Culture
Mauricio Pochettino aims to bolster belief as USMNT role takes him outside his comfort zone
The question came 20 minutes into Mauricio Pochettino’s introductory press conference as U.S. men’s national team coach; the first query of the event in his native Spanish.
“It’ll give me a break,” Pochettino joked at the chance to rest his English.
“What was the challenge that made you want to take the U.S. job?” the journalist asked.
The question got to the root of an issue that hovered over the entire event at a glitzy high rise in New York City’s Hudson Yards development. Why would a manager with such a massive reputation see this as his next step?
The 52-year-old former Tottenham, Paris Saint-Germain and Chelsea manager spoke first about the feeling he had meeting with U.S. Soccer executives, and then about the great potential of the sport in the U.S. Then he got to the task at hand: taking the USMNT to a different level.
“It’s a challenge that takes us out of our comfort zone,” Pochettino said in Spanish, smiling. “For us, the easy thing to do is take on things we already know, and we already have a quick vision and an idea (of how to accomplish it). But here it is about taking on something one does not know as well; getting out of your comfort zone so that you can challenge yourself.
“It is not only about a challenge to achieve things together but also about challenging yourself.”
CEO of U.S. Soccer JT Batson, technical director Matt Crocker, Pochettino and president Cindy Parlow (Luke Hales/USSF/Getty Images for USSF)
Whether knowingly or not, Pochettino put himself on a parallel path with his new team. For several cycles, the idea of “getting out of your comfort zone to grow” has been a part of the USMNT’s journey toward improvement. The idea dates back to Jurgen Klinsmann’s era, but it was also discussed often by former coach Gregg Berhalter.
But the idea is about more than just going to Europe to play for the biggest clubs. It is about understanding how to find the right challenges that force you to grow. To get better.
That Pochettino sees this job as a challenge for his own growth was, perhaps, the most important takeaway from Friday’s press conference. The U.S. needed a new voice to push them to take that next step, beyond potential and into results. They will now begin that journey with a coach who has a bigger reputation than anyone else in the room but who is seeking that same type of growth.
Pochettino came across as charming, excited and motivated in the press conference. He spoke about how happy he was to be with the U.S., about the honor of being the first Spanish-speaking Latin American coach in the history of the program, and of his connection with U.S. women’s coach Emma Hayes and the potential influence the winning history of the USWNT can have on the men’s program.
He told a story about learning the English-language term of being “over the moon” in his early days as manager of Southampton in the Premier League and said he and his family are over the moon that he has taken this new job.
That he switched back and forth between English and Spanish was, in itself, a historic moment and representative of how this hire creates an unprecedented opportunity for U.S. Soccer to reach this country’s massive — and growing — Latino population.
Pochettino clearly understood, though, that reaching fans, both new and old, will come down to one thing: winning.
Pochettino is presented to the media at Hudson Yards (Luke Hales/USSF/Getty Images for USSF)
Several times over the course of the morning, Pochettino returned to a simple idea that he thinks can push this team forward: belief. He said the word “believe” a dozen times over the course of the hour-long event. For a coach famous for his ability to inspire a dressing room, it hinted at the way he’ll target mentality and psychology as much as he will tactics.
“’Believe’ for me is a word that is a powerful word,” Pochettino said. “You can have enormous talent and you can be clever, but in football, you need to believe. Believe that all is possible. If we find a way to believe all together, then for sure we will achieve.”
Later, he reinforced that idea with his sights set on the World Cup tournament the U.S. will co-host with Mexico and Canada in two years’ time.
“We need to really believe in big things,” Pochettino said. “Believe that we can win not only a game, we can win the World Cup. … We want players that show up, day one at the training camp, and think big. That is the only way to create this philosophy or this idea all together to perform and to put your talent in the service of the team. That is going to be our massive challenge.”
Bringing that belief back will be first on his to-do list as the USMNT coach.
The U.S. was clearly lacking confidence in the September window, something Pochettino said was understandable considering the results in the Copa América. The performances in a loss to Canada and a draw with New Zealand only magnified the issues within the group. Pochettino, though, didn’t seem overly concerned with the overall culture of the group, alluding then to the idea of tapping into the “winning mentality” that permeates American sports and taking inspiration from the winning culture the U.S. women have long demonstrated.
“We are here because we want to win,” Pochettino said.
The video board announces Pochettino’s appointment at the friendly against New Zealand in Cincinnati (John Dorton/ISI Photos/USSF/Getty Images)
There were, of course, ideas about how to play discussed as well.
“We are in the USA,” Pochettino said. “I think to convince our fans, this is about to attract (them), and the aesthetic is really important. We want to play nice football, good football, exciting football, attacking football. And then, of course, we want to have the possession, because we are coaching staff also with a philosophy to have the ball. We need to run, we need to move, we need to give options, good angles to your team-mate. … And then when we don’t have the ball we need to run, we need to be aggressive, we need to be competitive.
“The potential is there. The talent is there. It’s only to create the best platform for them to express themselves.”
While Pochettino acknowledged that those are the trademarks of his team, he also said he wants first to get a feel for his players before he declares how this U.S. team will play.
That process will start in the coming days, as Pochettino inevitably goes to sit and meet with members of the player pool, chief among them star winger Christian Pulisic. Pochettino said he wants to hear from members of the team individually, to get feedback on how they see things. Then he will gather the group together for the first time next month for friendlies in Austin, Texas and Guadalajara, Mexico.
The process to get a deal over the line has been a long one, stretching more than two months from the beginning of recruitment to his formal introduction. Pochettino admitted it was difficult to wait it out. He was ready to get to work.
Now, the clock has started. The U.S. has less than two years until the World Cup and a mountain to climb to be ready. They have a coach, though, that few would have imagined would take this group into that tournament.
A coach who now will try to inject belief into and around this team.
GO DEEPER
How USMNT landed Pochettino: Hayes’ role, Chelsea delays and Argentine steak
(Top photo: Luke Hales/USSF/Getty Images for USSF)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
-
Iowa4 days agoAddy Brown motivated to step up in Audi Crooks’ absence vs. UNI
-
Washington1 week agoLIVE UPDATES: Mudslide, road closures across Western Washington
-
Iowa5 days agoHow much snow did Iowa get? See Iowa’s latest snowfall totals
-
Maine2 days agoElementary-aged student killed in school bus crash in southern Maine
-
Maryland4 days agoFrigid temperatures to start the week in Maryland
-
South Dakota4 days agoNature: Snow in South Dakota
-
Technology1 week agoThe Game Awards are losing their luster
-
Nebraska1 week agoNebraska lands commitment from DL Jayden Travers adding to early Top 5 recruiting class