Culture
Lazerus: Facing elimination, Hurricanes have organizational soul-searching to do
RALEIGH, N.C. — This column won’t be fair. Not really. Not when a bounce here, a whistle there, a lucky break somewhere, anywhere, could have changed the entire complexion and narrative of this series, of this team, of the very perception of this organization. Not when this team has looked so strong at five-on-five, not when the ephemeral nature of special teams is the root cause of its current ills, not when every game it plays — and every damn game it loses — seems to be decided by one goal, one shot, one deflection. Not when this team has enjoyed the longest sustained run of success in the history of the franchise.
But we need to talk about the Carolina Hurricanes.
Not in the same sentence as the Toronto Maple Leafs — that’s too harsh, too melodramatic. But in the same paragraph.
Because it’s not working. It hasn’t worked. And it appears it won’t work.
You know by now what the Hurricanes are all about. Depth over elite finishers. Quantity of shots over quality. Relentlessness over resourcefulness. Goaltending that’s always good enough, never great enough. It works so beautifully, so majestically, from October through April. But it hasn’t worked in May, and they haven’t even made it to June.
Carolina is an organizational marvel, one of the best-run and most forward-thinking front offices in the league. The Hurricanes have built a monster, a team that’s so deep, so fast, so effective, so ferocious on the forecheck. They win battles. They retrieve pucks. They wear down opponents. They won the NHL’s rough-and-tumble Metropolitan Division three years in a row before getting barely edged out by the Presidents’ Trophy-winning New York Rangers this season by 3 points. They’ve finished among the top three teams in the league in each of the past four seasons. The analytical models adore them, the bettors favor them, and the hockey men and computer kids alike respect them.
Then the playoffs come around, and, well, this happens.
The Hurricanes are on the brink again, trailing their second-round series against the Rangers 3-0 after Artemi Panarin’s acrobatic tip-in 1:43 into overtime Thursday night gave New York a 3-2 victory. It was a gut-wrenching way for Carolina to lose, especially after Andrei Svechnikov scored the equalizer with 1:36 left in regulation, sending the cacophonous PNC Arena into absolute bedlam. It felt like that could be a turning point in the series. Instead, it just became another turn of the knife.
HAVE A GAME, ANDREI! pic.twitter.com/6jfaD9Af6H
— Carolina Hurricanes (@Canes) May 10, 2024
It was just as cruel in Game 2 on Tuesday night, when the Hurricanes lost in double overtime at Madison Square Garden. And when they lost 4-3 in Game 1. And when they lost all four games of last season’s Eastern Conference final against the Florida Panthers, each by one goal, two of them in overtime, one of them in quadruple overtime, the sixth-longest game in NHL history. Their last eight postseason losses have come by one goal, five in overtime.
Always chasing one more goal. Always trying to get over the hump. Never quite getting there.
“It’s a little bit of a broken record,” Canes captain Jordan Staal said quietly Thursday night. He was talking about another game in which special teams — such a strength all season — betrayed Carolina. The league’s second-best power play went 0-for-5 for the third straight game. The Hurricanes even allowed a short-handed goal to Chris Kreider and two more prime short-handed chances on top of that.
But Staal could have been talking about the bigger picture, too. Because we’ve seen this May frustration too many times now.
If you count the Play-In round of the 2020 bubble playoffs, Carolina has won a postseason round in six straight seasons. It’s the kind of sustained run of competitiveness that most of the league would do anything to attain. But Carolina hasn’t won a single game beyond the second round in those six seasons, swept in the Eastern Conference final in 2019 and 2023. The Hurricanes Way works extremely well in the regular season. It makes quick work of wild-card-level playoff teams, such as the New York Islanders the past two seasons.
But against other elite teams — the ones with all-world players such as Panarin, or Matthew Tkachuk and Aleksander Barkov, or Nikita Kucherov and Brayden Point, and all-world goalies such as Igor Shesterkin or Sergei Bobrovsky or Andrei Vasilevskiy — they come up just short. Agonizingly short. So short that it feels like a toss-up every time, that it feels unfair to hold those losses against them, that it feels like the hockey gods are just toying with them in their own cruel way.
But still short. Always short.
