Culture
NBA free agency: Russell Westbrook, Quentin Grimes and the odd situations that loom
Get ready for a different kind of free agency this summer: Less wild, perhaps, but weirder.
At first, the 2025 NBA free-agent class doesn’t exactly overwhelm you with front-line talent. This isn’t the year for superstars holding meetings in the Hamptons while teams wait on pins and needles for franchise-altering decisions. Only one likely All-NBA selection can become a free agent this summer, and that one (the Los Angeles Lakers’ LeBron James) isn’t going anywhere. The next-best potential free agent, the Dallas Mavericks’ Kyrie Irving, turns 33 soon and just tore his ACL.
However, what the free-agent class lacks in superstar talent, it makes up for in sheer quirkiness. Between the most recent collective bargaining agreement, some existing rules that rarely came into play before and several players massively outplaying small contracts, this summer could offer some real financial puzzles for front offices.
Here’s a preview of some of the more interesting conundrums as we truck toward the offseason:
Ty Jerome’s unlikely breakout
Jerome might have the best value non-rookie contract in the league; the Cleveland Cavaliers’ breakout super sub only makes $2.56 million after signing a two-year deal with the Cavs in 2023.
The issue this summer is that the Cavs only have early Bird rights on him as a free agent because of that two-year deal. Nobody ever considered the possibility that Jerome would be so awesome that “only” being able to pay him $14 million next season would make him a potential flight risk, but here we are.
Jerome is having one of the most unlikely breakout seasons in league annals, suddenly emerging in his sixth season out of Virginia (wahoowa!) as a serious contender for both the Sixth Man of the Year and Most Improved Player awards. He’s shooting 41.8 percent from 3 and an unfathomable 55.6 percent from floater range, boasts the league’s 10th-highest steal rate among players with at least 1,000 minutes, averages nearly three assists for every turnover and has compiled a 20.1 PER for a team that’s a phenomenal 56-13.
Knowing the Cavs can only get to $14 million, if you’re a team like the Brooklyn Nets or Chicago Bulls that has some cap space this summer, is it out of the question to offer Jerome $20 million a year? He’s 27, so his next deal would pay him for his prime years.
The cap rules on paying Jerome are only half the problem for Cleveland. The other half is … what if he re-signs? Locking up Jerome at that $14 million number becomes a very expensive proposition for the Cavs, who are plunging deep into the luxury tax next year regardless because of Evan Mobley’s likely supermax extension.
Paying Jerome market-rate money on top of that would blast Cleveland way past the second-apron threshold. While it’s possible other trades could soften the blow (what would you give me for a lightly used Isaac Okoro?), it’s clear Jerome’s unlikely success has added another layer to what was already a tricky cap problem facing Cleveland.
Could he take a cheapo one-plus-one deal that would let the Cavs pay him as a Bird rights free agent a year from now? That might be the only palatable endgame from Cleveland’s side, but it’s tough to ask a guy who has never been paid to wait another year for his bag.
Ty Jerome has taken a major leap in Year 6. (Gary A. Vasquez / Imagn Images)
Russell Westbrook’s option
Westbrook is thriving in Denver, yet he and the Nuggets face a very interesting fork in the road. He has a player option for 2025-26 for $3.5 million, and he’s pretty clearly worth massively more than this, at least to the Nuggets. That’s good news for this season but bad news once we get to the summer.
Westbrook opting out feels like a no-brainer, but Denver has few mechanisms for paying him much more. The best possibility is probably to use its taxpayer midlevel exception, which would cap the Nuggets at the second apron but would allow them to pay Westbrook a projected $5.7 million in 2025-26. A two-year deal with a player option would let him opt out of that contract again in 2026 to get more jelly as an early Bird free agent.
Anything more than $5.7 million requires some serious digging. For instance, getting to the point where the Nuggets could pay Westbrook some or all of the projected $14.1 million nontaxpayer midlevel exception would require the Nuggets to shed about $10 million in other salaries to get themselves below the first apron.
That would most likely be accomplished by trading Dario Šarić (who, incredibly, was signed for more money than Westbrook last summer) and Zeke Nnaji (who is playing better of late but still owed $23 million over the next three years). The Nuggets, however, have no draft picks left to incentivize a trade, because they’ve already used so many to offload other bad contracts. They can trade their two 2032 picks after the draft, but do they really want to ditch those picks already? At what price point is it worth just trying to find their next Westbrook?
Jake LaRavia’s contract ceiling
The Sacramento Kings acquired LaRavia from the Memphis Grizzlies with a second-round pick at the trade deadline, a needed piece in a lineup that lacked size at the forward spot.
The conundrum for Kings fans is that they want a “Goldilocks” LaRavia … one who plays well but not too well. As a result of Memphis declining his fourth-year option for 2025-26 this past fall, LaRavia is limited in free agency to re-signing for that declined fourth-year salary of $5,163,127. That limit carried over in the trade; neither Memphis nor Sacramento can pay him more than this but 28 other teams can.
