Connect with us

Culture

Men’s NCAA Championship 2025: What to know about Florida, Houston

Published

on

Men’s NCAA Championship 2025: What to know about Florida, Houston

The men’s NCAA Tournament started with 68 teams and plenty of March Madness dreams.

Three weeks and 66 games later, we’re set for Monday’s national championship game, where the fun will come to its conclusion as Florida and Houston meet in San Antonio.

It’s been an interesting and unusual tournament, one notably short on Cinderellas and decidedly heavy on big-conference dominance. All four No. 1 seeds reached the Final Four, and now we’ll have a title game featuring two of them, plus a nice selection of future NBA stars.

It’s the SEC vs. the Big 12. It’s a battle between a young, up-and-coming coach and a well-traveled veteran who might have his best team ever. And it’s a matchup of teams loaded with depth and star power.

As far as betting odds go, Florida is an early 1.5-point favorite, per BetMGM.

Advertisement

Florida-Houston will air Monday at 8:50 p.m. ET on CBS.

If you’re new to the madness, here is an overview of the last two teams standing.

Florida (35-4)

The Gators will be looking to secure their third national championship, their first since Billy Donovan guided Florida to back-to-back championships in 2006 and 2007.

Florida got here by topping Auburn 79-73 in a tight, hard-fought Final Four matchup that included 15 lead changes and 10 ties. Star guard Walter Clayton Jr. dropped a career-high 34 points to lead the Gators, becoming just the 15th player in the modern era (1984-85) to score 30 or more in a men’s Final Four game. He is the only Florida player on that list.

Advertisement

Florida trailed Auburn, the top overall seed in the tournament, by 8 points at halftime before raising its game in the second half, just like it did against Texas Tech in the Elite Eight and vs. UConn in the second round.

Clayton scored 20 of his 34 points in the second half — including a three-point play with 93 seconds left that gave Florida a crucial six-point cushion.

This is coach Todd Golden’s first appearance in the championship game, and it comes in just his third season leading the program.

The Gators are on an 11-game winning streak, winning the SEC conference tournament and then carrying that momentum through the Big Dance. Florida is undefeated outside of SEC play, having only lost to conference rivals Georgia, Tennessee, Kentucky and Missouri.

Florida has a deep roster, having entered the Final Four with five players averaging at least 9.8 points per game. But Clayton has been the Gators’ go-to guy late in this tournament. Before his huge Final Four game, the 6-foot-3 senior scored 30 points — 8 of them in the final 107 seconds — in a win over Texas Tech in the Elite Eight. It’s no shock that he has drawn comparisons to NBA star Steph Curry.

Advertisement

Houston (35-4)

Houston is appearing in the national championship game for the third time, though the Cougars are still seeking their first title. Houston’s other two appearances came in 1983 and 1984, when it lost to NC State and Georgetown, respectively. Hakeem Olajuwon played on both of those teams, and Clyde Drexler played alongside Olajuwon on the 1983 squad.

Houston got here by taking out Duke with a dramatic late comeback in the Final Four. The Blue Devils led 64-55 with 3:04 remaining, but the Cougars held Duke to three points — all on free throws — from there as they put together a furious rally and came away with a 70-67 victory. L.J. Cryer, a transfer from Baylor, led Houston with 26 points while shooting 6-for-9 from 3-point range. Duke, which missed eight of its last nine shots, was led by star freshman Cooper Flagg. He topped all scorers with 27 points but was held to 8-for-19 shooting from the field.

Led by coach Kelvin Sampson, the Big 12 Conference champions are known for their defense, leading the nation by allowing just 58.3 points per game. But this version of the Cougars can also fill it up, thanks to a versatile roster that has four players who average double figures in scoring.

Advertisement

Before facing Duke, Houston had it tough in the Midwest region, having to knock off No. 2-seeded Tennessee (69-50), No. 4-seeded Purdue (62-60), No. 8-seeded Gonzaga (81-76) and No. 16-seeded SIU Edwardsville (78-40).

Houston has lost only once since the start of December, an overtime loss to Texas Tech on Feb. 1. Sampson has been to the Final Four three times, but this is his first visit to the championship game.

(Photo: Jamie Squire / Getty Images)

Advertisement

Culture

Finding Wisdom in a Poem by Wendy Cope

Published

on

Finding Wisdom in a Poem by Wendy Cope

Advertisement

Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?

How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.

Good poets know the rules and when to break them, which is something they can teach the rest of us.

Advertisement

To wit:

Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?

Advertisement

I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.

Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.

Advertisement

Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.

This isn’t the kind of poetry you would describe as “confessional.” And yet …

Want to learn this poem by heart? We’ll help.

Advertisement

Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.

Question 1/7

Let’s start with the first stanza.

Advertisement

Stop, if the car is going clunk 

Or if the sun has made you blind. 

Dont answer emails when youre drunk. 

Advertisement

Tap a word above to fill in the highlighted blank.

Advertisement

Continue Reading

Culture

Can You Match the Places These Authors Lived With Settings in Their Books?

Published

on

Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

Continue Reading

Culture

Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

Published

on

Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

Advertisement

It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

Advertisement

Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

Continue Reading
Advertisement

Trending