A brutal takedown, one that quickly went viral given how rare it is for a pundit to be so outspoken on an English-language F1 broadcast.

Villeneuve was harsh — perhaps too harsh — but few would dispute the element of truth in what he said. Ricciardo has been clear throughout this year he knows he’s not been doing a good enough job, and has plenty more performance to find.

Just 24 hours later, he found it. In tricky, windy conditions, Ricciardo not only made it through to Q3 for just the second time this season, but he stuck his RB car fifth on the grid, within two-tenths of pole position. Perfect timing, particularly off the back of Tsunoda’s confirmation at RB for 2025 only 90 minutes earlier.

It meant Ricciardo entered the media pen after qualifying with some of his old swagger and sparkle. He knew the questions that were about to come, that Villeneuve’s name would come up. Ricciardo hadn’t fully listened to what had been said about him, he said, only that he “heard he’s been talking s—.”

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“But he always does,” Ricciardo continued. “I think he’s hit his head a few too many times, I don’t know if he plays ice hockey or something. But yeah. Anyway. I won’t give him the time of day.” Then came a “but…” and a lean in close to the microphones: “All those people can suck it! I want to say more, but it’s alright. We’ll leave him behind.”

It was only qualifying, after all. We’d seen this kind of flash from Ricciardo in Miami in the sprint, only for it to disappear when it mattered in the grand prix sessions. This was nevertheless a perfectly timed clapback to Villeneuve’s criticism.

But to directly link the two would do Ricciardo a disservice. He revealed that after Monaco, he made a concerted effort to try to understand why things weren’t working, going beyond his on-track performance and data such as braking points or corner speeds. It required calling on not only the team’s management and engineers, but also his inner-circle off the track, and asking them to be open books with their feedback.

MONTREAL, QUEBEC - JUNE 09: Daniel Ricciardo of Australia driving the (3) Visa Cash App RB VCARB 01 on track during the F1 Grand Prix of Canada at Circuit Gilles Villeneuve on June 09, 2024 in Montreal, Quebec. (Photo by Rudy Carezzevoli/Getty Images)

Ricciardo qualified P5 and finished P8 over a rainy weekend in Montreal. (Rudy Carezzevoli/Getty Images)

“It was like, OK, what are maybe some other things that are affecting my performances?” Ricciardo said. “Am I coming into a race weekend not feeling energized or not feeling this or that?

“I think I just had a little bit of good self-therapy after Monaco, and just sat back and had a look at maybe the things I’m doing wrong away from the track. Or giving too much of my time to people and by the time I get to race day or something, I’m a little bit more flat.

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“Deep down, I know what I can do, and it’s just making sure I’m in this spot to be able to do it more often.”

And making sure that those flashes of pace turn into something valuable when it matters on Sunday. Ricciardo’s Canadian Grand Prix was far from straightforward, with a creeping car on the start line — which Ricciardo suspected was due to a clutch issue — triggering a jump start and a five-second penalty. He managed to survive the chaos and benefit from some late incidents to grab four points for P8, nearly doubling his total for the season. That alone in the high-pressure conditions felt like a success to Ricciardo.

“All in all, (I’m) happy,” he said. “These races, it’s hard to be perfect. I made mistakes, obviously we were just trying to survive at times. So (I’m) just happy we got there in the end.”

MONTREAL, QUEBEC - JUNE 09: 8th placed Daniel Ricciardo of Australia and Visa Cash App RB celebrates with fans after the F1 Grand Prix of Canada at Circuit Gilles Villeneuve on June 09, 2024 in Montreal, Quebec. (Photo by Rudy Carezzevoli/Getty Images)

Canada marked the first points-scoring grand prix for Ricciardo. (Rudy Carezzevoli/Getty Images)

The greater takeaway for Ricciardo from the Montreal weekend was that it went well from the moment he turned his first laps in FP1 right to the race. For the first time this season, every single session felt positive.

“It’s nice just to be competitive from Friday through to Sunday,” Ricciardo said. “I’m happy. (I’ve) just got to keep it rolling.”

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Ricciardo has time on his side when it comes to proving to Red Bull what he can do and securing an extension with RB. If it wants to make a change, then reserve driver Liam Lawson is ready to step up, as the young Kiwi proved through his five-race stand-in when Ricciardo was injured last year. But there’s no reason for the team to rush into making that call yet.

Ricciardo will hope Montreal serves as a turning point in his season, a breakthrough after the earlier lifts to better understand where he was going wrong. Importantly, he also wants to ensure he keeps the feeling he brought to last weekend.

“That little energy, that little bit of a chip on my shoulder I brought into the weekend, I’ve got to make sure that stays there, and just keep that level of intensity,” Ricciardo said.

“Sometimes being a little bit… I don’t know if I need to be a bit angry or just get my testosterone up. But I think it helps me.”

(Lead photo of Daniel Ricciardo: Rudy Carezzevoli/Getty Images)

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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