That puts Sacramento at a disadvantage in free agency, but the Kings have a way to get that advantage back if LaRavia doesn’t play too well. The Kings could give him a two-year deal with a second-year player option that starts at that $5.16 million figure; he could then opt out of the second year in 2026 if he has a good year and would have full Bird rights with the Kings and be able to re-sign for any amount.
Obviously, that goes out the window if somebody drops a full midlevel exception offer on him this summer, but thus far, it seems like LaRavia will thread the needle where nobody values him at that amount.
Guerschon Yabusele’s minimum
The Dancing Bear hasn’t played quite as well as Westbrook, but he’s in a similar situation: Playing well enough on a short deal for a taxed-out team that keeping him will be a bit of a pickle.
Yabusele is on a one-year minimum deal; he has non-Bird rights, and the most he can get from Philly without using exception money is a 20 percent raise on his minimum for next year, or $2.85 million. His market value seems pretty clearly more than that, although there is a glimmer of possibility that the Sixers could get him to sign a one-plus-one deal that lets him try free agency again next summer.
As with Westbrook above, the cleanest solution would be for the Sixers to re-sign Yabusele with their taxpayer midlevel exception of $5.7 million. The problem is that it would cap the Sixers at the second apron, and they might need that money for…
Quentin Grimes, superstar
One of the most bizarre situations in the league is happening in Philadelphia right now, where the Sixers are simultaneously navigating a tank job to possibly keep a top-six protected pick and a contract push from Grimes as he hits restricted free agency. A low-usage role player in his first three seasons, Grimes had stepped things up a bit in 47 games in Dallas this season, but he didn’t really blow up until he got to Philly at the trade deadline.
On a denuded Sixers roster with three injured All-Stars, Grimes has averaged 21.8 points while making shots from everywhere — he’s shooting 39.5 percent on 3s and 60.1 percent on 2s, the latter a fairly incredible figure for a 6-foot-5 guard with middling athleticism.
At some point, you figure he’ll cool off a bit, but even after regressing his shooting to the mean, the stat line is impressive. (He’s also increased his rates of rebounds, blocks, steals and assists. Dude is balling.)
What does that mean for Grimes this summer? Being a restricted free agent might limit the market, but given the Sixers’ position vis-a-vis the luxury tax and aprons, teams might also be tempted to test the Sixers’ willingness to spend by dropping a big offer sheet. It could actually tempt a rival team to spend more, in the hopes of creating such a poisonous sheet that the Sixers run away shrieking. Right now, Brooklyn is the only team in a strong position to do this, but things can change before July 1; Grimes will only be 25 this summer, so as with Jerome above, a team would be buying his theoretical prime.
That takes us to the other aspect of Grimes’ situation. Paying him something on the order of $20 million a year would take the Sixers right to the second-apron line, assuming their three players with options choose to pick them up. (Kelly Oubre, Andre Drummond and Eric Gordon have player options worth a total of $17 million; none set hearts aflame with their play in 2024-25.)
That is, unless the Sixers keep their pick, which would add several million to their cap number (the fourth pick will make $8.4 million, for instance) and tighten the screws in other places. In particular, it would seemingly be very difficult to keep both Grimes and Yabusele at their market rates with a top-six pick in the draft.
This takes us back to the tank. The Sixers are in quite a “race” with Toronto and Brooklyn for the fifth- through seventh-worst records in the league, with the three teams resorting to increasingly impressive hijinks to, um, keep up … except that Philly keeps playing Grimes. The Sixers have gone 4-17 since Feb. 4, but Grimes singlehandedly delivered one of the wins (a 44-point masterpiece against the Golden State Warriors) and nearly pulled out another when he hung 46 on the Houston Rockets in an overtime loss.
The difference between fifth and seventh might not seem like much, but it literally doubles the Sixers’ odds of keeping the pick (from 31.9 percent to 63.9 percent). If Grimes leads them to enough wins that the Sixers don’t keep the pick, there’s more money left to pay him!
Malik Beasley, shooting star
I’m not sure what the Pistons’ plans were for their non-max trove of cap space this summer (roughly $25 million), but I’m guessing “using it all to re-sign Malik Beasley” wasn’t anywhere on the list when they were mapping out scenarios last fall.
That was before Beasley basically turned into Stephen Curry from beyond the 3-point line. No, seriously. Beasley’s 16.2 3-point attempts per 100 possessions this season are second only to Curry’s 16.9, and Beasley has knocked down an incredible 41.9 percent of them.
Wait, it gets better: Beasley’s 6.8 3-point makes per 100 are the most ever for a player not named Curry — Steph has beaten it four times, but James Harden in 2018-19 is the only other player to reach 6.5 in a season of 1,500 or more minutes.
This, obviously, has made Beasley a very valuable player. Beasley signed a one-year deal worth $6 million last summer; there is no scenario where the Pistons can keep him for anything close to that. At a bare minimum, they would seemingly need to pay him the full nontaxpayer midlevel exception of $14.1 million; even if that contract didn’t require cap room, it would essentially nuke any cap-room scenarios for Detroit.
