Culture
Put the women’s NCAA Tournament championship game on ABC in prime time
The Athletic has live coverage of Texas vs. South Carolina and UCLA vs. UConn in the 2025 Women’s Final Four.
Start times matter in sports when it comes to championship game viewership. The World Series, the NBA Finals, the Stanley Cup Final, the NCAA men’s basketball title game and college football national championship game, just to name a few mega-events, all commence in a prime time (on the East Coast) television window. The Super Bowl airs slightly earlier (roughly 6:30 p.m. ET) but concludes in the middle of prime time. There is a reason television programmers have historically done this, and it follows the same adage that Willie Sutton used when someone asked him why he robbed banks.
Because that’s where the viewers are.
Prior to arriving at The Athletic, I covered women’s college basketball for Sports Illustrated for more than a decade, including annually the women’s Final Four. The role gave me a window into the sport, and I could see the potential for an economic rocket shot as the players got more skilled and athletic, and programs got deeper. The past three years have shown everything points arrow up:
- In the BCC Era (Before Caitlin Clark), the 2022 title game between South Carolina and UConn drew 4.85 million viewers and peaked at 5.91 million viewers across ESPN, ESPN2 and ESPNU, the most viewers in nearly two decades.
- In 2023, the championship moved from ESPN networks to ABC. The title matchup between LSU and Clark’s Iowa more than doubled 2022, averaging 9.9 million viewers.
- Last year, the South Carolina-Iowa title game drew an astonishing 18.9 million viewers on ABC and peaked at 24.1 million. It was the most-watched basketball game (men’s or women’s, college or pro) since 2019.
The last two title games tipped off at 3 p.m. ET, and there is a strong argument to be made that even with their increasingly huge TV ratings, they all left even more audience attention on the table by airing at 3 p.m. ET, rather than primetime, when more people would watch.
During my years of writing about women’s basketball, I’ve watched ESPN make a bigger commitment to its coverage, from airing more high-profile regular-season games in better programming windows to enhancing its studio coverage with dedicated women’s basketball experts. The company made the decision in 2021 to air all 63 NCAA Tournament games nationally and placed both semifinal games on Big ESPN. Now, the title game airs on ABC. ESPN recognized it had a product with growing mass appeal and acted accordingly.
The deal that ESPN signed with the NCAA last year — an eight-year, $920 million media rights agreement that featured 40 championships bundled together (including women’s basketball) through 2032 — has contractual provisions that the title game will air on ABC. This is a great thing.
But the time has come. Rather than the usual 3 p.m. ET start time — as with this Sunday’s championship game — the title game should air on ABC in prime time starting next year, and ESPN executives and the NCAA should advocate hard for this.
The ABC schedule this Sunday includes new episodes of “America’s Funniest Home Videos” (7 p.m. ET), “American Idol” (8 p.m. ET) and “The $100,000 Pyramid” (10 p.m. ET, and celebrity contestants include Rob Riggle, Luenell, Fortune Feimster and Rachel Dratch). That’s not exactly NBC’s Thursday night lineup in the 1990s.
The Walt Disney Co. would benefit far more in the long run from exposing one of its significant sports properties to a bigger audience because women’s basketball is going to be played on ESPN/ABC far longer than “Idol” and “Pyramid” will run on that network. American Idol drew 4.66 million viewers last Sunday while Pyramid drew 2.29 million viewers. The women’s title game would obliterate this in prime time.
Everyone wants to protect their own fiefdom at Disney, and there are legitimate challenges. Idol may have built into its contract that it can’t be pre-empted. As far as non-NFL programming, Idol also generates more than $100,000 for a 30-second spot, which is robust in 2025 for a broadcast show. So you would need a lot of executives from multiple sister partners to make this happen, but this is good long-term corporate business for the parent company. Willow Bay, the dean of the USC Annenberg School for Communication and Journalism, and her spouse Bob Iger, the CEO of the Walt Disney Company, know well the power of women’s sports. Last year, the couple purchased a controlling stake in Angel City FC of the National Women’s Soccer League. Iger can make this happen very easily if he wants it.
Last season’s national championship game drew more viewers for a basketball game than any since 2019. (Al Bello / Getty Images)
No doubt the afternoon window has produced great viewership for the title game over the last two years, and a 3 p.m. (ET) Sunday tip has benefits, given it is an accessible time for younger fans. (The prosecution has no objection here, your honor.) But prime time on ABC on Sunday or even Tuesday will do better.
ESPN did not make a programming executive available upon an inquiry on this topic, most likely because it is trying to be a good corporate partners. But last year when I asked this of Nick Dawson, ESPN senior vice president of programming and acquisitions, he said:
“The conversations have happened with regard to the time slot of the championship game as well as network considerations for the national semifinals. It’s an eight-year deal, so where we start may not be where we finish. As of right now, our intention is to continue with what we did — the championship game on ABC in that kind of late afternoon Sunday slot, which from a potential viewership perspective our research team has proven to us that there’s not much difference in terms of potential upside between that window and in a prime-time window.”
Though the decision would have to happen at levels above her, I asked Meg Arnonwitz, an ESPN senior vice president of production and the point person for the women’s tournament, what she thought of the idea. “What I would certainly be in support of having conversations about how we continue to put this sport in the best light possible for it to grow and give it the exposure it deserves,” she said. “We should never shy away from having those conversations.”
Added Rebecca Lobo, the lead analyst of the women’s tournament: “Moving the championship game from ESPN to ABC in 2023 proved to be a brilliant decision that took advantage of the newfound popularity of women’s college basketball. I’m curious how ratings would be impacted if the game was moved to prime time. But I also trust the leadership at ESPN to know if and when the timing is right for that.”
The women’s college game is in a great place. The Elite Eight round averaged 2.9 million viewers, the second most-watched Elite Eight on record and up 34 percent from 2023. ESPN experienced a massive windfall with the nexus of Clark and a move of the title game to ABC. A prime time final is the next step. When you have momentum, ride it.
(Top photo: Al Bello / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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