Culture
NFL Week 10 top storylines: Russell Wilson vs. Commanders, Broncos-Chiefs, can Lions stay hot?
Believe it or not, Week 10 of the NFL regular season already is upon us, and a sense of urgency has set in across the league with just nine weeks remaining before the playoffs.
The second head coach of the season received his walking papers last week. The Saints fired Dennis Allen on Monday and replaced him with interim Darren Rizzi as they grasp for solutions on how to end their league-worst seven-game losing streak. The trade deadline followed Tuesday, concluding with 25 teams engaging in 18 trades in hopes of fortifying their rosters for the homestretch.
Division races are beginning to take shape or tighten. A crucial AFC North showdown took place Thursday night, when Lamar Jackson and the Baltimore Ravens outdueled Joe Burrow’s Bengals 35-34 despite a historic night by Cincinnati wide receiver Ja’Marr Chase.
The action continues Sunday morning, when the New York Giants and Carolina Panthers face off in Munich, Germany. It continues with seven games at 1 p.m. ET, three more in the 4 p.m. ET window and a Sunday night matchup between the Detroit Lions and Houston Texans. Week 10 concludes Monday night with the Miami Dolphins visiting the Los Angeles Rams.
Here’s a look at five compelling storylines around the NFL this week. (Find the full schedule here.)
1. Familiar faces in new places after trade deadline
Eight players changed addresses Tuesday, the final day for teams to make trades. That brought the total player moves this season to 19. In recent weeks, we saw Davante Adams, Amari Cooper and DeAndre Hopkins make their debuts with their new teams. Now we’re about to see another cluster of players try to bolster their new teams’ chances of contending for division titles, playoff berths and Super Bowl runs.
In-season trades rarely dramatically change team fortunes, but there are some exceptions. Hopkins looks like a difference-maker in Kansas City, where he recorded two touchdown catches to help lift his new team over Tampa Bay last Monday. Who will make an instant impact this week? Cornerback Marshon Lattimore (hamstring) is out for the Washington Commanders and Lions pass rusher Za’Darius Smith may not play Sunday, but keep an eye on two new Steelers acquisitions, edge rusher Preston Smith and wide receiver Mike Williams.
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2. Steelers-Commanders: Meeting of unlikely division leaders
The Steelers and Commanders both reset at quarterback this offseason. The Steelers acquired veteran Russell Wilson hoping the nine-time Pro Bowl selection could help them win their first playoff game since the 2016 season. The Commanders, meanwhile, drafted Jayden Daniels second overall, praying he could rescue them from years of dysfunction and ineptitude.
Wilson’s Steelers tenure got off to a slow start thanks to a calf strain that sidelined him for five weeks while Justin Fields helped Pittsburgh to a 3-2 start. But now in the starting role, Wilson has looked like the difference-maker Mike Tomlin envisioned this offseason, going 2-0 and directing the offense to two of its best outings of the year.
Daniels, meanwhile, has shined as a passer and rusher for one of the most prolific offenses in the league and as a result is the favorite to win Rookie of the Year honors. Midway through the season, not only are these teams winning thanks largely to the sparks their new quarterbacks have provided, but they’re both leading their respective divisions. Pittsburgh (6-2) is first in the AFC North and Washington (7-2) leads the NFC East.
Both teams enter Sunday’s contest in Landover, Md., riding three-game win streaks but needing victories to hold off divisional foes (Baltimore for Pittsburgh, Philadelphia for Washington). The game is a reunion for Steelers coach Mike Tomlin and the Commanders’ Dan Quinn. In 1994, Tomlin played defensive back for William & Mary while Quinn served as the Tribe’s defensive line coach. The following season, they both landed jobs on Virginia Military Institute’s coaching staff. Now they’ll try to lead their teams to victory and maintain the momentum built during the first half of the season. (Steelers at Commanders, 1 p.m. ET Sunday.)
3. Broncos’ next tough test: Visiting the Chiefs
Sean Payton’s Broncos embarked on a surprising 5-3 start to the season despite playing a rookie quarterback and going through growing pains in other areas. Last week, however, they ran into a buzzsaw in Baltimore and got thumped 41-10. They are in a tight race with the Chargers (5-3) for second in the AFC West and remain hopeful they can end an eight-year playoff drought.
Their next task won’t be easy: Sunday, Denver travels to Kansas City to take on the 8-0 Chiefs, who are the NFL’s only undefeated team. Patrick Mahomes boasts a 12-1 record against the Broncos. His only loss to them came in Week 8 last season, when he threw two interceptions and no touchdowns and also lost a fumble in a 24-9 defeat in Denver.