And so Hurricanes coach Rod Brind’Amour can say ad nauseam that he has loved Carolina’s five-on-five game against the Rangers. He should. The Hurricanes were the better team at evens in all three games. And we can point to Pyotr Kochetkov’s brilliant pokecheck of a Kreider breakaway in the final minute of regulation or any number of Frederik Andersen saves in the first two games. And we should. Both goaltenders were solid. And we can point out that Carolina acquired the finisher it’s always lacked in Jake Guentzel and that he has scored three goals in the past two games. And we should. He’s been as advertised.
But eventually, trip-ups become a trend, stumbles become a signature. And though the extremity of each situation varies wildly, the Hurricanes find themselves in a similar situation to the Maple Leafs, who have turned “run it back” into a punchline, running into a brick wall spring after spring after spring. The Canes are better than the Leafs. The Canes have accomplished more than the Leafs. The Canes are built as the polar opposite of the star-laden, top-heavy Leafs. But the Canes have won the Stanley Cup as many times as the Leafs. That’s what it’s about, right? Both have been constructed to win championships. Neither has come all that close.
Toronto fired coach Sheldon Keefe on Thursday. Carolina obviously won’t be doing the same with Brind’Amour, one of the best coaches in the league. He’s due a new contract, but it’s unfathomable for the franchise icon to be behind the bench anywhere else. He’ll be back. But Carolina can rethink things. The top duo of Sebastian Aho and Svechnikov are locked up long-term, but the roster is rife with pending free agents. General manager Don Waddell will have the kind of cap flexibility most contenders can only dream of. Waddell can pursue more high-end talent up front and maybe in goal. Brind’Amour can tinker with his system, maybe loosening the structure and the strictures of Carolina’s dump-and-chase, funnel-pucks-to-the-net-from-anywhere-and-everywhere style and encouraging more creativity, more offensive boldness. Something. Anything. Because the Rangers attack the net. The Hurricanes just shoot at it.
Barring a historic comeback from a 3-0 deficit that renders this column and this narrative more moot than the foolish notion that hockey can’t thrive in a southern market, Waddell and Brind’Amour have to decide whether they, too, want to run it back. Or if it’s time for something different.
“It’s a new day tomorrow,” Staal said. “It’s gonna hurt tonight — won’t get much sleep. But we’ll have a new day tomorrow, and we’ll find a way to win one game. It’s been our model here for a long, long time.”
And it’s worked for a long, long time. Just not quite well enough. Just not when it matters the most.
(Photo of Martin Necas: Bruce Bennett / Getty Images)
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Florida college student who allegedly shipped 1,500 rounds of ammo to dorm had AR-15 under bed
Who was Nuno Loureiro? MIT professor gunned down in apartment near university
Detroit man to stand trial in ex-wife’s murder
Body cam footage released in South San Francisco police shooting
Change In Eagles’ Red-Zone Philosophy Opens Opportunities For Dallas Goedert
Florida High School Football Rankings: Top 25 teams – Oct. 21
Cleary's 21 help Le Moyne down Central Connecticut State 69-64 in OT
How old is Bo Nix? What to know about Oregon quarterback ahead of 2024 NFL Draft
99th annual Pony Swim held in Virginia
Video: ‘It Didn’t Have to Happen This Way:’ U.Va. Faculty Call for Review of Police Response to Protests
Texas Republicans launch ‘Sharia Free America Caucus’ aimed at defending ‘Western civilization’
UK police arrest four people for pro-Palestine ‘Intifada’ calls
BBC Verify Live: Fact-checking Trump’s unusual new White House presidential plaques
Border Patrol chief, progressive mayor caught on camera in tense street showdown: ‘Excellent day in Evanston’
European Parliament asks for EU funds to finance abortions abroad
-
Iowa4 days agoAddy Brown motivated to step up in Audi Crooks’ absence vs. UNI
-
Washington1 week agoLIVE UPDATES: Mudslide, road closures across Western Washington
-
Iowa5 days agoHow much snow did Iowa get? See Iowa’s latest snowfall totals
-
Maine2 days agoElementary-aged student killed in school bus crash in southern Maine
-
Maryland4 days agoFrigid temperatures to start the week in Maryland
-
Technology1 week agoThe Game Awards are losing their luster
-
South Dakota4 days agoNature: Snow in South Dakota
-
Nebraska1 week agoNebraska lands commitment from DL Jayden Travers adding to early Top 5 recruiting class