Connect with us

Culture

In NBA Finals, Celtics and Mavs face different challenges from what they just conquered

Published

on

In NBA Finals, Celtics and Mavs face different challenges from what they just conquered

Each NBA playoff series is its own distinct event, with no real continuity point between the end of one and the beginning of another.

The Minnesota Timberwolves, for instance, knocked off the defending champion Denver Nuggets, but that didn’t automatically make them kings of the hill; a series against the Dallas Mavericks in the next round posed a completely different set of challenges, and the Timberwolves’ roster was much less able to handle those. Similarly, the brave fight the Indiana Pacers put up against the Boston Celtics in the Eastern Conference finals tells us almost nothing about what might happen to Boston in a series against Dallas; aside from a proclivity for employing Rick Carlisle, Indiana and Dallas could hardly be less alike.

The Pulse Newsletter

Free, daily sports updates direct to your inbox. Sign up

Free, daily sports updates direct to your inbox. Sign up

Advertisement

BuyBuy The Pulse Newsletter

That’s a crucial morsel of knowledge to retain in the coming days, as we survey every possible angle in our extended break before the NBA Finals between the Celtics and Mavericks begins June 6. Dallas has won six of its past seven games, capped by its elimination of Minnesota on Thursday, while Boston has won 12 of 14 with a double-digit scoring margin.

Yet using those games as a predictive point for what might happen in the NBA Finals is a fatal flaw: The matchup for both these teams will be completely different from what they faced the round before. In that sense, it’s probably good that Dallas and Boston have a few days off to recalibrate. The formula for winning in the next round will be radically different.

go-deeper

GO DEEPER

Previewing the 2024 NBA Finals: Key storylines in Mavs vs. Celtics

Take the Celtics, for instance, who just finished a series against one of the most extreme teams in basketball and now need to adjust to a very different type of team at both ends. The Pacers’ defensive approach, in particular, is almost 180 degrees from that of Dallas. The Pacers gave up the fewest 3-point attempts in the league this season and were more than willing to allow drives to the rim as long as they shut off the 3-point line.

While they did this part imperfectly against the Celtics — Boston still launched 43 triples per game in the conference finals, right in line with its season totals — it’s still a radically different approach from what Dallas did in its three playoff rounds. The Mavs tried to protect the basket at all costs with rim protectors Dereck Lively II and Daniel Gafford, holding opponents to just 50.2 percent shooting on 2s in the playoffs entering Game 5 against Minnesota.

The Mavs didn’t give up a huge quantity of 3s overall, but there was a certain type they were willing to concede — pick-and-pop 3-pointers from opposing centers. The Clippers and Wolves didn’t have the starting personnel to hurt them here, but Dallas let Chet Holmgren and Jaylin Williams fire away for the Thunder (42 attempts in six games), while Minnesota backup Naz Reid ripped off 25 3-point attempts in 132 minutes in the conference finals.

Advertisement

Needless to say, this is a highly questionable strategy to pursue against the Celtics if Kristaps Porziņģis is healthy (he is expected to return for the NBA Finals). Porziņģis shot 37.5 percent from 3 this season on over six attempts per game, and many of his tries are from several feet beyond the 3-point line. For that matter, Boston big man Al Horford made 41.9 percent.

Dallas isn’t the only team that has faced this problem. Keeping rim protectors near the rim has been a vexing question for Boston opponents all season, one that has seen multiple original but unsuccessful solutions. Golden State, for instance, tried to put Draymond Green on Jaylen Brown, keep Green in the paint and dare Brown to shoot 3s in a March game. Brown made five 3s in the first seven minutes and was well on his way to breaking Wilt Chamberlain’s scoring record before the Warriors reconsidered.

I was at that game, and my column from that weekend delves further into the unique dilemmas presented by Boston’s superior shooting at every position. The short version: Teams that strive to take away 3s and live with basket attacks, like Indiana, are the only ones that have a chance against the Celtics. Sure, the Pacers gave up points, but they also beat Boston twice in the regular season and had them dead to rights in Game 1 of the conference finals before fate intervened … with a late 3-pointer.

Dallas, in contrast, was a middle-of-the-pack team in preventing opponent 3s and has played that way again in the playoffs. The Mavs’ big conundrum is figuring out how to contort a defensive strategy that was close to optimal for playing the Clippers, Thunder and Wolves and adapt it to playing a very different Boston team. Recent events don’t augur well on that front; when the Mavs marched into Boston with all their new trade pieces in March, they lost 138-110, with Boston shooting 21 of 43 on 3s.

Advertisement

The Celtics, however, have some adjusting of their own to do. Whereas Indiana ran the ball down their throat every possible chance with whomever had the rock, Dallas plays a much slower and more heliocentric style. Yes, the Mavs will run opportunistically, but compared to playing the Pacers, it will feel like switching from a techno rave to Gregorian chants.

Additionally, the player at the controls for Dallas is possibly the best offensive player in the league, and he’s operating against a defense that essentially has one weakness — not really being able to switch across five positions. We saw how that worked out for Minnesota, the league’s top-ranked defense. Can the Celtics really survive a series in drop coverage against 40-plus minutes of Luka Dončić and Kyrie Irving? Or do they need to get uncomfortable?

While the Celtics have more roster optionality (they could perhaps put Porziņģis on Derrick Jones Jr. to switch against Dallas’s pick-and-roll game with Lively and Gafford, for instance) and two All-Defense guards in Jrue Holiday and Derrick White, Dončić has seen and figured out every coverage.

Obviously, there’s a lot more to unpack here — Porziņģis and Irving revenge series! Luka’s first NBA Finals! Jayson Tatum’s shot at redemption! Reflections on the Grant Williams era! We’ll have plenty of time to get to it all, but it almost seems like a relief these teams have an intermezzo before this final round. Each will need it for a full tactical revamp.


Required Reading

(Photo of Luka Dončić and Al Horford: Maddie Meyer / Getty Images)

Advertisement

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

on

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

Advertisement

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

Advertisement

By ‘A Lady’

Jane Austen’s House, Chawton, England

Advertisement

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Advertisement

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

Advertisement

An Iconic Accessory

Advertisement

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Advertisement

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Advertisement

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

Advertisement

A Lady Unmasked

Advertisement

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Advertisement

Tony Cenicola/The New York Times

Advertisement

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Advertisement

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

Advertisement

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Advertisement

Aunt Jane

Advertisement

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Advertisement

Steve Parsons/Associated Press

Advertisement

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

Advertisement

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Advertisement

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

Advertisement

The Austen Industrial Complex

Advertisement

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Advertisement

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Advertisement

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Advertisement

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

Advertisement

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Advertisement

Peter Flude for The New York Times

Advertisement

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

Advertisement

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Advertisement

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Advertisement

Austen 101

Tony Cenicola/The New York Times

Advertisement

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

Advertisement

Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

Advertisement

Continue Reading

Culture

I Think This Poem Is Kind of Into You

Published

on

I Think This Poem Is Kind of Into You

Advertisement

A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

Advertisement

“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

Advertisement

We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

Advertisement

Louise Glück in 1975.

Gerard Malanga

Advertisement

But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

Advertisement

“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

Advertisement

Continue Reading

Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

Published

on

Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

Continue Reading

Trending