Fortunately, Detroit’s books are in a strong enough position that retaining Beasley should be fairly straightforward; the only question is deal length and player options. Would Beasley rather have a short deal with a player option to get more bread a year from now, or would he prefer the security of a longer deal?
Malik Beasley is having a season for the ages from 3. (Rick Osentoski / Imagn Images)
Moe Wagner and Orlando’s tight tax
The Magic have the full allotment of 15 players under contract for next season, have four draft picks this June and are $11 million over the projected tax line. All of that would make it seem unlikely that they would pick up Mo Wagner’s $11 million team option, especially since he’s out with a torn ACL.
However, all may not be as it appears. Wagner is a highly-valued player in Orlando, and not just because he’s the brother (and housemate!) of Magic star Franz Wagner; his injury more or less marked the turning point in the Magic’s season. (They were 18-12 at the time and 14-25 since.)
For one, the Magic have other options they can decline to get the roster down to reasonable size. Declining options on Gary Harris and little-used Cory Joseph and Caleb Houstan would put them under the projected tax (at least until the draft picks put them back over) and open enough roster breathing room to bring back Wagner. Also, because the Magic would retain Bird rights on him, a cheap one-year deal with a second-year player option could be a palatable option for both sides; he could have his “rehab year” then get paid off his work in the second half of the season when he returns.
Either way, declining the option seems like the only play for Orlando. The question is what the Magic can do to retain somebody they would prefer to keep amid a tricky cap environment and a roster that, once Paolo Banchero’s likely max extension hits in 2026, will become fairly expensive.
Lakers decline-and-sign pathway
This little trick is likely to come up in the case of several teams dancing the first-apron tightrope, most notably with the Lakers and Dorian Finney-Smith.
The idea is that L.A. can get Finney-Smith to decline his player option for $15.4 million for 2025-26 in return for re-signing on a longer deal for less money. The risk of overpaying on the back end of the deal (Finney-Smith turns 32 this summer) is offset by managing the immediate tax situation by shaving a few million off his 2025-26 cap number.
The motivation for L.A. would be to leave enough wiggle room under the first apron to either use its nontaxpayer midlevel exception to sign a real center or to trade for one. It’s a tight squeeze right now, even if the Lakers decline Shake Milton’s $3 million nonguaranteed deal. They might even consider stretching Maxi Kleber’s $11 million to generate the necessary space, especially since they’re running out of draft picks to put into trades to incentivize a deal. (I’ll also note this option exists for James as well; there is no rule requiring him to sign for the max, and he actually took a slight haircut on that amount last summer to keep L.A. below the second apron and allow it to aggregate salary in trades. That decision has worked out very well, based on recent events.)
The Minnesota Timberwolves could potentially go this route, too, with Julius Randle, who has a $31 million player option for next season with incentives that could raise the value. Locking in a lower number for Randle on a long-term deal might make it easier to keep Naz Reid in free agency and still make Minnesota’s tricky cap math work in future seasons.
And then there are the Rockets. Houston has a similar issue with Fred VanVleet, except it’s a team option instead of a player option, so the Rockets have a lot more control over the situation. VanVleet is due $44.9 million next season, one where the Rockets are likely to push into the tax. Things don’t get any easier in the future, as their talented young players need to be paid (most notably Amen Thompson in the summer of 2027), but 2025-26 is a squeeze point unless VanVleet’s cap number goes way down.
Thus, locking in VanVleet at a lower number for a longer tenure has a lot of advantages for Houston. However, there’s a case to be made that the Rockets could go the complete opposite route by opting to pay him the $44.9 million, in return for extending his contract at a much lower number in the out years. That concept trades a single year of pain in 2025-26 in return for making the salary structure more manageable in the out years when Houston’s other young players will be ready to get paid. It’s a fascinating puzzle for the Rockets with no clear answer, beyond the obvious one that Houston still very much needs to keep VanVleet one way or another.
Decline-and-sign, discount version
Finally, you may have noticed an unusual number of players this season were signed off two-way deals into two-year contracts with second-year team options.
There’s a reason for that: The teams can decline the option and, as non-Bird free agents, re-sign the player to a much longer four-year deal worth up to 20 percent over the minimum. Given the limited likelihood of a bidding war on players of this ilk (and the protection of restricted free agency, just in case), it’s a good way for teams to play their hands. This is particularly true for those teams that either don’t have access to their nontaxpayer midlevel exception or want to save it for potential use at the trade deadline.
This category includes several rookie two-way players who have since been promoted to roster deals, such as Oklahoma City’s Ajay Mitchell, Golden State’s Quinten Post, New York’s Ariel Hukporti and Philadelphia’s Justin Edwards. All are likely looking at summer “decline-and-sign” situations that end with them returning to their present teams on three- or four-year deals at or near the minimum. (One slight exception: Mitchell got $3 million out of the Thunder’s room exception money and thus can sign for a starting salary of as much as $3.6 million if the option is declined.)
(Top photo of Russell Westbrook: Katelyn Mulcahy / Getty Images)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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