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Can the Broncos make it two in a row? Cornerback Pat Surtain II said this week, “It’s a good opportunity for us to showcase what we’ve got,” and if anyone’s up to the challenge of stopping Mahomes, it’s Surtain, who is regarded as the top cornerback in the NFL.
Denver’s greatest concern, however, might be its own offense versus Kansas City’s defense. Rookie quarterback Bo Nix has delivered bright spots this season, but this week he must face the unit led by mastermind Steve Spagnuolo. Spags makes life difficult for most quarterbacks, but his defenses tend to feast on rookie quarterbacks in particular. Since 2019, Spagnuolo owns an 11-1 record against rookie quarterbacks, and his Chiefs have gone 5-0 at home against Denver during the same span. Spagnuolo will send all kinds of pressures, disguise coverages and plant seeds of doubt in Nix’s mind. How will Payton equip his rookie to deal with the challenge? (Broncos at Chiefs, 1 p.m. ET Sunday.)
Rookie Marvin Harrison Jr. has helped turn the Cardinals’ tide. (Matt Kartozian / Imagn Images)
4. Arizona Cardinals’ rise
Is it time to start viewing the Cardinals in a different light? Considered non-factors in the NFC West after a 1-3 start to the season, the Cardinals have since won four of their last five, including three straight, to improve to 5-4. Arizona is now atop the division standings as it hosts the New York Jets on Sunday.
An authoritative 41-10 victory over the Rams in Week 2 was the only early-season highlight for Arizona. But after a 42-14 loss to the Commanders, Jonathan Gannon’s team rebounded with a 24-23 win at San Francisco in Week 5. They lost to the Packers in Week 6, but back-to-back comeback victories over the Chargers and Dolphins preceded a convincing win over the Bears last week, and now the Cardinals find themselves as the only NFC West team with a winning record.
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There’s a lot to like about this team. Quarterback Kyler Murray is doing a good job of taking care of the football while distributing it to a diverse cast of weapons that include tight end Trey McBride and wide receivers Marvin Harrison Jr. and Michael Wilson. Harrison, a rookie, has shown flashes of dominance (his six-catch, 111-yard performance in Week 8 carried Arizona to victory over Miami). Running back James Conner ranks sixth in the NFL in rushing. Defensively, the Cardinals have displayed improvement and hope to receive a boost with their trade for Baron Browning.
While Arizona appears to be trending in the right direction, the Jets have endured a challenging season and lost five straight before last week’s win over Houston. Aaron Rodgers, Garrett Wilson and Adams lead the Jets offensively, but the unit has yet to live up to expectations. New York’s defense has surrendered 330-plus yards in three of its last four games under interim head coach/defensive coordinator Jeff Ulbrich, who replaced the fired Robert Saleh. The Jets’ biggest weakness is stopping the run, so a heavy dose of Conner and fellow backs Trey Benson and Emari Demercado with Murray sprinkled in could help pave the Cardinals’ way to success. (Jets at Cardinals, 4:25 p.m. ET Sunday.)
5. Detroit Lions: Ripe for an upset?
On one hand, the Lions — with a 7-1 record and riding a six-game win streak — are one of the hottest teams in the league. Much of the time, they look like the best team in the entire NFL. But could Dan Campbell’s imposing group be upset Sunday night at Houston?
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Jared Goff is leading the NFL with a completion percentage of 74.9 and in recent weeks has completed 100, 72, 88, 80 and 81.8 percent of his throws for 11 touchdowns and no interceptions. The Lions can win pretty. They can win ugly. Detroit’s defense is among the best in the red zone, allowing touchdowns only 43.48 percent of the time (fourth best) and only 37.5 percent in the last three games combined.
The Texans are coming off a bye, however, and although Las Vegas has them as 3 1/2-point home underdogs, DeMeco Ryans’ boys are 3-0 when boasting a rest advantage from a bye or mini-bye. Offensive production has dipped recently for the Lions (225 yards against Tennessee in Week 8 and 261 against Green Bay in Week 9). Meanwhile, Detroit’s defense has allowed at least 130 rushing yards in four of its last five contests. Texans quarterback C.J. Stroud will command plenty of attention, and not having his top two receivers will hamper his efforts. Running back Joe Mixon has five 100-yard performances in six outings this season, however, and could exploit Detroit’s weakness in this department and position his team for a strong outing. (Lions at Texans, 8:20 p.m. ET Sunday.)
(Top photo: Joe Sargent / Getty Images)
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Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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